40+ AWESOME Simple Davinci Resolve Effects to Supercharge Your Edits FAST

Infinite

effects

background, go to open

effects

and then find the transform tool, drop it on

your

image or video or whatever, open the inspector, scroll down. Advanced options, change it to reflect and then zoom out and you will get an infinite background. background, you can even change the pitch and the Y to whatever you want, well, hey, and that's what we cover in this video. I've got a bunch of those super

simple

quick tricks to show you how to do some fun things solved individually. with little to no effort, we're talking about transition effects generators and we even have some audio in there too, speaking of audio, this video sponsored by Audio, they have a ridiculous offer right now where you can get a lifetime, yeah, a lifetime. license all that music and sound effects for just $299, but I'll talk about that a little more in a moment.

Let's start with some great super useful generators on the edit page inside the Effects Library, click on generators and then you have a solid color blob that on

your

timeline, give it a click in the inspector, you have the color box , you click on it and then you can change the color of this background, very useful for any type of title screen or just to use as a general background, obviously, delete the one above, we have a four-color gradient, drag this to your timeline, very

simple

, again, you can change the combination of the area where all of these colors come together via the X and the Y, and then you can change each of the individual colors as needed.

Well, I use both all the time. Super practical. Below are some fusion generators that do cool things like this, so let me show you how they work. Effects lobby generators in the same place. Scroll down until you see the fusion generators area and we have four there starting with Contours, drop that into your timeline, open the generators inspector. Outlines, you'll see all the controls here so you can change the number of layers, the offset, there's a lot of parameters. you can change there if we click play, you can see that this one is animated if we expand the shape down the bottom movement speed, this controls the speed of that movement, there are also versions, so there are six versions.

We can click to make all the different versions. see what's been set up and if we go to number three, for example, increase the movement speed and now we have an animated version of this, then lower the noise gradient there are very similar different versions, all of which, yes we press play, they have some motion, this is not called motion rate, but display rate, but it does the same thing, no need to change that and play with all the settings to see what you can achieve under that role. I love this. a very simple one doesn't move, but it's a really nice paper textured background.

Use this for slideshow titles, whatever you want. You can also change some of the settings to make it look however you want. Texture background. Place it there once more. Latest. six different similar versions all with different effects once again change the sense of contrast, brightness and speed SE to move now because these are all one color in black, generally if you go to these settings go down to the change in a compound way. in an ad you can use it as an overlay on videos and images as well as BOS generators, next the first part of two effects and let's start with the drop shadow very simple, I got my PNG on my timeline using that generator of paper. inside the effects library, just go to open effects and then click on the little magnifying glass, find search and we're just going to look for the drop shadow, drop it into the PNG and you'll get a nice drop shadow inside the open effects inspector. drop shadow you can change the intensity, angle, distance, blur and of course the color, just a simple vignette in the same place, write vignette effects and there is a simple vignette effect, drop it on your footage in the inspector, in the same place, open the effects you have all. of the control so we can change the size, the anamorphism, which is kind of like the width, the softness and the color, if you want to get super fancy, there's an advanced mode that gives you even more control.

Freeze Frame Forward and Reverse, this is a It's also very simple, you don't need the effects library, just place your footage on the timeline, open the inspector, go to the video tab, scroll down until you get to the speed change area and click on the little snowflake icon to freeze it. frame, alternatively, click on your footage and then click this icon to make it play. Going backwards, this icon will make it play forward and then you can change the speed, either making it play

fast

er, speeding it up, or slowing it down to easily slow it down.

