Music Breakdown: Blue Devils 2019 Snarebreak

So in today's video we're going to go over the

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419 shades of the box, breaking them down into my phrase and we're also going to talk about what we did to combat the issues that we had when we got into some of these phrases, so let's get off to a good start first thing. We got a tattoo and after that, yes, and a three, but that sticking will be a right right, right, left, left with the phlegm on that first note, then we have a hit, after that we have one and two, well , right there. we just stopped, we have a five on and that sticking thing is a little awkward with the right hand or the left, so let's stop right there, so the way you start talking about this phrase, we talk about a more philosophy faster than when we arrived. in this, the three to the sixth and the five on, so we thought we thought of them as cousins ​​or we related them to each other, something else, we did something that goes beyond three notes with four to five, six, is that right?

The idea of ​​breaking it down is to try to play as many notes as possible as training, that way we can find that first initial pitch from the left and then after trying to hear a five rhythm, it's a little awkward at first because it's related to everything. . them together like a speed, although after that we only have four eighth notes and then we find my last note, after that it's just the triplets we have and two inverted, so same thing, cheese, cheese, after that, the next night , I imagine the way we broke up. At first this was just playing with the full figure, worrying about how open that chili is, and then after that I found the pain there without playing with the sick back and then after that I got the sick back there, but trying to find that.

The same opening we had when we didn't have it, trying to find the same similarity, the first strange phrase, the next one, we just raised a fist on the edge and then on the 1 count in the next measure, we took a sixth. to the center after that we have a triplet that takes us to the non-triplet nucleus we have a pancake in that curvature but it feels like a wristwatch with a 45 degree angle after this we have two Hertz in the right hand now this definitely takes us It took me a while to understand, I think everyone individually started to figure out what it was for them, this is something we had to continue working on as individuals, something Nick had us do was play this manual, so we found out that Upshur having to waiting for the first thing, the first note, the speed of that third part of that first part, that just takes a lot of individual practice, trying to find that rhythm, usually we were always squished and always tight, the air is usually going to be a bit. tight, very similar to this, Indian speed.

I would say this is the same way, the same as throwing this a little bit faster to get more bounce, so yeah, but this was a little more specific because you're trying to find not just a throw, but actually control, those are the best parts of that first staff, so you have a quick wash that you throw, but after that you have a quick t-shirt, now after that we have Hi Mom, Shawn, that third set, count 3 and the hat trick in the count four. the right hand that leads us to count the water in the next time, so yeah, the next thing we have is a couple of little sticks and triplets that have a bus on the first left side and a bus on the second right side and those buses are going to be a little shorter than on count three, we only have three and four and getting ready for the next six, the patternless metal phrase says that now we are going to enter the 16 in patterns, in the next two bars the I'm going to split into one 84 1 and B 4, so we try to find that macro group so that we have a dotted movie on the first three counts and then a corner fill for that four count 4, so 1 and E 4 and 1 84, in what first measure we have a couple of those. in 6 notes and then one is twenty-four and then five Shogun, watch out, now after that we have a dotted octave, feel what, but we have those in the first three patterns, then we have a and then we have two fives.

The first two beats we have a great acidic one on four five, finding that counts three and then I'll risk three and four, we have an action on three four, so we have and then you just add the little patterns in there and you get used to it. Now, to get into the very, very awkward part, the faster all the segments of this beat will be, so if you don't know about five over three, you're basically putting five ons in the space of three eighth notes, normally we would play just one measure of eight nuts in 34 and a measure of five lips, so I would break it down by just playing the action pattern because your mark what will always be one and the attitude is very, very uncomfortable to get used to definitely definitely definitely definitely mark the time to this segment and make sure your feet are really on time.

The next thing is that it's a little bit faster than five or three and it hurts a little bit more than 60 nuts, so it's an 11 on over six eight nuts, which you would think would be an 11. More than three coordinates is a good way of breaking this down into one, two, three eleven, so it sounds a little bit like it's very, very complex. I don't think I've ever played on the limit before so it's a little strange so definitely take it easy, check out what the hell is going on, cool, so next up is a hat trick, cool and then takes it to a six count , that's why two behind to match the rhythm.

I think that's what helped me. The most is just listening, so to move on to the next run, you want to go down two beats to be okay, okay, not great, so we have a triple drop and then we have a couple of five point illuminated peridots, a little bit sticky , a little bit sticky, so the second one on the left will be on the dummy, so we have and then we have dropped parts of his personal triplet, okay now we come to a split part, oh, I will say that you are going to split this up a little bit, play a nine illuminated with dogapus ticking and then we fool them I mean this is probably the only part of the

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al word I think we learned this more than I played it accurately, so a group waits two beats, rest, rest, great, another group got excited.

Shana three okay so now we just have some inverted sixes so count three one three it doesn't stick that's right the problem with this one was just getting out of what we had just played and then going into a length for six open and then on the count three. we have a five on, we have a diddle in the first set, a Shaun in the second set, the right hand in the third set and a flame touch in the left hand in the last 2 in 45, which brings us to the last , so the way you would split this part is breaking with just the right hand or our mistake with this part was a little tight with the left when opening, that's true now it's amazing now that we have the last measurement, the only strange thing of this is that the last 5 was 3 has a 5 over the last five over three has a breakthrough or more than three within the 5 over 3, so the first three times look pretty good when you get to the last one on the left, you will play four notes instead of three notes instead of training. instead of replaying the same thing, well, you get to the last interesting word here.

It's great for me to respond. There's a lot of stuff in there that I don't think anyone has played before, which is really exciting. It's cool because I think we definitely tried to push the boundaries of what we could do. I'm trying to make this activity a little fun. Play some new things. I hope you enjoyed this

breakdown

. There will be a link in the description where you can see the score. Like if you have it, subscribe, if you have it, tell your friends, share this with people you think would enjoy learning this and yes, let me know if you want to see more stuff like this that I can review in the future, stay safe. your hands, yeah, and then if you ever noticed, I cut my hair, how do I look?

Hey, let me know, the comments don't look good, this is, should it stay or should I tell you, just let it grow, yeah, no, I get it, oh yeah, thanks. to you for watching and catching them next time, peace.