The TRUE Story In The Guardians Of The Galaxy Trilogy w/ Marc Gafni

well, that's Drax the Destroyer and finally we have, oh my god, we have Rocket, he's a raccoon that refuses to acknowledge. its Iraq until the end of volume three the third movie and the raccoon is with Groot Groot I'm good, who can be the only one without trauma well then Groot is interesting right Groot comes from this I think Planet a little thing in the larynx, so the only thing you can hear him say is "I'm Groot", but they're actually speaking the whole language, it just comes out as "I'm fine", he may not have trauma. You're right, it's not an interesting type of character where he is, actually, he's the solid one that he portrays almost like the resurrected Christ in a way that he's going to be in big trouble, yeah, there's a moment where he goes from I'm a Group to We're Groot, yeah, which We'll get to Groot, by the way, at the end of movie two, one disappears and then there's a little group that sacrifices themselves, they sacrifice themselves to save everyone, yeah, and then there's a little Groot, like that that I think we have to choose characters, yes, okay. so in this cast of characters, these are the Guardians of the Galaxy, that's the crazy thing, these traumatized heroes, heroes, this is not Superman, you know right, kryptonite can defeat him, but otherwise he's basically perfect, it looks perfect, he's an American boy, yeah, right, it's like bring him home this isn't any of these other people people that you want to bring home to the family so it's a different vision of the hero that the heroes the traumatized hero that we all are traumatized and that we all have these very deep traumas that we go through and that trauma is not a get out of jail free card, which is a big problem today.

I mean, the movie is challenging something in the culture. Culture revolves around trauma today. The Big Prayers Are you trauma informed now again? I think you and I believe and you disagree with me but we both think I think the world of trauma is incredibly important, of course, and we honor it, it's real, yeah, so we're not in either and the movie understands that it's real, that the movie is kind. of bold and he says and there's a great line in the movie where Drax the Destroyer says to Raccoon right in movie two to Rocket to Rocket thank you in movie two he says um you know everything my you know he's assuming movie one, I apologize, he's confronting Ronin, it hasn't gone well for him, now everyone's in danger and he's like, I'm sorry, you know all my anger and rage to cover up my trauma and then Rocket says, listen, man, okay, you have a wife. dead you have a dead daughter we all have dead people that's not an excuse It's like Whoa like who says like that in a movie right, it's like well, I mean, there are so many interesting things that are coming out of the fog here for one you know, to What it points to is that one way out of trauma is when you join a cause that is greater than your own separate self.

This is incredible and this is the thesis of Sebastian Young's tribe of books, where he actually cites that when the bombs were falling in London during the Blitzkrieg that all the psychiatric hospitals were emptied not because they were throwing people out but because they were no longer They were mentally ill because they had a purpose. They wanted to repair the bricks. Serve food. Take care of the wounded. Everyone came together because there was a greater purpose. Oh my God, there is something interesting that happens when there is this greater purpose, like in war itself or in the struggle, even I love this kind of devotion to that higher purpose, so all of these things really come together. a different place in your relatives this is that huge right, this is so huge what you just said and it's so suddenly that we are seeing so let's see what we have here, we have Guardians of the Galaxy this unimaginable and again We are in the level three now we're in the post tragic, so you have Guardians of the Galaxy, which is such a bold idea, who protects the Galaxy, the hero, who are the heroes, the traumatized heroes, three four, the movie challenges, recognized and honors the trauma, but challenges the trauma and says, okay, you're traumatized and it's speaking to society, you know, um Christina Hoff Summers wrote a book called um, she's a powerful feminist writer, a great writer called therapeutic culture, You know, where she challenges this culture of victimhood, this culture of complaint, and so this movie says, okay, you're traumatized, that's real, the movie is incredibly real and emotional and it makes sense when you get into the trauma of the Rockets, oh my god you're playing, I mean I've cried and half laughed through the whole thing. the movies, yeah, I mean, you're crying out of one side of your mouth, yeah, and you're laughing out of the other side of your mouth, and then the music starts and you're like, oh my god, right, but this thing.

You just said: I want to stay with us for a second. You know, at the center we are working with Lori Galprin, who is one of the best clinical trauma therapists you know in the country. You know, she works with Mark Schwartz and We're all writing together and one of the projects is exactly you, a magnificent environment. We haven't even talked about the project. I'm trying to put it this way, the way we heal trauma today and this is what is so hard to talk about trauma without crying? But we heal trauma by going to reorganized memories from the past and basically what we're saying in the deeper work and I think what the movie is saying is that you can't heal trauma.

Unless you are called by the future yes you have to do the memory work yes it is a yes and it is a yes and you also have to recover a memory from the future and the memory from the future is that you are a guardian of the

galaxy

, yes, Come on, come on, there is something you can do and that you are actually necessary, yes, and we call that unique self-recovery, that if you cannot recover your unique self, which is the unique heroism that you have to live, it is the unique heroic poem that It is yours to speak It is the only heroic song It is yours to sing If you cannot recover the memory of the future you can spend all of yesterday and tomorrow and the day after recovering the memory of the past you will not move from its trauma and it is a heresy say it, but it's

true

and I think it's one of the big mistakes and I'm not going to mention any names because they are all wonderful people that you know and your dear colleagues were doing really excellent work in trauma therapy. so I want to just let go of all that and it won't work unless you get the call back from the future and that's this movie, the movie series really shows that because through all the movies everyone is working through their trauma, everyone understands, everyone is working on his trauma to overcome his trauma Peter Quill has his moment to overcome his father's trauma instructions has his moment to overcome his revenge trauma, right?

Gamora and Nebula have the opportunity to overcome their sisters' trauma and have read their father's trauma. You know, so of course Rocket has the opportunity for everyone to have the opportunity to overcome it and in fact, as they overcome their trauma, those are the Guardians' weak points, they are their own traumas and then their self-informed selfishness. the trauma, like when Drax goes to attack Ronin like this wasn't the plan, you know, what are you doing when the rocket steals the batteries? Yeah, he's like, "I don't care, I don't care about anything he wanted and that's who he was dealing with." his own fear of having friends because of the friends he lost, so he pretended he was trying to sabotage the friends he lost, which were the other animals, the other animal, me too and he loses all his friends that are in the movie three, he always loses. all his friends or animals, so in the second movie it's something very important to him, like he's not friends with anyone, you know, and even Peter says to him: What are you trying to do?

I just don't have any friends, are you trying to do it? Be a friend to everyone, you know? And I think you could see that it was a protector, a protection mechanism to keep him from really getting involved in the kind of friendship and the kind of bond that you would need in a team to function as a guardian of the

galaxy

but they got over it but he I was still working as hard as possible this is this is incredible so this is a I mean again and this is her voice speaking you know, invisible and hidden and yet, like her, like the goddess is always right in front of us and actually suggesting a formula so let's see if we can unpack and it's just becoming clear between us now while we're in here so on the one hand it's the call of the future it's your unique self. -llama, it is your intervention to realize that I am actually a guardian of the galaxy.

In reality, everything needs me. That gives me energy. It doesn't give me energy to get over the old trauma. Only with that energy can I now. I turn to the old trauma, then I can work on the old trauma, step two, then step three, that you implicitly and explicitly suggested, then I realize that in order to be the complete Guardian that I need to be, I actually have to heal that single trauma. Vortex. because when I heal it I become the most unimaginable Guardian I can be, it is a three-part process that actually destroys where we are now.

I mean, that's so subtle and profound and it's actually way beyond where the field is. yes, and also the understanding that when you fall because of your trauma and when you make those mistakes and when you act selfishly and when you act impetuously or you are moved by anger or pain or whatever it may be, even though your brothers and sisters in your Ohana in your in your in your chosen family because this has a lot to do with chosen family can you tell what exactly Peter does you stole the batteries now we have 50 of these uh thousands of these drones chasing us like What Why did you do that right?

You know, and there are a lot of moments, but everyone sticks together, everyone hugs each other even though they go, because that's what a friend does, the right thing and they stick together, so let's go. before we come together, it's huge, so we're going to have to get to that and it's such a big topic in itself and let's call it and we'll get to it as evolutionary family and biological family, which is a topic. in this movie, but even before we get to that which is huge, before and before we finish Guardians, because I want to say one more thing about Guardians, I just want to notice something that we notice, so poets often appear before philosophers , TRUE?

Poets are mystics and poets are sometimes involuntary and unconscious poets. She hijacks the movie. Is it just that mysticism lives in front of us in public and now we are removing the veil so you can? I know it looks like a couple of guys having an excited conversation, but it's actually so crazy and deep that it comes out in public and screams the secret, but you can't hear it unless you're listening, so if I read 50 Guardian reviews, all of them None of them talk about any of this. A great film. Let's listen slowly, so the poet goes before the philosopher.

The poet speaks as he walks in front of the psychologist and, in fact, suggests a much more subtle relationship with trauma. The memory of the future empowers you and fills you. with energy, then in step two you turn to the trauma, then you work the trauma, step three, your unique trauma functioning then revitalizes you to address the calling of the future, this is far beyond anything written in virtually any medium psychological and therapeutic literature nowadays and I guess it's a big deal yeah so maybe before I suggest closing let's go back to Guardians of the Galaxy just the words themselves for a second to be a guardian of the galaxy that's shocking or not. being a guardian of the galaxy is shocking, so wow, now it's starting to get big, yeah, and here I want alone, I want alone tenderly and I'm almost shaking when I say it because it's so big. and it is more than big in the word big, it is like Aquinas says in the negative, you can't use a positive word to describe the mystery because it is too big for a positive word, you can say what it is not, so this is not small , TRUE?

Well, if I had to summarize brother and you and I have spent a lot of time on this, you know, in our deep dives, if I had to summarize the deepest realization of the Inner Sciences is that I in my deepest and most clarified self participate. in the field of Eros and I can really affect the field and the way they say it inside. The sciences know that what's above comes from you and they have a fancier word for it so I apologize for the fancy words so everyone can just press delete on this but I'll give it to you anyway it's called teergy t-h-e-u-r-g-y but it's just a fancy word to say we awaken we pour power into the divine the Divine sustains us but we also participate in the Divine and we are Partners God is not just the father God is not just the mother God is also a lover and evolutionary partner, we are associated with the Divine to protect the galaxy, not as a metaphor, not as a nice idea, not as a new age statement and it is not the Jews or the Christians of For Buddhists, every human being will not actually feel complete and that is what you were saying, how can you not be a guardian?

