Diatonic 7th Chords of Major Keys

how eats sub people are uble to listen to music and just instantly be uble to play the

chords

back by Ear without reading any Sheet Music or Chord Chart Are They Just Geniuses Well maybe maybe sum of them are But Most People Who Can Do This Simply Have Trained Their Ears to collect Progressions and They have a Strong Underestanding of Subject Calleed Diatonic Chords So The Good News is You Don't Have To Be Sub Sort of Genius To Be Uble to Train Your Ear You Just Have To Put The Time and Practice In and the best place to start this process is to learn about the

diatonic

chords

later in this video.

I will show you how you can apply your knowledge of the

diatonic

chords to discover the progressions of chords by ear I now already made a video about the diatonic chords of the main

keys

where we analyze the diatonic chords such as triades, but in today's lesson, we will analyze the diatonic chords of the main

keys

such as the dozens of the chords of the trias, but in today since we are going to analyze the diatonic chords of the main keys such as the NIEs of the main keys of the NIAS. I recommend that I see that video first and I have linked it in the description below, I will still give a brief general description in this video, so if it is bored or if you only want to advance to the fast and easy pattern.

A key, for example, in the key of G larger, we have a group of diatonic chords that are here and in the key of C larger, we have another group of diatonic chords that are here, and so on, in each key, just as a very fast side note, many chords will appear as diatonic chords of different keys, for example, you can see that the greatest 7 and a lower 7 The main and C. However, these groups serve different harmonic functions, depending on what key we are, we can enter this more another day, I am only pointing it to understand that it is fine that an chord is a diatonic chord of multiple different keys.

I do not want it to be confused if we see that the same chords appear in different sets of diatonic chords, anyway, anyway, anyway, which is what is said, so we see that the chords of the chords are of all the chords, anyway, anyway, anyway, anyway, anyway, what already says, so it already says, so, so, so, so we already see, so, so, so it already Of chords, since they already say that the chords of the chords, since they already say that they are already said, so it is already said, what already says, so we already see that the chords of chords are closing closure of closures of closures.

Connected to a a spell Major Now You Might See Oher Chords in the Song As Well Songs Can Have Any Chords They Want In Them Not Just The Diatonic Chords But There's a Good Chance They Will Have A Lot Of Base Diatonic Chords In Them Now, why are these chords connected to the key of G Major Bell? After G, we have an after A, we have B C, and so on, and so on to create the first diatonic chord in our key, we will begin with the root note of the scale that is G and we will advance in Thirds or if it is easier to think in this way in this way we will be a note to reach the next one.

I arrive at F Sharp and voila these notes G B D Y F Shark are the notes in our first seventh diatonic chord for the groa Name below the time the second diatonic that uses the diatonic cord in the MAY Tiora method. Each other note, so this time we will build an chord from the second note on the scale, which is a right, so we are going to start with one, then we are going to jump to B and reach C, then we are going to jump to D and get to E and then we are going to jump on F Sharp and reach G and G and voila these four notes A C e and G are the diatic notes in our second diatonium cord in the lar grades.

Play is called a seventh chord of a minor, therefore, a minor seven is the second diatonic chord in the key of G

major

g, I drew this a little lower just to leave space for all the different chords that we are going to write and only to clarify, so these four notes are the four notes that are in the first diatonic chord and those four notes constitute this chord, which is a seven main that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words that you see one of the words.

Greater, so this is G greater seven, that is the name of the chord and these are the notes in the chord, these are the notes in the chord and this is the name of the chord and this chord is a minor seven good and when you see a tiny m and an chord, it is an abbreviated symbol for minor. Scale that is B correctly, so we started B, then we got to C and we reached d and then we got into e and we arrived at F Sharp Justo, then we jumped on G and we reached A, so that the four notes in this chord are B d F Nith and A and when we reproduce these four notes together, it sounds like this b d f a and the chord that I am playing is called B less Third Diatonic Diatonic in the Diatonic Cord in the key to the Code of the City of Minor B Major Major.

