Full LIVE Roundtable: Margot Robbie, Robert Pattinson, Bryan Cranston | Close Up With THR

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with The Hollywood Reporter this episode we are joined for the first time by a

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studio audience now let's meet the actors we have the military hammer Diane Kruger Bryan Cranston Margot Robbie Robert Pattinson and Octavia Spencer let's start well, now the question This is the first time we mixed male and female actors in the same

roundtable

, so what is a topic you have always wanted to discuss with actors of the opposite sex? Have we ever fallen in love with people we have worked with? with, have you ever followed him? Can we ask like a question?

Have you ever worked with someone you despise? If so, how did you solve it? Yeah, how did you handle it? But I was only on set for one day. No, I was. I can't say I despised them, but you know, when a person looks past you and doesn't really address you or the directors talking and they slam the door in your face, it's like I hate you with all my heart and you know. , I just think that person is a miserable person, so I didn't really have to do anything because I was only there for one day, but years later I met that person again.

Did you say no? I know. I just smiled, oh literally. He approached me as if they had been nice and I left. I had an actor Cenis Tannen to do my work off camera right away. Yes, he actually did it from the beginning. Yes, yes, with the female star of the show and no. I didn't, I said no, she needs to be here, it was a very emotional scene, I can understand if it was something simple and you just move on, but no, I think you have to establish a sense of respect, comadre. Like you know, yeah, and doing that is just rude.

I think so. I feel like you need to change careers if you don't want to show up. Yeah, you know mostly mm-hmm Margo, how do you handle conflict when it arises? I avoid conflicts. at all costs and I haven't worked with an actor that I've despised, but I've worked with someone on the production side that I didn't appreciate the way they talked about me in front of groups, so it took me a couple of months. but I finally got up the courage and took him aside and said you know you're discrediting what I do when you talk to me like that and he was really cool about it and you're fired you have to get to a place where you're comfortable doing that.

I mean, you have Rob, you started out as a young actor, did you have to muster up the courage to assert yourself on set with people? I can't, I just run away, well I don't know, yes I know. I mean, I just try to avoid it and hope they see that what they're doing is wrong. It never works worse and worse, but at the same time I feel like it completely baffles me to try if I have to. to say: hey, this is my process, it's like I don't know what my process is and this must be some kind of understanding that you're trying to do something good, you're not just playing, I know that well and it helps. for us it's that we know there's a finite amount of time we're going to spend with that person or people and so we can just suck it up and tolerate it until you get over it and finish the movies or whatever you want. unless you're on a TV show for seven, yeah, that's right, it's very important, you know, it's not imperative that you get along with your castmates, it's like your in-laws, it just makes things easier, it just It makes things more pleasant. you know and yes you make an effort to know them and how they work because every actor works differently and it works well for them and all the other actors have to respect and understand how that happens and to be honest and give an example of how you work and how are you going to do it Diana and I work together and share a lot of that, do you know how you want to approach this scene?

So I think the longer the more I do this, the more it seems to me that it's such a fundamental part of doing your job as having the lines written, knowing your character, knowing yourself, all of that, because you can have your own process. , but if you can't fit your process into the organic process that is the entire project you're working on, it's really of no use to you, you have to figure out how to do what you want to do without getting involved in someone else's process, it's a kind of cohesive symbiosis. Say what kind of scenes make you nervous, honestly, the scenes that make me the most nervous are the ones where you have the least things to do, where it's just them and everyone else is doing a bunch of things and you have one thing. do like a line one thing to say for some reason is that it's harder to get into that rhythm and all that and then you end up waiting to do your thing and it's like a distraction instead of just going along with it and being a part of it, but probably because of your name there are a lot of intimate scenes and you really had to go there, those kinds of scenes make you nervous or it's just par for the course and they might have another project, but in that one everything felt so safe, I felt like we were in such capable hands and we felt like we had so much freedom to explore and be ourselves and make mistakes and everything was fine, no matter what happened, we felt like we were really protected by Luca and everyone, so we didn't really have that.

I like the way you say things. Although I don't know why you always put yourself down, so you won't. I guess you're really so afraid of what I think thanks for a hard way. I remember, I specifically remember, you know, we had some scenes that were pretty much no clothes on and at the end of the first day they called cut and then someone shows up and says, do you want a robe? Come on, okay, let's film it again in a second, you feel safe, yeah, for others. What kinds of scenes make you nervous? This or especially nervous.