I don't really feel good unless I'm a hero and a guardian of the galaxy, because that's why I really am. Yeah, like wow, yeah, and realizing that reallyit puts you in the right

story

and if that's the only way to get to the right

story

and that's the only way you can have that future memory of who you really are. can help give you all the power to inform you how to overcome it and have the energy to overcome your trauma and have a community that can support you as if you really are what the elite is not. it's not the rabbis, it's not the priests, it's not the captains of industry, right, they are not the shamans, right, and those are all important people, those are not the psychologists, right, it is not politics, those are all the ones we bless, eh, but in reality it is a cosmos self-realized. yes, made up of unique symphonies in which each person plays their instrument, which is the music of reality, and we are asking for the film to ask for work, I mean, it is all we believe in for a kind of Planetary Awakening and love for through one's own unique self Symphonies performed by the Guardians of the Galaxy who are traumatized heroes like all of us, yes, and I just want to say that they are not the politicians or the capital, nor the shamans, yes, exactly because I have seen a move where some People say you know all the politicians, they will never do anything for us, it's just about the people I am, well they are people right, they actually have roles that they play and the influence that they have, you know, even when I posts about Bobby Kennedy say why the system matters is blah blah blah the audacity to imagine that someone who he as a person tells the truth and comes from courage and integrity would have no influence even if he can't change the system because it is so rigged against him, even him trying has immense and unimaginable value, that's why people want, people want to say, ah, it doesn't matter, it's just about the people, not all the people, so Let's make that decision, it's a very important distinction.

We are making sense that this does not mean that everyone has the same role because what often happens in many new age thoughts is that there is a correct leveling of the Distinction and there are no proper creative people who play their own unique instrument, so, for example. Bobby Kennedy is supposed to run for president now, that's his job, he's entitled and that's a unique and critical role in the unique self. Symphony in a kindergarten teacher in Montana as she works with her 13 people or he is working with his 13 people in the kindergarten class and she intends to not only help those 13 children, but what is doing there will impact the fabric of reality, so it has evolutionary intent, it becomes not only local but also galactic, it becomes a guardian of the galaxy, so I. become the garden of the Galaxy by intention now and here is the madness and I would say and you correct me and you know you know Bobby.

I haven't met Bobby, but this is a guess. I would say I would be completely fine with who he is. doing is incredibly important, it's no more important than that woman who is a kindergarten teacher, everyone plays her instrument and once I understand it, I can also support people to give her gift. I get excited, oh I'm not supposed to. I'm not supposed to, you know, I was talking yesterday. I don't have, I don't want to start a brand often like podcasts, it's not my job, there shouldn't be a brand outside of My Podcast, this shouldn't be, there should be one.

Aubry brands the podcast differently, we have different roles, so when I get on the markets podcast, I'm amazing, oh god, I should have started with it, I don't think so, it's not my job, I mean, I can press banking. much more than you, but okay, that's not

true

, so you lie from time to time because you have to, but in other words, if I get to be a guardian of the galaxy in my own way with my instrument, then I can be delighted , yes, and when people don't feel like

guardians

of the galaxy, they don't feel like they have a role, then there are no politicians, no, then we can't have real leadership if we destroy the leaders, yes, that's it. a big problem and Charles Eisenstein wrote an essay called The Myth of Scale that really beautifully explains this phenomenon where people try to reduce the real effect of what they do and immediately quantify it to say whether their actions are important or not and What we are saying and we are what we know saying for anyone who is attached to the field of value is actually your relationship is one to one with all that is and therefore your participation even if the waves of that and the causality I do not have. the same kind of this is the same scale reverb, it doesn't matter because the energy that you're putting into the story of this, as Charles would say, is the most beautiful world that our hearts know as possible or this possibility of a future, this line of future time, this new story that we are creating, the energy that you are putting into it is a whole one-to-one relationship and everything matters and there are different roles that have different gravities in this limited Dimension, this This is just the last sentence because it is so great, you know, as we finish this, the democratization of greatness means that each of us has an instrument in the one symphony and I am not responsible for not playing your instrument.

My job is not to play your instrument, but Cosmos makes me responsible for the field, the very value in which I live because my instrument changes the music of the symphony, right, you might think, oh, I have this little piece to play, but yeah I once heard a symphony that is missing an instrument, if you really understand the music, the music is completely different, so when I have an evolutionary intention for the good of everyone, for the good of everyone in life, then I really change reality and that's what it means. to be an erotic mystic to know that I am in the field of Eros and my intention for the good of the whole and each of us has our own instrument to play so we are literally metaphysically mystical in terms of the Inner Sciences we are literally Guardians of the Galaxy and who He had the nerve and the hutzpiff.

I can use a Yiddish word to say this, not the president, not an association of priests and rabbis, you know? And here it is, she actually spoke up and said, I'm going to do these three movies, what? Will they be called Guardians of the Galaxy? And Marvel thought you know in a Mr. Gun and bless him, they thought, "Oh, there's a new project coming up and you know, and Stanley was working on it when the comic first came out in 1969." and it was like a good opportunity to earn some money, no, no, she sees this project and puts it at the center of culture.

The traumatized heroes were all traumatized. We heroes are all traumatized, but we can actually take our trauma, we can pour it into Access. the memory of the future, we are all literally Guardians of the Galaxy, wow, yeah, and another Guardians of the Galaxy thing when you came back to take a seat on this podcast, I'm sure you talked to me a little bit and the Guardians really exhibit this quality of friendship. and the family they do it with each other they should talk all the time they should talk if I know anything about the family that is part of the family and that brings us to our first topic is Guardians of the Galaxy, this new vision of trauma and our second The topic it's exactly complete: there's this new idea, this new vision of family, and in fact, there's one of the things that we've done and I'm not sure what you're going to decide to do, brother, but maybe we'll get around to it. offering people on the show notes like this, I mean, as our team has put them together, we've cut the film and we've taken themes and we've shown where a theme moves in all three films and we've done it with things like this. 10 themes, so one of them is the drum roll, this new notion that we are going to call evolutionary family, there is evolutionary family and there is biological family and there is this moment in this very beautiful moment where and it is the beginning of the first volume, no They can become Guardians of the Galaxy until they love each other for the first time, so what really happens is let's do the story just for a second for anyone who hasn't seen it in the first movie, you have these different people, Drax the Destroyers, in prison because he's in prison and then you know gamora is doing whatever she's doing, nebula is doing what she's doing, Rocket is a bounty hunter, you know Peter found this orb, he's not even sure what es and somehow they all end up together in prison after prison. where they meet and somehow decide, oh my god, let's take care of each other, they just meet each other and something happens between them.

We have this clip at the beginning where everyone comes in and they don't know it, they don't really know each other and then something happens while they're talking to each other, it hasn't happened yet, but then they get sent to their own cells and then well, what we're seeing is also all each other's projections and all the stories they have about each other that haven't really been violated so they can get the intimate truth about who they really are and start loving each other. but it's all that comes out of their stories, it all comes to the surface of the stories and then a little bit later, you know, maybe we can see the clip, but we'll just say what happens there for a second if Peter hears that They are leading Gamora to kill her because she is Thanos' daughter and he just says that somehow some intimacies were created between them, they recognize each other at the beginning in some way that they can't even understand and they don't even say anything and he says I.

We're in prison, but I don't even know this girl, but I'm, I'm taking, I'm intervening and he intervenes and there's an exchange between him and Drax, who wants to kill her because she's Thanos' daughter who supports her. Ronan who killed his wife and something happens and they become each other's

guardians

, they become friends but they become more than friends, they become family and it's interesting because this is like the micro purpose mission, their mission here is protect each other and get out of prison and right now it's very tribal, they don't care about the rest of the people in the prison, they just want to protect each other and get out of this, they just want to protect each other, they're not going to go .

They say who else could be innocent in this weird prison here, you know, they say no, we see something in each other and we want to get together, so it's part self-interest and part instinct, part her whispering something. It's bigger to bring them together, they decide to take care of each other and then they realize that, oh, there's this orb and Ronan, if the orb comes to you, you know Ronan, who takes it to Thanos, right, the whole planet It will be destroyed now that we are. mutual guardians, okay, let's handle this so that something happens where when we, when you get together and get together not just as friends but as family, you make the decision that you're family and maybe we'll just take a look at one. clip where he says we're not friends or family, this is where Drax is talking in one of the movies and there are like 10 clips like this that run throughout the movies where they keep saying okay, we're family and this thing about family moves in all three movies there is something that we are family, yes, but they had it, so, that's from episode two, that's the second, so they had to go through a lot of things before they got to that, a lot of them They had some kind of loose arrangement, they were feeling each other that they escaped from, they escaped from killing the prison and then gradually, yeah, they become family, you know, until you know, there's a moment when you know this, you're my sister, you're my brother, you know and and someone Gamora says yeah, I'll be grateful to die among the family, you know, and Peter says, you know you're my sister, right, and there's this and maybe eight different times in the movie and then little Groot, you know, becomes kind of like a son. he becomes the son of the family, right? and there's this sense that they become incompatible with each other and they're both friends and family together, they're best friends and family, like they merge the best and it's that theme that runs through all the movies, right?

I know the word family appears about 18 or 20 times in the movie. I just realized over and over again, they say we're family, we're family, we're family, so I just want to talk about that idea for a second. biological family and then we have this chosen family, yeah, I mean, Hawaiians have a great word to describe it, they call it your Ohana, you're Ohana, right? And this is something that I think is important for the land and the culture. The Guardians are fine there. It's a family that's not even perfectly biological, you know, yeah, Gamora Nebular, not really, but at least they're in the structure of a family, but they've chosen each other and they're united by a common mission and they're gone. .

