DreamWorks' TERRIBLE Boss Baby Sequel...

Well, here we are. For a long time I thought we'd already done

terrible

coverage of Dreamworks' Boss Baby

sequel

, but turns out not, that was just a reaction to the Naf trailer we did once during lockdown, it was so long ago, so Finally let's break down this production that I've pretty much been avoiding lately to see this

terrible

movie so you don't have to and apparently they also announced a third movie in 2021 okay this is just research for that then. We start off with a pretty good adaptation of the DreamWorks logo before discovering that things have changed appropriately since the first film, they're adults now, it even happened to me, the characters aren't babies anymore, won't that make it difficult for your

boss

?

baby

premise, but that's okay, they technically grew up by the end of the first movie, so we'll let it slide.

Tim now has a family and children of his own. He is a stay-at-home dad. I can hardly stay at home. up templetons, what is that, I admit I have to sing some praises on this movie. The direction can be nice. I always quite liked turning Slice of Life moments into dramatic action sequences, very NY Joe, and driving a car feels that cool, let's see. how long that's actually quite a bit for the first 3 minutes, this sequence builds up to a complete recap of the last 20-odd years and Sh like a big camera. Movement in many places, you have micro dramas of Carol, the wife who builds a teddy bear.

Of the real success we learn about the spying of the new Total Latina, of the older sister Tabitha, who has just entered a great school, as well as what she happened to the other babies. I barely remember the other babies. Jimbo is still called Jimbo and is also May in a way, although his wife is the smart one and the triplets, there were triplets, they are police officers and of course Ted, well he grew up to be the

boss

, actually , he's a chief executive, no surprises, so now we're all caught up in what the plot is, well, everything. starts with big sister Tabitha what are you doing, disgusting, went everywhere and has started to overcome Tim's overactive imagination and childish antics as her argument is I'm trying to do my homework or I'm doomed, oh, what kind of horrible!

Parents do not know the concept of homework. Directing may be great, but I can already tell that writing this is going to be frustrating. Tabitha is a smart girl who seems to be growing up already and

baby

Tim just can't stand it. To be fair, she is also a bit rude, she is completely against all the traits of the Good Night Show, she doesn't want music, she doesn't want Hangouts and she wants to be as successful as Uncle Head, plus she is critical of the times. . old boss baby a story Tim always tells that the jokes were good, right Tim, I think it was about time you had a mid-life crisis, so when his life didn't go the way he wanted, Tim Broods in the attic lamented about where the time passed. sweet breath of wizzy freedom and then the Toy Story copy comes back.

I forgot about wizzy, I'm not going to lie, but I vaguely remember him. a sensitive alarm clock that moves in front of everyone for some reason, they catch up, almost share advice and Then we hit a nerve like I did with my brother. I've been giving a lot of praise so far, but I think I really like Wizzy too. His dialogue and jokes are good, as are his delivery and his movements. Do I really like a boss? baby movie, well anyway, Tim soon leaves Wizzy in the dust to go investigate the sounds coming from Tina's room.

Really Tim and Tina the Horsemen really pulled out all the stars for names, huh? and of course that leads to the revelation that you can talk, yes. I'm in the family business, isn't there any Toy Story logic in this movie? It's pretty weird that they would literally interact with an adult before realizing who he was, but now even boss babies will just talk to anyone. There are no standards in this universe and now Tina jumps to the front towards Black with her exposure, all against a very comfortable and distracted father, there is a crisis in baby cor, what happens this time?

Kittens, no, Tim, they already did it, they don't have just one problem. Again, what follows is a great discussion and this sequence is surprisingly long and has two points. Tina is trying to get Tim to call Uncle Ted to resolve the crisis, prying into why they never talk and why he doesn't come around. all the dialogue is covered up visually, although it's a decent fest tackling all sorts of Madagascar and slapstick physics as baby Tina teleports around the room and always ends up having Tim's phone to hand to him again, it's a good moment and then it moves on and then not.

You don't move on, you start to faint and you realize that this scene with all the lamp and Shadow lighting reminds you of the Shadows elements from the Canell Me and My Shadow project and even Tim seems to have the same character design as dad, but it's Bill Hay no longer has Toby Maguire's voice Toby Maguire, what was he doing again? This is really disappointing and now I'm getting angry. Yeah, so it's not going anywhere anyway. Tim, on the other hand, goes back to dad mode and drops his daughter. Like she's not stung again despite everything going on in her head, man, she can't comprehend the task, she blatantly ignores the baby's cord, this isn't a code name, kids next or Amnesia thing after of a certain age, so why is this guy so stupid? and the illogical brain seriously hasn't developed since we last saw it, but the day after it arrived the sound of a doctor from t fortres 2 doing something hidden there anyway appeared after some replication shenanigans.

