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Special Ops Sniper Rates 11 Sniper Scenes In Movies | How Real Is It?

Dec 22, 2021
Nicholas Irving: It's not happening. On the left? Good to go? My name is Nicholas Irving. I am a former Special Operations Sniper with the 3rd Ranger Battalion and currently a New York Times bestselling author. I spent six years in

special

operations and am known as The Reaper for 33 kills in a period of about three months in Helmand province, Afghanistan. Today we are going to see some

sniper

scenes

in the

movies

. Nobody

real

ly does that. ah no. His use of the equipment was very, very good. He's got his, you know, his pad to lie on, he's got his rangefinder, he can measure wind, barometric pressure, altitude, density altitude, his DOPE book.
special ops sniper rates 11 sniper scenes in movies how real is it
The word DOPE is an acronym for

sniper

s, and actually stands for data on previous engagements. So he can go back and refer to all these things that he engaged in before that and have, like, a good point of reference. He applied all of his DOPE on his data at the very reach. I rarely see that in

movies

, where, you know, he applies elevation and windage. The impossible part of all this was the shot itself. The train is moving too fast. You have to, you know, defeat gravity somehow. So you're aiming straight up, and the bullet falls almost straight down at that distance.
special ops sniper rates 11 sniper scenes in movies how real is it

More Interesting Facts About,

special ops sniper rates 11 sniper scenes in movies how real is it...

And shooting through glass, glass panels, angled glass, and different types of glass can deflect and alter the flight of the bullet. You would have to be a very, very, very, very lucky guy or, after that, get up and walk on water. But now that I see it, I almost want to fake it, but it's kind of, you know, it would be almost impossible to fake. I can't find a target moving at the speed of a bullet train. Yeah, so this is a very basic bolt action rifle. remington Fires a round of 6.5 Creedmoor. Rounds very, very fast.
special ops sniper rates 11 sniper scenes in movies how real is it
Small gauge, but I use it essentially for the speed of it. I use it to defeat the wind. If there's a lot of wind or shifting winds or anything like that, it's a good bullet because of its speed, how fast it moves. He had a suppressor on his. I don't have one. But for, you know, overseas work and stuff like that, if I had to do a shot, a kill, I'd probably take something like a bolt-action rifle. Then you have the legs of your bipod, and that's just for, you know, stabilization. Have a scope and of course you have the trigger and stock.
special ops sniper rates 11 sniper scenes in movies how real is it
There isn't much to a sniper rifle. The position of his eyes, the weld of his cheeks, where you put your cheek on the rifle itself, where it rests, hers was quite perfect on top of his. You'll see in the movies that sometimes the guy has his eye pushed all the way down in the viewfinder and, you know, unless you want a big black eye and a cute, you know, bloody eyebrow, you wouldn't do that. . I keep both eyes open. That way, I can use my peripheral vision to, you know, maintain my situational awareness. Good body position behind the gun.
You want your body to be, you know, almost perfectly in line with the gun. That way when the recoil comes back, you know, you're not bouncing off the target, you can get a good follow up shot. Your skeletal frame will take all that recoil. If you tilt it to the side, that gun will jump. So stay perfectly behind the gun as much as possible. That was a solid eight. Maybe even a nine. It was the shot itself that was a one. I would never take that shot. Swofford: Rank? Troy: 900 yards. Nicholas: That was good. That was