Through initiations and challenges, you have seen what is inside each other and are working on these family dynamics. It is very important that you say that it is Ohana. I love that phrase, so there are actually two types of family, there is a biological one. family and it's very important in biology, but as gender people rightly point out, biology is real, your masculine feminine is real and then there is something that is also beyond biology, where I can be something deeper, I can integrate my masculine and feminine, and so on. however,We understand that gender issue, which is a great conversation, there is an intuition that they got right and that is that biology is real, you never leave it behind, but it is not the end of the story, that is actually an interesting intuition, so the biological family is totally real and and I had a deep story with a biological family with your dad, yes, and there is the family that I choose and this is modeling something in the culture and again it is being modeled by this movie, which is this new notion that we actually have an evolutionary family and that it actually is a family and this is how bold people are afraid to say that I actually not only have a biological family that I'm crazy committed to, I actually have a family evolutionary that it's not just my friends, it's not just that I have a lot of friends.

No, no, there is a group of people I can't fuck. I share my money, I share my resources, I share my heart, I share my time, I dedicate it to them, so this presents them with this magnificent, tremendously original idea that you know in their lineage. call it soul root family, you called it Ohana from the Hawaiian tradition Gloria calls the 16th century or solverted family so I can know how to find my evolutionary family and that in reality you can't go through life without an evolutionary family and those are the people with That I can share my deepest heart's desire There are people I can take my unique risk with Yes those are the people I can be broken and whole with at the same time in ways I often can't be with my family and that this is completely real is not an illusion and then, who has put this back at the center of culture?

The goddess with whom Guardians of the Galaxy speaks places in all three films the central notion of people willing to live and die for each other, we believe that she lives and dies for our our son our daughter our mother our father this is no you don't live and you die for your revolutionary family when that evolutionary family is not only we like each other but we have a mission together we have a vision together we are housemates in a certain sense, it is true that you already know that conversation that we have not had yet in a podcast, but This notion that we are at home is not like roommates, we are not just soulmates, we are housemates, this new notion of partnership where we are in service of a larger whole that is not just between two people, but one. family can be a homely family like wow, yeah, and you know, the backdrop of this series of movies is that they have external crises that they evoke. these internal challenges, right, that allow them to be trustworthy, because a big key problem with the chosen family is trust, it is a problem with any chosen or biological family if it is family.

Trust is the strength of the family and do you trust them and yourself? You only really know if you trust someone if you've seen them and seen them react the right way. Sometimes if you're out with your friends and then you know there's going to be a fight or something, like which of your friends show up and have your back and head to the back door and it's like waiting for you guys to figure it out, you know I'm out. from here, I'm going to save myself and there are all these moments, but those things are rare in our culture, thank you, fortunately, you know, we are not in a time of kinetic warfare all the time and we are not in roving bands of thugs in street fights .

There are places in the world where it is like that and unfortunately it is still like that, like me. I have evolved my own Ohana and my evolutionary family, you have to choose to go into difficult situations together, medicine, travel, sweat lodges, breathing, work, anything that really evokes something that is really difficult and then see how someone responds and then Sometimes, life will create those situations for you. or we can, we can choose a mission, in other words, we can, we can choose, so yes, that will nest below, the mission must be chosen, but still, once the mission is chosen, you must test, you must test the trust and the only way.

To test trust is to go deeper is to go deeper and have initiations and we cannot trust the external world to give us the initiations to build trust. All tribes had these different rituals. Sometimes it was jumping from a tree with a bungee. The string man would sometimes make a vine simply by putting your hand in an oven mitt made of straw that was filled with bullet ant stingers on one side. My sister Wyatta told me a story about an initiation in which two stingray spines were drawn across your tongue with white threads. and you drip blood in a waterfall just like and after someone goes through that you say oh yeah, I trust you, I trust you, I trust that when the pressure gets intense, when it's hot, you're really going to stand up and I think of De many ways for many of us, the pandemic, the lockdowns, the pressure exerted externally, many of us have to see, okay, who is going to be with us and who is going to run, so this is big, so there are two , it seems like there are two stages here that we are in.

We're looking at the kind of goddess that speaks through Gardens of the Galaxy and in our own experience, so let me pick up from the main brother of hers and share with you personally, it's kind of 2006. I'm going through an important life. the trauma and my birth family and the people I was hoping to be with aren't quite there, right? They don't show up, they can't take it in and then these other people come abroad. I remember at that time in 2006, ramdas calls me, you know, he was in Maui back then and we were just spending a lot of time together, he's like he's with you, man and then actually this is the Dos Brothers I guess that Krishnadas, who is a beautiful singer, calls and says "hey man, you know I'm with you and then this person and that person you know, people from all over the world call, why he had some beautiful encounters, but you never really know, I hoped dig deeper and it worked." These are the people that showed up and Diane showed up and Michael showed up and Sally showed up and and delete showed up and you know and and and suddenly this evolutionary family gets together and they stand up and I say wow, right and I remember someone with crazy blessings for them, Actually both of them passed away, but two people in my biological family, my brother and my sister-in-law, were beautiful, beautiful people and they both have a sense of the past and may their memory be blessed and they call me and say yes, we don't need to know anything, we just know that you know, you know, we think you're a great guy and that you have a good life, and I said no, let's talk about it, so you can really work with us no, no, no, we love you, we love you whatever and I hung up the phone and that was it, you know, for a few years, another this kind of superficial expression of love but no real position and I say what happened to the biological family and I realized, oh, and this group of people gathered around me that they were an evolutionary family and I feel like what the goddess is saying here is that we honor the biological family.

First I want to say that and our biological family. It is not an accident and reality intended for us to have that biological family, so there are things to resolve and there is loyalty and devotion and there are transformations that absolutely must happen there, so it is a great blessing for that, but it is insufficient, there is the second family level. that is part of the new human being and the new Humanity, which is actually family by choice, we actually choose our family and therefore what you are saying is fine, so to know that that is real, we need go through these really deep initiations, so that's the big big Yes, and then I think the goddess is adding through Guardians of the Galaxy and we need to have a mission together, so it's two crazy things, deep initiations and two that They call us, we see a future together, there is something we need. doing well together, does that make sense?

Yeah, I mean, it's really what you know when you personalize this, which I think is the invitation of all these movies and myths, all the kinds of ideas that we offer you. Start thinking about those moments when you have to decide between your mission or the kind of small desires of the person you call family and those are the difficult decisions that a guardian has to make and it's true, it's a matter of how you honor the relationships that you have, the structure that you have and how you also serve the mission and how you resolve those types of conflicts.

Okay, I know you want me to go with your you know, nieces. You know, quinceañera or whatever, but nevertheless, I have a big thing to do here, so you have to work on all these things, but it only makes sense and the only way to solve them is if everyone really understands, so come back again to understand the greater Mission and see that and understand the difficulty of the decisions and I think people get very frustrated with each other because the mission that we share is not explicit and we don't know that everyone in Our family is on the same Mission, so which is always a comparison game where it's okay, you did this with them and you're not doing this with me, but we're not in this shared value structure, but we feel alone in biological families, yeah.

I mean, can I say that, directly, we feel very alone in the biological family because we don't really share a vision of value often and the future doesn't call us to be together and we're not very sure? that people are really going to support us, you know, so we need to elevate the biological family to a higher level and transform it for sure, but maybe what we are saying here and I think we are is that we should take our Ohana, your word, our evolutionary family, our soul family, really seriously, yes, that, actually, as all of us, you know, who are involved in this conversation right now, we need to ask who is my evolutionary family, yes, who are those? five people like, let me get together. my evolutionary family and knowing who they are and, in fact, the only way I can transcend loneliness is by joining hands with my evolutionary family, going through those deep initiations that you are describing together, being willing to go deeper and then looking towards the future together. future and then we start to have this self-organizing world of these evolutionary families that are playing their part in the unique symphony of the self and the world actually becomes a different place, a world that has a blue stripe of families that seek to heal and transform . actually doing what we call a tikuna repair which is literally a different world.

I mean, imagine this for a second world of biological families that is basically win and lose metrics of the family, the family has to outlive the family for its own good. Survival is simply the racism of the family, the family has to survive, why, because the family has to survive, what happens if we change that yes, biological family, but in reality the world is organized by evolutionary families that are united each other because they chose each other? were attracted to each other or are attracted to each other, we go through these deep initiations and then we say, okay, this is our solution, we are Guardians of the Galaxy, literally AB, that would change the source code of reality in which we would literally live. a different planet, right, and that's what the goddess is asking for, yes, and one of the great challenges we face is that there are those who have a different vision of how to govern the cosmos and how to control reality, so actually they are.

Really, in many ways, you shouldn't be reductionist and call it two different sides because everything is complex, however, there are the forces that are driving towards total dystopian control, control of everything, transhumanists give up all their sovereignty, everyone They basically become a drone at the service of need. all slaves of a master, right, you know how to use the computer term, not the human terms, and then there is another thing that says no, no, we are all at the service of all life, you know, cosmopolitan erotic humanism and these are the forces that the Guardians are actually facing almost like this, now we're starting a whole new scene, so this is something completely new now that we're starting to understand who the Guardians are, what they've established, and who they're up against.

It's the nature, the quality and the structure of what you're facing drum roll and that evolves theme three, that's a new theme, yeah, who is it, who is the enemy, yeah, that's fantastic, so let's do it , movie one, Ronin, yes, typical classic evil. right, you know, let's defeat him, okay, we got him, but it gets really interesting in two and three, yeah, so in two it's this narcissistic father, right, but it's this father, which is this celestial being that tells him to Peter, I'm going to make you. You are immortal with me, it's our job, he says it's our job, only we can perfect the universe, no one else can and if we don't, I will destroy all the rest of the world, right, it's our purpose, there is no greater purpose. than you and I, planting ourselves throughout the cosmos, since we are the perfecters of reality as the two Immortals.

Wow, yeah, that's it, that's the kind of mentality of a world government. The right world government, the mortality type, less, less, the fascist Jack Boots type. weapons that kill, type of movementof Mussolini and more about what we are really experiencing now, like total control and domination by one, you know, there is always one on top in the game of power and control, there is always the one who is in the place that seems. like a beautiful planet in the second movie it's volume two beautiful planet it looks beautiful it's sweet it's lovely there's a lot of pseudo Eros there's a lot of you know you could be on the planet you see these balloons popping and Drax says it's so beautiful How beautiful planet and yet everything is controlled by a very small group that basically makes all the decisions and there's really no sense of freedom and no sense of value, and if it doesn't work, then those high-level people remove it and change it. the game now in movie three is the same thing in the movies, the high evolutionary, yes, who is doing evolutionary experiments, everyone around him is some kind of enhanced being, you know, a being implanted with AI and this high evolutionary says that is mine, he says that someone says God, he says that there is No God, that is why I have to intervene and he says that it is my job to perfect reality and that is why I am here and he quotes this old song that says that we have understood that the goal of the song. is that we have to take biological reality and then turn it into this Perfection and along the way he kills and massacres any experiments that don't work and any experimental world that doesn't work, he picks up and kills everyone and starts over because it's him he's crazy committed to this perfect vision that is going to create whoa yes, I mean the hitlerian hit larion but, paradoxically, a much more creepy and uncertain sense, totally true, because here he is doing these experiments and Rocket is a product of his experiments.

