EL Día Cuando MARTINOLI DESTRUYÓ A TELEVISA DEPORTES

Greetings and kisses in the rector to Salvador lick the eggplants to the burger that new Mexico Angel they come out more at five yolks Manuel Alejandro to Abasolo Guanajuato Miguel Roldán to Zapotitlán Jalisco Ricardo Cepeda to Uriangato Guanajuato Yayo Torres to the planet the state of Mexico 1 Cruz in the daddy of daddies Julio César Sergio Romo to Guaymas Sonora César Rosas Dan El Rico Torres to Mata Clara Veracruz call me it is to to Mérida Yucatán to all of you and the entire expelled community he sent a neighborhood in the churros bazooka we have reached a point where there is no turning back, few know it but this channel has a lot of anger with Mexican television stations, they cannot even see us in painting, specifically with Televisa, surely at some point in life I will tell you why but this story is not about of this channel nor of me since we are still a very small community compared to other channels and other opponents that for years have wanted to overthrow the monopolistic company, however a few years ago one of the most famous wars on television occurred. sports in Mexico and that was the war between the extinct Televisa

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and the famous trident of Azteca Deportes who were a difficult rival for Chapultepec 18 and that years later it would end up succumbing to the new formula of sports narration between Christian Martinoli Luís García and Jorge Campos Within that fierce war there was foul play, a lot of money, betrayals and, above all, morbidity.

That is why today I present to you the day that Christian Martinoli ended Televisa Sports. Be careful in this video there are some subliminal messages. I hope you detect them before continuing with the video. I invite you to write to the channel, activate the bell so that you receive all the notifications of our material and the live narrations, you will have fun, I assure you, for many years, even when Azteca sees you, it was a government company called Imevisión Televisa, which accounted for almost 98% of The coverage in the country was a gigantic monopoly of content.

They had on their menu the most important channels at the national level, the Channel of the Stars and Channel 5, where they exploited their content to the maximum, many of them mediocre, but sadly the Mexican distractions of the class. working class and poor in the eighties and nineties were based a lot on the consumption of television from TV series programs for the struggling mother for the grandparents for the children programs of the heart and showbiz novels and for the men of the house those who wore bread after a long day of work,

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football created a sports monster, hoarding everything that came its way in the market, obviously with the complacency of the governments in power who gave all the facilities for this company to flourish with the generational change of the The masses between 1980 and 1990 at the beginning of the 90s in football had a problem called Emilio Maurer, who was a director of the Liga MX.

He changed the rules by opening the eyes of the teams so that they would charge for being broadcast. Televisa managed to throw him out since he was a rock. of the shoe for his businesses and interests and showed the muscle from there despite the fact that the nascent Aztec television was making its first steps, everything indicated that Televisa would begin to have a total monopoly on its transmissions, renewing itself with cutting-edge technology and beginning to monopolize the entire Mexican market. In sport, the vast majority of football teams had Televisa as their transmission channel, which often set the rules and how much was allocated to the clubs since there were also fees among them, it was not the same as paying transmission rights for tecos veracruz or Any small team to pay teams like Cruz Azul or Chivas had to go to the clubs and for a long time Televisa dominated the costs thanks to its media power so much so that entities like Enrique Bermúdez who is a strange chicharronera mix between Ángel Fernández but This one, unlike the maestro, was invented by the very trivial and Don Gerardo Peña, because he was daring and emphatic in his emotions, had invented a new style of Crohnism, different from the seriousness of the storytellers of yesteryear who told stories with culture and a lot of class, also Raúl Brilliance. orvañanos who never narrated well because obviously he was never a born chronicler, imagine what those generations had to swallow and many other narrators who survived the change of a generation On top of TVazteca throughout the nineties, then came the new generation of narrators like the disgusting invention of Javier Alarcón, who had to destroy the entire generation of nineties narrators like Raúl Pérez la Luna, Jorge Pietrasanta, who were the new generation that would not survive. to the rating in the second decade of the millennium, meanwhile, prior to the year 2000, tvazteca had already gathered its entourage of commentators led by José Ramón Fernández, the most anti-American journalist in the last 50 years, the team appeared with more judgment, more objectivity and, above all, many of them disciples of the short narrator who would be the counterweight of Televisa among whom were the traitor André Marín Luís García David Faitelson Roberto Gómez Junco and a young Christian Martinoli who in his youth days had to swallow some of Jose Ramon's insults behind the scenes and who He had arrived at TV Azteca after asking Luís Manuel Jaramillo, a well-known camera director on Tele Azteca, for an opportunity after the 1998 World Cup in France, among others.