real

ly good.
All of the dialogue, you know, between the observer and the shooter, was very, very good. He kept his shooting hand on the rifle the entire time as he adjusted the scope with his left hand. 900 yards, though, they're definitely not going to take a headshot. And with that range, it wouldn't even seem that close. He would look, you know, he would look much smaller than that. Troy: Permission to shoot. Lincoln: What's the fucking frequency you're on? Swofford: Oh fuck. Lincoln: We have air. I'm calling him. Swofford: We have permission to take the photo. Lincoln: A tough hit.
You were going to shoot a guy. Nicholas: I think what gets a little crazy is when the guy walks into the room and tells them to back off. Snipers like to set up sniper hides, and they're essentially in a sniper hide, and there are booby traps and stuff there. Maybe that colonel, or the guy who came up the stairs, could have hit a tripwire or been, you know, maybe hit by the sniper team itself once he entered the room like that. But if they had the colonel's permission, he would still have fired. I'm not quite sure why this guy felt like he had the authority to do that.
I would have taken that photo. Lincoln: This is the dollar four- Troy: Damn, he's dead anyway! Just let us do it! Nicholas: That's a moment. It's a weird moment, where you're looking through the scope and you see your target, and you know for a fact that I'm about to end this guy's life. It is a life changing emotional roller coaster experience. I can see the emotion behind this. On a scale of one to 10 for that one, I give it a nine. Sergeant Major: Stop. He touches that light colored grass. Sniper at your feet. Nicholas: It's exactly like sniper school.
For one thing, that sniper scope isn't, that reticle inside the scope is nothing like what he would use in real life. Yeah, you usually have these little thousand dots in there. They're like little circles, and you have four of them on each horizontal plane and vertical plane inside the viewfinder, and they're used for metering. So let's say, for example, if you had a target that was 40 inches tall and you wanted to know how far away something is, but what you would do is you would take the 40 inches and multiply it by a constant, which is 25.4, and that comes out as result 1,016.
And I'd take the mil points and, say, if the target is 2 mils tall, I'd divide 1,016 by 2, and that's 508. So I add 508 yards to the target, at my distance, and I'd apply that to the range of my weapon. Sergeant Major: Damn. Nicholas: Going to pull the trigger, that wasn't really good. You want to use your fingertip. It somewhat curved the entire trigger finger. It is a precision weapon. You're looking at harmonics and such, so imagine, like a tuning fork, you want everything to be as smooth and as little friction as possible on the sides of the rail inside the gun.
So getting the trigger back is what you really want to go for, not that curved trigger finger so much. And it's exactly how they used it in sniper school, where, you know, the instructor tells the guys outside, "Hey, come on in, snipers at your feet, X, Y, and Z." It's pretty much exactly how it works. Sergeant Major: All right, you won this one. Come outside. Soldier, how did you get so close to me? Nicholas: Sneaking up on someone is extremely difficult because of the stalking part. It's not really an easy tactic, and not many guys are good at being that crafty.
For the training part, I would give this a seven. There really is nothing better than that. I grew up with this movie, and what it really does is just hurt the guy. Usually, if you hurt someone, it will take one or two other people to pick them up or drag them away, so you have a chance to kill three targets instead of just one. Very good tactic if you are cruel sniper. I would never have done that. You know, the US Army, we train one shot, one kill. The enemy sniper, how he put the burlap over his rifle to match the inside of the burlap behind him inside that little steeple, that's perfect.
