We Made Willy Wonka R-Rated

Charlie in the Chocolate Factory, a seemingly innocent story for children, but containing horrifying candy industrial accidents that, one by one, knock the children out of the race for the golden ticket prize, but in the end prove that everyone is fine. and that everything went well, except you. know what the coward's way out is through new visual effects newly filmed scenes new editions new sound design we want to present you a reinvented version of charlie and the chocolate factory where each of these things shows what really happened, let's see how we did it , we're joined here by Ian Hubert Hello, Peter France, what's up?

We both vfx masters wanted to watch this with you and take a look at these shots and brainstorm together, how can we make this really crazy? kind of things we could do to it, let's float the movie I saw it for the first time last night like I connected with these characters, you know, and now we're going to have to leave them, it's going to be sad, my last and the best invention, such a set great, so this thing shrinks, transfers the chocolate bar and shrinks it. I guess Mike TV is small now he turned into particles and then reassembled.

What if we did a galaxy search and Mike TV got put back together wrong? Yeah dude, that could totally happen to Mike TV. She also passes out at the end of that scene. Let's go to Augustus Gloop. This is the most disturbing in my opinion. The reason the scene affected me as a child was because it was so claustrophobic. horrible guy just the red spot as he goes up the pipe I don't know, I'm from that shot where you just said you had to make the current go through his skull, his face can inflate against the glass. oh my god, oh man the pressure keeps building and he just explodes, I want a golden goose guy, this girl is the worst, yeah okay, spoiled little veruca salt, this one feels like the producers were like, yeah, we don't have any more.

It's time for the children to leave her in a box with a trapdoor. The concert is done so I was thinking this is a great opportunity just to make the human pachinko machine so she falls and then cuts to a rag doll of her getting hit all over the place. We'll be paying for what the public has always wanted to see, we also have the fan scene and that's waiting to be violent, yeah they'll get there eventually, oh man, those fingers, I feel like they might be a little complicated composition wise with all those bubbles the foreground oh yes, you're right, although those bubbles are going to be difficult to handle, but what do they want to be fancy here?

Anything involving soft body physics is my game. What he said, but the exact opposite of rigid body physics, pick any scene. claim it for yourself, go ahead, take augustus gloop, okay, you're moving towards the gloop challenge, very happily do the bubble one, okay, okay, cool, well, I'd love to try the ragdoll, okay , and then I'll grab a thomas. tv what's his name mike tv mike tv gentlemen right look at that look that synchronization very entertaining with the fact that peter is in the middle of a walk good luck with everything guys he's recording yeah okay so you can see here we have our photo of mr gloop, but you know, I'm not sure I believe this performance, in theory, he has chocolate coming out of his anus, so I imagine it would be a little more painful than what he expresses here, so, as with the most things, I decided to recreate this in cgi I used this great software, free software called make human, it basically gives you a generic person model and you have all these sliders for gender, age, muscle weight and it gives you a complete skeleton with the one you can work on.

What I did was project the footage. of glip's head on gloop's 3D model, since I didn't really believe in his performance, I decided to make my own, so I did a little motion capture at home, just recording my face with my cell phone, I put it on the blender and then I checked it. frame by frame using these facial bones to match my performance to all of them. I've taken a little artistic liberty with the eye roll and head movement, but for the most part it matches my performance from that point on, it's pretty straightforward, we just bring our render in after effects, overlay it on top of the background, overlay some glass, overlay the pipe, we're ready for the second shot, we're not going to blend this without live action footage, I took a wide shot of the entire environment and painted.

We take out the pipe, we get it in Blender and what I'm going to do is use the knife tool to cut out some little details, extrude it to give some depth to our background. We get this super wacky but usable background, out of focus, totally works. I also went ahead and recreated the pipe in a blender, placing it around Mr. Augustus to show his body swelling with chocolate. I decided to use an offset modifier which basically takes the geometry of his body and just pushes it out. He's been puffing himself up with chocolate. Eventually there will be a breaking point, a simple fluid simulation, just set the z-axis velocity to about 10 feet per second and just let it shoot into the atmosphere.

Do you get a fluid simulation like this? To top it off, we add a material that has a good mix of blood and chocolate here and there, wow, the glue has successfully exploded killing Charlie Bucket and Grandpa Joe. Wow, what a dream come true, so I thought Grandpa Joe would be excited to fly and fly up. into the fannix and then the sphincter opens and the fan comes out and chews some Charlie paste down into a spray of exactly one hundred thousand drops of Grandpa's blood. uh, grandpa it was easy, I just cut out an image from the movie and attached a few vertices to control objects goodbye, but charlie is more complicated.