All of them were already gaining an audience in their debate programs on television, but in broadcasts. of matches were still far behind because the monopoly of Chapultepec 18 was still imminent from the bowels of TVazteca around 2001 a new project was already being developed that could confront Televisa who had taken over more than half the league and which had everything a technological device to face the next World Cup in Korea-Japan 2002, something had to be done to bring, even years later, foreign narrators to find the exact formula and knock at least a little rating off the monopoly like Luis Omar Tapia was in 2007 but never The

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garcía duo worked as a star, mostly due to the lack of chemistry between the two, but their acidic and irreverent style was the trigger at the beginning.

Both of them did not get along so well, but little by little, as they got to know each other better, they gained momentum. exponentially, precisely after Luis Omar Tapia did not have a significant boom narrating the Cruz Azul games, the production moved Luís García Cristian to the narrations of the stellar games, it was obvious that if these two enlivened very well a Jaguars against Tecos that they would not do in a blue cross against america or in a chivas against blue cross without a doubt the die was already cast martino arrived for what as an icon of the mexican sports writer with a totally different style in what I can define not as irreverent or acid but as outside the historical dogmas of sports narration in Mexico since, as I said at the beginning of this video, the audiences were used to the old school where the chronicler was certainly neat, bombastic or talkative nobleman, like the Bermuda dog, the new millennial generations and Centenial were looking for something that would break the stereotypes and they found a great alternative in Christian who did not find the black thread but rather had the confidence behind the scenes to act and be like any other person but with a talent for narrating that began to elevate him while on Televisa things were not going well little by little after 2007 the ratings began to go down and settle on the other side of the coin and as you know from those who were yesterday it was

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he was betting on ostentation I mean he crowed that he had the best technology in his broadcasts however The fans greatly sought the irreverence that only Martinoli Garcia could give, despite that, Televisa began to not appear in the broadcasting plan despite the fact that they did many experiments changing narrators and moving others, but from 2008 the war intensified when the Mexican team played their matches, that is where they measured the direct ratings and where another variable called Jorge Campos would arrive, who would end up complementing the duo with that talkative style of the Acapulcan who, in addition to not being able to string words and phrases well and being a buffoon many times Sometimes in a very white way it would give that versatility and joy to the broadcast that Televisa did not have that style and it put it in check by putting pressure on its employees far from everything we know about the failure of Televisa

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which occurred due to many factors one of the The main thing was the rise that Cristian and his team had, the low ratings in the Mexican team greatly bothered the upper echelons of Televisa who did not believe that with their technology and all the money in the world that they put into it semester after semester, they could at least find a chronicler who I gave battle to these 3 Chapultepec 18 had a very good idea of ​​how little in my opinion they could have done in this war but that nevertheless did not bear fruit since they chose those who were not worth it or did not have the necessary talent just before the World Cup in South Africa - 2010, the production of Televisa Deportes decided to make a call called draft of voices where the prize was to go to the World Cup in South Africa and work at Televisa.

