when a great director creates his own genre, then subverts it

Mr. Gilbert, don't let me stop you from making your money. Hello, my name is Lawrence and this is Archer Green, he knows how bored and restless he gets

when

he runs out of tamales and this is Leonardo DiCaprio. They're perfect, he you know, playing Rick Dalton, playing Caleb. deot 2 on the TV show Lancer bangle Lancer you might think that Tarantino invented this program for his movie Once Upon a Time in Hollywood Johnny Madrid but it's actually a real series that AED in the late 60's a long time Johnny Madrid did the same from the ABC series FBI where DiCaprio plays the character of Bert Reynolds and his fictional movie Dynamite is actually the real movie Moving Target directed by Sergio Kabuchi

then

Lancer is a western FBI is a crime show and moving targets a spy movie , but let me ask you what

genre

is Once Upon a Time in Hollywood Some kids like cars Some kids like sports Some kids like monsters I always liked movies, but I actually remember my parents even saying : "Oh, Quinn will grow up and be a

director

one day just because I knew how much she loved movies I didn't even think I knew what a

director

was so once upon a time in Hollywood that's what happens

when

a guy who loves movies I'm a movie fan , okay, I watch movies, make a movie about movies I've always really enjoyed movies about making movies with some of the biggest movie stars working today.

We are very good actors. Obviously it refers to the Westons, but also to war movies. Captain action movies and comedies. Welcome to Denmark, but Once Upon a Time in Hollywood. doesn't easily fit into a single

genre

, other than I'm Tarantino and I love movies. I have had no problems defining myself as a genre filmmaker and a genre film enthusiast. Tarantino writes genre films. I think that's pretty clear. Reservoir Dogs. and Pulp Fiction crime movies and the ones I'm making I'm making crime movies Zoom the hateful L and Jango Westons if you're really going to try to make the Western genre really work its magic

then

you have to make your version of it, but he doesn't just make standard western movies or standard crime movies, but he makes his own version of them now.

My thing is that he wanted to transcend genre. He always imbues whatever genre he is working in with his own style. He gives it his own touch. What if I'm in the movie? What do you mean there are other World War II movies that end like this? I still want to offer the goods that the genre has to offer. I don't want to make an art film meditation. I'm sure you're working within a framework, but you always build on it and make it your own, but I'm also trying to reinvent it in a way, okay, do something you know, do it in a very different way than you've ever done before. seen. first, hey Joel, you want me to shoot this guy, you shoot me in a dream, you better wake up and apologize, let's watch his first movie, Reservoir Dogs, a crime movie and, as in the case of Reservoir Dogs, it's a subgenre police film, it is a heist film.

A group of guys get together and carry out a robbery. One of the key aspects of any Heist movie is the planet scene where all the characters sit together and decide how they are going to pull off the heist. We can sit here at Oceans 11, gentlemen. 3000 block of Las Vegas Boulevard, also known as Bellagio The Mirage and MGM Grant, this scene is important to the film as it explains the complexities of the heist. This is the Bagio Vault. The target located below the strip. Security measures beneath 200 feet of solid ground protect every penny that passes through each of the three casinos above and the role each member of the team will play is going to be stolen.

It's fun to watch these characters figure out how they're going to overcome obstacles. First we have to enter the casino cages, but perhaps most importantly it establishes the character dynamic in this scene. George Clooney is obviously the leader doing most of the talking and telling people the plan through these doors. Each of which requires a different six-digit code. It is changed every 12 hours. Brad Pit is number two. He occasionally chimes in with additional information. The elevator will not move without authorized fingerprint identification that we cannot forge and vocal confirmation from both the security system within the bagio and the Vault under which we will do so.

I can't get it and Matt Damon is the new kid eager to prove himself. Smash and get the job, uh, a little more complicated than that and the rest of the team are more minor characters, so they have less lines in the scene. The dynamics are even shown in the staging. stood up Brad Pit is leaning over and Damon is off to the side with the rest of the crew sitting, yeah, but in Reservoir Dogs this is the closest we get to a planetary scene, oh, you guys like to tell jokes, laugh and joke, eh, laughing like A group of young BRs in the schoolyard spend more time arguing about the name they get than planning the robbery.

Mr. Brown, who is too close to Mr. And this is more than an hour into the film, where the audience already knows that the robbery has occurred. It failed, the only scene we get before the robbery is the opening where they talk about the tip instead of any plan, uh, I don't tip because they don't talk about anything relevant to the plot. The entire focus of this scene is on the characters of Reservoir Dogs. It's much more about the people than the heist itself. It's a story about a group of guys who plan a robbery and everything that can go wrong turns out like maybe I should have but I couldn't.

