Fun Fab Faces Drawing And Shading In Pencil (Video 3 in #100funfabfaces Challenge)

Hey guys, welcome back to my channel, if you're here today for the 100 Fabulous and Funny Faces Challenge. I am very excited that you are here today. We're going to draw this girl, so she's kind of a cross between whimsical and realistic. face, but we're going to go over the eyes, the ears, the nose, the mouth,

shading

the eyelashes, the eyebrows, the whole thing, so if you're ready to get started, come on, remember if you're participating in the

challenge

to use the hashtag 100 fabulous and funny

faces

. I keep my eyes. peeled for you on Instagram and on Facebook and come share your photos on my Facebook page and that's an amazing art school and I'm having a great time and I'm so proud of everyone for playing along with me, keep

drawing

because the next end of the week is Thanksgiving Friday, I'm going to post, maybe I'll go live, my son will help me and we'll have some giveaways and I decided that every four weeks we'll do a giveaway for whoever is still

drawing

with me, so let's go. guys, we can do it, let's work on some skills, the best part of today is looking at everything we need to draw with a yellow school

pencil

a 6b or a B, a mixing stick and an eraser and our hands, we're doing good.

I actually organized my

pencil

s. for hardness and softness, so I'm going to say I'm like a 9h, it's so light it doesn't even show up on your paper, to be honest, so I'm not going to use that and 6h, they're so light: five each, oh , there are four H's, right, that's good because you can still see it. I'm going to grab my 4b. If you want real drama, go up to a 6b. You could do that and then you need a mixing stump that's organized. Did I just put all my studying into them? We want one that's in the middle, which again might be totally fine.

I think we got a little off track with the shiny art supplies, but we really need to get off track on our skill, oh my. God, stupid pencil, okay, so I ran to my kitchen. Look, even this is just a yellow school pencil, but even here a little bit you can see that it says HB, so you know, never underestimate like a normal pencil, guys. However, you can do it with a good little sharpener that is stuck. Jesus Luisa, we're off to a slow start this morning, since it's 2:00 in the afternoon, okay, let's get this party started, Holy Moses, okay, let's get back to basics.

I really want our oval back to basics we're going to talk about

shading

today we're talking about eye proportions we're doing it you guys so I'm making an oval I'm moving my whole arm my shoulder is what's rotating right now not my wrist , leave this right now, you want to lock the elbow and you're moving. I guess you can't really block it, but you know you're moving from the elbow and shoulder, so that's how you get this big sweep. circle so there's your oval BAM okay so this is going to be the same every week we're going to start doing 3/4 portraits soon so let's get this front face sorted out so we can move on with our lives okay ?

The middle will be the eye line, just below the center is our vertical. We're going to divide this space in half, so every time you do this, so 100, we should get faster and it should get easier, a little bit more, hence the practice. let's start forming the face, you can go in a little bit here we can go in a little bit here if you want, okay, now you notice how late this line is and how dark it is, that's just pressure, you could do this whole exercise. with a pencil you don't even need the other pencils, we need to figure out how to make our drawings awesome, okay, so we have our chin here, there are all kinds of shapes you can make, this real angular jaw line, if you want, you should do it.

Mine don't match at the moment, so just one crown. You know, that's why they invented erasers. You might change your mind now. One thing I've noticed because a lot of times I shoot directly on a table, my proportions are wonky because it's really important. hold your paper and look at it objectively from time to time or take a picture and look at your drawing in the viewfinder of your phone or on your screen because that will show you that you know it will give you perspective through haha ​​look at the new keys on my phone teespring baby Oh my gosh how funny is this is what I did a few weeks ago on YouTube and she does several of them, it sucks a phone class, oh that's like a little silver, I'm not going to turn on a little drop right, but I'm feeling really hip about my new food, so in case they're on sale and my teeth are coming out, it's so much fun, ok, let's get back to our girls, so let's make three eyes on each other, three eyes, one , Two Three. count on me I don't want to see your eyes so close together you can do it well they are approximately the same size if you need to measure because you can't you know, understand it then take something in your environment and measure preferably a ruler, but I'm too lazy to get a ruler, so look well, remember that a realistic face is five through a more whimsical face is three, this is somewhere in between, because I still have room on each side, the choice is yours, okay?