Tina's voice and Now are explaining in the kitchen, although Ted is the one who doesn't remember anything, so why Tim? After your classic lack of communication and never listening, we finally get to the reward, but can I make a suggestion? Why not? They both suck it, it's quite a Ninja and then it's time for the baby core, remember that the dolls teleport you to an ethereal state where they rip out your soul and take you to the company in the Baby Dimension or something, so suddenly Ted remembers. all I want to say, of course it does, we have to get there eventually, so after wandering around for a while through old and new rooms and also a golden statue, it's time for the next exposition to discard the story plot that Point counted 20 minutes later on a television screen.

What Alpha Gene Hello, my name is Dr. Irwin Armstrong, founder. He's the bad guy, he's always the way, and he goes on to explain the school's philosophy and how they want to push parents away to really force the kids to learn. learn truly learn an evil school Tim agrees to be the overbearing father he is and Tina tells the two that they will be given a special formula that will revert them to babies so they can infiltrate the school, yes that's the plot of the Let Them adults returning to their past selves sounds very unpleasant to me, it's the perfect disguise, forgetting shortly after the events of the first movie, let's skip forward 20 years, and then retroactively integrating something to go back anyway, that makes sense now in a way strange.

Twist of fate, the two grown men are now fighting over baby formula, they really want to be babies again, but logic aside, this is once again a moment that director Tom McGrath really just shows in the past who directed the Madagascar and Mega Mine movies, so it's almost disconcerting to see real care and attention put into this franchise and you can see what I'm praising here: this is a great fight sequence between Tim and Ted, yeah , set to some pop culture music, but it's justified in a bit more context, since they ended up hitting one of Tim's record players so they were playing this music.

Wouldn't they have grown up today last time? So that still shouldn't make sense, oh no, apparently the first movie is said. in the late 80s and even now Tim almost has a flip phone. I wish it was more noticeably 80's, they put more care into it than I thought and I haven't even gotten around to talking about the main part that the animation shows them. rejuvenate with so many little jokes, it's actually the only real thing I remember from the trailers because I kept pausing on the most extreme freeze frames, but yeah, the bickering ends and the guys have returned to their predecessor image, now this has gone far enough far. but the drama is not over as there is still much more action sequence.

I know we're talking a lot about how these kinds of kids movies throw things at you just to keep your attention all the time, but this totally does it. Right now it's intensive choreography of Tina distracting her sister and mother while the babies slide around in the background. There aren't as many iconic beats to cling to as Madagascar has its moments, but this baby projectile movement at least touches the surfaces. and since everything goes perfectly until the last minute, there is a kind of escape, so that night they talk about parts of the plan, they both go together, what a surprise they have baby spy equipment.

Tim's voice inexplicably remains the same. just like the adult one and the directors are still direct, sometimes it's just good execution, thank you so much for coming ladies, and other times it's okay guys, let's get some sleep and that night Tim has a nightmare that we're arriving a third of the way. the movie and the pacing are funny, the adults have turned into babies and the mission is only briefly thought about so far, but what is missing from the actual story progression is that it is presented in drone motion with visual appeal and a emotional development instead of telling us about Tim's fears and reservations here we are shown and we are also told that it is a dialogue scene Tim worries about the distance he has with Tabitha worried about being a fraud of the best father in the world and that's it , there are really no worries about any other issue, the brotherly thing is disappearing. of his wife or lamenting a little more about the passage of time, that's fine, but on the one hand it's brilliantly executed.

I love the kind of wide-angle lens Dolly Zoom effect we get that makes Tim shrink further and further into his giant chair, was it Toy Story falling? the nightmare of the void, yes we've all been there and then one more relatable Oho action scene while Rush sleeps playing a tapa, this heavily composed violin piece by Steve Mazaro and Han Zimmer, it all brings it together for a massive classic butt a via The fact that you're telling me that baby Alec Baldwin wasn't awake at 8:00 a.m. m. It's clearly a plot hole. This guy must not have been a real rising, crushing Sigma male if he's still asleep when the sun comes up.