The Germans really mastered the skill of shooting, from camouflage to long-range position. The snapping theory. He hears the report of the rifle. Or, first, Vin Diesel gets shot. The guy gets shot and falls, then you hear the crack of the rifle, and it's almost like lightning and thunder. So he's counting very fast to determine how far away the sniper is, and he's picking out known, probable, and suspected positions where the enemy sniper may be. Everything about this clip is how I would do it. You know, it's the calm behind him, how he creeps up and puts the rifle on the rocks and slowly gets behind him.
And you can barely see the guy, you know, behind the rubble. The way he mixes it up with the rubble, and the position of him, everything. Check it out. That's almost... By the time he saw it, it was already too late. That's target detection at its finest. That's something you teach, or learn, in sniper school, it's target detection, TD. The instructor will place, like, a toothbrush and a bullet, or something, a transporter 100 meters away, and as a sniper, you have to find 10 objects. The problem with this shot is a lot like the Carlos Hathcock story, where, you know, he shoots, and the bullet goes through the scope and hits the guy in the eye.
And he's shooting at an upward angle at a target in a steeple. And how the bullets fly, in any case, it would have hit the guy in the head. It would have to be almost, you know, directly in line at a very close, very close range for that bullet to travel through the scope and then hit the guy in the eye. I was in a position exactly like this, pinned down by an enemy Chechen sniper, but I was 800 yards away. We never got it. It didn't get us, but it was essentially like playing volleyball with bullets, and we did it for about three hours.
And he had us pinned down with his sniper rifle. I was in a position like this guy in "Saving Private Ryan," the enemy sniper, and we, my recon team and my sniper team, were in a little 4 foot diameter hole pinned down and surrounded for about three hours. The whole shooting lasted almost all day, like 19 hours or something. So I give this a 9.5. James: It's moving, it's moving, it's moving, toward the building. FOLLOW IT. You got it? Sanborn: Got it. Nicholas: very nice. James: He's downstairs. Nicholas: That was very good. I think, well, there are some things I saw wrong with him.
Going to the, well, the sniper dialogue, it was fine. It wasn't the best sniping dialogue I've ever heard. It was the second shot, where it moved 20 meters to the left of the building. Very good sniper dialogues, the spotter talks to the sniper about where the target is. After that first shot with that .50 caliber, as an observer, he should have immediately yelled, "Hey, you're like 2 mils down." Inside that lattice are, like, a thousand points, circles of a thousand radians, and they're used for measurement. At that point, when that shot missed, the spotter, the guy in the crosshairs, should have said to the sniper, "Hey, aim up 2 mils and, you know, send it back." He never should have let that guy get up to run.
James: Window, in the window, in the window. Nicholas: This shot, where he's facing the targets in the building, the two guys in the building, a little fly in the eye, that was really cool to add there. Show that dedication to, you know, the spotter and the sniper team. You are in this little bubble. Only you exist, nothing else exists. And the only shot with the .50 caliber is, I've never seen it, I've never heard of it, but I think it's a good movie. Not too, too bad. On a scale of one to ten, I would give it, as a sniper team, a four.
That was very, very good. "Lone Survivor" is one of the most realistic movies I've seen when it comes to combat. I have used that same rifle abroad in Afghanistan. My deployed rifle was an SR-25, but I used it when I was a designated marksman. That shot here, it's, I mean, it's real. It is real. It shoots at 5.56, so it's not a very powerful round or anything. And being in this environment, I was going into