Simple and easy mask with literally anything on the timeline image or video, right click on the footage and then go to open on the merge page you will see these nodes appear like this and then we just need to use one of these four controls here, so I'm going to take the rectangle, we're going to leave it here on the left and then we're going to connect it to our middle and then inside our little preview window up here we can change this to mask it and make it the size or shape that we want We also have controls inside the inspector exactly the same for the ellipse or this one here, which is the polygon, drop the one over there Plug it in Click to complete that in the job done, alternatively you can make an ellipse mask directly on the edit page open the Effects Library go to effects and then find the Circle shape drop it on your footage and you will get a white circle in the middle inside the inspector scroll down and apply it as a mask which will form a circular mask so you can then move this . mask wherever you want and if you go back to the video tab at the top and then use position, you can move the position of the video inside the mask so that it's perfectly aligned and move them both together, what you can do is right. click on your footage, turn it into a composite clip and then everything will move, it's a great double vision effect, click on your footage on the timeline, hold down ALT or option if you're on a Mac, drag up to make a quick duplicate, click on crop edit mode and then move this footage forward a few frames inside the inspector, go to composite and change the composite mode from normal to screen and you can reduce the opacity if necessary, press play and you will get a simple double vision style effect, stop motion drag very similar to Double Vision, make a duplicate, but this time we will go to the open effects area and look for stop motion, we will drop that on the top footage like this and then we'll increase the frame repeat, we'll jump back. to the video tab and this time just lower the opacity, press play and we have a kind of stop motion double vision drag effect camera Shake the same area once again effects Library open effects search for the camera Shake the effect and you will find it inside drop that on your footage press play and you will have a simple camera shake effect, you have the main controls at the top so you can change the motion scale, speed scale and motion blur and then you can also change All the individual elements like how much pan, tilt, rotate and zoom you have, you can even change the randomness type and the wobble type to make it look exactly how you want.

Bonus tip from the effects area within the effects library, grab an adjustment clip and place it. that over an existing transition like this, then go to open effects and grab your camera. Shake and drop that in there and you can add some nice camera movement to any existing transitions. Corner fixing, open the effects library, go to open effects and once again find that. trans transform effect and then drop it into your footage like this from within the inspector effects open effects transform change the control mode to interactive canvas and then if you don't see these controls on the screen use the little drop down menu to open the overlay of open effects and then you can drag these corners wherever you want to set this mirrored world as required.

This is perfect for any drone with your Drone footage on the timeline within the effects library, open effects, simply find the mirror effect, drop it on your footage and you will get a mirror effect like this, if you don't see the previews on screen once again click on the little drop down menu and make sure you enable the open effects overlay, then we can simply move this mirror around like this in the inspector there are also controls to add additional mirrors, you can add up to six and you can change it to make it a rosette or a kaleidoscope, instead press play, job done and breathe, obviously you'll need some music and sound effects to make all these effects and transitions pop and that's where the sponsor audio comes in Of video.

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The material you download can be used in personal and client projects, so you'll basically never have to pay for music or sound effects again to get unlimited access to all music and sound effects for just $299. Be sure to click the link below. In the description below, let's change things up a bit, talk about some audio, and then go back to some more original visuals. Before you start, open the effects library and scroll down. For audio effects, most of them are listed here. You can take them and place them in your audio directly in the timeline as you normally would or you can place these audio effects directly in the audio track so that it affects each piece of audio that follows. put that simple track on right now, let's start with the simplest and easiest first tone and it's always fun to be for this one, just click on your footage with the audio attached or just click on the audio, open the inspector, go to audio, scroll down.

You will see Pitch, click on Pitch to expand the options and then you can increase the tones semits if you are new here hi to increase the pitch or decrease it for a deeper voice new here hi Distortion within the effects Audio Effects Library scroll to down below you'll find Distortion, a pretty quick drop that in your audio you'll get this little popup where you want to click on the little drop down menu at the top and we've got a bunch of cool stuff like the first side if you're new here hello HF buzz if you are new here hello lowf fire radio if you are new here hello and of course megaphone if you are new here hello robot voice and to do this you need to use something called FL fler inside the audio effect grab the Flanger drop it on your audio on the line of time your little popup will appear change the drop down menu to robot voice hello my name job done robot voice DX grab the modulation drop that into your audio again you know the exercise that will appear this little thing change the little drop down menu, there are a lot of options to play here, but for this example just go to exterminate, press play if you're new here hello my name is a simple dar effect, the next phone voice, you can only apply this phone preset to an entire track. it's not an individual piece of audio, so I recommend that you just set up a new track and call it Voice Voice or whatever and then just put your phone voice on that track, so we'll jump into Fair light, open up our mixer and make sure it's open like this and you'll see the mixer on the right, make sure you're on the right audio track in my audio and then just double click on this EQ area, the electronic equalizer will appear, click on the little drop down menu and there an option down here for the general phone effect press play hi my name is Alex phone effect applied now last Quick bonus tip if you stick with the audio effects from the same area inside the mixer double click on Dynamics you can change alldynamics here, but again there are a bunch of super useful presets, we have a basic dialogue compressor, a couple of dialogue levelers, as well as a music pump, everyone loves music, custom made audio effects next, transitions, everyone knows transitions, they are quite simple, easy, obvious, easy to understand. but there are some good ones that you might have missed, so let's cover them and never forget if you have questions in and out of the effects library video transitions editing page, you have all your transitions here, almost all of these transitions will look better .