In that first contest, there was a certain expectation among the chaviza who longed to be like Martinoli or much more. better than the one who wasn't going to be excited and excited to share those great experiences behind a microphone obviously many kids did the casting for that contest I won't go into much detail and later I will upload another video that I have ready about the farce that these contests were in televisa and that we will publish this month but what I will say is that like any great idea, it ends up being corrupted and expires when you don't give the victory to true talent.

That happened in the first version where the highly acclaimed, note the sarcasm, Raúl, alias the chicken, He took glory knowing that more than two in that grand final of the contest had much more voice and talent than this absurd narrator, but well, Televisa began to dig his own grave. Then it was learned that Pollo Ortiz had levers from the top to be able to enter televisa and even so chapultepec 18 was able to face the gale that was tvazteca it seems then cristian was already giving voice to the soccer game fifa competition the pro evolution soccer' at that moment it seemed that there was no competition for the trident in fact tevé Azteca, although in the direct transmissions of Martinelli against Televisa they were the domain of the narrator, this was not the case in general ratings where Azteca had administrative disputes in general content of the World Cup, Televisa widely surpassed TV Azteca thanks to its deck of comedians, even so The taste for bad games that were made less thanks to the presence of the trident was more and more little by little' Televisa realized that it did not have enough weapons in the medium term to continue having high levels of audience when Martín Molina was just as in 2011 Televisa once again launched the after two voices with many more participants where once again they overturned their own rules by sending Andrés Vaca to participate three times in the three eliminatory rounds when it was assumed that you would only have the right to participate once.

Despite that, he managed to sneak into the grand final where he ended up winning the prize over other narrators and competitors with much more quality and mischief than him. Later we learned that Vaca also had the blessing of the highest echelons on Televisa with two new faces. young and with the accent of juniors and the three fish tanks, cow and chicken, complemented the wet and obsessive dream of Javier Alarcón, who quickly gave them all the facilities to become stellar narrators, leaving aside characters like Plano Bermúdez Jorge Pietrasanta. raúl pérez raúl sarmiento jorge sánchez and an endless number of etcetera the task was to destroy

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to his rating however these two monstrosities and abominations of the mexican narrative were never able to handle the package in every duel they fought against martina always really didn't reach him Not even on his heels in style and form, Cow did not have the innate ideas and Chicken simply fell out of favor from the beginning due to his arrogance and his Americanist inclination in the broadcasts.

Objectivity was lost. The years passed and Alarcón did not see where to go. The blows came to his battered Televisa sports team, he was on the canvas, from there came the internal fights, many employees were dissatisfied because Alarcón had destroyed styles, he had torn apart each of the sports halls and there was a lot of professional zeal after the World Cup in Brazil. 2014 where the Chicken Cow duo failed miserably for wanting to try to imitate the style of Martín A Campos and García, who did not even come close to their heels. That ended up being a reverend fiasco, including Martinoli and a solution to the fact that the animals could not cope with the television rating.

It was cracking internally and that's how it was in 2015 when Javier Alarcón abandoned the ship in this link above I'll tell you the story, that's how Francisco Javier González came to lead a sunken ship full of internal problems with low ratings, mostly with the contempt of the fans. without stellar narrators with severe financial problems and with the staff cutback that years later would become possible thanks to the merger with Univision Deportes where many old-school chroniclers would be unemployed and forgotten forever. Currently, Cristian is still thespearhead in the narratives of Mexican football, your DN bet on having a wide deck among them, Carlos Aguilar, who has already premiered on Televisa and for now is intended to be the one who faces Martinoli's style and on the other hand, social networks that some channels have been given the opportunity to show themselves with new, fresh voices and new styles, those who did not have the opportunity on television and who today seek to revolutionize the field of sports reporting in Mexico again, but we will talk about that in another video for that reason.

I ask you, do you think that one day another football narrator will emerge in Mexico and unseat Christian Martinoli Campos and Luis García? Do you know some you like? Let me know your things below and remember that here we read all the comments and don't forget to subscribe to the channel and activate the bell notifications my name is and hermán tonio see you next time