The Artistic Evolution Of One-Punch Man

So for today's

artistic

evolution

video I wanted to change it up a bit and talk about a truly unique series in both its content and production. One Punch Man is an online manga produced by an anonymous mangaka known only by the pseudonym One and this image. I guess by posting the manga online he is not a professional and it shows in his art style that both One Punch Man and Mob Psycho 100 are well known for their eye-catching looks, good writing and fun sense of humor. One Punch Man became popular and attracted attention. from no other yusuke morata who would end up readapting this manga under shueisha as an official scene in the publication in the magazine tonari no young jump the difference between the two is night and day but both are perfect to tell this story despite looking like polar opposites, there's a really hilarious juxtaposition between the comical and simplistic art of one's original and the expertly detailed high quality of Morata's remake because the tone of the series includes a banal and super normal theme when it comes to its main character and Really It suits Saitama and his world to be drawn the way it is in the webcomic, but at the same time there are some amazing feats accomplished by this hero for hire and Murata's artwork demonstrates this in a much grander way, there is a concurrent

evolution

. of seeing the manga develop in two different ways at the same time and an individual evolution of seeing the artwork improve and of Morata's artwork choosing to turn these panels into something new, obviously because it is based on the webcomic, there are even times in which Morata fails for the simplistic style of one's artwork rather than his own is what created the OK meme and is part of why both styles are simultaneously suitable for the series.

To understand all of this, it's important to figure out how it all started, so let's go back to the beginning. What prompted Morata to choose One Punch Man and keep this style coming from the man himself was simply the strong impact that Saitama leaves on you. It's hard to identify when the setting is about a main character who is too strong to become. boring, but Saitama is not just a superhero, he also embodies the common man, so readers can identify with him, plus there is a slight cuteness to him, all the other characters are also attractive and they are all placed efficiently to highlight Saitama's appeal is easy to see. the spirit of saitama in both works is this incarnation of japan's humbly skilled but somewhat comfortable in the status quo is like a supernatural everyman who is impossible not to love murata originally made saitama more attractive and cooler than the original web manga, but he realized that he would betray this spirit and that was the moment he realized what made One Punch Man so special even though one of these mangas was much more detailed than the other.

Both works have character. His supernatural comedic writing style blends well with his slightly silly and unconventional artwork. Morata's artwork is clean and immense and showcases his seasoned career with his own take on the story's central themes. . It's also like a meta-representation of saitama's life. On the one hand it's a goofy, carefree spirit and on the other hand it's I have a much more serious job to do, that 50 50 split elevates both styles to suit these halves. The kind of two coexisting manga structure that the series has is really unique. I couldn't name another one like this, it's more comparable. to the light novels that are published and that they are assigned a manga that is on par but a little behind like goblin slayer or re-zero, but even that doesn't address the unique quality of seeing something twice in one fell swoop that I would really like to know in the comments if there is any manga based on a manga in a direct adaptation like this because if not then that means this series is like this, there is even a reverse effect from both Juan to Morata and Morata to a Maratha sensei always. shows me every time he thinks of new scenes or dialogues to add, for example with the class A hero, spring mustache, my storyboards only had his name and general appearance, he spoke a little and the monster hit him, nothing more , I didn't plan to do it. highlight what weapons he used or something, that part was really short but the storyboards morata sensei came up with showed him using his weapon against the monster showing off his fighting skills to make the monster look even more impressive in comparison, it was fantastic focus on the drawing for a second the elephant in the room it's unprofessional from the starting point it's almost shocking but even from the beginning it has that so bad it's good quality it looks funny i wouldn't even say the art is bad it's specifically the drawing which is not professional, but you can see that in terms of art, Juan has a pretty good ability to draw eyes, it is not everything, even in a medium as visual as manga.

One of the most important skills of being a mangaka is panel structuring. the story in such a way that it flows effortlessly and crazy is kind of the opposite of this manga where the artwork is exceptional but kentaromira's panels are a bit chaotic at times and can be a bit difficult to follow from time to time one panels are a solid, fluid reading experience that never falters as time goes on, the really frenetic and rudimentary drawings start to take on a bit more depth. It's also worth noting that one is absolutely capable of making some really cool artwork.

Mob Psycho 100 is a bit of a passion project for him and that's not something he even looked for, it's just something you can see visually from the first look. One of the big changes from series to series is a clear attention paid to clean, smooth line work when having line work like this shows that what we are left with is his style and mob psycho is a much more compelling visual manga due because it definitely begins a path that all artists have to follow, which is anatomy making a human figure credible. In a 3D environment, your artwork has a lot more development ahead of it, but as said before, it's almost better since you consider the double release setting of a hit and the impact their difference can have when reading one and then the other next to each other.

I feel like this factor also influenced the anime fans' reaction a bit. One Punch Man in 2015 was a blessed animation from a team of veteran animators at Mad House Studios. It was an adaptation that really ramped up production towards the end and surprised fans unlike any other comedy anime at the time, the response was unanimous praise coveting the adaptation so much that when the commission announced that season 2 would not be animated by madhouse but by the jc staff there was apprehension and when the anime came out looking pretty regular people were disappointed, some of the reviews were really exaggerated and some people had definitely already made up their minds before the anime even came out but this it shows how much love there is for the series and how integral the artwork is to the series. and for fans, coming here from a simple webcomic never fails to be an amazing comparison and really only came about because of how Saitama and his appeal affects the story and flow of the manga.

I basically revamped the art from the original. one

punch

man so the only thing I have to think about is emphasizing the attractiveness of the character actually the work of an artist begins before he even starts drawing it's important to know what the good parts of the character are if you don't understand that's Bottom line, there is no point in drawing the character first on the other side, as long as you understand the character's appeal, there are so many scenes that come to mind to bring out that appeal, it's interesting that these two work so well together. because Yusuke Morata has a story of struggle to fit into other styles before the serialization of Ishield, a series in which Morata gained his renown by illustrating that he worked as Takeshi Obata's assistant, but apparently had a lot of trouble adapting his style to the saying of Obata: "I just couldn't draw." The kind of sleek, sharp images he needed.

I heard from another person who said that he would never match the drawings of him and that's when I realized that I knew I couldn't do that style, so at one point I was thinking about taking another one. It sounds sad, but it only highlights the connection the One Punch duo really have. Reading a lot of interviews and seeing the synergy between Wands and Morata's works makes me feel that the two are good friends and vibrate very well with each other. Either way, One Punch Man has a more unique

artistic

evolution than anything else he's covered so far.

Thanks to Sultan Jum who first suggested One Punch Man and the many people who also suggested later, thanks to my sponsors who continue to support me. Thank you. If you want to join their ranks and enjoy early access to exclusive videos and future updates for just one dollar a month, follow the link in the pinned comment, like the video, subscribe for more comments, comment your thoughts below and thank you all for watching and everyone. have a wonderful night