I'm dyslexic so anything where I have to do something if I'm just talking. or you know, just walking, but if you have me doing a lot of things it's like I have to really learn my lines by doing the action so that when I really have to do it I can throw them, otherwise it's like I'm backing out, oh. Wait, I'm retiring, but in real life you don't think about retiring, you just retire, so I have to learn to do things by doing things. If I have to do things, I get nervous at any time. I have to act on my own.

That seems very strange to me for some reason. I'm alone in a scene, which I mean, that happens rarely, but I need to be with other actors, so all my ISM focus is on what they're doing and then all I have to do is react and I'm too in my head, yeah it's funny, your role in the big short was all solo scenes, yeah, if it really was because he was looking at the camera, it felt like he was chatting with everyone, I don't know, wallet on them , the easiest day of work I've ever done, yes, half the day of filming in a mansion in Malibu was real, Dom Perry, 20, on Adam McKay. he brought it out it was like, oh, now we're your lines on a teleprompter, no, no, I know that would have been like that.

Your right eyes were difficult, yeah, I mean, I had to like it, I just had to look into it and really understand it because I couldn't understand all the technical jargon without really knowing what it was saying, so once I found out it was how you prepare For a general role like I, Tanya, you obviously had to learn how to ice skate and yes. That part of the appeal of the role was that you would have to dive in and learn this or it was something you had to do to play the role. But. I get excited about every character when you have a skill set. we learn how to do it and we think I'm really lucky and I'm spoiled because they get someone really good to teach you how to do it too, so it's nice, like when I focused, a real life pickpocket taught me how to do it. pickpocket like I said this is exciting, no, um, that was exciting, but I mean, that's the mechanical preparation, you know, you put in the hours and it pays off, but beyond that, I'm like a crazy person when I prepare .

I do timelines and backstories and I work with a dialect coach and a movement coach and an acting coach and just yes, I need to do a lot before I show up for sure so I can throw it all out the window when I get there. on set, but if I hadn't done all the work beforehand I'd be too scared. Have you seen many images of Tonya Harding and I have seen every image in the greeting of her a thousand times and I had a voice on my iPod and I went to sleep listening to it.

I'm serious, like I've

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d in Tonya Lanza for a long time. Did someone want to tell me to my face that you're never going to give me the scores I deserve? That's how it's done some of these girls have paid their dues. I don't give a damn. I skated them today. We also judge by presentation. Well, you know? If you can come up with $5000 for a costume for me, then I won't have to do it. do one until then, just stay out of my sight, maybe they are not as good as you think, maybe you should choose another sport, suck my cock, could you talk to her while she prepared me?

I didn't do it on purpose because there was so much. I could do a lot online to study her, you know, at 15, a documentary was made about her, she was interviewed throughout her twenties before and after the incident and then obviously documentaries were made about her when she was also 40 years old, so I was playing her for 15 to 20 years. 44 and I had all that information there at my fingertips, so I intentionally prepared for the character without having met her so I could keep her and the characters separate and then once I decided exactly how I would play the character, how I would play each rhythm.

Then I went to meet her. I didn't want to meet her and get upset like I was second-guessing what I decided to do, so I waited and then met her a week before we started filming. Oh no, she really was understanding, honestly, I thought. I'm playing a character and in my mind you know there's a difference and she, all things considered, really understood that there's a role where preparation and what you would have to do to prepare was part of the reason. you took the role if maybe it would happen I'm like an island somewhere that takes into account that tonight you consider photographing Hawaii for a month It would be nice, hello Margo said you can do something Yes, of course, I think so, yes I haven't been able to yet Doing it, you might regret it, it's just part and parcel, but you've never taken on a role where you know I'm going to learn how to rock climb or something.

Hiking movie and we never really walked oh my god I'm going to lose so much weight we literally walked down the trail and then we resumed, you know, walking there, so there was no hiking. I went through a movie because we needed me riding a horse and I'm really afraid of horses oh really, oh yeah, I thought, I can't do it, I can't, I don't want to do it here, you've been throwing up so many times, hey, I. You don't like horse meat. I turned down roles because I know it, among other things, but the idea of ​​wearing a corset for six months did influence my decision.

I thought, "I can't, I just can." I can't do that or a

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prosthesis oh yes, completely. You've just done it, haven't you? Yes I do. It can be very claustrophobic when you are the only connection to life. through the nostril the only thing is that everything else is covered it's a little daunting to do it and then act on it for 14 hours it's just a little bit much but I did it. I confronted Lyndon Johnson over the fact that I could research the first president I really paid attention to. Oh, I was about 7 when Kennedy was killed and then I knew something was very wrong, my parents and all the neighbors were crying during this and I thought I had to pay attention. something is happening that is more important than me and at 7 years old it was my first break with my own self-centered nature, you know, and this new president was Lyndon Johnson and then years later I had this opportunity to play him, so I mean .