It's about a group of guys who plan. a heist rather than the actual heist and this is just one of the ways Tarantino builds on the heist genre delivering the goods it's a heist movie but it's a heist movie you never see the heist and it's also more graphic that the typical heist movie with the red blood contrasting with the white shirts of the characters, has Tarantino's characteristic dialogue, all the boys who ever saw it masturbated with it at least once if the characters prefer to talk about pop culture or random observations that about the real story, don't tip these guys. over here but tip these guys over here and every line sounds good now I'm carrying the weed in one of those little tote bags I have to pee his dialogue has a flow and a rhythm that can't be found in many other dick dick movies dick dick dick dick dick dick dick how many dicks is that the music is another key aspect, of course there is the infamous torture scene, listen to the super sounds of K Billy in the 70s, but the entire film is set in a classic style . songs from the 70s to give it a unique vibe as K Billy's super sounds from the 70s weekend continue, but these things are not exclusive to Reservoir Dogs, there are these elements in all their work, graphic violence, why Why is so much horrific graphic violence necessary? because it's so funny Chan, get it, the rhythmic dialogue was a foot massage, a foot massage is nothing.

I give my mother foot massages. Pop culture references, all based on the foundation of American pop culture. Historical revenge fantasies and, of course, feet. I want to thank my partner. -stars margar Robbie margar Robbie's feet Margaret's feet qu Dakota fanic feet seriously Quenton has separated more women from their shoes than the TSA has developed his own visual style with shots like this appearing in multiple of his films are very important things like lineless narratives down to the smallest things like the use of title cards, and these things aren't lost when you're working in a different genre, you're just adapting your style to fit the conventions, you're mixing and remixing your viewing experiences. of movies in their own movies, a typical crime movie tries to emulate real gangsters, while a Tarantino crime movie tries to emulate movie gangsters, these two are not supposed to be realistic.

Damn, Jimmy, this is some serious gouret. I first approached the movie as a kind of realistic movie in a naturalistic way, not naturalistic, but realistic in the way these people would behave, but who are these people? I never met people like that in the case of Kill Bill, he imbued several genres together, each of these guys represents almost a different genre in cinema, so when you go there, it's the Kung Fu movie and this, the Kung Fu movie. black float and this one, R The Hateful Eight is more like an AGA mystery for Christie than the standard, safe and glorious Western, it's a World War II movie, but the experience of watching it is more similar to Saving Private Ryan or Pulp Fiction are a pretty exciting story, what's next?

Li in the eyes, that is, Tarantino's style is fundamental to the identity of his film, possibly more than the genre in which they are working. They are absolute people who describe his films as Tarantino films rather than westerns or westerns. Police movies or kung fu movies. Tarantino's style has almost become a genre in itself and just like any Heist movie has the planning scene, any Tarantino movie has the suspense scene, two hitmen arrive at an apartment, hey kids, blond man, dancing in a warehouse, no. Major Marquis Warren harasses the general. I know that at this point Tarantino's piece is one of his trademarks.

They continue to cool, an unknown beginning. Suspense in the mountains. This is a pleasure. Burger, don't make fun of me, please, which leads to a confrontation. I'm going to be old, I don't remember asking you anything and then, but in the case of Once Upon a Time in Hollywood, something interesting happens, so Brad Pit picked up a hippie hitchhiker and she says she's Liv at an old ranch where she used to film Movie Ranch movies. She goes to consult with the old friend of hers who owns the ranch, so we get off to an unprepared start.

Does she still live there?, which leads to Mountain's cliffhanger, but then instead we get this, what's the big deal? with you Tarantino has been subverting genres his entire career for my wife and all my boyfriends, maybe they'll never meet, but now that movies have become part of the cannon, he's subverted himself for my wife and all my boyfriends, maybe never meet each other. Once Upon a Time in Hollywood has rhythmic dialogue, I just want her to play the violin, but go find her and tell her it has violence, but it's mostly filtered through the lens of being a movie or TV show that exists within the story. from Los Angeles, goes beyond simple pop. cultural references with Tarantino writing and directing real figures in the history of cinema I'm in the movie I'm Sharon Tate her obsession with feet seems more like a self-parody than a strange fetish and is present in the casting played by Zoe Bell and Kurut Russell The specialists in Death Proof and who the hell is stuntman Mike, so he was cast as the stunt supervisor on this movie.