I put some textures from the movie on a human form and it looks like some kind of nightmare, but I pasted a picture of the top of his head on the top of his head and it looks like the top of his head, so it works, but how animate I have a rococo motion capture suit, so I was going to use that, but first I have to get inside his head, what is Charlie like? What are you thinking in these final moments? I'm afraid, sure, but I'm also embarrassed by stealing the soda and accepting his punishment for surpassing his position.

With that in mind, I acted out Charlie's last desperate moments, first one leg and then the other worked fine, so while all the boys work on him. For effects shooting, it's my job to edit together a piece that can tie these visual effects sequences together into a story. I have to prepare the reward they are working on. There are tons of things to work with in the movie. you're trying to recontextualize some of these shots. Roald Dahl was known for going to dark places in his writing, so there's a lot of that inherently in this story now, whereas Willy Wonka can be a psychopathic killer in this world we're creating.

What if we went one step further and actually had Charlie commit murder to get his grubby hands on one of those golden tickets? There is a sequence where Charlie walks down the street at night. Those shots are very dramatic. They are very dark shots. in a kind of dark headspace in the movie, why not take it a step further and have him contemplate murder? There are a couple of building blocks to tell this story that are missing, although one there is no target for Charlie to kill, he needs to have a victim, two. there is no shot of charlie holding a gun in three there is no shot that is explicitly worthwhile, so some secondary shots were necessary.

I went to the only place I could think of that really looked like 1970s England. There's a place called Post Alley in Seattle. There is a famous rubber wall, this place was perfect, dressed my dad up like an old drunk, worked great, then I got a shot of a knife being pulled out of a pocket, a couple of shots of Charlie digging through his jacket and finding a golden ticket, believe. The shots turn out great and will give us what we need to tell this story. The only thing left is some sound designs. I asked some of the guys to record some screams of the victims as they fell prey to Willy Wonka.

Alright, Nick has asked me to sit down and record some audio assets for the Willy Wonka piece. He wants me to do some directing, maybe some voice acting for some of the characters and stuff like that. Well, I thought there would be no better opportunity to do it. tell you about today's sponsor, expressvpn, through these recordings right here. You may have heard that expressvpn protects you from hackers trying to steal your information, but what you may not know is that it can expand your entertainment selection, keep your private information private, and maintain your privacy. sensitive work sure it was perfect you get expressvpn they will encrypt all your data online giving you a layer of protection from people like the government think about all the sensitive information you handle incorrect settings on your malware infected device or router could put your data at risk from being stolen by hackers takes over you through expressvpn.

You can hide and change your location so that movies that were previously unavailable in your country are now available. Do you think it was too long? Expressvpn guarantees that 100% of your data is transferred. between your devices and the internet is encrypted if you are interested in trying expressvpn for yourself visit expressvpn.com broker team you will get three months free when you sign up for a year which is e-x-p-r-e-s-s-vpn.com broker team i really think nick is doing love what i've done here hey nick all i need is a scream why you gotta tell me all about expressvpn you gotta rerecord it man you gotta record it I need screams man people are dying like I just do it there's no cowboy voices, no Mr.

Miyagi voice, I just need screams, man, little ones, kids dying, jake, dude, oh boy, I have to do this all over again, so the microphone, television, microwave shot, first place where I started was mixamo.com, this place is great, I searched. some kind of painful pain lying on the ground with pain motion capture data i downloaded this in c4d so you have this guy rolling around on the ground i select the joints here and start climbing things moving things and you start to get some sims really weird glitchy effects here, then I started texturing things that were referred to as real lungs on Google and gross images from that Chernobyl show and basically came up with something like this, these dark parts here you go like a really red pulpy fleshy material nasty and then you have this top layer that looks more like your normal skin, a really nice wet reflection on that thing, it just looks, it looks horrible, it's not having a good time here, I lit the scene with a couple of area lights , I

made

sure to have that really nice rough edge.

Light on this guy and the last thing we did here was make something sticky turn into a melted piece of skin for that I used x particles there's only one emitter set to object mode and yeah that's my TV in the microwave I can't wait . To see what the other guys have up their sleeve, the ragdoll is relatively simple, you just take your model and break it into pieces, forearms, biceps, upper torso, mid torso, head, neck and connect each of those things with joints, like that. the elbow is just a basic hinge for example, so using all these different joints I put all the different parts together and then I was able to press play and everything fell to the ground.

The problem was setting up joints to match the range of motion for a human body is actually a lot more complicated than I thought. A 3D object has something called a pivot, it's basically like the center point of the object that indicates where it is in 3D space and apparently the pivot affects the orientation of the joint, so I discovered that the pivot points of my bones had been altered to pointing to the sides when they were on the arms instead of the normal up and down, so I had to reorient all of that to fix my joints and once it looked good I knew I was ready to start my full animation.