For actors, I love the research part, being able to dive in and explore a treasure chest of who knows what and then combine that with your imagination, the text and your talent, and you put it all together and you have hope. The best thing is that there is a role or even a part of a role, a phrase that has particularly stuck with you years later, from someone you have played mmm, people come up to me all the time and just say three little things. words that is the strangest moment that no I don't want to say it because you know it's my thing, I want to say my thing, you held back and you let me say it and it's really strange because if when you're in your life and you're in the supermarket and you're in the yours are like trying to figure out how do I know if this is ripe and how do I choose and someone just leans into what's going on, oh okay, so it's interesting, it's interesting, unfortunate, get it straight, it doesn't have to be that way. . be something people tell you, it could be fun, but I think my prostate is asymmetrical.

Always from Cosmopolis, I and the podium area have this that I tell him, I tell him when we cry together and he is also like mine and what does it mean? It's no big deal. It is a harmless variation. Are you Jewish. I'm worried about my favorite season, but there's something. I think there's something really deep for me. Anyway, noBreak, okay? to take off your shirt, okay, they took a shot of tequila from my body juice and then salt, which was like sugar, so at the end of the day, which was like a foam party, you know, when I was younger I did a deodorant commercial which was a proud moment I was doing.

It was like that spasm of embarrassment that you get when you see it for the first time, you just wait like five six years and everything like really like Octavio, the shape of water, you had to sign up to make that movie without knowing what this fish monster would look like, did you? TRUE? What is that conversation with Guillermo del Toro like? Well, I could tell you this, even before I met Guillermo, I have seen or had him. I've seen every movie he's directed and most of the things he's produced because I'm a fan of fantasy horror, so when he called me, I literally gave up the chance to work with him and we met for 30 years. 30 minutes but it turned into a three hour conversation and he only mentioned the role because he was paying and said, I wrote this part for you and I don't want to tell you anything about it, I just want you to read it. and I'm thinking, well, I'm in, but oh, okay, let me see what my characters are going to do, like you don't know anything, lord, help me if they ask me if I know.

I'm not a good liar, except. collected, many last married people are needed, all staff prepared to present their identity and appearance. Cars. I didn't care what the creature would look like because his signature is that there is always a creature, so I knew what the creature was going to be. Great and it was an easy decision for me to make how he shot it, was that in CGI, was it practical, was it someone in a suit or someone in stitches, or not, was it an actor in his suit and let me tell you. It was wonderful to have him there.

You have a real actor's acting office. It was incredible. He's 90 percent actor, 10 percent CGI. Doug did all that work. Doug Jones Doug Jones, it's amazing. Wow Margo, you come from Australia and you. I have done many studio films. I'm curious to know what surprised you about working in Hollywood. What surprised you the most was working on a TV show in Australia called Neighbours, which Rob is probably the only person at the table who was important in the UK. but you know there are 30 somethings, around 30 cast members, no one has trailers and when there is a chair on the set with your name on it, there is no omelette chef, you just give him one like you have the conditions of a greenhouse, so like, that's what I thought a set was like, being in a room with 30 of your co-stars and, like you know, if someone wanted a cup of tea like you, I'd make it for them.

I have always prepared tea for everyone. It was my thing, I did it and then I went on set in America and I was, I mean, at first just amazed by the production value and how much bigger and more money there was, but then everyone said that their trailers or their rooms They were here and I was. like he was alone like everyone was separated and he hated knocking on people's doors like they were hanging out. It's really strange to be sitting alone in this room now and I felt like I was there, yeah, it was just like that.

It was so strange to me that the actors were kept separate, it was just strange, but I really appreciated it, it's wonderful to have more money for a project, I mean the things you can do the more hours, like we used to do. filming one episode a day and suddenly we had like a whole month to film one episode and I was like, "I understand how many takes it takes to do this." This is amazing, so yeah, I guess so, it was just very different mm-hmm, right? You also came from outside and I'm sorry, yeah, it's just the people like I think in France where I started, you know, you're a maximum of 50 people, same thing, you don't necessarily have a trailer or it's like a room for everyone, but La quality of work I think is the same.