Diatonic Triad Chords of Major Keys Which is Sort of Like The Part One Video and This Is Sort of Like The Part Two Video We Figured Out All of ToSe Diatonic Chords As Triads Instead of Seventh Chords Now What is the Difference Between A Triad Chord and a seventh chord a triad is a triad is a triad ONLY HAS THREE NOTES IN IT AND A SEVESTH CHORD IS A CHORD THAT HAS FOUR NOTES IN IT I KNOW IT MIGHT SEEM WEIRD THAT TO SEVENTH CORNER HAS FOUR NOTES BECAUSE It could be assumed that a seventh chord would have seven notes, but it does not have four, it is called a seventh chord because the fourth note in the chord is a seventh distance From the distance of the distance of the seven minors of B. too at this time, if you want to obtain more information about the names of these different seventh chords, I have a video about the main types of the seventh chords in a link in the description below, but in the future, the main reason why I mention is that I want to show you how Diatonic Triad chords that I passed in my previous chords of Diatonic Seventh If I were in Diatonic videos, I realized the Diatmonics chords.

Just stop after the third note, for example, if we were discovering the first diatonic chord like a triad, we would begin with the note G, which is the first note on the scale, we would leave on a note and we would reach B, then we would jump on another note and we would get to D and when we played only those three notes together g b Diatonic to be an ATS Actus according to Sevev a Sample All to many to the gut to many we would only add that an additional note at the end, so after D we jumped to E and we would reach F Sharp and then we would get a chord of G Major Seven Mayor, so that an Old G Major Triad Chord regular g and d would be g b In this way, while a secondary g manior g Major g b b b b b d f shark and this is a medium.

Here is our Gas

major

7th Chord G B B D F G Major G Chord of the second is an chord of the second. Add that additional note G at the end and then it would become a seventh minor chord, so this would be a minor chord only one minor triad of a small triad that is only a minor triad and then, if we have a seventh minor chord, a minor chord of a minor chord, so a minor, seven now, you are results for me. We would start in the same place b hop on c. Sharp Hop on one last time to get to that A and then we would have the seventh chord that is B less seven, so a minor triad of B sounds like this b d f narrated and a seventh chord of B minor sounds like this b d f a, so we have a lower tried b and then a seventh minor chord now, could they be fine?

If I try to practice and memorize the seventh chords are the triads and all that I will say is that you can really think that they are very similar to each other and, please, whatever they do, do not stress too much at this time, the difference between them because, for most of the parts, it would serve many of the same harmonic functions and in reality it can be quite interchangeable and it is quite interchangeable and that it is simpler. Diatonic triad chords if you want to deepen a little in these diatonic chords, play and practice them as seventh chords so that you learn the four possible notes in them at the end of the day that you will not hurt you to practice them in one way or the other practice of practice and memorize those who become totally well, so do the right thing so you can handle you and what you can handle in this time. or another that practices and memorice, one or both will be valuable.

Make it thousands of times easier to learn as the seventh chords later if you love the way in which the seventh chords sound and want to practice them as chords immediately and then you cannot lose in any way in any way now there is nothing more to talk about the triads in this video because this video is approximate Moment of the time, what we go to the quotas that we leave at the same time. Over D and we get to e then we hop over f sha and we get to gchn we hop over a and we get to b so the notes are c e g and b eyn i play before four notes together Fourth Diatonic Chord in the Key of G Major and This is What It Sounds Like C Major Seven Now Let's Figure Out The Fifth Diatonic Chord SO WE'RE GOING TO START ON THE FIFTH Note of the scale that tells me that it is D at that time, we jumped on the next note, which is and we reach the next note.

That looks like that that says that D7 is the real name is dominant seven, but we only call it D7 by short, so, therefore, D7 or seven dominant is the fifth diatonic chord in the key of G larger and this is what it seems d f a c dominant seven just as a margin note if you are enjoying this video until you want it, do not forget to give it a frame and leave a comment and leave a comment, do you hear. Videos like this in the future now we discover the sixth diatonic chord in the key of G major, so we will build this chord from the sixth note on the major scale of G, which is to tell me that it is E, but only, since we have been running from the page, I will only delete these little more notes.