I had to build a stunt route, you know, for the character to hit things like, you know, I wanted to slide into something and hit something else. The thing is, with physics you can't animate it, you just have to set it and wait. that nature takes its course and that your character will hit all the things it's supposed to hit, I finally got an animation that I'm happy with and now I'm going to build a whole factory around that and actually decorate it to look like part of a whole. factory system I used the bash kit brutalism architecture models package to basically make all of my factory backgrounds, all of these arches and concrete decoration, stuffWell it would have taken me too long to let you know that I have this scene now coming to life. there are cool lights everywhere and now I had my character hitting this and hitting that and that's what rendered it, now the motion blur in the depth of field and all that plus the realistic lighting added a lot of time to the renderer which he actually took.

It took me a whole week to render, so yeah, that's how I

made

the ragdoll animation, bam, awesome. Okay, we have some final shots to see, I'm very excited. Yeah, I hadn't seen any of your shots. I'm just not sure they'll go. to hire me after you see this fancy one so amplified, let's do it, oh here we go and now details about the sudden announcement that has caught the attention of the entire world, hidden among the countless billions of

wonka

bars are five golden tickets and to the five people. whoever finds them will receive the most fabulous prize one could wish for for a lifetime supply of chocolate no one goes here no one ever leaves wow oh the old knife that was like an old pulp horror movie wonky

willy

hidden among the untold billions of wampa bars are five golden tickets a lifetime supply of chocolate chocolates wow this is

willy

wonka

directed by stanley kubrick man wow what 10 in the morning on the first day of October and don't be late, it's a pleasure to have you here .

I am very glad that you can comment. This will be a very exciting day. I hope you enjoy it. I think you will. Now you are about to reach the crucial point. center of the entire wonka factory oh the river of blood inside this room all my dreams come true wow look over there on the other side of the river is a little man tremendous pressure is building up behind the blockade the suspense is terrible you have a strike of garbage on the go Here wonka, oh my god, who wants an eternal gobstopper? I can only give them to you if you solemnly swear to keep them.

Yeah, why don't you do something stupid? It's tomato soup. Violet, you're turning purple. Violet. What is happening before? Well, well, two. naughty, nasty little boys gone, three boys left, these are the geese that lay the golden eggs, as you can see, they are bigger than the common geese, hey dad, I want a golden goose, here we go again How much do you want for the golden goose? not for sale name price she can't have one I want one I want to leave she was a bad egg now could you please put this on? there are dangerous things inside a commission my latest and greatest invention lights action camera here it comes there it's the real taste it's delicious it's just gotten smaller that's all look at me I'm going to be the first person to be broadcast on television hey, stay away from that thing, stop, don't come flying over our heads in a million pieces, how can you do something like this?

Sorry for not showing you straight up the stairs, you'll find the way I'm good to you two, let's have a drink, Charlie, no one's looking, yeah, oh, oh my god, oh, wow, that's amazing, oh. Oh my god, man, oh my god, good job, everyone, that was some scary cinema. I'm glad, oh my God, oh my God, everything looks great. coming down now the door closing and trapping him is the perfect chef's kiss for that final sequence itself yeah it's like human sized like a nut chopper just grind it to a pulp this damn kind of nut meat , even the blood on his face after stabbing the guy was so good the blood on his face when he walks in it's like some money on the street that's a good transition you did the ragdoll thing that was amazing i spent a lot of time like that longer yeah Nico, like when he cut your first fish, your first take, I thought it was actually part of the rails, like if I don't remember, it looked perfect and it was very well lit, you should be proud of that man.

It was really good, every minute of working on this was a blast and what a reward to see this all come together like it was the best feeling ever. It was amazing, like that line you put there like, oh no, stop, little corpse on the screen, Peter. You kept your graph facing up for crazy effects. I feel like Sam, did you do these shots for this? Yeah, I did all the river of blood stuff now, yeah, I did all the uh, the guts pour in there, yeah, the meat, what a testament to you liking it. technology these days we all have fluid simulations and physics simulations and hair simulations and we like so many things happening in our scenes that like we just did, yeah, yeah, pretty crazy if you want to see wonky willy uncut without our reactions we have uploaded them to the runner channel we also made a playlist of our favorite ian hubert videos and peter france videos uh ian makes these amazing lazy tutorials that are the funniest thing I have ever seen and peter has made the man spider movie that's crazy, I can't believe some guy made it, but we also have a link to that in some of his great tutorials.

Don't forget to subscribe to Coral Crew and here's a little sneak peek of something coming out in a few weeks in store, well see you next time thanks for watching. I can't find any sounds online of someone gurgling liquid repeatedly. I need to be creative here.