Walking New York | 360 VR Video | The New York Times

Let me tell you how I photographed the cover of the New York Times Magazine working in New York. I came here four years ago as an immigrant and I guess everyone in New York is an enemy except another grandson's son, and they really cursed me for just putting someone who is here in town who just arrived this year, even last month and which is in the shadow of the city and that's how we go to Elma was 20 years old, he came from Azerbaijan, he's a waiter who was

walking

through Brooklyn and he just arrived. Less than a year ago, basically, when I met him the first time, I asked him to walk and I said, "Let's go out and walk together," and he had this thing when he walked, he was a normal guy that I just saw maybe. twice, maybe we should have a class, you know, he cost us a hundred

times

what I did.

Dody saw how he likes all the stories, unknown stories in the city and I photographed him with, you know, different movements, but he always had that. Same walk and at some point I said, "Okay, thanks. I think that's enough." Then we start printing and cleaning today. We have friends from the Apollo Gemini studio. We started cutting all those papers and not connecting is part A. This is Barbie. Forward. You will have to attack a huge person when you see that Marco does not match, you will notice it, but everyone will respond in a pocket, even if it is a filler and you feel that something does not connect, we will keep an eye for everyone with you. and then we started to organize the rhythm, the beginning of which is really important because that is the moment when you are going to go to bed, so we started on the right foot and we were all very focused because if you miss that first start, the whole rhythm could choose from side to street because there is no way to correct all the hundreds of strips later and then when that happened we started forming teams and people working on the right, people working on the left and then working on the body and someone to the gluon. someone to take a photo glue slides twice as fast rolling to connect so it's a team war and what I love about this is that every beat that I've been doing is it connects people, you give them a reason to that everyone is here and to share something before dawn we put the last trip to cut the rope the same came and the people began to walk beautiful day sir nor about the people eating ice cream outside the heart of New York in the one like this and the people walked on it but never noticed it Because everyone is so focused on what's going on around them, the Flatiron being one of the most iconic buildings in the world, no one noticed it, it was just there slowly disappearing into the city and then later in the day when the shadows were perfect I took my moped I always loved writing this moped here it's a French moped from the 70's I guess what I took from the French with my spice ball and rode to Aleppo and He tied me outside, baby from his town, yeah, I started to see the beauty face, he's like a bully, another one that was literally because of my disability and I had to be perfectly vertical to be able to grab him and when he was perfectly up, you know, with the wind we had to redo it, so I keep shooting, I guess for me The most important point of this article is really that all those immigrants who came here like I came here find the shadows of the city and that day people were

walking

on it, not even They didn't even sew her, but today on the cover of the New York Times everyone is in the shadows, except Emma, ​​​​who is in life, it's just another story, but like anyone, I can tap on the shoulder and ask them where they are from and they don't I always have the courage to do it, but every time I do it, you know.

Feel closer to the world than you.