And four, why don't you tell me that four notes will be fine, so the first note we know will be right to be easy to be fine, then we are going to jump through this note and get two which come after F narrated on the scale that is fine, so we are going to get to G., then you will be and we are going to b and we are going to b Together, the name of the chord that I am playing is called a seventh chord of E Maleseven therefore e minor seven is the Sixth Diatonic Chord in the Key of G Major and this is What it sounds e Like Seven and last but not least let's figure out the seventh diatonic chord in the Key of G Major Will Build This Chord Starting From The Seventh Note In The Scale Which Is F Sharp Right So This Chord has we know it has four notes okay and what's the first note it's going to be f sharp that's Our Starting Place Okay and The What Comes after F Sharp A.

We're Going to jump on the right g and we landed in a Shark in A, then we jumped B and reach C, let me try to find out this after C, we have the right one, so the notes are f and e n, and when we play these four notes together, F and the chord that I am reproducing is called a shill shill seven flat, also known as fhill, seven. Chord, as if the chord is called a Sharl Flan, a Shark Flanh is called, since it is diminished by half of the seven and that is diminished to the seven of the seven acute ones that this Shark can see, as if they were a seven acute.

It is a small symbol of the diminished half, so this thing says that half of the diminished half and this says that Fhill seven seven plane five, these are really only two different names for the same chord,So you can call it one and if you call it Fhill Medio Decreased seven or f Sharp Minor Seven five five that is the seventh diatonic chord in the key of the g key and this is what sounds like seven if there are seven seven, since you can see all the seven seven, which is the seventh diatonic chord in the key of the key of G more.

A minor seven C larger if seven d seven oh, I forgot B less seven e minor seven and f Sharp have decreased seven of these seven of these chords were created using the notes in the right of the major scale. The notes at a larger scale make sense now, it would be crazy if the way in which it had to discover the notes in each diatonic chord was to use this method to advance third In accordance, so it is a chord, so it is a form of chord, therefore, which is a bit of chord, so it is a form of chord, therefore, which is a form of chord, therefore, which is a form of chord, therefore, which is a form of chord, therefore, which is a form of chord, therefore, which is more easy.

First we identify the quality of the chord of each of these chords, which means that the type of seventh chord is well each of these seven diatonic chords, so the first is a record of seventh important chord, so I am going to write the seventh seventh place, the second is a small minor chord, so I am ignoring the root of each of these chords, I am looking for the quality, I am looking Well, this is a record of the minor vision, and I am ignoring the root of each of these chords. Seventh chord, what about this room?

It will always be a seventh major chord, the second will always be a seventh minor chord, the third will always be a seventh minor chord, the room will always be a seventh major chord, the fifth, the fifth, one will always be dominant seven sixth one, it will always be less seven and the seventh that will always be half decreased seven, so it will show me, what can be easy to make it easy to make it easy to make it easy to make it easy to make it easy to make it easy to make it easy to make it easy to make it easy for me to show me appear Any Major Key If We Know This Pattern So First Let's Write Out This Pattern of Chord Qualities Using Roman Numerals Becouse It's Very Important That We Start Thinking About Diatonic Chords As Numbers So We Can Begin Applying Them to Things to Things Like Chord Chord Chord Chord Chord Chord Chord Chord Progressions and Analyzing their harmonic function Ifo so Sounds like gibberish to you don't wory just stay with me here so for the cruce chord we are ging to write a number one as a roman numeral since it's the cruce chord but here Are Going to Write an uppercase. and since it's a Seventh Chord we can get a Little Number Seven After it If we were Writing This Chord out just as a triad we would way that it is now, so now we write the second quality of chord as a Roman numeral, so we are going to write a chord of the second agreed, but it will be a lower chord, it is a lower chord to decline, so it will write a lower chord.

Two like that and then with a small seven next door, since it is a seventh minor chord now, let As is a minor chord, what he writes, so we will write this, so we will write the number three of the Roman bass and numerals. UPPERCASE OR LOWERCASE NUMBER FOUR so since This One is a Major Chord We Will Write It As An Uppercase Four Like This It's My Uppercase Roman numeral Four and The I'm Going To Put A Little Seven Next to It Okay This One's A Bit Trickier How About the FIFTH CHORD UPPERCASE OR LOWERCASE NUMBER Five This One Is Trickier Becouse this chord is a dominanth seventh chord which doesn't have the Word Major Or minor in its name so it's not take away as obvious but to seventh to seventh Dominant chord is an important triad D F Sharp A with a seventh minor that is the note C aggregate to it and, although it has a minimal seventh?