special

operations, the first day at the barracks when the guys were coming back to the States after rescuing Marcus Luttrell. It deploys every six months overseas and we were averaging 120 missions every 90 days.
His average troop won't even touch that in a year. The unit he was with holds the record for killing and capturing the highest value enemy targets in the global war on terror in Iraq or Afghanistan. If you're a Navy SEAL with special ops, you're a green beret, special forces, Marine Force Reconnaissance, you know, Delta Force, whatever you want, you know, all special ops, then a very small group of guys, they they go through a very, very grueling experience and get the best of the best of the best training. They could be sleeping in your attic and you wouldn't even notice.
That's what special operations are. That is what I think. You know, being a ninja. It's like being a ninja. This should be, like, the modern standard for war movies. This is a 10, in my opinion, in my book. I once had the opportunity to meet Chris Kyle in Las Vegas. Bradley Cooper looks like Chris Kyle. Chris Kyle was a Navy SEAL sniper and is credited with the most kills in the US military as a sniper. Before him there was Carlos Hathcock and I think his observer. Carlos Hathcock was 93. I remember hearing about Chris Kyle when he was in Afghanistan, and there was a rumor about this Navy SEAL guy who, you know, had over 100 kills, and I was like, there's no way, but yeah .
Yes, I walk. For one shot, one death,I would say, dude, that's extremely difficult. In sniper school, you know, you learn to shoot a mile, and you do it in training once in a while, but the odds of a first hit of a round are unlikely. I like the fact that they use that flight time to show how long a bullet takes to travel, you know, one mile. It is not immediate. And, you know, with that distance, you're seeing so many factors that go into that. I'm even looking, probably in a mile, I'm also starting to calculate the Coriolis effect.
And that's where you take the spin of the Earth, and you're, you know, taking that into consideration and putting that in and plugging it into the formula. That long flight time, the Earth is still spinning, you know, 1,000 miles per hour or whatever, so you have to, you know, account for that. They put a lot of work into it. You know, Chris is a nice guy, but for movie aspects, he'd give it a… oh wow. He would give that a seven. That was epic. That was really… I was almost playing in my head with them like, you know, who would I take out first?
And it was in that order. He would get the guy out of the shower first. Well, going back, that was a, I think it's a Mosin-Nagant rifle, maybe? It is quite accurate for open sites. That position, shooting through something like that, is, first of all, very scary. You have to understand, you know, how your rifle works, how much you have to aim up for your rifle, so what you're looking at, you're not actually hitting the bottom of that brick wall. And at first, he even sets his range, where he sucks his finger. He's removing the mud from that slide.
So, there's, like, a little slide. If you ever get a chance to look at the top of an AK-47, slide that little lever up, and that raises the rear sight and adjusts the elevation. It's essentially like a viewfinder, only without the viewfinder. Dude, the most I've gotten in a row is five. A good sniper, a good sniper, not even an excellent one, a good sniper could pull it off. And how he wraps his hand around the sling so it's snug, that's perfect. You never really see that in movies. They teach you that at sniper school. Yes, that was very fast and very good.
Check it out. Wrap, above. Nice and tight. Boom. That's perfect. I would say 70% of my shots abroad were from the knee. And at that range, with that rifle, that's not a hard shot, definitely not a hard shot. It has to be less than 100 meters away. That's a 10. That's a 10. I can't argue with this at all. Before I was a sniper, I was a gunner with a .50 caliber. That round is devastating. Where she uses that little laser seeker, it's probably never going to happen. That is a very good object to point to. The sniper in the window should have known where the elevator was or where he was going to shoot anyway, but...
People don't look like that when they get shot with a .50 cal. Usually it's just a whiff of moisture and fog. The guys who returned fire from within essentially killed or wounded a group of civilians in the street. I like the use of the sniper, how he uses the bed frame and not, like, out the window, like you see in most movies. And, yes, she backed down. So yes, she would have used that same tactic. As long as that rifle isn't hanging out the window, she should be fine. And she's not shooting through glass. I would give it... ah.
A three. It's not happening. There was a shot like that in the '90s. He was a police SWAT sniper. It was 98 yards away, where she fired the gun out of the guy's hand, but at this distance? That wind? You have to think, you are on top of the mountains. Well, a real sniper would never take that, no matter how good you are. If you look at his hair, his hair doesn't move as much, so obviously there isn't much wind on the target. I would give you a good 3, 4, or 5 mph wind. You wouldn't dare take that photo.
I would debate even taking a headshot at that distance. At that distance, through a real scope, you wouldn't be able to see. You could see maybe a black toothpick. By the time you put your crosshair on what you think was the shotgun, the crosshair will probably cover the shotgun. If you come back and can see where your scope is, you're not covered on the front end. You see that black hole there. Any good counter sniper would have picked all this white ground, and then boom, there's this black circle. Marky Mark would have been hit a long time ago if I was on the other side.
Before it went off, him shooting the gun out of the guy's hand, I'd give it a five, 5.5. With that, I give it a two. Sarah: Wait, what is it? What? What? Nicholas: The sniper that's on that team, the mercenary team, has a big .50 caliber. That gun is about 38 pounds, and the drenched guy was maybe 150 pounds, and he's moving miles and miles and miles at high speed with this rifle. I wouldn't. What they would do is split it into two parts. So one guy would have the top, the other would have the bottom of the rifle. Somehow distributes the weight.
He is almost as tall as me. You know, I had to jump out of a plane with it once, part of it, and it's an extremely awkward weapon to carry. I would give it a two. I would give it a two. They could be sleeping in your attic and you wouldn't even notice. That's what special operations are. That is what I think. You know, being a ninja. It's like being a ninja.

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