I think luxury is time. I think you know what we have here. I feel like I have more time to do things. Alright. It is curious that the lives of actors have recently changed in the last five years. With the rise of social media and the microscope people are under, do you think social media has made your lives better or worse? You left Twitter, so yeah, why did you leave Twitter? He has very little impulse control and I couldn't help it. say something to someone and then you're just adding oxygen to the fire and then, little Gretl, suddenly you have a conflagration and suddenly something that doesn't exist in the real world at all is something you're thinking about and something that requires broadband on your brain of something that you could easily focus on something else much more productive and it's something that if you just put your phone down, it disappears, it's gone, it's not real, it's not anything concrete. and it was a waste of time and it's a toxic environment, no one goes on the internet to say something good, it's not the thing to do, so I thought that some people with a certain fame feel that they can use that platform to defend the things that matter to them . about or doing good and people do it success

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y that you don't do it you don't agree with it maybe I just couldn't do it successfully I was just very bad what about you Brian what do you think about that?

Well, I certainly have. I got into trouble. What we have now is a completely new technological advancement of tools. It's like anything else. You should be able to learn how to use the tool and not let it use you. I think that's what you're talking about. Be able to show. moderation and prudence as to when you need and want to use this and how to use it, but it's like having a nice piece of cake in front of you, if you're trying to dye it you don't want to bring it. The house is, you know, the impulsiveness of the factor is: it's very tempting, but it's also permanent, it was like getting a tattoo every time, you know, so you have to be careful, do you feel obligated to talk about certain topics and use your platform?

I don't feel an obligation, I feel a desire, I don't want to be a person without an opinion, especially now with all the things that are happening in our country, both politically and socially, in our industry and others, it is a very challenging time, but I am an optimist and I believe that sometimes even a society has to go through a breakdown in order to make a breakthrough and that is what we are going through, we are collapsing now in many social circles. circles and I see the positive side that there is hope because of the way we treat other people and the disrespect is now in our consciousness and that's good and talking about it is really good and I hope that not only things get better in our industry, but in all other sectors, what is your opinion on people who feel they don't want to talk about certain topics, particularly the recent harassment stories that have come to light?

Yes, I mean, on the one hand, you have a great opportunity but, on the other hand, you have a great responsibility to handle it appropriately and cause a horrible situation. I think showing up is a lot more complicated than anyone can imagine unless you're in that position, so I couldn't stand it. Judgment on anyone who did not want to tell their story. I hope that anyone who has done it knows that they can be supported 100% and I must say that I have never spoken to so many actresses that I had never met at that time. In the last few months I've had things like that and there's a sense of community that's really wonderful and it's sad that that had to come out of a horrible situation, but there's a support network there and ready and everyone wants to get better.

Available to support anyone who wants to come forward. Do you think there will be real and lasting change? You can't say, "I hope so," because everyone says, "I hope so." Yes. I think so too. I think all industries need to change. I mean, it's not like that. Just the film industry, the big revelation for me right now is that human resources departments have not been protecting workers, they have been protecting companies and that has to change first and foremost, but I think there are a lot of people who are using his power to make sure the change happens, so I hope so, but I know, you know, so I don't know, but I feel like we're seeing the change as it happens, all these men are gone and In fact, I'm surprised how many companies have actually done it. he said and severed ties with those men immediately, they got just a pat on the back and came back, so actually, you know what's happening, you find that there's a different atmosphere on the sets in the last few months for those of you who end up to stop.

The shoot was a couple of weeks ago and I felt like I had a fixed life, it wasn't different in the sense that the male actors were afraid to talk to the actresses or something, no, yeah, it's a strange industry that doesn't have. In the human resources department there are a lot of gray areas in our work and a lot of very intimate situations that you have to make yourself vulnerable to and change job by job, some jobs are done in six weeks, you know, or some jobs are done six months and it's a problem that you need to solve at that moment, there are so many variables and it changes so constantly that it is difficult to find a structure in that type of environment, yes, I think agencies and managers need to look at them, maybe play the role of HR because there has been some guilt in the agencies, wow, but don't go alone, they're already being told that there may be something that you know they need to be aware of and hopefully that's over and no one should be in a position of you know, being oppressed or feeling in danger of any kind, just mutual respect and I think we've seen a lawyer, yeah, and I agree with Octavia.