In my easy chord theory video about seventh chords which as I mention earlier is linked below but i think it's worth taking a little tangent to explain this and all i will say is if you don't Fully Understand what i'm Just Keep Watching the Video Because for Now You Can Just Remymber That A Dominant 7th Chord is a Type of Major Chord and The Later on You Can Go Watch My Video About Seventh Chords To Understand More About Why It Is A Major Chord So This is my small and small tangent of the small part of the small part of the small part of the small part of the small part of the small part of the small part of the small part.

Considers is greater or less is the third grade note, this is something very important that I think that for people they know so that I am taking this little tangent, so, in this case, this D7 chord, the third grade, the third grade note is the fs. Sharp es la séptima nota en la escala de G Mayor Right, así que por qué demonios llamaríamos a esto Fill en el tercer grado bien porque si estamos analizando solo este acorde bien, solo este acorde dominante y, como ya no vamos a no vamos a estar pensando en el contexto de G más bien, así que en realidad no estamos en el contexto de la raíz, lo que estamos pensando en lo que estamos pensando en el que lo estamos pensando y analizamos que lo We are thinking and analyzed that we are going to think about the context of what we are thinking about the context.

D is fine, then, dominant seven correct, the root note is D, so we are really going to think about a larger scale, which I will write the notes of narrated G a b and c narrated, these are the notes on our largest scale of good, so these are the notes in which we are now going to think about a higher level of a D7 and, since it is a large amount, it is the third note on that scale, it is so that it will be referred to. The third grade note of a D7 title and that is a distance of the third part of the third of a higher acute.

It makes it an important chording well, another way of thinking about it is that this note f Sharp is part of the scale D Major D is an important chord if the chord had a third grade flattened, meaning if we take that note f note and we flatten it, which is the same that we advanced it by half step and became the note F natural instead of F narrated, so we were now playing the natural chord and The same if we were playing these notes instead of D Shith, and then we did it suddenly, and we did it suddenly, and we did it suddenly and we did it suddenly and we did.

Have a minor chord beset d to f natural is a minor third so no matter what kinds of extensions are on the chord if chord is a d7 a d7 flat 9 Sharp 11 a d minor 13 whatever the crazy chord of the name is if you want to determine if the chord is a Major or minor chord all you at is that third degree note in the chord and see If it is a Major Third Or a minor Third Away From The Root Note Another Way to Think About It is If That Third Degree Note is part of the major scale of the root note the way in which f sharp is part of a larger scale of Important third and an important chord if the third grade note has flattened from the major scale of the way it becomes a natural f nitv because we flatten it, then it will be a minor chord or a lower third, no more, no more than I am opening an advantage of a can of work.

It is not what this video is about and otherwise, if it fell into every burrow of rabbits, my videos would spend hours and hours, so if you are confused you are not yet afraid, I promise if only breakdown a little more slowly, just see my other video if you want to analyze this with more details, I also have another complete video that is everything you do, if you still sink you, the chords of your teeth. And then I promise him that it will make it very clear and it will make sense that it is fine, so since the fifth chord D7 is a seventh dominant chord that is a type of greater chord, we are going to write a UPCASE Roman number number five like this because the chord of seven dominant is this type of greater chord, so we are going to the base of the five Sixth chord will be this type of accordance.

I, since it is a minor chord, will be lowercase, so we are going to write a tiny 6 with a small seven next door and finally, but not least, what about the seventh chord now this is also a bit complicated because if we refer to it as a sharp half? F less seven plane five, which is the other name, then you can see that yes, it has the minor word on the right F Shill Minor seven five, so this is a minor chord, so I am going to write a tiny seven and then I can also write a small average symbol diminished and then a number seven is fine, so now that we have our Roman numerical pattern here in which it is a superior species, as our formula, you show me what you show me.

It is rather, how is it a numerical one? So we discover the diatonic chords of the key to the key F rather, so first we are going to write a larger It means that it is a first chord chord, only the chord chord will be just the chord. Be what we know is going to be something well because it begins with G and then seven correct minor because it is a tiny two with a seven minor seven, the third chord is a minor seven, the fourth chord is B flat, seven elders, the fifth chord, the chord, if seven, the sixth chord is less seven and the seventh chord is the medium.

