The Perfection of Giorno Giovanna

Giorno Giovanna is a perfect character, oh sorry, I got a little ahead of myself mmm, let's try that again. JoJo's Bizarre Adventure isn't exactly a work that at first glance would lend itself to nuanced and grounded characterization, however, the series' author, Hirohiko Araki, is known for being someone who puts a lot of thought into every fiber of his work, In his book manga, theory and practice, he exposes how much work he puts into creating crazy, strange people and inhabits their strange, strange universe with immensely detailed. A spreadsheet is used to catalog numerous aspects of personality and role in the story, while it would definitely be fun to properly explore a rock.

His general approach to writing characters, that video already exists on Wonderful Exports, so if you're interested, you should go check it out. However, I would like to talk about a very specific character, the protagonist of part 5, Giordano Giovanna Giordano is a bit of an odd case when it comes to Jojo, as he is one of the least popular characters in the series and is often called boring, uninteresting, bland, and While there are a few possible reasons for this, I think the main cause is that Journal's character works off of something that many people simply don't expect in Jojo and therefore immediately write him off. without a second thought and that something is subtle, yes, I know, but hear me out.

Most JoJo's have one standout characteristic that defines them Jonathan had his justice boner Joseph had his prediction line Jotaro had his yo-yo Rosie and josuke had his hair so when Jorah shows up and he doesn't have a defining characteristic Immediately, it's easy to see why people are put off, they just don't expect the character to not have these immediately recognizable aspects, even his dream line, which many people want to say, actually only appears in the series three full times, so which does not compare to the traits that define the character of others. JoJo comes before him, but if you decide to distance yourself from that preconceived notion and pay close attention to how Journal behaves, it's actually quite easy to discover that Jonah is among the most compelling and interesting characters the Iraqis have ever conceived, at least in my opinion or yours.

You could watch this video and see if you accepted what you want. I'm not your father. Giorno is introduced to us as a bit of a criminal who steals luggage, scams tourists and skips school. This boy seems relatively rebellious. This is compounded by information. that he is in fact the son of the big bad of the entire series, however, all this information also clashes with aspects of his real attitude and behavior. Outwardly he is friendly, charming and generally seems quite nice, so from the beginning we experience a conflict. Between these two poles is a conflict that continues to define Journal and a conflict that he himself seems to be somewhat aware of, as he appears to construct various facades and masks to resolve them when Boot Karate begins his interrogation and Tram Araki uses that scene to actively display them. facades one by one when Bruna first approaches him, Journal is relatively relaxed and friendly, as he would be with anyone who gave an honest answer to the strange Gujarati question and at the same time maintained a very relaxed posture; however, after Bruno mentions the possibility of him being a police officer, Jonah. shrinks before tensing up, building a first facade of a more reserved and careful young man and once Mucha Rotty reveals his intentions, Jonah completely turns into a dispassionate person who is much more reminiscent of what we saw before in his confrontation with Luca, this little girl. scene basically sums up what

giorno

is.

About his character revolves around the dichotomy of a kind-hearted soul who lives a life that requires being cruel and cold or, in more poetic terms, Jonah is basically a Jonathan who lives in an environment that forces him to act according to his reaction to the death of Super Mario in the Black Sabbath arc shows us that he is fundamentally a righteous and just individual, but those qualities are combined with a callous indifference towards those who oppose him and the central conflict of the diary revolves around completely resolve and merge these aspects of himself into a complete one. unique personality that at first does it using the aforementioned facades, fake it until you make it, is the name of the game.

Journal plays him resolutely in the world of gangsters, putting on a tough personality and channeling his do traits while remaining superficially dispassionate also an imitation of the gangster who saved him, this is our consequence of the abuse and neglect he suffered as a child, internalizing that showing emotions like crying is meaningless, which leads him to not put up these dispassionate facades, but facades are all they are like him. At heart he's still a teenager in way over his head, breathing moments of panic and exasperation, the cracks in a mask showing us how much the anime actually goes a step further by making his spoken dialogue mostly reserved and calm, while his speech and inner thoughts are consistently emotional and expressive in both sub and dub Kakaako stage appreciated or dead soon a stole flashed co2 through Takata crazy under Murphy however once he enters Stan's life fighting against This deceptive mechanism begins to fail him while bravery and confidence are certainly important, only they could not make you prevail when facing players like the team that Eliza was able to see.