Red Rocket has a number and and Rocket somehow escapes whatever that story is, so you have this image of We are going to perfect all human beings, but the Perfecter is the oppressor, which one do you know as we go towards the increase? I mean, there has never been a world in which the rich who always thought they were better than everyone else actually are because we are going to move towards a world in which only a very, very small percentage of reality can improve themselves. , you can improve your own cognition can evolve. they themselves have access to the best resources, so you're going to have this small percentage of the world that's actually advanced and augmented and really controlling the system where the other 99 and a half percent won't have access to any of those resources. and they are discarded.

I think one of the points of the movie is that they won't actually be better because the reason that rocket was better than all the augmentations was not because of its augmentations, but because there was something about Rocket the Raccoon's unique being from some way she whispered to him that he was better and higher and that's what drove higher evolutionary mathematics better than higher than all his perfect AI augmentation technology, something in the rocket where the rocket actually becomes his own intelligence, yes, of course, and it is capable of discovering something that the high evolutionary is not and that, therefore, cannot control it correctly and the high evolutionary goes crazy, you know, and in the end, when they take the high evolutionary . down, you know, Rocket says he just wanted to perfect everything and says no, no, you hated the world, right?

So there is this feeling that means you hated yourself, which means you hated yourself, so let's see if we can put this on the table because this is very, very important, so there is a group that says let's leave Let the world be as it is, there is nothing we can do, do not intervene, do not try to fix it, do not try to perfect it, that's how it is. group one, yes, group two, they are what we are going to call the utopians, who say: okay, we are going to fix it, we are going to heal it, we are going to take responsibility for it, so the film is very interesting and is criticizing the second group. and to say that man's utopianism is incredibly dangerous and that is true, there is a history of dangerous utopianism that we have talked about in other conversations about BF Skinner and Walden II, who have visions of a utopian community called Walden that he radically controls and absolutely and we've talked about you know the tragedy of technofeudalism or the world of Klaus Schwab of the World Economic Forum, yeah, which is basically okay, this is the great reset, this is the time to do it, actually, and there's a huge amount of data supporting this, this is the moment when In fact, we are going to perfect the world, we are going to increase, we are going to improve, we are going to change cognitively, we are going to make AI become the Oracle, there is many movements that can be made in that direction and this. it's this massive criticism of that direction, but here's the problem: we need to perfect the world, we need to intervene, yeah, so what's the difference between and I think this is the Challenger that the movie didn't get?

What is the difference? Okay, maybe that's okay, I got it, because the one line that's just the line from movie three, yeah, is when they were actually trying to pass judgment on the hands that made the animals and there. It was a believable line that said, what's with the hands behind the hands? So first there's this depression, he's like, well, what about the hands that made us, I mean, we're all made by these utopians that try to control us and then the deeper line is that you're just pointing fingers at us, but What about the hands that made the hands that made us?

Your story is your story, you're in the right story, right? And that is pointing out what breaks all this utopian utopianism, this dystopian utopianism, if you want. you want to call it what breaks is when you see that the only force that can truly evolve humanity and the cosmos in the most perfect way is the force, okay, she is God, so this is where it changes. I think I think that's how it is. billion percent I think this is very important; in other words, we need a new vision of a new human being in humanity, yes, and one of the things that happens is a kind of World Economic Forum utopianism that is appropriately attacked by multiple forces, but then we are left with one, so okay let's not try to change the world we want to change the world yes we want to affect healing and transformation and the difference is whether we do it from a place where we are in the field of value or we do it from a place like the villain in ego number two or how we do it as ego that is separate or as the high evolutionary yes, so we have the ego, who is the villain in number two, we have the high evolutionary right, who is the type of villain of the global economic shape at number three?

Both are tragic forms of utopianism and therefore we must move to a post-tragedy utopianism. We do not reject utopianism. Utopianism means and each of those mentioned, you know, your friend Charles actually just. I met Charles, a charming man, right, and you know his notion of a very beautiful phrase, the more, what is this, the more beautiful is the world of our hearts. You know for I love that, right, the most beautiful world of hearts is now possible. in homo cosmetic humanism and rather we go from Homo Sapien to the Walmart home and to the Walmart home is the new human who knows that I am in a unique reducible expression of the intelligence of love and the beauty of love of everything that lives in miasmina a through me.

The right that never was is or will be distinct through me and as such I can give my unique gift and you can give your unique gift and we can join hands and we can join hands and a unique symphony we can participate in the field of value. like Guardians of the Galaxy and in the healing and transformation of reality yes, so here's the deal there's a yes to that and this is where the movie goes a little points towards that says yes and you hear it's great now wow wow then it's like that it's like there are two images in the movie, there is an essentially villainous utopianism right where we, where we don't recognize our own trauma, we present ourselves as perfect, we are going to perfect everyone, right, there is no single personality, we get rid of the people who don't.

It doesn't fit well into the overall plan, everything becomes genetically engineered, so to speak, that's one and then there is the other vision of those who transform the world, who are the Guardians of the Galaxy, who say they are also utopian, they say than us. We are going to take responsibility for the Galaxy, yes, we are going to heal, yes, and we are going to own our trauma and you know, our imperfections exactly and how we are going to do it, when they are actually at the end and of course , if you haven't seen the movie, we are destroying all the spoilers and we are all like that, so I will tell you that it will be in the introduction of this, but in the end this is and this. is going to lead to another topic that is very important, so they unload from that giant ship all the different animal species, so the lowest cognition species, that is, the super high cognition speeches, meet the augmented species increased at this critical moment and the only thing they can do is What they do is they don't sit down and have a big conversation because they would be talking to raccoons and otters and all they do, they put on some music and dance, they go back to that movement of Eros that is moving. through the body connecting them all together they feel the value and dancing is that, I mean theme four of the drum roll is dance and we have to we have to dance and dance because dance is a huge theme throughout the whole movie, it's like a huge topic but just bracket yourself for 10 seconds and dance because I just want to close out what you said before, which was so good, look, so you created the problem because you said these two big different things, I would understand the first thing , although yes, for a second, which Are we saying something crazy, crazy, critical?

Which means we want to be utopian, we want to create the right thing and transform reality, the difference is that we can only do it with two things, one, we own our own traumas, we own our own imperfection, there is one type. that there is a spirituality of imperfection, yes, we all are and you know it, that is why we bring our shadow to the light, we bring our shadow, we are all owners of our shadow, we are owners of our, you know, and it is because That's why we love Cohen when he sings the sacred. and the Broken Hallelujah there is a Holy Hallelujah and a Broken Hallelujah and there is a glow of light in every word and we own that and you can't trust a person who doesn't own their Holy and Broken Hallelujah and that's one and the second Is there a value field?

So when the high evolutionary says there is no God, that's why I had to intervene, it's not some pre-modern egocentric or ethnocentric God who happens to be homophobic and belongs to a nation, right? We always say the god. you do not believe in does not exist, it is God is the field of true value, in reality the high evolutionary has to bow as we all do before the intrinsic valleys of the Cosmos that live in us and we want to align ourselves with the field of value we want to evolve the field of value, but there is good, there is truth, there is beauty, there is justice, there is harmony, and in the film they intuitively know those values, there is a sense in the film of value that runs through the entire film, and then, when , when. yondu meets Sylvester Stallone, you know, at a disreputable place, and Sylvester sees Yonder there and says this guy is here, this is the wrong kind of disreputable place, I can't eat here and he leaves and tells him He says to the owner of the club, you know? 99 you know the devastating categories won't eat here because you're serving this guy because and there it's like wow, there he goes crazy and says you broke the code, you broke the code, you dealt with children and we don't do that. and you understand, i tried to explain to him, he says he just got rich, you broke the code and he leaves and said you broke our hearts, you broke the code and then when yondu actually becomes a dad, he actually supports peter and you say I know that guy is your father but not your dad and he gives them the only mask you need to get off the planet, you know, in volume two, yeah, right, and he gives up his life and, oh my God, he does it. defend and die and save. his son's life and then Rocket says I sent a message to the ravagers, you know, so Sylvester Stallone had said: you meet Tiana in that first scene, you know your funeral will be nothing, no one will ever see the lights, you'll never see lights.

You'll never hear the horns, you'll never hear the horns and then all the ravagers come because they realize, oh actually, there he didn't disappoint, he redeemed himself, he's amazing, he stood up for Valor, he stood up for valor and also the ravagers show that Redemption is. It's always possible and that's a big theme in the movie, there's always a second chance and actually who isn't Groot or Rocket Right Root, they save Adam's life. Adam was created by the sovereign in the movie two to kill regarding the galaxy in the movie. The three of them are created at the end of movie two and he goes in in movie three to kill Peter and the Guardians and then Adam somehow evolves and at the end of the movie he joins the Guardians of the Galaxy, but there's a moment key and he saves Quill's life, saves Quill's life and then when I think Groot saves Adam, he says why are you telling me?you know the movement of each dance movement, each dance movement is the value movement in the dance it's like wow and somehow intuitively Guardians of the Galaxy is this movement towards the dance yes, it's a little wild, right, and they chose such a perfect metaphor for actually and it's not even a metaphor, it's a real structure of the cosmos. a real structure of the cosmos, the electrons dance, yes, and it is the antithesis of the Destroyer that is what transforms the Destroyer when the Destroyer can dance then it is known as a destroyer because you are connected to the field and you have anthro ontologically moving through each cell of your body and understanding of the field. of value and then you need value and dance and they can't live without each other like we just dance it opens to the value field but we don't have a value grammar so we need a value grammar so they need to set value and we need to dance because dance speaks the grammar of value in a way that words cannot.