I'm going to start forming his eyes right away because we know this is his nose, this is going to be his mouth, okay, let's start with those eyes, so the first thing we're going to do is drop them, first. of all, let's drop a line here because I want to keep that space in the center which is very important, so don't permeate the eye parts on this side and this side in this space, okay, that's reserved for the notes, Don't go in there, guys. stay out of the nose space please, okay then this will be the top of the eye and this is the bottom, that's right, we can't do this, it's not rocket science, okay, so let's not go, but we have to lower this. diagonal, so okay, we have this, since at the top we're going to go down to a diagonal.

I'm going to go back, I want to go to space, but that's space without space, guys, so I have to go back and then. we're going to make this a little tear duct and we'll see how it's okay not to respect the barrier, okay, now we're going to do this on the other side, okay, let's do it. I'm going to give you a good trick to do, to do. the same eye on both sides, so it's time to give you all my tips and all my tricks in these

video

s. Okay, so we have his little tear duct.

I'll just do one side and show you how to recreate it. is on the other one, so let's do this and then this goes up and then up and down, maybe she has bigger eyes. I don't know, now you're like, "Oh my God, I can't." make it match on the other side okay first we're going to draw our similar pupil to the right and we need to make sure we're cutting part of the iris so I know it's okay because I cut the iris right so now I'm going crazy because I want that match, so look carefully before showing yourself the Chi.

Also in Sonic trick, it's okay to use tools that help you succeed, but you also like to practice, if you can't do it well, just practice more. eventually you'll get it right, just practice, that's how it is for everything, but say I want to do this same eye in front of him. I'm going to use some tracing paper and trace it and then I'm going to go to this, it's a piece of transfer paper, okay, and I'm going to put it over the line, line it up with my little nose barrier. I'm going to put it here, align it, okay and then I'm going to trace the same shape Jenna and there you have it more or less it looks a little high.

I'm going to have to go in the middle somewhere like there, but you can, what you really need to do is line it up here and then weasel. Place your little piece of transfer paper underneath and then transfer it that way, so there you go, this is a good way to help you make sure your eyes match, although I'm not sure it really helps because I don't feel like my girl even it matches anyway, so the best, the best idea, you should practice more. You will get better, like my t-shirt says. You can't get any worse with more practice.

It simply doesn't exist. Thank you Teri for helping me design my t-shirts. I stand by that quote, I do it and I'm going to insist that you guys practice, that's why we're doing this

challenge

, okay, so we have our eyes. I'm going to shut my mouth now as we move on with our live well now we can do like some eyelids and again you can make a big one these are small ones we've already talked about our options when it comes to eyelids you know my feelings and my love for it elusive eyelid there will also be a little line here because we have these tear duct tea things.

If this is a more realistic face, we can also add a secondary line below this so on both sides, ideally they should match, I'm not doing the best job on that, right? Sometimes I am teaching and drawing at the same time. I'm a little more successful when I have music on and I'm like in the zone when it's hard to get in the zone when you're like Chatty Cathy everywhere, okay. okay, let's do some eyebrows why we're in the neighborhood of eyeball one before we do that I guess I'll just joke about the eyebrows. I'm going to circle some pupils, okay, no pupils, guys, I've seen some really cool pupils. effects, but let's not get creative with the pupils until we have the right part set up and established and then you can have fun with the pupils, so make sure they are centered on your irises, which is the largest circle of your circular part. and we don't do anything weird yet, remember that the eyes are the windows to the soul, so you don't want to mess with the pupil because it's like the epicenter of your soul, so be careful with that part, okay, so let's take This nasal barrier that we have created and we are going to penetrate a little bit inward because we need some eyebrows.

Rocking and I just pick a random space over the eyes. Some people have eyebrows that are very close to the eyelid. Some people have eyebrows that are very close to the eyelid. way up in the air so you can use your artistic license to be creative up there and I'm just doing some doodles. I like these kind of fashion and art eyebrows that have a kind of curve to them, they're just fun to me. to do the same here they are like hairy caterpillars. I'm fine with that, you can always draw like a straight line if you want to give yourself a guide and then start filling in your furry caterpillars, that's really all they are.

They are free caterpillars, don't deny it, you see it too and this can have different shapes, they can be more stylized so it is also like a capture reference. Actually, between you and me, I messaged Pippa McManus this morning on Facebook to see if we could get permission to use one of her fashion bases as a reference, so I'd love to do it in real time with you, so stay tuned. Pay attention, generally, people are pretty, people are pretty, you know, accepting and/or everyone likes that, some people don't like it, but People get a little grumpy, but I asked him, so we'll look at last week's Pinterest reference.