Since you can always see it, since you can always see it, always what you can always see it, which you can't see it, always what you can see, what you can always see. Keep in mind that the scale will always become a seventh major chord in the second note on the scale, it will always make it a seventh minor chord. Seventh diminished chord now, let's try to discover the diatonic chords of another key, how about a specialty, so the notes on a larger scale are a bh narrated and Nith Shill now before we write the names of the chords, I just want to point out something because it is a bit confusing that I can see that these three important chords if we look only at these three important chords that are the first chords that are the first chords that are the first chords that are the first chords that are the first chords that are the first chords and the chord Seventh chords as here, this becomes that I am giving the answers far, so this becomes a seventh major and the fourth chord becomes a seventh major D Seventh great and not just a seventh dominant chord, so they would write that for seven and then write four main seven main for the fourth chord well, and then they would write the fifth chord as that only with the five and seven, so this moment is the biggest chord, so the greatest major is mestizo, and then write the fifth chord as that is a five and seven Chord, so it is a mestizo, so it is a chord of fifth chord, as is a five and seven, and this supply is a migorcase command.

So this tells us that it is a seventh chord of a seventh important chord, this is a seventh chord of the seventh great chord and then this would be a fifth seventh dominant chord well, so you can see it written with the M that can see it written without most people do not generally write that MN in the capital letter And it is also a chordeh chord chord, and that is also really a chord, but it is also a chord, and it is also the fifteen chords, and that it is also a chincuth chord chord, but it is also a chord, and that it is also a chord of fifty, and that it is also the fifteen chords, and that it is also the fifteen chords, and that it is also the fifteen chord fifteen chords, and that is the fifteen chords, and that is the fifteen chords.

Difficult to memorize, I think you know it, especially once you practice this a little and, by the way, if you want to practice all this, I have many printable practice sheets that are available in a link in the description below, those thoseWorking sheets can really help you pierce and practice all the things we learn in these lessons, so if we want to practice what we are learning here. Let's continue, so what would be the second chord of the second chord would be a lower B straight B? The seventh chord will be G -Sharp somewhat acute, the clear half diminished seven or g Sharp minor seven plane five as that good, well, we will do one more as an example, but as I said, if you want more practice, discover the diatonic chords of the main keys of different keys using this method, I have a practice of practice with the response keys, so you can verify it to you available to download it for you What really downloads.

It is discovering the diatonic chords in the key to a flat specialization, so I will first write the notes on a flat larger scale, so a flat B plane C D flat and flat F and G and the chords are, so this according to the chords, which will be a flat floor, is a minimum that is a minimum that is fine. Chord, we know that it will be something C, they are three lowercase, so it will be a less right C. less seven, the fourth chord will be, we know that something flat will be flat and then it is an important or minor chord, well, it is a level four, so it will be a large chord of fifth chord.

We have a tiny 6 correct, so it will be f less 7. And finally, but not less important, we have been, this will be G minor 7 plane 5 or g Decreased 7. See that in reality it is quite simple when you see that the same formula and the right pattern are always followed, which is very great, now I told you that it is later in this video that can begin to apply our knowledge of chord chord and the learning of the chords and the learning of the chords. The calling of calls and is one of the reasons why it is as useful You may always have heard the same opportunity because you can give the same progress, but that you can always hear the same progress, but you cannot listen to it.

So that we are going to see a chord progression of 1 6 2 5 5 5 well 1 6 4 we can write it with or without the senses, we could also write it as two thumb now. First I am going to write all the diatonic chords in the key of C greater beque, so we have c minor seven minor seven f major g dominant seven minor if Seven Minor and B have decreased seven Ok Beard I will also write the diatonic the diatonic the diatonic the diatonic the diatonic the diatonic the diatonics. Seven a minor Seven b minor Seven c Major 7 d 7 e minor 7 and f sharp hastinished 7. so i just wrote it out a little more neatly we have the one the one two two five chord progression Without sevenths and then with the seventh okay so corth let's write out this chord progression progression progress In the Key of C Major So We're Going To Be Looking at these Chords Up Here Becouse We're In C MAJOR ALL RIGHT So The First is the One Chord As a Major Seventh Chord So C MAJOR SEVEN Then the sixth chord is a seven minor, then the second chord is a minor seven and then the fifth chord is the fifth chord is We had to write this right progression without the seventh chords, we would only have a small one than a minor and then without the seventh chords and with the seventh chord, now, now, what is fine.