Sort of, let's look at Drax at the end, yeah I love your Drax and Ronan point, yeah I loved it. I don't think about that when I was watching the movie Thanos doesn't dance either Thanos doesn't dance either Jackson that and Drax and the scene at the end is Drax's big transformation this is the ending this is the climax of the whole movie it's this big dance scene, this is Drax's transformation from Drax the Destroyer to Drax the Father and that we are simply the father of the children of the Galaxy? He is surrounded by children.

He has proven his aptitude as a father when all the other Guardians were lost he is the only one who has been a father who lost his children beautiful and that is what Nebula tells him Nebula tells him you are not a destroyer at the beginning of the movie Nebula says that you're not a destroyer you're a father, yeah, so he's surrounded by kids, he can't move, he can't move, he's waiting, he can't move, he can't move, he can't move and then the climax of the movie goes, oh God. mine, dance and work ecstatically. and it's almost like when his son, if you play this trauma theme right when his real son was killed, the child inside him was killed and he became the Destroyer, there can be a backstory like they represent a backstory where Drax was actually dancing with his first child and then developed this whole dogma about dancing because he took on the mantle of Destroyer after his son was killed, which killed his own inner child and then he lost his ability to access the dance. and then he got her back when he actually got this relationship back. with his own inner child with the children he rescued and the children of the world right, no, that's wonderful and this is the theme we talked about before, that each one heals their trauma, each one shows their trauma, so this is Drax . healing his trauma and then let's say Peter at the beginning of the movie his mother tells him, take my hand and he can't take his hand and then later in the movie now we're in movie one, we're still in the film. one where Peter takes the orb, the orb can only be held, you know, without being killed by an immortal, we don't know until the second movie that he is half immortal, whose light doesn't die immediately, but he has it for a time. "He's about to kill him and then Gamora says take my right hand and he says, he takes her hand and then Gamora takes Nebula's right hand and Rocket right and Drax and then now they're all holding hands, which is everyone." They're all risking their lives for each other, they're all risking their lives for each other and the trauma of not holding their mother's hand, the biological family has been healed by holding the hand of the evolutionary family, yeah, it's like wow, It's like moving through the movie. and Sisterhood, what are you talking about, oh my gosh, here's a scene, an amazing scene where Sisterhood is for healing in the movie Gamora, where she says, you know that great scene where she says I'll always be your sister.

I know I don't want to win, so the first two scenes of Nebula and Gamora Gamora says: I just want the Bounty money for her. She's worth nothing to me but the Bounty money. You know, the second scene, Nebula, tells you. You know Gamora, I free myself, I'm just going to know that I'm going to kill you, yeah, right, so they completely hate each other and then something happens, they find each other, they have to heal that trauma that they have to get out of. victories lose metrics and become sisters and then there are these two incredible scenes that take place, you know, in movie two, that blow your mind when they come together, so those two scenes are incredible, I mean, in the first scene , the nebula says that I.

You won, you always won and every time you won, Thanos took a part of me out and replaced it with a mechanical part and Gamar can't see it. You know, then Gamora in the later scene says, "Oh my God, I didn't do it." I didn't see you there and they couldn't see each other and they found each other, they became sisters, they can hear each other, they can hear that they were both in crazy pain, they can hear each other's pain and their traumas healed, which they never would. they would have been healed if they didn't have to come together for a larger vision of a bigger, more beautiful Guardians of the Galaxy;

In other words, if they had gone to therapy together, it may not have worked; It was the energy of being Guardians of the Galaxy, of accessing a shared memory of the future that gave them the energy to go and look each other in the eyes and find each other. They would never have gone to therapy together. They just wanted to kill each other. They would never have gotten there. They would never have gotten there. No. I have been in the same room and I have been part of mediation in different situations between people who are upset with each other and it is not a fact that both parties are going to show up again, it is not a fact, you know there are many things.

There are factors that happen that prevent people from coming together and it is that way that you know that there are not enough reasons for both of you to feel that you are committed to the same purpose. Mission, they feel the value, so there isn't enough energy to bring them together and so their own grievances, however justified, are more important than the mogul's broader mission to fix that particular relationship, but this whole situation was the kind of exponential greatness, yes, that really allowed them the container and brought them together. that really allowed this sister moon to heal, that's so incredibly beautiful AB because you realize, like you said, that normally people can't, can't find the edge to come together and in a sense, I want to say something radical, but used for the family.

In the best vision, we are family and we are together in a field of value, so family is not just the biological blood of the family, family is the one who was born and we participate in this broader field of the nation of the tribe of the and. What's happened is that family has been decontextualized from the broader field of values ​​and the only value left now is family, but then we think about why and we realize that family becomes a kind of glorified racism, my own little private racism. It is the survival of my family.

I was talking to a friend of mine, you know, and she said, wow, my commitment is that my family survives for generations to come, that's very beautiful, so if I'm close to my family and I love people and I love my family and I should have a special commitment to them, so I just want to bow to that, but unless it's rooted in a transmission of value, if I just want my bloodline to continue, I mean. You and I were talking yesterday we're talking about wow, this vision of yours and having children and you said wow, I want my children to be involved in vision care, that's not it, I want my bloodline to continue, no, no. , it's as if I wanted to. to transmit through my seed through my association they are going to carry out the mission they are going to carry out the correct division that we have lost that the families do not have the desire and this is what we shudder to say and it is again it is one of those things the emperor has no clothes but the families have lost their pass Diedra as if we participated in the field of valor you know the definition of grandfather you know Abram becomes the first figure of the lineage in both Islam and the Hebrew lineage and there by definition therefore in the Christian lineage because he becomes the first grandfather he can transmit his values ​​to Isaac and then to Jacob he can transmit his values ​​to generations and each of them is unique truth is the God of Abram the god of Isaac and the God of Jacob have unique expressions of that value, it is an evolving value, but an animal does not transmit its values ​​through generations, but a grandfather does, that is powerful, so we have lost ourselves, to whom we do not transmit them Our values.

Generations we have lost our place in the field of value in postmodern culture and so the family becomes glorified racism and there is certainly no energy to gather together so suddenly the nebling Gomorrah finds itself in the field of value again, yes and then they can meet, yes, then they can do the work. There are two directions I'm tempted to go, both of which open up larger conversations, okay, but I can't resist, so the first is to talk about expanding your circle of intimacy because you've talked about the smallness of simply caring about yourself. family at the expense of everyone else, but you also have to honor that you have a family, that your Ohana is there, and the song of songs that you shared with me for a year. does yes, which talks about the four different songs, the song of the self, the song of your Ohana, the song of all humanity, what is your species, is it speciesist, ultimately do you prefer your species and then the song of everything the Cosmos and, ultimately, the Galaxy.

The Guardians of the Galaxy are moving through all these different steps, the quadruple song The Song of the South, yes, the song of the family, the song of the type of nation, the song of all human beings, the song of the cosmos, wow, truth, and the and the driver that moves you to widen and expand this circle of intimacy to include all of life why we say everything for life that is a class that is a song for and actually the song of all the songs contains all the songs is the best The song All In For All Life, which includes you, includes your Ohana, includes all your species and includes the entire cosmos and transcends it to be a harmony of all that, Which brings you to that, what this movie says is the only thing.

The way we're going to get there is if there's a lot of pressure and this is interesting because that's what's happening right now in the world, we're facing existential threats like we've never faced a meta crisis, we're facing these utopian ones. dystopian, whether it's the global economic shape or whatever you want, whatever face you want to put on it, we're facing this pressure, we're facing existential risk and it's asking us to come together and actually expand our circle of intimacy and care more care about yes worry about our family as if every step has to be honored but beautiful include and transcend all the way up so that we can truly have a chance and the clarion call that I am making and we are making Now is the time, don't wait for Ronan is at your door, the high evolutionary is dropping bombs or the celestial ego to start covering your planet from the inside out to reshape it in its own way, do not wait for that moment because it may be too late, join now and take advantage because this it's coming and that's exactly what I mean, like well-loaded home run bases, in other words, that's what the Guardians of the Galaxy are saying, it's saying you called it a pressure crisis, right crisis. our crisis is a birth, a crisis is an evolutionary driver and what made us what she's whispering throughout the movie is wow, the highly evolutionary, the celestial, you know or the most obvious, you know, Ronin actually They demand something from us, they demand from us first. to reevaluate who we are I am not just a separate self, right, I am actually part of the true self I am part of the field of that the value field I am a unique self I am a unique expression of that field.

I am an evolutionary. I'm evolving that field. Did I change who I am? I'm Guardian of the Galaxy, that's real and, as you said so beautifully, I have to expand my field of intimacy and I want to go back to that beautiful text that we studied a year ago and I think you also did a fantastic podcast with a bunch of gangs and some of the service coaches, magnificent. I mean, it was me. I saw the um, right above and I was very happy for this beautiful text and I actually apologize. I misspelled the text when I did the uh, it's actually the quadruple song that you said so correctly, so the first level is me, but I am.

My family and I are also part of the first song, it is a kind of egocentric song, which is beautiful, the second song is the nation, the third song is the world, the world centered and the fourth song is the cosmocentric galaxy, and Then you remembered it amazingly, right? the text that is and the fifth song is that I play all four songs, I don't leave anything behind and I love what you said that the Guardians have to go through them all, yeah, they have to work on their own stuff. They have to find their tribe, they have to care about the whole world, but then they have to go to the galactic universe, so what does it mean to expand my circle of intimacy?

ThatIt is the demand here to expand my circle of embassy to really change my way of seeing. Myself and here's the madness as your last thought on this, but it's a big thing that you feel when you don't, so it's not just being altruistic, you don't actually feel at home in the universe, yeah, unless you do it. We're connected to the universe because that's who you are, right, yeah, and that's what you said before, you said you can't not do this, how can you not not be a guy's keeper? How can you not be a guardian?

So you might think that being a Prozac is a lot of pros, right? of Prozac and what you are saying is that it is so beautiful and so true and it is the Deep realization of the lineages and it is the Deep realization where we are trying to articulate together in this new story of value cosmarotic humanism the Deep I realize that not I am just a separate self, that is simply not true, that is not who I am, my real identity is that I am actually in the field of value and if I try to live small, I am denying my essential nature and therefore I am I feel emptiness and therefore I use all forms of pseudo intimacy of the pseudo false era to cover the absolute pit, the absolute devastation that can only be transformed when I truly own my true identity, which is: I am a cosmocentric human being and I am a cosmocentric humanism. in person in a unique way and I have a unique gift of giving that is necessary for all that is.