If you click on them, open the inspector, and then change the ease from no to In and Out, which gives it a speedup curve and will make almost everything look better for some of the blending transitions, you won't have the option to instead, set the ease, you'll see the word curve for these, change the curve to smoothing and then you'll have these different In-N-Out options and you can experiment with these. I like using Expo on both pressing play and it will give you a really nice acceleration curve with no complications. Let's start with the first one.

Push Push Transition is a super easy way to animate things to appear on the screen in a pinch without messing around with keyframes or extra tools from the video transitions area, just look for push, grab, press, put it on this logo, for example, press play and it will appear click it and change the facility to In and out. There are also presets so you can change it to be up or down and then we press play and it's a nice, quick, easy way to animate anything in or out of the Luma fade. It's built in, there's a little bit of work, but it's super

fast

, take the cross dissolve, place it at your edit point, right click and convert it to a merge cross dissolve, then right click once more and open On the merge page, double-click the small cross dissolve. package and then click dissolve one inside the inspector, change the operation to a road and that's it, go back to the edit page and you will get a Luma fade transition, Luma erase, there is also a Luma erase transition built-in, scroll down or You can use search to search for Luma, find Luma Wipe, release it and press play and you'll get a Luma Wipe transition instead of a standard fade-out.

Here's a list of built-in transitions that I really like, they're actually pretty easy. To get lost, these all exist at the bottom within the blend transitions area and the first block glitch right on the top block glitch and it gives you a really cool glitch style transition, again, a lot of controls within the inspector to be seen though. you want a couple down from there, Camera Shake Camera Shake does exactly what it says on the tin and makes a nice camera shake transition, but it also has some extra RBG built in which gives it a really cool glitchy style effect, a once again, RGB splitter, scroll down or once again use the RGB capture search that you put there and this one is very similar to the Shake camera but it just does a nice little fade between the two, but again with its red, blue and green, this one has the curve. so we can change the acceleration to something a little more exciting, job done, the painting is cool, search for it or scroll down and find the painting effect, place it on your edit point and you will have this painting effect in cool style. and last but not least, burn right at the bottom within the FX transitions area.

We have burned, we press play and it has a nice burning effect. We can also use the open effects controls to change the location and within the transition area. you can change the time, the border, the direction, mount the jar, record all that kind of fun stuff. Now don't forget any of those transitions. If you made any changes, you can simply right-click the transition in the timeline and create a transition preset. This is my paint preset, click OK and then we no longer need to modify the settings inside the inspector. Instead, whenever we open the video transitions, there is now a user area and I have my paint preset, so it's always ready to go.

The transitions were made back to some more effects and we're going to start with this tilt shift blur. This one is limited to the studio version, but I also have a free workaround, so I'll show it to you in a second effects library. open effects look for tilt shift blur drop it on your footage and you will get a nice tilt shift effect once again use the little drop down menu to select the open effects overlay and then you can use this to place the focus point location and then use the controls inside the inspector to change the angle, sweep the InFocus range and all the other good stuff that looks great on Drone footage, but also works incredibly well for drawing your audience's attention to screenshots and instruction clips and that kind of stuff.

The same goes for the tilt shift for the free version, this is not exactly the same but it works so I wanted to show you with your footage on the timeline, jump to the color page, take a Goran blur of the effects library and drop it. in your node, click this icon here to open the window area, click the Square and then click this button to invert it; Then, using the preview window, simply select the area you want to focus on by clicking and dragging the handles you want. You can also change the sweep of the gradient by changing the red controls.

