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EL DŪa Cuando MARTINOLI DESTRUY” A TELEVISA DEPORTES

May 01, 2020
greetings and kisses in the rector for salvador lick the aubergines until the burger that new mexico angel leaves more than five yolks manuel alejandro to abasolo guanajuato miguel roldan to zapotitlán jalisco ricardo cepeda to uriangato guanajuato yayo torres to the planet the state of mexico 1 cross in papi de papis julio césar sergio romo to guaymas sonora césar rosas dan el rico torres to mata clara veracruz call me it is to until mérida yucatán to all of you and to all the expelled community he sent you a neighborhood in the bazooka of churros we have arrived at a point where there is no turning back, few know it, but this channel has a lot of anger with the Mexican television stations, they cannot see us even in painting, particularly with

televisa

, surely at some point in life I will tell you why, but this story is not about neither from this channel nor from me since we are still a very small community compared to other channels and other opponents who for years have wanted knock down the monopolistic umh company, however, a few years ago one of the most famous wars of sports television in Mexico took place and that was the war between the extinct

televisa

deportes

and the famous trident of azteca

deportes

who were a difficult rival for chapultepec 18 and who years later it would end up succumbing to the new formula of sports narrative between christian

martinoli

luís garcía and jorge campos within that fierce war there was foul play a lot of money betrayals and above all morbidity that is why today i present to you the day christian

martinoli

it ended with televisa sports be careful in this video there are some subliminal messages I hope I detect them before continuing with the video I invite you to write to the channel activate the bell so that you receive all the notifications of our material and live narrations you will have fun I assure you for many years even when you look Aztec it was a government company called imevisión televisa monopolizing With almost 98% of the coverage in the country, it was a gigantic content monopoly.
el d a cuando martinoli destruy a televisa deportes
They had the most important channels on the national level, the channel of the stars and channel 5, where they exploited their content to the maximum, many of them mediocre but sadly The Mexican distractions of the working class and poor in the eighties and nineties were based a lot on the consumption of television from TV series, programs for the luchona mother, for grandparents, for children, programs of the heart and show business, novels and for men. from the house those who brought the bread after a long day of work televisa soccer created a sports monster monopolizing everything that came across in the market obviously with the complacency of governments in turn who gave it all the facilities for this company flourished to the generational change of the masses between 1980 and 1990 in the early 90s in football they had a bump named emilio maurer who was director of the mx league changed the rules by opening the eyes of the teams so that they will charge for being broadcast televisa managed to throw it out since it was a stone in the shoe for their businesses and interests and showed the muscle from there despite the fact that the nascent Aztec television In its first steps, everything indicated that Televisa would begin to have a total monopoly in its transmissions, renewing itself with state-of-the-art technology, it began to monopolize the entire Mexican sports market.
el d a cuando martinoli destruy a televisa deportes

More Interesting Facts About,

el d a cuando martinoli destruy a televisa deportes...