Even if you turn him back to a baby now, it's certainly not the lions coming back, but it's one more obstacle in the way of making progress or it would be if there wasn't an immediate resolution in the form of Ted's backup plan is the pony, ha There was a pony all this time, for some reason, it was established repeatedly. I just didn't care enough, don't worry, it's another escape scene, initially kind of generic, it's just a pony, but then it gets bigger. there's a giant Cub killing the family in sight being the closest thing we've ever felt, that's cool, gotta go, you're a terrible driver, the other little adults get involved, making it generic again as they only all the Beats boxes are checked, there's a Christmas Tree that for some reason is lighting up in the middle of the day and everything literally snbls Katamari Tina style and after a brief moment finally, only 35 minutes into the movie, it actually We arrive at the school's mission, begin and thank you. there's a whole issue about what color ties they have to compartmentalize the kids into different districts it's just more nonsense and then Tim goes to meet Tabitha, it's pretty standard stuff, plus a fancy modern classroom, there's something like a bully at school and also the teacher is virtually on a device, but you know what's happening that all competition is healthy competition, the toddler's room is much more chaotic, although at the same time it's probably easy to see why it feels like another scene from Toy Story 3, you know, in fact, this was actually my stopping point in the movie.

I'm not kidding, the line before this was written months ago and I just abandoned this movie, it's kind of a slush, you know, it's to the point where all of Christmas happened and now I. I've changed my writing format to a more improvisational style because I'm too bored to pause every 10 seconds to write for a minute. I'd assume we're halfway through this movie and it's only now seeming to really begin. You know, but let's get into new things, what we have next is a montage of two pieces from Tim and Ted's perspectives, each of which is about their classrooms.

For Tim, it's all about physics for a moment before Speedr goes over eachdifferent issue with this. The whole rotating system that honestly shows a good piece of artistic design. I guess a lot of the creative elements of this movie seem to come from the actual aesthetic, a direction of this movie rather than the actual plot, but hey, I guess you get the point. While Ted is also dealing with the scenes of him where he is in the middle of the Toy Story 3 scene trying to get out, he wants to escape through a vent and there are all kinds of different little kids that we will see for the micro jokes. from this.

In the montage we also learned that Tabitha is actually very intelligent and seems to know the answers to all the scientific questions, which is mainly the point of this montage, meanwhile the boss, the grown man, ends up controlling the little children to try to make your point and then it just doesn't succeed, so we're delaying more on this montage, there's a lot of fluff in the middle of all this good direction and then it finally comes out with glue, just glue it right on. Stick it to your body and it will lead you to a wall somehow, but hey, it's not much better on Tim's front, um, it's almost there.

He accidentally started a hole in the romance of Back to the Future. Oh no, you're awesome, don't fall down this slippery slope kid, so both boys have their successes and failures, Tim successfully bullies the main bully archetype of this classroom and Ted actually makes it out. Tim is sent to solitary confinement, it's a little torture box with Sail Away playing like the pop culture classic PL, meanwhile Ted, as a baby, manages to make his way to the principal's office, where we learn that this principal has him He was waiting and he knows why. he's here, they both completely complement each other and it turns out that the villain was a surprise, thanks for reaching the middle of this video if you haven't subscribed yet, this is the terrible historical series where we cover horrible things. movies from the field of animation and this one has been suggested for a long time, but if you have any other recommendations that you would like us to cover or want to see one of the many old ones that we have already done, check out the playlist or let us know in the YouTube comments below or in our Discord otherwise let's go back to the terrible boss baby

sequel

can't wait for the third one a baby wow omg now with the director suggesting they could do with it someone like the boss. baby and there is a tear Beyond the blue when it comes to success, but first we need a playground scene where the characters can now begin to communicate about what has been happening.

You have Tina witness the events on the iPad so she's at least locked in. and Tim is finally freed as well since they finished their time out in the torture room and this whole scene is meant to be, I think, some kind of reference to sha Shank Redemption. It's like a prison when you have super smart kids, there are little kids gambling. a kid viin somehow that we're being antagonized by acorn heads, so what did the kid fail in coloring class and Mr. CEO, boss baby, of course, he's already the super leader of it all, but as lines arguments do they have instead of really communicating as brothers?

They have a fight over miscommunication over not lining up and both succeeding in their separate assembly missions. What you're ever going to achieve is being alone, okay, yeah, that's a weak plot, then we get more scenes that just add up. nonsense with numbers, you know, we see that the bully is going to try to sabotage Tabitha's musical number that she will have later, in the final climactic moment of the movie, it is true that there is a funny part of Tim as a child, now you know this. It sounds weird off the top of my head, but hey, flirting with Mother's character because he's obviously the husband.

I don't know if I'm starting to fall for middle-aged Boomer humor, but I find there's an entertainment factor there that I never told you you had an older sister who could drive, what can I say? What is this guy based on? Then, with Tim taking a trip back to his own family's house to really confuse things and lead us further down the Back to the Future rabbit hole, Ted left. Back at school, he goes to the after party where he discovers that everything is in great company with hypnosis being the name of the game. What is all this?