By the way, I couldn't locate the artist whose work we used as a reference wasn't there, so I apologize and give credit if I knew who did it, but be careful when you upload your work, your own work to Pinterest, and make sure it's connected to your website so people can't take it down, so I can't get rid of that guide, let's go down. to the news, okay, so we have our nose, so I have the nose ball, so I'm going to trace, oh, okay, and then we'll do those parentheses on each side. Notes are great, live people, oh it's easy to think too much about a nose. but her nose is actually made of shadows and shading and there are no lines other than this one here so I know it can be tricky for a lot of people we're going to leave our kind of lip dip area alone that will be shaded like well and then let's see, let's do our upper lip.

I'm going to start with the V and the top and there are all kinds of fun lip shapes that you can get really dramatic or not it's totally up to you this is kind of a standard boring but I usually start like this it's flat this is round this is round round round flat and then you just connect your lines if you want her to be serious you make sure nothing is flipped if you want her to have some kind of expression which is happiness you would just make them go up instead of down this one is going to be like I'm in a bad mood because it's been raining for three days and oh my gosh, guys, the fires in California are the scariest things happening, right? so I'm not in the mood to be SuperDuper cheerful today, there's a lot of not good things going on in the world right now, so in deference to those tragedies, I'm going to keep it a little calmer today, okay.

Can we, can we get rid of some of these lines, stupid phone, okay, get some of those lines, okay, come on, let's move on, okay, so the hair is okay, no, but I, I've tried them a lot to help me with my hair. I have five hair

video

s on YouTube right here, so if you need help you can check out some of them, but today follow me first, we have to separate. Today I will part a middle part, the hair has to go in. the oval and I also haveto have volume above and on the oval, okay, then, Boop, then let's go to the side if we make ears, we all make ears because people are crazy and think too much about ears, also in general I think there is a lot of excess of stress. with the dry, guys, we need to relax, everything is fine, I promise, I'm getting started.

You're right above the eye, a full ear today and you do like here, you know, the shape and there are so many variations of what the ears look like. It's kind of crazy, we're really just going with your basic Joe Schmoe ear. I guess there will be something here and then again, going down to the circle and going up and past. I'm just making this up, so here we go if it's too much. You can always tear it down if you think it looks weird, so change it, just delete it, make sure you have a good eraser.

Someone asks what eraser I use. I use, hell, is it called that? I think it's called oh, the disappearing eraser. I love it. very soft, so I don't know, you can play with the volume of the hair as you see fit. This poor girl needs a neck as a statistic. I like to make thinner necks, so I generally like that curve in the jaw, that first mouth. line horizontal line is where I like to come out from, okay and then we'll have a straight paddle neck. I can't wait to start turning

faces

, we'll start doing that after Thanksgiving, it's pretty cool and this.

You can go lower Look, it's like a widow's peak, everything's fine, whatever you want, okay, okay, we're ready to move on to the fun, fun shading part of this, so we'll graduate away from our school pencil usual and we are. I'm going to go Actually, I didn't even mean that you didn't even use my light. I didn't even want to do that, so this is a 6b, you can use a 4b, you can push down really hard with or school pencil and it will have similar effects, so what we're going to do now is go over well first, I'm going to delete my delete, I'm going to erase my lines. superfluous and then we'll go over the features and then We're going to add some shading and then we'll finish and we'll celebrate the fact that we're okay guys, in that order, let's do it first, excuse me, line the eyes and line the eyes starting. with the eyebrows I'm just going to add a little pressure to my pencil and push down now notice when I do the eyebrows I'm starting from the place where they grow out of the skin now I'm going to line the eyes yeah and I'll also go back to my first line , I'm also going to outline my iris.

The nice thing about having that second little line of lashes, excuse me, is that the lash actually comes out of there, but we're going to put them at the end, so I'm going to continue outlining the things that we've done now. His eyes are not symmetrical. I'm looking at them, but guess what I'm pursuing with my life. Stop being picky about your little things and move on. People's eyes are not perfectly symmetrical I know my eyebrows have really different shapes, yes one goes up and one stays down, just write it down like you like nature and then free yourself to move on to the next step, maybe there is too much criticism , there is also a lot of self-negativity.

Around these posts I'm getting in my Facebook group, I like a hater, but I include it anyway, like you don't have to post it. If you don't like it, you don't have to post it, you know? Also remember that you are going to grow so much and your skills will improve so quickly as you do them, so don't worry about all this, you know that we are not judging you, we are supporting you, so, I just want to make that clear as if we were all on the same team and this is a game and an exercise, it's not like there's no winner other than a fun chance winner, right, there's no real raffle prize at the end of this.