The vast majority of soccer teams had Televisa as their transmission chain par excellence, which many Sometimes he set the rules and how much he allocated to the clubs, since there were also fees among them, it was not the same to pay the transmission rights of Tecos Veracruz or any small-time team to pay teams like Cruz Azul or Chivas, you had to go to the clubs and for a long time, televisa dominated costs thanks to its media power, so much so that entities like enrique berm√ļdez who is a strange mix cla chicharronera between angel fern√°ndez but this unlike the teacher was invented for the very trivial and don gerardo pe√Īa for being daring and emphatic in his emotions had invented a new style of crohnism different from the seriousness of the narrators of yesteryear who related with culture Ra√ļl Orva√Īanos also shined with a lot of class, he never narrated well because he was obviously never a born chronicler.
el d a cuando martinoli destruy a televisa deportes
Imagine what those generations and many other reporters who survived the change of a generation x who wanted new and more ambitious content on TV with that televisa menu was always above tvazteca throughout the nineties, then came the new generation of narrators like the disgusting invention of javier alarc√≥n who had to tear apart the entire generation of nineties narrators like ra√ļl p√©rez la luna jorge pietrasanta who were the new generation that would not survive the rating in the second decade of the millennium while s much prior to the year 2000 tvazteca had already gathered his entourage of commentators led by jos√© ram√≥n fern√°ndez the most anti-american journalist in the last 50 years the team looked more discerning with more objectivity and above all many of them disciples of the short rapporteur who would be the counterweight of televisa among which were the traitor andr√© mar√≠n lu√≠s garc√≠a david faitelson roberto g√≥mez junco and a young christian martinoli who in his days as a boy had to swallow some rudeness from jose ramon behind the scenes and who had come to tv azteca after asking him an opportunity for lu√≠s manuel jaramillo, a well-known camera director on telezteca after the world cup in france-98, among others, all of them were already gaining audiences in their debate programs on television, but in party broadcasts they were still far behind because the Chapultepec 18 monopoly was still imminent from the bowels of tvazteca around 2001, it is already He was developing a new project that could face Televisa, which had taken over more than half the league and had a whole technological apparatus to face the next World Cup in Korea-Japan in 2002.
el d a cuando martinoli destruy a televisa deportes
Something had to be done to bring foreign storytellers even years later to Finding the exact formula and knocking down the monopoly's rating at least a bit, as Luis Omar Tapia did in 2007, but it never worked as a star. irreverent was the initial trigger both did not get along so well but little by little as they got to know each other more thoroughly they achieved an exponential boost just after luis omar tapia did not have a major boom narrating the blue cross games the production moved lu√≠s garc√≠a cristian From the narrations of the stellar games it was obvious that if these two entertained a Jaguares against Tecos very well that they would not do in a Cruz Azul against America or in a chivas against cruz azul without a doubt the die was already cast martino came to him for what as an icon of the mexican sportswriter with a totally different style in what I can define not as irreverent or acid but as outside the dogmas history of sports narration in Mexico since, as I said at the beginning of this video, the audiences were accustomed to the old school where the chronicler was certainly neat, bombastic or talkative nobleman like the Bermuda dog, the new millennial and centennial generations were looking for something that would break stereotypes and found a great alternative in christian who did not find the black thread but had the confidence behind the scenes to act and be like anyone else but with a talent when narrating that began to elevate him while on television things were not going well little by little after 2007 the ratings began to drop and settle on the other side of the coin and as you know from those yesterday is televisa he was betting on ostentation, that is, he cackled that he had the best technology in his broadcasts, however, the fans were very much looking for the irreverence that only martinoli garc√≠a could give despite that, televisa was beginning to not appear in the broadcast plane despite that they did many experiments changing narrators and moving others, but from 2008 the war intensified when the Mexican team played their matches, that is where they measured the direct ratings and where another variable called Jorge Campos would end up complementing the duo with that talkative style of the Acapulco who, in addition to not being able to spin words and phrases well and being a buffoon many times in a very white way, would give that versatility and joy to the transmission. its employees far from everything we know about the failure of televisadeportes that was given by many One of the main factors was the boom that Cristian and his team had, the low ratings in the Mexican team greatly annoyed the upper echelons of Televisa who did not believe that with their technology and all the wool in the world that they got into semester after semester they could when much less finding a chronicler who would give battle to these 3 chapultepec 18 had a very good idea of ‚Äč‚Äčhow little they could have done in this war, but nevertheless it did not bear fruit since they chose those who were not worth it or did not have the necessary talent just prior to the 2010 World Cup in South Africa, the production of televisa sports came up with a call called draft of voices where the prize was to go to the World Cup in South Africa and work for televisa in that first contest there was some expectation among the chaviza who longed for be like martinoli or much better than the one who was not going to be excited and excited to share those great experiences behind a microphone obviously e many guys did the casting for that contest I will not go into much detail and later I will upload another video that I have ready about the farce that these contests were on television and that we will publish this month but what I will say is that like all great ideas this one ends with corrupt and expire when you do not give victory to true talent that happened in the first version where the highly acclaimed note the sarcasm ra√ļl alias the chicken took the glory knowing that more than two in that great final of the contest had much more voice and capacity talent that this grotesque narrator but good televisa began to dig his own grave after it was learned that chicken ortiz had levers from the top to be able to enter televisa and even so chapultepec 18 was able to face the gale that was tvazteca it seems then cristian already it gave voice to the football game fifa competition the pro evolution soccer' at that time it seemed that there was no competition for the trident in fact teve azteca Despite the fact that in the direct transmissions of Martinelli against Televisa they were the domain of the narrator, this was not the case in general ratings where Azteca had administrative quarrels in general content of Mundial Televisa far surpassed TV Azteca thanks to its deck of comedians, even so the taste for bad games that were less thanks to the presence of the trident were more and more little by little' Televisa realized that it did not have enough weapons in the medium term to continue having many audience levels when Mart√≠n Molina was like that As in 2011, Televisa relaunched the tras de voces two with many more participants where, once again, they knocked down their own rules by sending Andr√©s Vaca to participate three times in the three qualifiers when it is assumed that you would only have the right to participate once despite From that, he managed to sneak through to the grand finale where he ended up winning the prize over other storytellers and competitors with a lot of or more quality and mischief than he, later we found out that vaca also had the blessing of the upper echelons on televisa with two new young faces and with the tilde of juniors and the three fishbowls vaca y el pollo complemented the wet and obsessive dream of javier alarc√≥n who quickly gave them all the facilities to become the stellar storytellers, putting aside characters like the plane berm√ļdez, Jorge Pietrasanta, Ra√ļl P√©rez, Ra√ļl Sarmiento, Jorge S√°nchez and countless etc., the task was to destroy Martinoli at his rating, however, these two monstrosities and abominations of the Mexican narration could never with the package in each duel that they threw with the martina always really did not even reach the heels in style and in ways cow did not have the innate witticisms and the chicken simply fell from grace from the start At the beginning, due to his arrogance and his Americanist inclination in the broadcasts, objectivity was lost.
The years passed and Alarcón did not see He saw where the blows came from his battered sports team, Televisa was on the canvas, that's where the internal quarrels came from, many employees were dissatisfied because Alarcón had destroyed styles, he had torn apart each of the sports halls and there was a lot of professional zeal after the World Cup. of brazil-2014 where the duo pollo vaca failed miserably for wanting to try to imitate the style of martín a campos and garcía who did not even reach his heels that ended up being a reverend fiasco even martinoli and solution to the fact that the animals could not cope the televisa rating was cracking internally and that was the case in 2015 when javier alarcón abandoned the ship in this link above i will tell you the story that is how francisco javier gonzález arrived to lead a sunken ship full of internal problems with little rating mostly contempt of the fans without stellar narrators with severe financial problems and with the reduction of personnel that year It would later become possible thanks to the merger with Univisión Deportes, where many old-school chroniclers would be unemployed and forgotten forever.
Currently, Cristian continues to be theSpearhead in the stories of Mexican soccer, your dn bet on having a wide deck, including raising Carlos Aguilar, who has already premiered on television and for now is intended to be the one who faces the style of Martinoli and, on the other hand, social networks. They have given some channels the opportunity to show themselves with new fresh voices and new styles, those who did not have the opportunity on television and who today seek to revolutionize the field of sports chronicle in Mexico again, but we will discuss that in another video for that reason.
I ask you, do you think that one day another soccer narrator will emerge in Mexico and unseat Christian Martinoli Campos and Luis Garcia? the bell notifications my name is and herm√°n tonio see you until next time

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