I'm a garden of the galaxy without that, I'm actually psychologically devastated, yeah, so what we're saying is kind of like I just want to say it. boldly but tenderly referring to all contemporary psychology and therapy that are giving enormous gifts and obviously it is an enormously important evolution of love and yes, and let's say it clearly, we receive that evolution of love, but it fails as long as it is basically about the human being. like a separate self whose past traumas need to be reorganized properly and there is no member of the future and there is no deeper vision of who I am and here comes the goddess and the goddess says, "Okay, I'm not going to send you to ancient texts." because you may not get there, I won't go, you won't go to the Mahabharata, you won't go to know the Deep lineage yet, you know the lineage of Solomon, so this is what I'm going to do.

I'm going to make a movie, right? I didn't make a

trilogy

, it's called Guardians of the Galaxy and I'll just like it and have the best music and the most daring, attractive and wild figures, but it's actually, I'm going to tell you something: traumatized heroes are Guardians of the Galaxy. You can't escape your trauma. You know, like Rocket says. It is not an excuse. In reality, you have to join your evolutionary family and participate in healing and transformation. of reality and as you said so beautifully and don't wait until Ronan the Destroyer arrives and don't wait until the celestial arrives, movie two and don't wait until the evolutionary high arrives, oh my God, step by step, step by step.

One thing I want to go back to in Circle and remember is the scene that comes to mind right now and then what I'm talking about is that moment where we were fighting with each other a little bit about whether they were sticking together. to a field of value or not a field of value is this postmodernity where there is no such thing as value and I was saying that there was always a protection, I was saying that there was always a field of value, but but my my My personal point of view is which is an evolving field of value, so they are in this degraded Cosmos, so they have created their own kind of Brigadier Renegade code that they adhere to, but it is evolving and it is evolving more and more. they're killing less and they're in their and finally there's a final scene where I think they're actually fighting with the higher forms of this value and that's when there are these crazy kangaroo-like creatures and they're running towards a village that's looking to completely demolish the village and a couple of Guardians are just hanging out in groups there sleeping in their true state of relaxation, this is like a Monday afternoon routine to save the galaxy and they're like, don't you feel bad?

For these crazy, rabid kangaroos that we're going to have to wipe out, they didn't have traps, you know, they were going to blow them up, but those are life forms and they just saved a bunch of life forms, but now they have to fly. They push these life forms away to play with this understanding of an evolving value field and one of them says, well, yeah, it sucks that we have to kill these rabid kangaroos, but we can't let them destroy all the people in this. . True people, we have to leave them, we have to kill him trying to remember that scene.

I don't remember that exact scene, but I'm, I'm with you on the, there's an Evolution that takes, it came and it was after the end credits, you may have filmed the movie, you may have filmed over the end credits of movie three from movie three, but that makes sense, okay, because that would be nice, so, okay, let's travel back, okay, I've got you now. I'm with you now, okay, end of movie, three end credits, I got it, I got it, no, no, no, I got it, so it makes a lot of sense. I actually missed that scene so that's fantastic so let's see you brought up two things and let's take one at a time because they're very important so let's go one maybe we'll do it this way so here's another topic .

I love what you just said. Here's another theme that runs through all three films, so one of the things that you and I. We watched together while we watched this raccoon theme so there's about six seven clips where Rocket hates being called a raccoon and it starts with the first scene of movie one this is a great theme yeah. It's a great theme right where Peter says you know a raccoon and he says you know I'm not a raccoon, it's me and I'm the only me, there's a unique me, he has the sense of being unique and that's why he's kind. denies his raccoon, there is a moment when the animals give each other names, one is called teeth and others, I'm a rocket, you know, the other says, I'm, I'm Layla, right?

So, there is a moment when the animals realize this. of personality and anyone who knows anything about animals by the way knows that we think oh it's a cow it's not a cow it's Daisy um it's absolutely true that animals are actually different, they have different qualities that are not just someone who has a pet knows Anyone who has a pet knows that now their uniqueness is not as evolved in animals as in human beings, right, because there is an evolution, what you call an evolving value, there is an evolving singularity and, therefore, There is continuity between the animal world and the human world, there is also discontinuity, that is why we do not marry our dog, we love our dog, but generally you do not marry your dog because well, your dog is not that good, Of course, very good, in 10 minutes you know what there is, what shouldn't be, although we can learn his style. learn his style, I get it, but we can't learn his style, there's a really, really bad joke, right, that Christina tells and only she can be my partner and only she can get away with telling it, where this guy calls in sick and he.

He says hey I'm sick, I can't come in and boss says you don't look sick and says I'm my dog, that's not sick enough for you, that's bad so I apologize for that. KK pulls it off with like Southern Charm, I said it sounds brutal and terrible, right, but the point is there's a difference between right and we actually think correctly that it's actually right, you know, we're not sexual with animals because we actually violates the animal and then there is something that becomes complex about it and we actually say that I am not, but there is a difference: we do not marry our dog, because there is continuity, dogs are beautiful and sacred and they are full of life , right?

And yet, there is a higher and different level of uniqueness in human beings, so, for example, humans build hospitals, they build hospitals to save other human beings who are vulnerable and cats don't. and leopards are not as beautiful as leopards are and leopards are unique, right? and the leopards. they have unique personalities and there's actually one and there's a very beautiful realization where the animals give themselves names and then throughout the film right there is this moment that you know in um in film three where Yondu's lieutenant after yondu dies he says bad dog oh yeah that was a hilarious part of the whole thing dude what do you mean bad dogs?

That was the funniest part of it all, what do you mean bad dog, dude, right, and then he finally gets cured and it's like three four times. saying yes, bad dog, bad dog is a good dog, yes, yes, I knew that you knew it well and that is why it is very beautiful, so you understand this as emerging from the animal and in Cook's text that we studied a year ago and that you cited and and and and you know and and and deepened and expanded because that's what when you study a text, you deepen it in your ear right in your dialogue fit for service and when we moved from World Centric, which is, I expanded my circle of intimacy to include all beings humans. beings, that is the third song, then the fourth song is the entire meaning of Cosmos, including animals.

I don't exclude animals like I'm not sure. I want to take a lamb and put it in a cage for three months and fatten it up so I can do it. eating a particular type of meat that would be a cow and that would be veal and that would be a cow and that would be veal yes, because the lamb would just turn into a sheep really that's not good, but it's the same with foie gras, so it What you're pointing out is that the movie actually shows us an evolving field of value, the evolution of intimacy and the evolution of value itself, which is an evolution of value, and like we're in this strange place now where certain people they claim you know vegans, for example, often take a moral stance on consuming animals and then hunters debate them and say this is necessary for animal control, but there is and then.

There are subtleties to this and then I find myself landing in a place where everything depends on the quality of life of the animal that lived and I still eat animals but only as those that lived a certain quality of life and were killed. in a way, it's grass-fed beef, it's us, you know, our Chef Donnie, is finding farms that are growing the food the right way and harvesting the animals the right way, so it's kind of this. this interesting mix of morality as I'm trying my best to get into this this is uh this is the song of the cosmos there are very interesting questions that develop yeah what they are and I'm trying to make the correlation that they are they are like moving through of this value field this is what's happening it's okay to kill it's okay and then Anna kill animals it's okay and then but but eventually they become a little bit more refined more refined more refined and the raccoon goes and risks everyone becoming a little more refined, more refined, more refined and the raccoon takes a risk and everyone takes a risk, rockets, yes, they go and risk everyone's life not only to save the children, but he's going to save the raccoons and just do it does after having this crazy fight with the high evolutionary, yes, he claims the story of his name, he claims to shoot his name and his raccoon, yes, and it's only after he claims his raccoons with all the threat he has reason and then she goes to save the raccoons, yes she claims her Raccoonus so let's get back to the eating animals thing, so the president of the board of directors of the center before you was also from Austin John Mackey, right? kind of you know, the local grocer and John sat down with me and he went over his eight arguments, you know, at dinner, once you know, about eating meat, he convinced me.

I must say that he convinced me, so I went, I was a vegetarian. and that doesn't mean it's the only position we have to have, we have to fight in that debate, which is a big debate, so grass feeding is something very important, not destroying animals as if they were concentration clamps for animals. animals. hugely important, right, it's a big step forward, animals clearly kill each other, so you know, do we eat animals or not? The balchem ​​tov, right, the master of the Hasidic movement would only kill an animal according to the law that no pain follows for an animal.

He would cry before killing the animal with a single painless shot, then take its tears and use them to moisten the sword and then painlessly kill the animal and then serve meat so that it would take the position you were taking. You know John John takes, you know this other position, but it's clearly part of the same direction and instructions that animals are actually living beings and we need to engage in this and that's a completely separate dialogue about what position we take on this, but that's where it is. "Yes, and I think the movie doesn't resolve that, it actually points it out because we haven't resolved it, it's still a live debate and I think there are reasons why we can have that conversation and we're still figuring out our moral evolution, but we think that There has to be an evolution of intimacy, yes, and we know that Descartes was wrong when he said that basically animals do not feel that animalsthey feel and they live and we need to engage in that in a serious way, so there is this great evolution of intimacy right in the guardians of the galaxies. this is this other topic, yeah, right, about raccoons, yeah, like wow, right, yeah, it's really sympathetic like in What's the point of an expendable species?

I mean, there are some Buddhist traditions where you can't even kill a mosquito. You know, it bites you and you don't slap it, you shake it right there and most of us are pretty comfortable killing mosquitoes, in fact, mosquitoes don't even kill them. They don't even have to land on me. I'll go hunt him in my room to avoid him. just like a prophylactic mosquito catcher, yeah, I'll go out prophylactically in stock and catch the mosquito and kill it and then there's varying degrees when I was a kid. I remember and I'm not proud of this, but I remember that I had BB guns and pellet guns and I shot at close range. push-ups and things like that and then I was horrified when I got them, but it was this drive to see if I could and then not understand that my own value field had not evolved to recognize the sensitivity to recognize the shared.