Except for your skills, I'm going to be the bomb, okay, I'm jumping my ear because we don't have anything here, so technically there should be something like hair here, but blah blah blah, I'm not going to worry. about this, okay year, let's just make the inner folds that we're making like the same line that's inside, inside, I don't know the names of any part of the ear, so the outer part of the Lippe and then it's just It's just going to fade in here and then I just want you to draw like another circular line like here and then the rest we'll do by shading the same thing on this side.

I'm going to outline the ear so that it's sort of defined a little, outline the face a little so that it's darker. I also just realized that our chin is like a fantastic little wok, so I can do my best to fix it. I can even go in, no, no, it's like a popsicle. Don't worry about the neck, okay, um, again, we'll do like an inner part and then it's like, I don't know, I always think of one, two, three, like one, two and then three lines here and one. two three and that's it oh shoot, how nice so far, so let's go ahead and add some shading and it's very easy to do once you have your.

I'm going to go over the hair one more time until I get smart, okay? so here's a little trick, if you need a dirty stirring rod it works better than a clean one so see how dirty it is that's good but if you want it to be dirtier say you have like you're starting from scratch , you won't get it. any mixing with a clean one is not good for you so take your darker pencil and put some graphite on it and then dirty your mixing stick, you can also use a Q-tip, you can use your finger, okay, so we'll add a little shading. and we're going to bring it to life with some dimension, so first we're going to go around her face and then we're going to approach it slowly okay, the first thing we want to do is and this is Also, I chose this paper because it's a little bit rough, so it's easier for Shane if your papers are a little rough, but like normal traditional drawing paper, it has a little bit of tooth, that's okay, first, here I'll do this a little bit. hairline okay so what happens is you will use the lighting source this way if you want the shading guide so for other lighting alternatives again you can see the link in the description box but we will continue directly again because it's symmetrical well, so what happens is the face curves outwards where's my foam head? come here friend ask my face curves outwards so this is going to disappear this part is more in the shadow than the parts that stick out like this sticks out this sticks out Those will stand out or the lips will stick out from the cheeks to go, but this way it will move further away of your viewer seeing you wondering why I have foam heads now you know it will be in the shadows so you can notice. thinking on the side of me, I'm taking the side of my mix stump and lately I'm running it along the sides of his face, okay, now you don't want to give him a beard, so be careful with this part, okay, and I told him that we were going to go in slowly, okay, so that's like going around your face.

Now let's circle the eyes. This is sunk back. We'll add the reflections last, so don't worry about that. So what am I going to do? I'm going to take this and see how soft that pencil is that I actually blended it right into my paper, so we have to put it back, but I'm going to take this, okay, and this is where the bridge of the nose is. starts to form, look at that dark line, this is what makes our nose bridge form out of nowhere, dragging this graphite towards the nose area, okay, then suddenly, where there was nothing, now you have a nose, funny, funny, funny, funny. there's the bridge of the nose, but it's still flat, so how do we create a circle from a sphere or a bold border while there's nothing on our paper?

Well, we have to go back to shading, that's what it does to us, so I'm I'm going to take the side of my dirty mixing stump again and if it doesn't mix enough, I'm just going to pick it up from my graphite disgusting place, now I myself want the nose ball to have nothing, it's a call. it's got graphite on it so I'm going to take my ten inches and I'm going to like highlight it's so light I like it even bigger so this part I just want a white so I'm going to like it. Put a little circle of light there and you can actually put shadow around it and just hold it.

