Vocal Coach Reacts to Dimash - SOS d'un terrien en détresse

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vocal

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react has become familiar welcome ladies and gentlemen, we have another live performance for you today, so this one was suggested by Rhema López. I'll put it here, hopefully, as long as I have my editing stuff. He decides he's not going to shit on me, so I did a little research on this. This particular commenter mentioned that this is one of the most phenomenal voices they have ever heard and that it is very far from the um of the things that I have seen a lot of people think the same this is dangerous for me because it means that I have high expectations and that doesn't make me happy. like okay so let's take a look at this person his name is

dimash

I think I don't know if that's pronounced correctly they're performing for a uh it was a Chinese um uh it was a Chinese singing competition there's a reality show Chinese is what it says in the comments, not in the comment in the description of this video, so without further ado, Ado, let's listen to this.

I really want to hear this foreign question. Now it's an awesome falsetto. This is really impressive. I think I see what he's doing. I think he's about to rip that thing out of his ear. I've said this many times before that in-ear headphones are both the most amazing and most annoying invention in the world. Let's see if he really pulls it off. Yes. Okay, now before we focus on the voice, let me say this again. Live performances with Those Bugs in the Ears are surprising and terrible. The problem for me when I used them correctly, what I heard in rehearsal was not nearly the same as what I heard in the presentation.

I don't know if it was a case of Um, the crowd made everything different, like it threw the levels off, I don't know, but for me I had to do that too, I had to rip it out of my ear because I couldn't hear myself, okay, and I think that's exactly what happened. here because, to me, right, he seemed a little unsure of where he was, he was completely in tone, there was nothing wrong, but there was that second of hesitation and you can hear it, you can hear it when you're trained. hearing it that was just that second of doubt of uh oh but then he immediately pulled out that good move smart move whoa whoa whoa whoa whoa whoa no no no no no no no no no we're going to go back we're going to go back a second, wow, what kind of range is that, that's crazy, welcome, okay, I admit it, I see, I see, I see the appeal, I see it, damn, it's okay, it's okay, it's okay, foreigner, thank you, what a foreigner, stop, wait, I don't know what to do. say about this look breath control is 10 out of ten um look okay okay let me we're only halfway through and I haven't even thought about it at all wow okay breath control 10 out of 10 100

vocal

range what 11 out of ten no 12 you know what not 20 20 out of 10. um like it's a crazy range I don't get it um phenomenal addiction being able to sing in uh something that feels good to me being able to sing in French Italian Spanish even um when it comes to the vowel sounds, uh, in the songs, it makes it so much easier, um, uh, uh, uh, sorry, wait, let me take a step back, my brain completely died for a second, there, um, I find it easy to sing in Spanish, Italian , French.

English because it has more um uh, how can I explain that this is closer to its Latin roots than what English is right? Don't get me wrong, obviously English is heavily influenced by Latin, but I think Italian and French. Spanish, few of those other um kind of languages, the way the words are enunciated fits with that full Latin vowel that sounds a little bit better, right? But that doesn't take away from what this guy is doing. I don't want to. I don't want that to sound like that's what I'm saying and that's fine, so we've got that three register mix again, we've got the lower chest voice, we've got the mixed voice. we have the falsetto, okay, the falsetto is phenomenal, the mixed voice is really good and so is that chest voice that goes between the three of them is almost perfect, like if you hear the falsetto and you hear the chest voice separately. true, you wouldn't think they were the same person, but that's okay because like and and the beauty of it is that it links everything there, it goes step by step from one to the other, it never jumps between one and the other. true, at least from what I remember in my head, but having said that, I am shocked that my brain is not working correctly, it is perfect, it sounds phenomenal every time and it is so consistent, consistency is key and this is consistency at its best let's go back oh I know, let's move on I'm sorry too now whistle record whistle record wow four records wow but for more wow that foreign mix whoa whoa thank you very much thank you very much my answer thank you very much that's good he I thanked the teacher I like that I like that he is what he did, he seems like a very humble guy.

Me, okay, look, I don't have much to say, okay, I won't do it again, that voice is phenomenal, it rises high. It's powerful in the bass, everything else is incredibly well done, everything is brilliant, there's nothing more I can say about its range, which is phenomenal, its breath control is phenomenal, right, something I've always had a problem with One problem is once I go into that kind of higher falsetto if I don't use my air, which shouldn't be the case, but I find that I do. There are other singers I've spoken to at length who do the same thing.

They get into that higher thing, their breath runs out faster and it's crazy to me that that whole performance, he seemed like it was a walk in the park, even those louder mixed register notes he made near the end . nothing, no reaction from him and you know what that tells me, the guy knows his stuff, the guy knows it and he knows it well and he keeps doing it, boy, wow, I'm really impressed. I don't know much about how I took French. in high school, right, I remember very, very little about French, but I'm pretty sure he's speaking, he's singing in French.

I'm, I'm, I'm 90. I'm sure he could be completely wrong and please correct me if I am. I have no idea what he's saying, but even without that, you get the feeling and can tell that as the song progresses again, the story is revealed, it's all well thought out, they want to make sure you're understood. I'm very jealous of that voice. I think that voice is phenomenal. I'd love to hear more of that. Would it be something I listen to regularly? Probably not, but that's just down to personal stylistic choices. I'm not as into classical as I used to be, if I heard him do something a little more contemporary, which I'm sure there is something around, I'd probably check out more of your stuff and then I'd probably listen to that voice. more, but it's a personal thing of mine that that's not the music I'm listening to or that I like right now, but I can't criticize the voice, I can't criticize the performance, yeah, people. through tears you could see it, you know, as the camera panned to different members of the audience, it made them cry, that's your job, to move the people in the audience, to show them, to move them with that story, to move them with that voice, make sure you that you're doing your job as a phenomenal storyteller, absolutely phenomenal, but anyway I'm going to end this here, so thank you very much for watching, like it, if you didn't like it, subscribe, do all that kind of stuff, leave it on the comments below. song or artist you'd like me to react to next, whether in studio or live, and I'll see you next time, okay, bye.