Life Force field, oh my God, and that's the scene at the beginning of movie one when Peter walks in on his mother and his mother tells him why are you fighting with the kids and he says because they were killing a frog for no reason, TRUE? So, from the beginning of the film, you have this struggle, as you say, with this theme, which is this new theme: what is our relationship with the animal world? and we need to include the animal world in our field of intimacy and Of course, the most important way in which the film does it is that one of the figures that has personality is a raccoon, yes, of course, in other words, it has been introduced In the field of personality, yeah, it's like wow.

I remember a moment when I was a child. You know, while I didn't have that kind of respect for lizards at the time, I did have that kind of respect for dogs, and in fact, I had a neighbor friend who was putting tight rubber bands around his dog's paws. I was like what. What are you doing? He's like, yeah, it doesn't matter, I can do this to the dog and I literally grabbed his arm and put him in whatever my fifth grade version of an arm bar was right and I was like, how does that feel? ? it's like you never do that to your dog, you could feel the dog, I could feel the dog and you couldn't feel the lizard and I couldn't feel the lizard, so it was a refinement and right now I can't. feel the mosquito or there is no way you can do the lizard never oh no never no but I still can't feel the mosquito I still can't feel the mosquito and that includes even that I have had a conversation about Ayahuasca with mosquitoes because right, they are a particular nightmare of my existence, they love my blood for whatever reason and in that conversation they share the story, it's quick, please, I connect with the mosquito and when you connect with the mosquitoes it's not like Jack, the mosquito you connect with . the higher mind of mosquitoes, I can say you and I mean me, so I connected with the higher mind of mosquitoes.

I think it would be weird to connect with the personality structure of a mosquito. The mosquito is just a consciousness, much less uniqueness and much less there is an evolution. of sole right, then mosquitoes share actions of Consciousness that you can connect with in this kind of animistic world that you enter with medicine and I said: why are you sucking everyone's blood? and they say, wow, wow, man, why the grudge why the anger we're just nature's tax collectors we take some of your blood you've got more than you need anyway and then we fill our own bellies and then the frogs eat us and they are full and the bats eat us and they You are full and we participate in the collection of taxes from your blood in the circle of life.

Then I thought, "Well, what about malaria?" You know that you are the harbinger of the disease, right? That should justify your death and that of the mosquito. it's like, don't talk to us about malaria, malaria is a parasite for us, right, we carry it, you have to talk to malaria and then I saw the consciousness of malaria that had no voice and was just this kind of chaotic energy. and I said: no, I'm not talking about malaria. Conversation over, but it still wasn't compelling enough to change my attitude yet, yes, because I'm leaving the possibility of opening up to a field of value that says this is it. life and I won't destroy it and it's not like I'm trying to use DDT on foreign lands of mosquitoes and exterminate them in a genocidal rage there is no such thing as Opry the Destroyer no no no no no if they're in my field I take them out well get them out so let's find this here, so there's an evolving field of intimacy in the movie, right, the raccoon is included and the raccoon hugs like a raccoon and goes to save the raccoons and then everyone joins the rocket and saves the raccoons risking their lives and that was also a beautiful scene.

I don't want to gloss over that, no please, this was also kind of a crystallization of the Ohana because Rocket just walks around and they don't really even say anything, they usually argue back and forth. like why are you doing this blah blah and then one by one they all turn around and walk they follow them they follow them you go I go you go I go yeah so if you stand up for that value yeah I. send it for that amount and you caught the scene that I didn't see in the credits where they are now opening up to the realization that actually the animals have to be in the field in a whole new way and so what's the What is the correct relationship between when you take them out and when you don't?

So, one last thing, you said before and we said we're going to talk about both, it's really very important, we can, you know, just put this in the So, the rebellion against value that you were pointing out before, you know, in the movie , you know, what we said, is a rebellion not against value, but against a caricature of value that looks like Eternal and that is not evolving now, as you know. brother, one of the central notions in what we call cosmotic humanism is that we have to resolve value and we act. In fact, we have it online, as you know, on the Office for the Future website, which is a kind of holding company, you know. kind of structure of our think tank center, we have a fantastic piece, you know, that Zach and I have been working on for a couple of years and actually, you know, Zach and I are talking now about how to restructure and Move it, you know it's the next step, but the core is what we call First Principles and First Values ​​of Evolving Perennialism, so that's when I spend a minute on that because it's a contradiction in terms of parentalism means that the philosophy of the parents are eternal values ​​that are immutable and what we are saying is no, no, there are evolving values, values ​​are both eternal and evolving, and this is where the theory of value just completely collapsed because everyone said: oh , love is not a real value, because 1500 years ago you said it was love and it meant this. and 1500 years later, the same thing you call love means something completely different, so 1500 years ago you were a Chinese patriarch and you could slap your wife five times instead of breaking her arm when she violated your orders.

Because you loved her. Today you slap her five times. right you go to jail, but we call them both love, so for many reasons people looked at my friend Howard Bloom in his book. The director of Lucifer said that's ridiculous, that's not a value, that's just made up and our friend Yuval Harare is right, he says oh. all the vowels are made up because he's the parrot of postmodernism and Barack Obama comes along and says, wow, that's the best book ever written, because Barack actually lives in a postmodern paradigm that he refuses to acknowledge, excuse me if there is something real about value why, because they are criticizing value correctly, they say oh but it always changes so I must be just a human invention, we say no, no value is real, it is intrinsic to the Cosmos, love is real . and evolves and at the same time this idea of ​​values ​​eternal love is real always means something real means care means concern means deeper contact means moving towards greater fulfillment Love is real Eros is real and love evolves reality is love and the evolution of love is the essence of what we together call first principles and first values ​​of an evolving parenting, so what you tapped on before is incredibly important and of course it's not this, it's not this podcast, but they're playing with the movie and that's what you were feeling you were feeling I think you know very deeply that they're rejecting value and the reason they're rejecting value is and this is how I think we just figured it out now I think we're actually getting there. , that was the One thing is we were like, the reason I'm getting it myself now and I'm choking on it so I'm going to have some tea.

The reason they reject the value is because the modern Academy said it correctly. that theory of value does not work because values ​​are not eternal, they are all changing, it is so evil that Harare, as I just said a second ago, is a good parrot of postmodernity when he says Ah, the vowels are simply invented, they are inventions complete yours. words are products of our imaginations, fictions and social constructs and again I just want to say this tenderly when Barack Obama says wow, the best book ever right and then can you imagine the president of the United States 50 years ago saying that's not it was real? book and then Bill Gates says great book, that's my book, I'm in the one I'm in and then our dear friend, you know, who founded Amazon, right, he's trying to get to space also says, oh, great book, that's my book, do you know when he? when he did his um his um interview in the middle of coveting a book behind him, you know, Homo sapiens, who made that exact statement, that's tragic because they say oh value is not real and then they become part of this technocracy, this technofeudalism, yes. and he is actually imposing his own selfish value structure, paradoxically because of the false vacuum in which the liberal left has become part of what one writer calls the globocap right and Obama is very aligned with that position, you know, beautiful speeches and beautiful ideas, and yet it has aligned very clearly with the kind of vision of the World Economic Forum, which is about this kind of imposition of a kind of techno-feudalist architecture on reality because there is supposed to be no field of value that can develop new possibilities, so we need to control the system is a very, very important issue, we say no, this is a breakthrough and it's its own podcast, we say no value is real, that's what the movie says, that's what I think you were sensing, yes, value is real and it's evolving and In fact, the Devastators, this is very exciting, right, the Devastators Stallone and the Guardians of the Galaxy are saying no, no, let's go with The academy.

Eternal value, yes, that doesn't change, it doesn't work, and yet value is absolutely real, they're not saying it is. a social construct, this movie does not line up my dear friend Yuval and say no, no, the valley is a fiction, no, because the ravagers have a code, they have a code and they will honor the code and it is not just an artificial code, so that you're over it, that's their story, everyone lives by their story, no, no, they're actually accessing a field of value that is real and the movie doesn't get there, but it's reaching some notion, it's reaching something, it's coming to know that the value is real, as far as the movie more or less understands.

This is very exciting, the movie understands the code, we cannot use the eternal value, that is wrong, we understand that they cannot articulate this notion of first principles and first values ​​that are evolving values, they cannot arrive at the notion that the Eternal Dao as the field of value is the evolving Dao, but they are reaching it, yes, that is incredibly beautiful, yes, so we just added a big shine here, yes, the latest yandu yondu is the latest, the latest yondu God. the father's blessing um, that's our last target, like that figure throughout the whole thing, well he's a figure throughout the end of the movie too because he dies at the end of the movie, well, but then he appears in the movie three in a Very, very important scene where I forgot his name, but he inherited the prototype.

That's right, his assistant appears in a vision and says: you know, the guy is trying to guide that mystical arrow that can eliminate all the enemies that try to guide it. with his mind and he says no, no, it's with you with your heart and he said and he says that twice to Peter in movie two, yeah, he says, I don't do it with my head, right? You know, I do it with my heart, and then he tells Peter, you know the hardest part, I guide the hour with my heart when Peter is wrestling with the celestial, his father, yes, and then Peter accesses his memories of his own personal loves, the love, love breaks them and then is able to do it. become the guardian of the galaxy, yes, wow, that shows yondu's flaws as a personal father, but in its moment Transcendent captures the essence of the capital F of the father who does, which is loveuntil the end, in other times, until the end. sometimes the father manages to give the father's blessing when even when he couldn't do it in his entire life, yondu really saves Peter so he gives them a space suit, an arrow ring in the scene knowing that he only has one of them and , essentially, Yonder said.

You have to give it to me I'm going to give it to Peter and I'm going to die saving him Yondu gives up his life saves the Sun and says that the ego could have been your father biologically true, true, he could have been your daddy, but he wasn't your father and your father, but he wasn't your dad, right, right, right, he could have been your father, he wasn't your dad and he says you know why I'm so proud yes you know I raised you what are you I'm lucky you're my son I have lucky that you are my son but you are my boy, you are my buoyant and he gives them in the end the blessing of the Father, which is also the blessing of the father and also supports the idea of ​​redemption.

I haven't done anything right in my entire life, have I? I'm sorry I didn't do it right my whole life, but in this Final Act I can redeem myself, I can redeem myself and this gift will always live the second chance, there is always a second chance, yes, and there are a couple of things I picked up in that when Peter was giving his eulogy, so to speak, he said that maybe he didn't have the voice of an angel, but he had the whistle of one and that goes back again to his whistle being guided from his heart, you know? and it was actually the whistle of an angel.