Jump back to the editing page and you'll get a very similar fake tilt shift style effect. Paper border effect within the effects library. Go to effects and then look for paper. Release the edge. Paper Border on literally any page, images, videos and it will put a Paper Border effect, so in the inspector you can change the color and contrast to make it look exactly how you want. Additional quick tip if you remove the roundness from the edge, you can get a really simple way to put a standard smooth edge once again around almost anything. Another way to make a nice simple border around the images if they are a little smaller than the frame, just right click on the timeline on the footage and then go to open in the merge page, then open the library of effects inside here, open the template and then click edit, find the color border, grab the color border and drop it on the line like this and that will put a color border around your image and you can change the softness , the width, the color, everything you need there, go back to the edit page and the color grade transition will have been applied with your graded footage on the timeline, do a simple cut and then jump to the edit page. color in the first clip. right click inside the nodes and reset all grades and nodes, then go back to the editing page and simply apply any video transition to that edit point.

I think the edge erase works fine, click inside the transitions, just change the angle to 90 and then if we press play, we'll go from ungraded fast noise to graduated fast noise from the effects library, go to effects and then we'll take an adjustment clip and place it over the footage, then we'll go to open effects, look for quick noise and drop it. In the snap clip by default it looks like this, but if we change the preset we have options for things like Fog, Smoke, and Water Surface. River and heat. The water mist surface is really cool because it gives you a nice watery effect over images and text. play with all the settings to make it look however you want, it's really cool to play with Polaroid with a picture or video on the timeline, just zoom out to make it a little smaller, move it up on a single track and then go . to the generators inside the effects library and take the paper generator that we looked at earlier, click on the inspector video settings, go to crop and crop this as needed.

Now you have a Polaroid style effect if you select both things in the timeline, right click and turn it into a composite clip and then you can move it as one thing, rotate it, animate it and do whatever you want. screen pumping effect inside the effects library, go to effects at the top, take an adjustment clip and put it on your timeline on top of your footage, crop it to make it nice and short, click on the inspector , scroll down and activate dynamic zoom. If we press play, we now have a simple zoom out if you want it to zoom in. we just press swap now if we duplicate this on our timeline we can do it quickly by holding down ALT and dragging option if you're on a Mac press play we have a simple double exposure screen pump effect stack your footage on top one of the another in the timeline, select the top of the footage and then jump to the color page inside the nodes area, right click on the empty space and add an alpha output, connect the blue of your parent node to the small circle blue like that. then open up windows control and then you want to grab this one below, which is your gradient, and then you can change this gradient to get kind of a double exposure fade effect, like anamorphic lens flares inside the effects library. to open the effect and then find glow, grab glow, put it in your footage, open the inspector effects, open effects and glow and then increase the extent and the HV ratio towards the right side and that will give you horizontal stripes and then you can change gain, gamma, saturation as needed to change the overall threshold you have.

Brightness threshold at the top and you can adjust it as needed to scan SC lines from the effects edit page, open effects, simply find scan lines and then place it on your footage within the inspector, simply change the line frequency as needed as well as change the sharpening angle width change and even the color to get this cool extra tip of TV style effect inside the inspector, scroll down to compose and change the overlay type. to something like a hard mix and you'll get a JPEG damage 8 bit style effect, alter the frequency, sharpness and angle of the line, whatever and you can do some interesting things with it, alternatively jpeg damage within the area of ​​effects, look for jpeg damage drop that At that point you have a nice jpeg damage effect, you can alter the quality and resolution, aspect ratio and frequency scale.

Honorable mention to the film damage effect which gives you an almost old school western snow effect like this. that's available in the free version and if you're on the studio version you have access to the Dam Dage analog effect, which is probably one of my favorites. We go to the preset and we have things like early black and white TVs from the clean 60s. VHS and all are really great and pretty accurate. You also have tons of controls to make it look exactly how you want and last, last but not least don't forget if you open the Effects Library go to effects scroll down to Fusion effects it has things like Binoculars Glitch Effect digital CCTV a drone overlay effect effect a night vision video call digital SLR and video camera now most of them work on the free version but one or two are limited to the paid version BOS studio version I need to get laid because they were many things thanks for watching, take it easy, see you next time