Alia Bhatt Gets Ready for the Met Gala | Last Looks | Vogue

This is our first time doing a live collaboration, but I have to tell you that she actually designed her outfit. When it comes to an outfit or a garment, there is nothing more infinite and timeless than Sor. When we think about time, there are so many different ways to think about it that we did a lot of research on archival portraits of beautiful Indians of the Pary nobility who wore delicate pastel saries and I think what sabya did for us is that it contemporized that SAR, so that we have extra curtains, we have beautiful fringes and I think to move forward you can't look back and I think that's what we've done to create our garden of time.

Yeah, someone asked me recently who's doing Glam, who's doing makeup, I was like, who else? It's not even a question Al, I've worked with Al for almost 9 years so we always discuss the look before we start and the metal theme this time is called Garden of time. There were many Old World references that referred to Alia. Also references that she shared and we combined elements of each reference. It came down to keeping it looking very surreal and also like she'd been outdoors, so we highlighted her natural freckles and added a bit more for her mouth. I also wanted the color. be much more sumptuous and, you know, Rose likes it, it's very, very important for all of us to feel excited about everyone's contribution, it's very collaborative, there's no ego, basically it's like we're always trying to find a good balance in the everyone's job so compliments and I don't like something and the goal is just to achieve it so there was a time when the pun knew me so well that it gave me exactly what I needed for my birthday and then my sister was She was so jealous that she opened gifts. that pun has got me into ch just making this long face, yeah she

gets

really angry, it used to be like I started with the time themed garden, we wanted to keep it, keep everything really timeless, but at the same time I want to keep the hair with that ethereal old world charm, a lot of references to Renaissance paintings, the texture there, but we wanted it to look modern so we went for a very undone texture that's not polished and then I really liked this, there was an incorporation of a braid around the hair and I thought it was very beautiful.

I think Sabya has an eye like no other, she is a master at what she does and I feel very lucky that you know how to work with him every day. The time I do it, if you feel better, you look better and I have always felt better wearing Sabia clothing. I met Aliia and Mebo Studio. I was very nervous because I was doing a session with her and you know she was the big one. star and I'm very shy and I don't work very well with people I don't know so it was very comfortable and she barely spoke, she said I became a fashion designer by accident, actually I'm a like.

I really wanted to be an architect. Just because you're good at something doesn't mean you're meant to do it. I also want to do other things. I found out that she would be a wedding planner. I love planning. I love plans. I don't think there is any other country in the world that has more civilized, special and evolved craftsmanship in India. It's unique, it's dynamic, but it's very timeless and stood the test of time. I remember the first time I wore a saree it was for um. Teacher's Day I was in ninth grade and when I got to my school my dishes opened so I went into the bathroom and then you know they were like they quickly put my pleats back on, bye, see you later, come on, sorry, draping , 101, come on, oh.

Hello, it's cute, you look amazing, yeah, okay, sorry, that part and you know, the exhibition is divided into three parts, so there is a land where you can make beautiful flowers and butterflies and then there is a sea in the sky , so we merged both. colors to create the base color of the S. I love the three-dimensional aspect of the craft and I love jewelry because it helps me play a lot. I love math, so it's cool. I'm great with geometry, so I think it's jewelry and stones and proportions come naturally to me when Sabya showed me the jewelry that could be possible.

I said, "You know something about jewelry," so I thought, "You know, we should really make this a jewelry story, as much as possible without it being overwhelming." The beauty of Metala is that every year there is a theme to work on and I actually find it a lot of fun, so even if you go there more it's because there is a theme and there is a story behind the garment, right? I just want it all to come together because the effort is so great that you know you want everything to land on the story that you've worked for for the garment for the look and of course sometimes there are hits, sometimes there are mistakes, but no one really wants. a miss everyone wants a hit so you're always waiting until the

last

four we're doing hope it's a h nous