The evangelical kingdom is the place of the heart, it is the place where the heart is supreme and, in fact, it is accurate when he says that he had the hiss of one because even though he was causing death. His enemies came from his heart and the place it was is really beautiful because he says three different times in the movie that I don't do that with my mind, I do it with my heart and the most dramatic place. We see that the hiss is when his men's Taserface leads them directly to eliminate Yondu. It's in volume two because he's too soft on Peter, yeah, so he refuses to take Peter down because he's his son, they're going to kill him and take him down and then. actually with the help of rockets he can free himself, then he releases the air and that's the most dramatic thing about Arrow and he actually knocks down all the people, but actually it's his love for Peter, it's his love for Peter, that's where his heart is you.

I know we all have a place that is some kind of love that we go to that gives us energy, yeah, so that's what you're saying. I did not think. It's really beautiful in the movie that is his love. from Peter, that's actually it and then ultimately it's the same thing that redeemed him, it's the same thing that redeemed him, yeah, it was there the whole time and he just contrasted in certain ways and didn't let it show like a lot of people. of our parents. You know, I didn't know how to do it, but if and when they had that chance, it would be better if the better nature of him could emerge and they were really able to show what really drove them.

You know, I bet. You'd find that love in that angel whistle in a lot of them, you know how deep it was, yeah, it's like that, yeah, I mean, and that's his, that's his greeting, yeah, to the heart, to the heart, so wow, I mean, while we finish. I mean what we do in music to recap just in one word, so we have it and we will do it together. We have the idea of ​​Guardians of the Galaxy, yes, one, we have an evolutionary family and a biological family, two, we have these. two types of utopianism and the need to challenge a flawed and broken utopianism, right, three, you know, four, we have dance, you know, five, we have everything from winning, losing, metrics to Brotherhood, you know, six, we have this notion of Heroes, seven, we have this. new vision of trauma, right, and that traumatized Heroes eight can be Guardians of the Galaxy, you know, nine, we have Brotherhood, right, you know, 10, we have this expanded vision of intimacy, this evolution of intimacy where we include animals, you know, 11, we have courage. on the one hand, they have no values, on the other hand, they completely claim the field of value, you know, 12, we have, you know the blessing of the father, right?

So maybe we can close with the Walkman, yeah, and look, I, I, it would be. remiss if I didn't talk about the very dissonant aspect of this movie that when I saw this with my brother Aaron, who loves Guardians of the Galaxy one and two, look all the time brother we were going to see Guardians three in we went to the theater together and he came out and was angry and angry that Gamora abandoned Peter and the Guardian family to go with the Ravager family, based on a very thin and fast notion that she had forgotten what she had experienced, but and so we ended the movie and we thought that didn't quite fit, so we did some research and found out that Zoe Saldano plays Gamora and it was like she wasn't doing another Guardians of the Galaxy, so they were, they couldn't really let her, they couldn't let the goddess really spoke through the story, they had to make a strategic move, this validates everything we've said, yes, and if you could feel when some win, lose, type of metrics strategy.

I came in and kind of violated the intrinsic thing that I wanted to happen and you know you can almost feel the pain of the writers that were connected to the Muse and feel the pain of everyone and it was like how do we do this in a way that's not like that? It's a complete disappointment for everyone when we keep making these movies, how are we going to create this Amnesia and give him another family and you felt it, so this is what happened, but it's up, it's just to point this out so you and Aaron come out and feel it, yeah, they're like, oh, that's wrong, so why do you feel it and then you look at it and it turns out, actually, that was a strategy, which means it was off the field? of her, yes, something else took over her, yes, which tells you exactly that all this is happening in her field and here is the madness and we will end up with Walkman again.

I said at the beginning, this is absolutely true. I literally watched. one after the other, you know, after I saw the three movies and we talked and took notes together and I looked up 50 reviews and none of this stuff we talked about is in them and we only went over 12 topics that we hadn't done above, if you look now, I know the name, you look in the show notes, we've actually created these builds and if you want to remove that censorship, look in the show notes, if we don't want to use it, let me say it. again without saying that and you know there are these scene compilations of all the dance scenes and all the bottom scenes and all the value scenes you know and all the raccoon animal scenes and all the raccoon animal scenes and all the scenes of raccoon animals and all the values ​​scenes you know and all the raccoon animals scenes and all the raccoon animals scenes and all the values ​​scenes, you know, evolutionary family scenes and you know all the sisters scenes and all the scenes of healing traumas that we've actually shown that there are 12 Whispers 12 goddesses.

I mean, 12 is a big number that's actually in all three movies, so actually, if you cut out the movies, which is essentially what we've done, I mean, we've said okay, we want to dig into this and trust her, then at this post-tragic level of this movie there's this this this goddess whisper that turns into a roar. which is just awesome and you can miss the whole thing, right, you can keep the preview track oh, it's a great movie, you can make it tragic God, it's all commodified, they're selling me or you can say, let me open my heart, yeah.

Are you saying something here? Well, you don't necessarily miss it completely when you take the film in the pre-tragic state, it lands in the archetypal Jungian right subconscious, it sort of goes in, it goes into anthropontology, you recognize it, it may not be you. It can, but when you make it conscious it becomes even more powerful. That's what you would talk to. If we went, we'd go out on the street now and interview 100 people who saw Guardian of the Galaxy and said, Oh, there it was. something yes, we loved it, we are not sure, but when we get together and say, "okay", you know what we want to share this new vision of cosmic humanism and we will share it from a text that everyone already knows what the text. it's called Guardians of the Galaxy actually and suddenly it's all there it's like, oh it's all there but if it doesn't become conscious then it's unconscious Evolution when it's conscious it's conscious evolution do you want to play walkman with me last one, let's play a Walkman, let's put a Walkman last, so Walkman until the beginning, right in the movie one, he has the Walkman when his grandfather comes in and says mom wants to talk to you, he gives them a gift, he says, open it when he dies and when I pass by and we just see later in the movie when he opens it she gives him the stack of cassettes with songs and then she signs them, you know, my little Star-Lord, she refers to him as my little Starlet, signs that they love mommy and So now we understand why in movie one, when the prison guard takes his ride, he just lunges at him and gets tasered because he wants his Walkman and then when they're escaping the prison, he comes back to risk your life. to get his Walkman, yeah, what is his connection to his mother and you have this beautiful sense of sacred objects that is very deep in the lineage, right?

You know your ritual objects and this is his sacred object, yes, his Walkman, right? right and then he puts it on Gamora and when he dances with her when you know and then as you move the Walkman is always playing and at the beginning of movie three Drax doesn't track the rocket he has the right Walkman and then when Gamar goes to visit Rocket, she listens to the Walkman and listens to the song and when Rocket becomes the new boss of the Guardians, he gives them the Walkman, so it's this, it's this, the Walkman goes around the three again like this kind of sacred object and I think what's so critical is that it says that anthropontology lives and dance anthropontology lives in value anthropontology lives in our pop songs, yeah, and it gets there, it may be hinting at something even deeper.

I mean, this was a gift from the Mother. gift from the mother of the mother and we refer to Shekinah as she, which is like the great mother, she is the mother of the entire cosmos, right, and it is almost like the blessing of the mother of the entire cosmos that makes you dance, it's her. It is her moving through you that makes you dance. This also slightly hints, if you look very closely, that it is actually a sacred object that represents the mother, the mother and represents Shekinah, which is beautiful and says that he is a beautiful man that you can.

You don't divide yourself between your mother and the mother, you have to do the biological work with your mother and there is the great mother and when the celestial in movie two says father but not her dad, in reality he puts a tumor on his mother and Bush. because she's not fulfilling his vision and he understands you in movie two, he says you killed my mother and then his father sings the song Brandy in A Woman by the Sea and the sea is always the ocean Eros the goddess the mother and then his walker breaks right in movie two, right, and then yondu, his real dad said, it gives him the energy, he says, you know, I access the arrow with my heart, then he finds the images of his mother and then he screams and He says you shouldn't have killed.

My mother and you shouldn't have broken my Walkman the same the same beautiful right it's the mother and it's the mother yeah man what a crazy pleasure to do this with you yeah absolutely bro wow absolutely this is something new that we can read. a text yes hello I love it I love you Matt I love you too Matt and thank you all for participating in this Wild Ride we are figuring it out and we are having fun so I hope you enjoyed it too much love Guardians of the Galaxy all in for all life baby all in for all life hot fuck hot fuck thank you for tuning in to this wild Guardians of the Galaxy podcast and I want to hand it over to my brother Mark who has an invitation to join him. into a mystery school that's actually going to explore some of these concepts in much greater depth.

Yes, thanks Aubry, you know we are doing a mystery school this summer. It's actually our 11th or 12th year and it's a five-day intensive. It's in Belgium. It is from August 21 to 25, but what a mystery school means is that we enter the field of Eros and live in the field for five days, so it is not just the Dharma that we are going to do, that is, the deep dives, it's the the people you meet along the way you create friendships you love the depth of Eros that is truly life changing the most incredibly beautiful moments in my own life personally have been at mystery school and maybe the last sentence is the lord schools that create the culture the mystery schools are the source does not happen in the doctoral department of this or that historically in the Renaissance and the Elusian mysteries in the East and the West, its mystery schools that form the culture, so if it you are, you are willing to give yourself a crazy gift of radicality. crazy love and joy and unimaginable pleasure in response to the metacrisis join us mystery school and to come to mystery school just go to the show notes there is a link that says mystery school you can sign up right there if you have any questions Krista, who is the director of the mystery school, her email isbetter today and join us, thank you, I can't wait to see you, yeah, it's very much the same thing I could say about our fitness for service, children for service, you know, and I look forward to experiencing it. the mystery school one day and I hope you experience what we're doing at fit for duty fit for duty and mr school there they want to meet yes they certainly do yes thank you all for tuning in Mad Love thank you for tuning in.

In this video, make sure to subscribe, follow me on Aubry Marcus, check out the Aubrey Marcus podcast available everywhere and leave a comment, let me know if this video resonated or what else you would like to hear from me in the future thank you very much