I don't think she's exclusive to the entertainment business. I think this is in academia, it's in business. In politics it gets more attention in our businesses because of the people involved, but I don't think it's unique to us, no, unfortunately, let's talk about your movie for a moment, it's a revenge movie, where did you base it on to play that guy? character, you know what? To be honest, I didn't go into this seeing it as a revenge movie, to be honest, this is a movie about grief and a woman's journey of finding a way to move on or not move on.

You know, I prepared this film for about six months and I have not been part of many self-help groups of victims not only of terrorist attacks but of brutal murders and, without a doubt, one of the most notable things about all of them is that they have a lot of anger. because someone was taken away from them without them being able to do anything about it, you know, and if they had the chance, I think a lot of those people would rather go and kill the person who killed their son or killed their husband or whatever. which I think is strength. of this movie and the fade out is not that it's okay this is what to do this is what you should do this is this woman's journey and that was her only way to end that story you know so I looked at it from a very emotional view from from her she goes through all the stages of grief rage emptiness anger I hope you know the possibilities of a new life new child and then that is not possible an interesting question for the group many people ask you do you know if you could have a dinner Who would you invite?

I'm curious if you could sit down for an interview and actually talk to someone one on one for an hour. Who would be Barack Obama? What would you ask him? Why did you go? No, I asked him, I mean. there are things that he's seen and that he's been a part of and now he's seen where our country is and I'd actually like to talk to Barack and Joe Biden and get perspective from people who have been on the job. and maybe say what can we as citizens do when the country is so separated and polarized, so I guess I would talk to both of them oh, don't look at me, I don't know, let me think about that, Brian is, well, me.

I already sat down and chatted with Bra. That was that was my joy. I mean, that's what I did. I was able to sit with him in the Oval Office for an hour and a half and really just. there was a referee there was a moderator from the New York Times the three of us and that's how this was published it was yes and there were times when I forgot who I was talking to, as much as the president of the United States and he was just a guy, he's a little bit younger than me, but he has daughters like me, he is a father, he was very athletic and there were many things we had in common, he didn't have a father growing up.

Me neither and there were a lot of things that we were relating to and then all of a sudden I'm going to steal anything from his soul, you know, but he has such an ability to dispel this feeling from you. Coming in and feeling intimidated, he just calms you and your two guys down and you want to take your jacket off, yeah, you know? I took off my jacket, rolled up my sleeves, and there we were two guys chatting, that was really cool. -Opening experience and one I will always remember well, thanks Brian. I mean, he's like an actor and all, but I would love to sit down with Stanley Kubrick.

He passed away before I had the opportunity to meet him or work with him. Think that would be, you know, my moment of being like that is really happening, be very quiet, that's all, you say Brian, when you were a kid, why did you get in trouble for everything? I was a typical kid I got into. Many problems. My dad left the family when II was 11 and my mom took it really hard, so she escaped through self-medication and my dad left, which left me with a huge cavity to get into. problems and I did, I did all kinds of things because I didn't have the guidance of my parents and you know I was trying to find my way and in fact, my family called me crafty Pete because I was very crafty and later Years later I developed the TV series basically called Sneaky Beat and using some of those same types of problematic things when I was in high school I had to identify cards, one was Brian Cranston and the other was Bill Davis, Bill Johnson.

In fact, Bill Johnson would be the one I would take out every time I got in trouble. It's like Bill Johnson got into a lot of things and back then there were things called truancy officers. I don't know if you guys experienced that in the back. I'm old, but there were absent officers that would basically make a little kind of arrest if you're skipping school if you're at the mall if you're there they were everywhere and Bill Johnson got in trouble very often that gets sent to the, of In fact, it got to the point where the truancy officer started knowing my name Bell, we're going to have to call your parents and I'm like, oh, you're going to call George and daddy Johnson, how do you rub? problems, yes, flying, a lot of lying, a lot of theft, it's strange, that's one of the only harms that come with getting some kind of fame or anything where you can't lie anymore because everyone finds out about everything and everything is back when I used to audition. for things and one of the main things they used to do is people would always question your ability to do an American accent and then I realized that if I go in and say I'm American and make up a completely different character to play, then they no longer would question and then no one questioned your accent with theirs, but then after the first Twilight, it came when it was still like, Oh, I'm from Denver, why are you pretending to be someone else?

Yes, it was a hard and tough lesson to learn. pretty good, yes you grew up outside the country, yes I moved a lot. I probably moved on average every year to a new place or a new house, so it was just a general mischief, you know, like a kid, you know, you just start playing with fire. you set some things on fire by accident, you know, you see like you see power tools and all of a sudden I got in trouble when I was four or five for drilling a bunch of holes in a car like this, it's possible ten whole Zunes.