Than The Sixth Chord is E Minor Seven The The Second Chord is a minor Seven Right them and then d okay so This chord progression the One Six Two Five Chord Progression Can Be Found In An Endless Amount of Songs Songs Like Um Heart and Soul Stand by Me Uh Sherry Earth Angel Dear Future Husband Uh Just To Name, Some, so let me show you, I will touch this progression And again, but I will sing the different songs in addition to the progression of chords so you can see how it is always the same progression of chords, so I will play through the six two five progressions of chords in the key of C greater and I will touch without seventh heart, so I only see a minor D. because you held me strong and stole a kiss at night, will you be mine?

I love you all the time, I am a silly in love, you also have to stay by my side when the night is gone and the earth, so it is also 1625. Therefore, as you can see all these songs, we simply sing the same progress of chords and once we begin to say our ears, hey, that is what is a progress of 1625 that sounds like a progress of chord for the time that will begin to recognize and advance of the chords and the advance of the chords and the advance of the chords. The step is just to identify what is the progression of chords that, as I said, is that I call it, so once we labeled it as a 1625, we can start listening more closely and try to remember how a 1625 sounds like now, look at this.

Let's play with the seventh chord only because I will reproduce, what is a song that matters to you, what is the song that is the song that it is not the song that it is the song that it is the song that it is that it is the song other than the song other than the song other than the song other than the song other than the song other than the song that does not achieve, which is key, what matters to you, what matters to you, what matters to you, what does it matter to you? 1625 UM, I will play the song, no matter what key we are, so we are transposing, we transpose it from a key key of C to the g -key, so it is the same song only in a different key, this is another reason why it is useful to think about the chords such as the numbers, when the chords, the chords such as the numbers, as I said, begin to recognize your relationship with each other, since you are well, since you are well, since 1 6 1, which is a 6 1, that sounds, that sounds, sounds to me a little minor C. 1 and if I play 1 two, that's how one sounds two or if I play one five, it sounds like this and it doesn't matter what key I am in that relationship will sound the same, let me touch it in the key of G now, so this is one five in the g - To start the chords such as the numbers, we can start starting them and at five, which is on the train to which it will reproduce you.

They sound like and can be as simple as just analyzing songs that you are listening. I would start with very simple songs and start with simple chord progressions and see if you can recognize them and remember how they sound because, as I said, you have been listening to these chords, your whole life, you simply have not identified and label them, so your brain remembers that they have not been in which they have not been identified. It is the same concept and once you name it, you can begin to remember and recognize it when you find it in nature and another reason why there are many reasons, but I will name these two for now another reason why it is so good to think about the chords such as the numbers is because then we can transpose and see how it is quite easy for me to transpose it from the key to the key to the key to the key to the key to the key of the key of G.

For me to think about it in that way of what it is for me to sit there trying to transpose up as the root of each chord um a fifth as if I am going to move C Quinto A g A until the fifth for e d up, I mean that I might think that way, but for me it is easier to go well, a six two five, I know that is what is rather, which is easier, which is easier to be easier. Another reason why there are also so many other reasons, but I think that is for today, I want to make more videos later on the way, um about the training of the ears and teach the boys different progressions of chords and practice and review what they sound, so that they can train their ears with me if that sounds like something they are interested in knowing in the comments below.

Practice what we learn in these videos that I share here I see my patreon because I have tons of work sheets and questionnaires video summary in pdfs and useful brochures that you can download and print if you are a follower if you enjoy this video, please do not forget comment. heart for all those who get involved with my videos and if you only like to see and not participate, that is also totally well and I appreciate it and I am grateful that you are only here, so thanks to all of you who arrived at the end of this long video and if you are new in my channel Hello and well, I publish a video a week and if you want you I thank you, what I thank you, what I thank you for, which sees the videos, whatever you see more. rest of your day or at night and I will see them next week