The Very Best of Quentin Tarantino & his Favorite Actors (short documentary)

me, but there was something, also something

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liberating, about knowing that he wanted her exactly the way she was meant to be and that you would walk away from her instead of making her. an engagement and then the audition and then you know you're waiting for this quirky enfant terrible. Kind of wild guy, yes, sir. Tarantino Mr. Tarantino e

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thing we know about mr. You and Dino walk into the room and there's this refined gentleman, immensely polite, he asks you to sit down and chat, you know, curiously inspired and then he asks if you would mind reading and I thought it was a joke, I can only tell you the day. that Christophe came into the room he sat down and read two scenes I remember thinking and Lawrence was sitting next to me come on we're making a movie every time Quinton says this is what you better pay attention because he's about to say something very important. do a good job, you get it great, man, you get a big dose of head nodding abs and sometimes, and once in a while, when you hit that sweet spot, you're going to get some genius that I never understood that Kristof did. and as for the depth of her work, like the Tavor seen in Basterds, for example, you'll find that the German movie star in Double Agent Bridget von Hammersmark is based on a real-life Third Reich star, Zara Lettner, who was supposedly a spy for England.

The clandestine meeting takes place in the La Louisiane tavern. It is named after a two-star Parisian hotel where Quentin wrote pulp fiction. The characters are forced to play a game that tests knowledge of pop culture history and, more specifically, film. The game refers to an Apache. Indian, a Polish movie star and King Kong, all of which leads to a discussion of American slavery and it is below this level that we find the essence of the scene, covertly reminding the audience that other nations also carry shame and the pain of his own atrocities on real Quinta's knees or Quentin kneels I would say that's a bad move that must say very good things, huh, and if you forgot what you loved about the movies in the first place, I tell you that you just have to spend one night with Quentin, well not that way.

I mean, like an evening with Quentin, yeah, I said that to Quentin on the third day. I remember exactly there in the hills next to the farm and I said to him: you know and I thank you for reminding me of the reason I have become. an actor there's this element that's alluded to, it's absolutely true and there's a certain pride that goes with it and it's just that there's a certain sense of isolation that goes with it. Orson Welles had his quicksilver players and to be able to do something like that. to be in a category like that with Tarantino, that's no lie, the feeling you get when you're working and in the years to come you have the feeling that his films will be studied, they will be watched and we We were just talking about today in the group, there was a colleague who was putting that term that Quentin talked about into groups of three and the fact that you were involved in that at a very important level, I think what you allude to sometimes with a question like that is that. , that's there, mm, that doesn't escape us.