The Show Must Go On - Andrew Carruthers - Gentlemen's Artistry - 1:15 EDT

thank you, let's be interactive and create a community, whether it's through live education or maybe through social media, we always try to make a personal connection with you, the learner, we are teaching things that we know can be used behind the chair and it is not. about being flashy it's not about being complicated it's about building the community well hello everyone brothers Andrew Sambia education director welcome to be 30 meaning K for the program it

must

continue shit. Honestly, I'm nervous because this all started when we started just having a conversation in the booth, most likely the fall

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s were canceled, so of course as a team we got together and I said what are we going to do because we just don't We can be okay with the fact that you're not going to do hair

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s all spring, so the team got together and we decided, you know, what are we going to do, we're going to have a digital hair show and it started with this idea. that you know we will meet. some Facebook live stuff will be nice and casual and then our yay friends, our Pivot Point friends, our Red Ken friends, their Chicago cosmetology friends, they all started to notice and the next thing you know they were more of 12,000 of you. registered with us, so my part is sincerely, thank you all so much for being here, it means a lot to us, this is such a strange time for me right now, but I think we're going to find that it pushes us to do some things of different way look what an incredible connection we can create with each other through this digital world that we have at our fingertips to stay interactive my beautiful wife Michelle is the one who undoes the computer running this for me this afternoon for this segment she goes to To try to Keep up with your questions, they come flying across that screen and at miles per hour, so we might fail if you do, but today we are better interactive.

We are making knight art. Look at my handsome friend. I love you, bearded mannequins. They are very nice and fluffy, but what we really want to focus on today is fundamental fundamental information of the men's haircut. We'll keep it pretty simple, but we'll look at things that are a little longer and smoother with the hair thing and talk about the different tools, especially when it comes to the joy that comprises the clipper over the accompaniment. Dart clippers, why do you choose one of the hooks over the other? But mainly we will focus on cutting over the comb now in each segment we are going to do for you to do giveaways today, yes, you have a chance to win at Artist Series at home, you said and I will talk a little more about these poems, this is the watermelon , our series poem set, you can too, you too Be eligible to win Red Foods new product line, it's their Renkin Bleach Extreme Recovery line, have you been playing with it on the mannequin heads and Let's be interactive?

Okay, Michelle is still figuring out the computer sauce, so there you go, baby, so you. I will win you the comb, set up Chicago Cosmetologist VIP Membership, which will give you entry to next year's EBS 2019 or 2020 show. Wow and it will remove the recovery. Yeah, I think I said all those things, so it's an absolutely better code contest and a number that's growing. On the screen at the end of this segment we will have our winner and I will announce that it starts with the one thing that is cool, so let's jump to the haircut now, one of the things that is definitely probably all over America and everywhere.

The world right now our guys are pulling with their hair out, look at the beard, I'm not growing it right, right? But a lot of our guys who have traditionally had less super tight haircuts, we've already started to see those guys change. towards the football aspect, I would say that especially after this time, depending on the quarantine, we can cut our hair. I guess we'll go take a look, the boys come back and we'll go, you know, yeah, I'm actually fine with longer hair, so that's it. Why we chose something today to do with you that will have a little more shape to it, so as you can see, it's nice and pretty narrow along the perimeter.

They work with some length and texture through the center area to the head. shape for you here and then across the top just a little bit of extra movement and the top can definitely look more like an island. I thought it would be more rushed forward with a swish texture or we can go back for the sake of time here's Jekyll well here's the hide and seek so I didn't finish this side of the haircut because I only have 45 minutes with you. I probably talked to her like she was a tent because I tend to chatter around the house, but you basically want to look at the head in three different areas and I think this is something.

That's really key when we look at men's clothing and it's actually not even just about men's clothing because we're even starting to see definitely your silly nose in this type of haircut as well as people of gender neutral. types of haircuts, so it's not even necessarily men whose haircut is already just short hair, reaching an S, start the new area first around here, this is done very little, so this house is cited below that vertical transition of the head, then we have the green. area which is the bunsby area to this super important area when it comes to these very short haircuts because it dictates that overall silhouette how it goes to the top of the head and of course we have there you get three that go to the top of the head, so those are the areas it will work on if the hair is long enough.

It's very beneficial for you to park those sections so we're just going to give the hair a little bit of moisture with a book and seeing us we have a spray bottle they've already been shampooed and conditioned he just has a red attached comes when he you put there this is the earring of the product is something that we quite like the mannequin heads because it just keeps the hair soft and makes the parts It's easy to work with that first area of ​​that blue area, area number one, we're really looking for everything that it lives under that vertical transition of the head, so when you talk about the vertical transition, if I take a comb and I place it vertically. the head, you can see, there is a point at which the poem starts to rise from the head, that point is that transition, that is that point at which the head starts to move and something like that, first up and down and it starts to curve to come into play, so that's the first point, one is a part, as you can see, I have that split here on its side, so I already cut this about two-thirds of the way through.