There are ninja babies in the hallway, the kind you saw in all the trailer footage, you know? It's good, it's a trick, I guess you can follow it and then the baby director picks up Ted in some kind of capsule where he learns about the real underlining elements. Here he is teaching babies how to code and specifically how to write apps. St Crush, you stored Crush. I love Dark Crush. Oh yeah, this movie is a social media commentary of course, are you really surprised? Various applications have been mentioned during this movie, which are like nice little additives.

They are all being produced by the director. Meanwhile, for a bit of fan service, Tim returns home, usually chatting with his own family, and then his grandparents arrive unannounced. I don't think they've established that before and could recognize it. Tim didn't wear glasses, oh that's true. If it weren't for the glasses, first we were copying Toy Story, now we're copying Superman logic, meanwhile the real plot continues with the director delivering his big montage telling the babies not to have any more screen time and everyone are. devastated, of course, yes, comment and at the same time tells the code that babies say no to everything, why are the parents in charge?

Anyway, they had their chance and what did we get in pollution policy. I mean, he's not wrong and that's why he wants to lead a baby revolution where there are no more parents, which I guess is some kind of plot, oh but okay, they manage to navigate the Tim family fanfiction scene into an actual plot as we hear about Tim and Ted's past experiences from everyone else. stories that you know are decent, it connects to the main theme of you know the brotherly relationship and gives a new perspective on how they are as brothers, but at the same time this has now become the opposite of where it started. of this movie was while before it was all spectacle and there was hardly any queue now it's just people talking around the table looking a little expressive saying wow Ted could be so uptight oh Tim, what an active imagination that kid had, he was so proud of his brother little one, they were best friends, it's like a nice emotional moment, but suddenly it's like the movie just gave up, it wanted to tell the plot instead of the images and didn't know how to mix the two, but after that we get a story really nice scene with Tim and Tabitha seeing a little bit of what their daughter is interested in without the lens of being the father figure, we see all the scientific things Tabitha is obsessed with and how weak she feels when it comes to music, something Tim is very happy to help with, there's nowhere he can't, anyway Tim's main tip is to imagine you're inside the song, it's all really happening and you can see the notes that follow with a musical playback real, without being able to see all the notes. true, it's a good idea, I don't think it counts as real singing lessons, but you know, it's a decent semi-standard direction, she practices in front of a fake crowd, this part is really nice and suddenly and immediately Tabitha can sing perfectly . out loud because it's easy, it's always been easy, what an idiot I am.

I had to pay to learn to sing and with that, Tim then leaves and since we need to tie the plot together real quick, now Tim and Ted get together and make peace with the boss baby by reading Tim's file with a heartfelt message attached and then it immediately gets sorted right and then just before they cool it into the baby core properly to resolve the situation, Tina comes in to sabotage the company so the two brothers can work on it, you know, it's the thing about the movie. It's about family arrangements, so they plan in the attic, dissolve each other, talk about the plan and then implement it somehow, we can see how it works. placing the director putting something on his back so you can control the suit attached with the thug to sort things out having a dance sequence on the side Suddenly it's Hotel Transylvania apparently, but then when we get back to the planning room we come learning that it was all his imagination as that was simply the best case scenario so I wonder how the real thing will go and here they are for the big musical number that all the parents are here to see installed in the auditorium and the app . of the day is QT snap this movie has come up with uh not the worst name in the world anyway they perform a song about global warming which I think is somehow funny just to dig into how kids really think about this kind of something and then every time a parent takes a photo, they are hypnotized by a program that encourages them to take a photo.

It all becomes a big ruse that way, while on the side he adds a religious joke, why do I get the feeling this is genuine? A piece of Christian cynicism is connected here and just when everyone realizes what is going on, they realize that they need to disconnect, but there are multiple obstacles to doing so. Tim wants to go see Tina perform. Ted can't get to that side of the stage. you know, that's a lot of delays Tim rejects the plug CU doesn't want to stop his daughter, they argue about the plug and all the things are happening, it really turns into a big climax at the end for the brothers as they argue about how they weren't there for each other. the other one you didn't even come to my graduation which one before finally getting caught by the villain it's always the way you know the villain wins towards the end but it's Tabitha's turn the boys are plugged into the box that's flooding and by If anything Tabitha sings her heart out I'll always be here eh eh Can anyone else hear her now naturally everyone is surprised that the parents are taking all the pictures in the world and the kids are making up now that there is a threat of drown who needs a marriage counselor? you're a great dad and they don't even pay you, so while the two guys say all the classic things to immediately ignite their relationship, it all goes on a little longer, there's more singing. more mesmerizing, there are more comments between them, the truth is that it is Lonely at the Top, yes, tell that to Jeff Bezos, I am sure he is miserable and we reach the end, the villain calls everyone, now he can get a standing ovation from foot.