I've seen really cute artist interpretations, so many cool ways to make noses that you can make this dark. I've seen people do between the dark noses but the ball and the tip of the nose should always stay shaded as well and you can put the highlighter on or you can cover it and take an eraser and erase that highlight as well and there are some really nice ones like I said interpretation from the artists so some people make a little key a little sign like that like on the side there's a lot of ways you can do it so experiment see what other people are doing if you find a nose take a photo , take a screenshot. and save it so that when you go to make your own faces you can use the same technique so we already know this is shaded and usually under the nose is also shaded especially here and then there are variations variation of variations there are variations that you can do like sorry this is driving me crazy, you can have parts of this card like this part, maybe on one side it's darker, there are so many things you have to play with and that's why drawing a hundred faces is so key. because with every face you draw you can change one little thing and then you change everything, it's so fascinating and that's why I can't stop making faces, because watching these girls evolve into their different personalities is endlessly fascinating to me. okay, so you can leave this little highlight here also if it's like there's a highlight that can touch the brow bone, you can leave it if you cross it, if you make it disappear, just take your eraser and carve a highlight, okay, but I want Guys, be brave with the shading, it's just pencil right, it's not like fire, no, there's no danger, it's just fun and experimentation, take a quiet minute and see what happens, how to make them really dark and see if You know, just play and have fun. and experiment, so this eye is this line, look how sad and exaggerated it is and that's a little sharp and sharp and that's more what we want, so I'm going to pose this because it's too shaky to try to put a I can't really. walking there, it's very strange, yeah, okay, so we haven't touched the coke-filled lips, look how three-dimensional the nose is, and that's just a little bit of shadow, we've got this guy, we've got him, so this is . a I like this to look a little more natural than this, so what you can do as well is if I erase that and it's too rough and then you go back with your blending stump and blend the edges a little bit. little you can go back you can subtract and add and subtract and add and keep going like this all day okay so we're in the mouth let's work on that a little bit let's take our dark pencil again when like this the middle crease line is always going to be the darker is always like jet black there and then there are always many, for me the lips are made up of many lines, so you can start by making these lines and remember that this reminds me of the eyelashes that we use.

For last week where they were, when you get to the center the lines are straight down and then just like these they are like eyelashes, when you get to the side they start to curve the same way eyelashes work, like let's do. Do it again in a minute so you have these lines that curve and then we get to the middle, they start to curve in the other direction because the lips are curved, so what happens is everything is like a spider. Right now I saw a spider and then when you take your blending stump and if that's too big, well, buy a pack of blending stuff, you can just take these lines and blend them together, sometimes blending them like they're too thin and if you combine a cross, it's too much spider web, you mix them together and that will eliminate them all. together but it's okay if there are some left because the lips have this natural line äj-- so to speak, that's on them oh and we haven't even talked about the shading for the chin, jump a little bit and then we're going to take our dirty stump of mix and we ignore my phone and this part is going to stop, this part is going to be very dark and then it's kind of like the nose again, where the ball of the chin should stay white and it can get a little bit shadowy all over and it just fades away as you get further away from it and again there are some really nice illustrators that do like these white areas, they'll highlight them like a kind of doodle, they'll do doodles.

In fact, I will. draw the circle that remains highlighted. There are some really fun artistic things you can do, so this is the darkest one. It's going to be darker on the bottom, with the bottom lip very dark and also like the bottom of the top lip. very dark because that's what's in the darkest shade and then we need a highlight for the lip so I can take my eraser, if it was like that I was really good it would fit like a little razor that I have but I'm too lazy . and you can erase some highlights and they generally tend to stay on the lower lip.

She may also have some in thetop and to give it more emphasis if you want to have those, sometimes those lip-like folds that I put back in if I erased them as well. a lot of them and if you've done a really good job blending you shouldn't even have a line like you shouldn't be able to see a line on the top and bottom of your lips because there's no line there it's just a change in pigmentation so It's really good up here and if you're really into realism, you can make sure you don't see any of those sharp lines, so now we've got a little bit of texture, we've got the shading.

In the right places, we can shade the ears so that the inside, like this little lip, is very dark. If there is hair, you know, all year round it will be shadowed, but really right there, where these lips call me lip, I mean, where the outer part will be, this here will be the darkest and you just put a little shadow on it to make it look three-dimensional. She totally needs some eyelashes. We can also do a little more shadow for her eyes, so let's do her eyes next. I'm going to get closer here. I'm going back to my 6-8.

I'll make sure I'm really sharp on what matters. pretty much at this point if they're sharp so again you can go over anything and you know a lot of times you can even go to like and you know like a9b and make it really really bold and really dark the way I do eye color. Here people are not a dish, so you can actually do it well. There are a couple of different ways to do it. The easiest and quickest way is to simply take the stump out of the mixture and drag the graphite out or around it.

You can also get it. Come back with any of your pencils, you can decide and if you want, you know, make spokes of the wheel. I like to say that for the eyes, you can draw the pupils on the darkest part, so it really should be as dark as you can. Take your pencil and I left that glitter there just by not coloring it in the first place, you can always carve a little with an eraser or you can put a white gel marker in there, you can do whatever you want, but they have to write. of phosphorus on each side and I'm going to back up on his eyelid because I erased it so you can have the push and pull and you know it's fun, no matter the medium, using paint or mixed media or watercolors or something like that.