A central theme of part 5 is the ideal: accepting yourself and your destiny and facing them both head on in the turbo, whatever you can find and not making excuses and just Like the rest of the cast, Jono also looks forced to confront this idea in the first fights. Jonah remains relatively inconsequential and faces some pretty significant barriers. His confession is strange and he fails to convince an obstacle to cooperate during the soft machine. He's basically useless against a handcuffed vacuum cleaner. He is clueless to most of the men in the mirror and his ability is useless during the white album.

His experience simply surpasses what little facades can do for him. Some people like to call Jordan, Mary Sue or Gary Stu a flawless, overpowered character who faces little. adversity and therefore not interesting, this is already an incredibly misused term, but applying it to

giorno

is simply absurd. The magazine's fatal flaw is his inexperience, and in fact, endorsing his hard-boiled gangsta bravado in Florida makes him feel pretty battered and hurt in almost every case. The struggle of having your arm snapped in half and your ribs destroyed doesn't really sound like a small adversity; However, as we discussed in our great Golden Wings video, a constant element of Part 5 is that to succeed you must be willing and able to do so. face your destiny head-on without running away from it and that those who managed to do so are inevitably rewarded and Journal simply embodies this idea, his experience is experienced several times, but each time his resolve turns those screw-ups into victory and opportunity by not allowing his failures hold him back and instead he diligently and relentlessly presses on, giving everything for his dream of a drug-free Italy.

He manages to turn around all his blunders and emerge victorious. He is not a perfect character, but rather a character who constantly overcomes his flaws. Through creativity and ingenuity, in every fight he has in the journal, he gains or creates an advantage by overcoming his fears by facing his adversary and using his powers in new and creative ways that the enemy could not have predicted, although He is absent most of the time. fight his quick thinking allows me to find Salah on Capri and while he bumbles around for much of the fight in Pompeii, he manages to create the final opening by transmitting the virus to a loser even in a fight like White Album where only his power is not enough to completely defeat Gacho.

He makes the winning move by sacrificing his arm, gently revealing shards of teary eyes, and inspiring Mistah into one last shootout. simply more of him, crazy boy than his enemies and thanks to that he can overcome his own limitations and move forward despite his inexperience, even when people die while he suffers, he advances without flinching, determined to face his destiny and himself and others. who he is and finally becomes whole along with this, he also develops and deepens his understanding of his goal experience throughout part 5. Jorah comes to adapt his application of world experience quite significantly, while at first he only used the giver of life as a means of escape or distraction.

It continually improves its use by becoming more creative and intelligent in how we use it, from its life shot to the bike hand, and while each protagonist shown in Everly improves their abilities here in Jojo, the context of the power system is very important. Stan are not just random powers, but manifestations of the soul, the very essence of the users being the target, the experience is not the power of Journal, his spiritual form given from today under that lens, his continued growth in handling his position becomes much more interesting. Jornal gaining a deeper understanding of his standing is a symbol of him understanding and applying himself better as the part progresses and his mastery of the gold experience improves, he becomes more honest with himself and who he can perform. a freer transition between his Jonathan and doing the parts without hiding behind facades anymore, but instead of being generally more expressive and at the same time much more useful and dangerous in combat, he still gets hurt a lot, in general he is still somewhat reserved , but continues to confront more aspects of himself and his power and turn them into strengths, a great example of This is his fight phase against Bailey, where he applies his stance in a completely new and never before seen way that teaches him how to heal wounds, Parallel to him he slowly develops a kinder personality while abandoning the Gangstar act.