Parents have essentially become zombies, social media is bad for everyone, and for some reason Tina didn't even communicate this entire time because she had access to everything. Tabitha cries to herself knowing that her father was not there to see her. She finally finds out that Tabitha is smart and learns that Dad's stories are true and now everything is falling into place, uh, kind of quick, but sure, the villain now has a dance sequence. Tabitha instantly finds where they need to go by looking for air ducts and just as the kids are about to die, they managed Dex makaka. their exit by none other than the Pony, the pony kicks them out of the box as they all head to the acorn tree in the center.

It's time for a big ninja baby confrontation sequence with all the other little kids in the mix. It's nice, it's decent, there's a creepy little girl that I didn't establish, she has a sequence there and all the ninjas run away, there's time for the final confrontation at the acorn tree with the villain. I have something better than a partner. I have a brother yeah god this movie really has a different impact when you're an only child anyway it's suit vs suit since they managed to kidnap another one of the directors bodies apparently the villain calls all the parents to those who stick to Lollipops in the trees who are trying to climb up to where he is it's actually a great piece of choreography all the elements just come together, climb the branches, get into the acorn tree, but there is a something I can't help but mention.

I love Jeff Goldblum as much as anyone, he's playing the villain well and this villain's deliveries are as flat as listening to this, which visually isn't even terribly done, it's a good piece of choreography, I think it's one of the highlights from The Sony Directors Group, but Jeff Goldblum doesn't fit into an action sequence, like he didn't know what was going on. There are also other cracks in the script that you can find, such as hearing the next line. Grand, it's the night of the living boomers. in flat execution and it doesn't make much sense either to be honest, they just wanted to use the word didn't they? a few hours later in lowercase and finally the magician wakes up, the children start to age and the sequence gets a little more expensive from that front as they interact, it's really just a big delay, but it's one more element.

Ted is immediately aging through the years while Tim lingers back for some reason, obstacles appearrandom and hesitant like they're trying to start the sprinklers and then they don't go off, yeah, and then when the villain thinks they finally made it, they go and interrupt their own battle to have some coke to celebrate, how about I Will you accompany us and toast the baby? Revolution, it is a pause for no. reason and then we already established that there are Mentos all over the apartment, so this is like a misinterpretation of Ralph's shipwreck, but worse, never, I don't think they've even established that he drinks Coca-Cola to celebrate all the time, it's just oh, there's something established.

I better set up what kills me now and so they do. This movie is like writing wisely sewn out of every other animated movie you've ever seen anyway. By doing so, the acorn explodes. Tabitha almost falls, but she is caught by Ted, who instantly ages throughout her aging, I like the ending where he is an adult when he catches her, but why was it all at once? Where's the logic, guys, please, and then comes the final sick message of the movie, you know, doctor? childhood doesn't last forever, but the family sure parents then drop their phones and Ah, that's the happy ending of the movie.

Wanted children are reunited with their parents. The Templetons talk and Grandpa takes one last photo. Got together. We have to get this. here we incite not what post credits now Tabitha is singing to the family, Nan in her excessively messenger way throws anything close to a phone or a camera and then Ted gives one last surprise by appearing. Wow, daughters bond. Tina skips a business call Mom, here's the baby call, so I guess that's where they want to go with the third movie or something. It's all because of snow that will fight in the garden. one last message and you should always be nice to your brother, yeah, yeah, thanks for that one.

I'll consider it, oh and one more thing, the villain baby goes home, okay, so he only has a dad and a mom and Plus, they don't even seem to be troublesome, they seem happy that he's there and like he's a lost dog or something, that's the end of it, huh, that raises a lot more questions, but I'm sure we won't get an answer. for the third movie, which was terrible boss baby 2, it went in some strange directions, it didn't actually start until halfway through the movie and even then the first half was cool and visual, the second half was a lot of exposition.

I would go. I go on to say that I can understand why some of them liked it at the same time or it's, uh, it's certainly a Boss Baby movie, but on that note, I'm going to end things there, my name has been Daz, thank you very much for assist. In the end, this has been a video I've been working on for practically months. At this point, let me know what other movies you'd like me to cover in this terrible series and I'll see you in a moment.