Whatever you do with the layers and this is true for graphite with layers it is how you normally need to get the results. You know that nothing has ever been done on the first pass. It took me years to realize that I'm like the most impatient human being in the world. so it makes me angry because my work wasn't done in the first session or it would just be good enough. I mean, I'm the queen of good enough and I think that's a really good thing for the soul. I sat easily satisfied with that, but at the same time it's like okay, come on, you can work a little harder on that, so I had to work a lot on myself to not be so impetuous about all that stuff.

Okay, so she needs some damn lashes quickly. She's driving me crazy so I'm going to take my 6b and for the top lashes I'll do it again. I'm doing this quick move. I will always start at the eye line and vary as if you didn't. You have to go all the way around if you don't want to, you can do some bolder ones and then for the bottom lashes, I'll start in the middle, there's like I have a really long one, no and Remember the angles we talked about last week change as they surround the eye.

You're supposed to have something clear or short and some longer letter when all kinds of Yahner tabs today and then there are also shapes and we used my little mixing set. there is a shadow that falls on the top, this shadow is actually more important than you think, this is what allows you to draw if your pupils are not so good or your irises are too cast, that shadow is super important, so yes. So it looks great, no, I just need to go really long and the kids picked me up from school, so I'm going to take a super dark pencil like Kim.

Yeah, I can't, so I'll hold my pencil to the side. like that, so I won't hold it like that anymore. I'll use it like this. I'm going to use this whole border because she needs some really dramatic shading under her chin. It's a really big shadow. Okay, now I know that sounds crazy. but what happens is we blur it so it makes sense and again I'm using that scene. I'm using my blending stump the same way I just used my pencil, which is using the side of my pencil and what happens is when you go to draw her hair, this is going to be dark and this is going to go all shadow as well, like this that it reads correctly when you go to do it.

Now, for the sake of time, I'm not going to do all the hair because I don't have time after this long video, if I still had someone left with me, okay, I'd be surprised since the average viewer on YouTube is six minutes, yeah, six minutes, and this video is, let's say, a lot longer than six minutes, so If you want to do a short haircut, you can just make some lines and add a little shadow. This is Lazybones hair, but we know how to create it. There are so many hair tutorials already. Now I'm holding my pencil like this. because I want natural, kinky lines, I want them to fall in a crazy way and I don't want to have super amazing control over them, so I do it on purpose, people are getting so obsessed with this and also the highlights. about the hair, but when it comes to highlighting the hair, honestly, it's just an artistic preference, there's nothing like, you know, unless you're doing a super realistic drawing, that's when you're just going to draw what you see and the hair which I like appears wherever it is illuminated. the source comes from, so if it's a realistic drawing, that's the information you're using, if it's like a manga drawing, there's a very distinctive style that you can use for that when you have the highlight changes in that sense. way just trying to do a general shading just to show that it's like a color and then you can go back with your pencil and if you miss any of these lines you just put them back in by pressing really hard on your pencil or you can scale it up to another pencil, you can have a hair, that's like you know it encompasses all your hard work and that's always surprisingly hard to do, but you can do it and any lines you've missed you can feel free to follow. come back to again and again as amazing as often and as amazing as you want so I hope you enjoyed this week's fun fabulous faces challenge tutorial.

I'll have another one next week. Maybe I'll stream it live on YouTube, my family will be home. For Thanksgiving, my 12 year old son likes to get involved and I love when he gets involved because he's a really smart kid and he has all kinds of really good ideas and he knows that I like to experiment with software and do everything kind of stuff like that, so yeah, and then what happens is, oh, I think I might release it as a premiere because I think then I can come and talk to you guys and we'll all watch it together, so yeah, I don't know, just keep it going. his With eyes wide open, I think I'm going to change it.

I also have the giveaway for the first time. I'll be with me for the first full month, so it's exciting and I can't wait to do it. And yes, if you want. If you have any questions, please post them in the comments section. I would love for him to join my Facebook group and show off his mad skills there. It is a very, very supportive community. Believe me. I make sure I'm there. I've been live streaming there are Fridays to talk about what I'm doing for these videos but I always show up at least once a week to say hello um and yeah I can't wait for the giveaways so if you want a really fancy phone case, you can check out my Sea Spring merch and yes if you want to check it out I have coupons for teespring.

I have coupons for all my art courses if you go to Karen Campbell artist com2 so make sure to use the hashtag 100 fun five. faces because we are going to finish this when it's over and become amazing artists, one drawing challenge at a time. Thank you very much for being here. Don't forget to subscribe so you can find me again and we can do more and more. lessons every week