It was like, oh, this is really bad, clean it up, you know, sir, you know, yeah, you get it, you just have a lot of energy and you don't have a direction to focus on and it can eat you alive and I love how he. He said I set things on fire by accident with the lying thing; It's definitely not an accident in these jobs, you get to meet strange and interesting people and Barack Obama excluded who is the most interesting person you've ever met. Can I read what you met? Charles Manson, I went to his place where he hung out with his hippie group called Spahn Ranch, who rented horses, I went horseback riding, my cousin and I went from time to time, the last time we went I was ten years old I think, unless she was 11 and we were renting horses from the old man and a guy came running into the office saying Charlie's on the Health Charlie's on the Hill and then he scared us so much, look, go, don't worry, don't worry . and we look out the window and there are eight to ten guys, men and women, jumping on their horses, gathering them up and galloping down the trail.

Wow, about 20 minutes later we see that horse trail coming back. Now the width of this path was smaller. than this table, so they were passing very

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to each other and there was a group of horses and then there was a guy in the middle sitting on a horse, but he wasn't holding the reins, the person in front of him was holding the reins. and this guy had short black hair up to here dark black eyes and a beard and he moved with the wave of the horse like this and we came and passed and we were looking at him the whole time.

I walk and without saying a word they pass and my cousin turns around she was in fresh eagles that must be it we didn't think about anything we didn't even tell each other it was before the murders it is but I'm a year before the murder Okay, and then the murders happen , they capture him and I had completely forgotten about that incident until here's the face of the guy we just arrested and I almost spit out what's in my mouth, that's the guy I immediately went back to. Oh, my cousin called. To me, he was crazy, yeah, apart from the killers, anything interesting you ever met.

I wish I had someone who would jump in and try to overcome that when I meet people all the time. I knew a guy who was a world yo-yo champion who produced why? You know the yo-yo champion, no, we were filming The Lone Ranger and it was one of those things where they had a huge budget and Tom Wilkinson had to do something where he pulls out a pocket watch and spins it and comes and lands. and it opens up in his hand and it was like a cool little trick, so they said, "Let's bring in the world yo-yo champion." Wow, and he said, "That's not a yo-yo," they say, yeah, but can you help him do it?

He says, yeah, you take it out of your pocket, you do that and Tom says, Oh, like that, click and he says, yeah, just like that and then he was with us for the rest of the movie. This is going to sound crazy, but I'm like a total series. Killer Nerd and John Douglas I read his book Mind Hunter and about 15 years ago I got bumped up to first class and the flight attendant said her first and last name, like would you like chicken or fish, oh my God, I love you and me. I talked to him from Los Angeles to Atlanta, but he was nice and you think you're a serial killer?

I was actually impressed that I liked being able to talk to him about that guy. He's a little crazy, so this year I decided to get my motorcycle license. deep in Georgia, so it was a culture shock to say the least, I would never start a motorcycle, it was me and 20 Harley-Davidson guys, it was pretty awesome, like I was having a barbecue in the parking lot at night, but it's not that they were crazy but I was completely fascinated. He had never met anyone like that and they thought he was crazy. It's really what they thought.

They were like what is this goat? They're like: You're going to drop the bike, You're going to drop the bike and me. They kind of did it, but they liked that they picked me up, it was amazing. I'm still in touch with it, so be careful if you ever see me. I was doing a movie recently where the director asked if everyone on the crew could write The Craziest Thing That's Ever Happened to Their Lives and then it was posted on the last day that everyone handed out and you had to choose which story matched you, like this that you didn't put your name, you just wrote, just write the thing. and then I had to guess who it was, it just reminded me that there are fascinating people everywhere, everywhere, things like someone has been engaged to princesses, it ends in someone else having a plane crash where only ten people survived and they were one of them.

Like people have the craziest things and it reminds me that there are fascinating stories everywhere, everyone has a story, every story I found once and no one guessed it was me. I found a human foot on the beach in Nicaragua once, okay? I want to thank our guests. I wanted to use it personally as a doorstop. Thank you to our guests for this close-up episode of The Hollywood Reporter. Let's do it. Hi, I'm Margaret Bryan Cranston Robert Pattinson John boyega Sam Rockwell Willem Dafoe Emma Stone Allison Janney Gemma. LaVon thank you for watching thank you thank you for watching thank you for watching The Hollywood Reporter how we would report to a Hollywood Reporter on YouTube on YouTube