VOCAL COACH REACTS | BILLIE EILISH... They couldn't have picked a better artist for this.

that's unexpected, I don't think I've ever heard Billy Eilish act like she has the full belt on, okay guys, good morning, good afternoon, good evening, whatever is appropriate, welcome back if you're new here, my name is Julia, I'm specialist in contemporary singing. and today I'm going to react to Billy Eilish singing no time to die live at the BRIT Awards. I'm just going to show that the blood that you bleed is just the blood that you were my life, but life is far away, okay, so one of the things. I really like Billy Isle, which is why I said I'm a little more familiar with his sound than some of the other voices I've heard on

this

channel.

One of the things I like is that listening tower. It's almost like ASMR, you can hear all these little articulatory patterns in his voice, it makes it sound more intimate and I feel like compared to some of the other

artist

s we've heard on

this

channel, Billy focuses more on the subtleties. the sound big and flashy so I'm enjoying this so far it's a little bit different it's different because this time it's okay so I feel like Billy is a good

artist

to

have

been chosen for a James Bond song because if you listen to any of the previous songs by James Bond,

they

are not overwhelmingly dramatic arrangements,

they

have

an element of freshness and softness rather than something that is big, bright and flashy.

I mean, I guess it makes sense that it's a movie about a spy. although she kind of gives herself away by introducing herself as James Bond to literally everyone she meets, but I think she's been a great choice in this because it sounds very similar to the setup of some of her other songs and I like how she hasn't changed the way she sings just because she's doing something for a movie franchise, so another thing to keep in mind is that she doesn't push her low notes too hard, she just sings them and if they happen, they happen, she doesn't go for a low sound , big and robust which is great, on top of that, she also has these aspirational qualities in her sound.

I've mentioned aspiration before and then in editing I realize I had never explained what aspiration actually is, aspiration is a breath, enos for sound, it's where the

vocal

folds don't close completely, so the Air escapes through that breath, so much like my reaction when Mamamoo sang lila with the first girl, I noticed that she uses a lot of residents to make sure her aspiration doesn't erase the words. Billy Eilish does the same and does it in unison with his articulations so you never miss the words he's singing. I think there's one word I've missed so far: when she grows up. - it's a death, something dead and a paradise, that's the only work I'm missing so far when listening to her sing, but overall, very good management and again such beautiful and intimate sound phases for my last return.

I liked how she made a very, very subtle sound. swell on fallen is like it's literally falling off the word, it's very subtle but it just adds a little more movement in the second verse, it also added a little more energy, nothing too crazy, but again the subtleties They are there and it just keeps us engaged, the word is death. I love that they included a little bit of construction in there, that's unexpected. I don't think I've heard Billy Eilish make a full belt before, where did that go? okay, it wasn't so bad before, that's kind of in the contemporary belt realm, it's not typically part of his style.

I didn't hear much of her playing with a strong belt and I didn't pay much attention to it either, it was too long. in a dominant and even though the head is thrown back, that's just for dramatic effect, putting your head back probably helps less than people think so, you're just putting all the weight of your head back so that your muscles have to support you. gravity instead of supporting your sound, but it's very dramatic and it's part of the performance and Abby slid into it, it was great, yeah, nice belt moment for Billy Eilish because this is just lovely.

I also like her breathing options because when she walks in, where is she? I'll see if we can find it in the course. I really like how there's the little breath she takes before I cry because it sounds like she's having a little bit of Christ there again. It's all about the subtleties when it comes to listening to Billy Eilish because vertically she's on a very light mechanism almost all the time on most of her songs, there's not a lot of

vocal

activity so she balances it out with good performance and these little ones. subtle things. which are specific to her, she's actually very intelligent and I'm really looking forward to seeing how her sound develops as she grows because she still has a very young performer, I mean if you juxtapose this with a vocalist like leo jury who is 16 years old .

Leo Joe packs a punch and yet Billy's subtlety is still able to keep people engaged and entertained, so you look at two different artists and how they relate to their art and how they relate to their audience and they're Like two different flavors, but neither. Neither is

better

than the other if that makes sense because people who like Leo Drey will enjoy that kind of performance, but there's also a chance they might like something that relies on subtleties, like a Billy Eilish performance, anyway, that's all. From me today guys, I hope you enjoyed. If you gave it a thumbs up, hit the subscribe button and the bell notification next to it and more videos like this will be coming your way as usual.

I hope you stay safe. I hope they stay. and healthy and see you next time bye