Get it and have Janet DiCaprio rehearse her lines. It sounds like a remix of Tim Rth learning his lines as an undercover car in Reservoir Dogs every I once bought some weed he was buying for four or five different people and Capra himself playing the heavy and Jango one chain while Rick Dalton May projects heroism on screen, but you, Ling bastard, in real life is an insecure and self-obsessed representative. can do with that heat Rick is a flamethrower he feels like he's in his prime the whole transition from television to film didn't work out for him he's no longer the best until he catches the attention of a promising director who wants to revitalize his career by taking it in a new direction: you go to Rome and star in West?

If this sounds familiar, the same could be said for John Travolta before Pulp Fiction. I loved John and you know that his career was not in a

great

moment, but also. Pam Greer or Kristoff Waltz, there's also that kind of cool thing of uh, comebacks are fun. Tarantino is fictionalizing his own casting decisions. That's bingo, what's up with Brad Pit's character? Well, if Rick Dolton is the on-screen movie star, Cliff boo is a real-life one. Rick is the one who pretends to be the tough cowboy, the guy who can do this and the one who can do that, and Cliff is the guy who is the tough guy who can do this and H can do that.

That's a really interesting relationship. streets to another of Tarantino's signature soundtracks has the sun shining on him as he stands on a rooftop taking off his shirt, pours his beer like a western gunslinger with his revolver, and jumps off a building like an expert acrobat who's even given his own. piece cut to the rhythm of the good, the bad and the ugly, it begins with the long shot, then the Dutch angle of a henchman, the shot of Our Hero's back as he walks towards Danger until he finally faces a bedridden man . This could be a It's acoincidence, but knowing that Tarantino probably isn't and KN Tarantino, we would expect it to end that way, but as we know, it doesn't.

What happens to you when you write the premise of Once Upon a Time in Hollywood? It seems like the most Tarantino, a Tarantino movie could be good, it sounds exciting, his movies have always referenced pop culture from decades ago, German director D phic, GW p, well this time his movie is set in Los Angeles, in the Golden Age of Hollywood, there are many Hollywood details. story in this movie and even if you don't understand it all, you know that there is a genuine love for it while Rick is making a movie. Cliff is living a good red face.

I walk in and Sharon is watching. Free both her on-screen and off-screen work Persona focuses on her love of movies. We love making movies. This film is about making films with a script that allows him to showcase his immense cinematic knowledge from Mosy Ron's 14 F. Tarzan for Historical Revenge I'm the devil, we've got the Manson family and I'm here to do the devil's business for the stars, we've got DiCaprio and Brad Pip, who Tarantino has described as the most exciting star dynamic since Paul Newman and Robert Red, what's wrong with you? I can't swim, if Pulp Fiction is Tarantino's impression of a crime movie, everyone should call him out, this is rubbery Once Upon a Time in Hollywood is his impression of a Tarantino movie, don't cry. in front of Mex and as we know Tarantino always brings something new to any genre he is working in this time he brings a metatextual layer to his own films in his own style this is Tarantino subverting Tarantino that now if you think you are seeing double don't adjust your televisions because well as you are, this is the opening of the Bounty law show movie, it acts as a precursor to the ending of the movie, you never bring it to Alive Now do you Jake, and there's three of them and one of me ?

Members of the Manson Family break into Rick's house and are quickly dispatched by the stuntman and his dog, but naturally the big movie star gets the money using a prop from his own movie, the spotlight is on Rick, literally, we finally get our history. The revenge fantasy and violence doesn't come from a TV show or movie, it's happening in the real story world and is just as violent as any of his other movies, we get our movie star heroic moment if most of the film is the deconstruction of Tarantino in his own style the final scene is a celebration good friend Cliff I tried it we were debating all morning which Quinton Tarantino's best film is, don't you think you think that way?

Do you look back on your career and say this is the movie that defines my life, it's the best one I've ever made, you know, for years people used to ask me things like that and then I'd usually say something nice, they're all like my kids and dad. , Dad, but I really think once. Once Upon a Time in Hollywood is my best movie, it's official, old friend, well the movie doesn't really fit into one genre, but it has all the Tarantino trademarks, so the easiest way to classify the movie is to simply like a Tarantino movie.

Once in Hollywood is what happens when a guy who has loved movies his whole life starts making movies and they're pretty good, okay, what's done is done. I need you to be cool, you're cool, but where did you go from there? Are you still doing it? films in your own style and repeating your trademarks or do you reinvent this style do you go back to your roots and while still showing your love for cinema do you do what made your film so

great

in the beginning to your own work let's work