He also used that ability. immediately killing the stand equivalent of a newborn, showing that his side of the deal is still there but can coexist with kinder aspects and abilities, but all of this finally comes true during his penultimate fight where he faces chocolata as he is now . On the precipice of his final fight with Diavolo, Jonah must overcome whatever holds him back and fully accept who he is if he wants to conquer the Requiem, and that's exactly what he does. Jonah uses every bit of intellect and creativity he has to knock out Chocolata and then for the final blow, he finally comes into his own by resorting to a heroic speech about letting Chocolata live if he gives up, perfectly challenging Johnathan on her, but by betray this speech and kill chocolata after letting his guard down, use his deal.

By doing this, he successfully marries and combines the two halves of him into a complete whole, finally becoming his own complete person instead of constantly switching between the two. This development allows him to grasp the arrow of the Requiem and finally become a true gangster, someone who accepts and understands himself. and whose radiance has inspired and continues to inspire those around him, the masks fall and his true self can finally shine and bathe Italy in the golden glow of justice and this is where we could conclude this video, however, I am madly obsessed with his fictitious 15 years. old, so let's go further, until now we have talked about the diary as the character as the emulation and representation of qualities and personal growth, but now let's look at the diary as a narrative element because, as in any good story, the characters too They are crucial elements to promote.

The narrative and thematic ambitions of the work, as the magazine works to uncover its true nature and dissolve that of Ennis Assad, continues to serve a singular purpose, it is a beacon of light whose radiance illuminates the path to the gang's ultimate destiny or in less flowery terms. He is the guiding light that inspires his friends to push Eva through her masks. His uncompromising determination to see his actions through to the end is what drives the people around him to continue facing their destinies, and his endless determination is what most catalyzes his team. action that makes him a kind of savior a symbol the promises change and justice for those who follow him essentially Giorno Giovanna is Jesus Christ okay, okay, I know, look, I know I'm starting to sound more and more like a crazy person , but hear me out with the parts set in Italy, the center of Catholicism, religious symbolism is very difficult to avoid, so Araki wisely decided to go full force.

Giordano is the son of do do is Italian and means God and is often used to refer to the Christian God specifically meanwhile giorno. means day, so we have the Son of God bringing a new day, a new dawn, so yes, Jonah is already conceptually a good candidate for a Jesus figure. Add this to his role as a guiding light and the factthat he can grant the gift of life and heal the wounded and yes, this reference is becoming pretty obvious and so are you, but the best part of it is that it's not just there to be a cool little reference, it carries the themes of the part even further that Jonah has given the role of savior the mantle of the guiding light of resolve that leads his team to victory, but he himself is not really ready to take on that mantle as he initially still struggles. for combining his agreement and Jonathan's sides into a meaningful whole, but precisely because he moves on.

Despite his problems, his determination shines bright enough to encourage his comrades as he faces himself, his characteristics, and his role in the story as a savior head-on. Jonah achieves the truth and fate grants him the Requiem and the ability to defeat Diavolo, who is himself. He is named after the Italian word for devil in front of Castel Sant'Angelo, the tomb of a once powerful but cruel king. In conclusion, the diary is not the most deeply written character in all of existence nor is it the focal point of poems and poems of characterization, but what it is is the archetype of a savior figure given its context and executed for

perfection

Araki took two of the most iconic characters in the entire manga Jonathan Joestar inti Oh Brando and combined the personalities into an inherently conflicting pile of justice and cruelty, then forced the role of protagonist and discarded Jesus in his creation, causing an even more inherent sensation.

The conflict and character overcome that conflict and move towards destiny even though it is a natural emergence of their creation which then furthers and develops the central theme of facing your destiny, much like part 5, as a diary complete is an idea polished to maximum brilliance and efficiency Jonah's mere existence, his conceptual birth already creates a natural embellishment of the themes and messages of the pair five, while preserving the diary as its own character, which is simply good writing or in short I guess Gordo experienced the Requiem Giorno Giovanna is a perfect character.