I stopped here about halfway down the back, let's get this right. throw it at the camera and then just attach the clip things, the head, this is a handle phone, we actually handle combs to control and we're moving forward like this because one of the principles that was taught by Kirk Peter, who was one of the guys that helped Starting American back in the day taught us how to work with our Tome is that what goes up

must

come back down, so what that means is that if we're doing Shearer at home, what ends up happening quite often is we get at a certain point, when will this stop and we get out our comb?

What will happen is right where you pull the comb out, the hair gets pushed to the side or something at that point if I go in and try and grab that hair that could be pulled out of the comb to keep us from always going up, flip the comb over, pull it back down. , what goes up must come, so this is something especially for our school students because we know we have some of our partner schools on tour, our testing through partner schools, looking to see if you are one of those, thank you and thank you to see this, it's something that we highly recommend you do as a skills practice and exercises just to get the muscle memory, it's just what you need to get up, but the other thing about Shira Coleman is that chrome is the really important thing here, so what I mean is that creating with the comb is a graduated cut, so what the comb does is create that cutting surface that goes from short to bottom to longer to that transition back this is the most important this just removes the hair this tells it what to do so Kurt also has this really cool image that you give us you would say create a transparent glass surface creating a London that you want to create the haircut in your mind then the comb moves along that surface, so if I want this profile to be short to long like this, I could come by using a vigil, just allow the foam to travel along your back, type angle on this surface on the cut this goes on, they lose their hair now one of the big differences between the common Burr clippers this can never move as fast as that there is a benefit in that smoothness because you are sure to never hit the bear Exactly the same and the shear moves so slow that's not going to give me a hard edge so I thought I guess it says "hey I'd like a short haircut that has a softer finish" that's when the rubber comb really becomes the T if They say I want a really rigid type of line if they show you a picture of something that looks like a kind of classic barbershop but with very strong lines, that's what maybe we would have the clicker stuff, plus the other column, but if we're doing the clipper on the comb.

It's exactly the same principle. All this does is remove hair. This is telling me what to do. I hope that makes sense. Yes it makes sense. The same thing makes sense in the comments as we get closer to the ear. This can be a It's a pretty challenging place, so these pivot point male mannequins have a little bit of flexibility here, but they still elude a lot, so Tabitha, you're asking how they work with swirls. I'll definitely talk about that in a moment, so here. Over here, what I would normally do is take that gear, bend it forward, put it right behind it, and work vertically.

At that point, it's difficult right there, where I have right-handed people on the clients left side because It's really difficult to get in there, it's not so difficult up here because I can work with the tip of the comb right there. I can work backwards on any butt here, but in this, what ends up happening is a candy, then there, so that's where your many times the poem changed more vertical will push that gear forward just create more taper with the angle of the cone works that way that's not rubbish, then again here when we get to the top of here bring the comb always make sure We're starting up here, around the perimeter and working with shorts, we're trying to preserve the void along from the top so that the angle of the comments really stays.

You'll notice that I have his head tilted slightly away from me. that helps build that graduation if your head is up and down, the challenge I sometimes find is I really feel like I have to tilt that foam back and I feel like I'm in the matrix of that book, cool. You know, Michelle's not weird anyway, so by tilting my head up slightly I can help create that graduate that any minor leaves, so let's get back to the question about the chalice real quick, so we'll talk a little bit more about that on the top and a lot of that has to do with the texture and the intensity in the direction of the hood.

If it's going to be a combination of enough texture, you need that strand to soften it and make it flexible for products and a zillion techniques without going too far because if you go in there and start texturing too much, you could turn it into its own bag, so it's a little bit as an act of clearing. What Benji is asking and how that works with the flat spots on the head is a fantastic question, and so that's why. This is really beneficial, Benji, because I can work with that floor, but I didn't order that flat point with the comb shape and it would almost create this outer silhouette of Sylvana that basically makes the floor. place where it's not important because the thing is if you get Clippers with darts a lot of times, what happens with clickers with darts, when we put that card against the head, we have the target flat against the head and we ride against it and that protection basically it adjusts to every little nuance within the head shape, so if you have someone who has a lot of different types of textures around their head, sometimes it's really beneficial, hmmm, it's really beneficial, do you switch to your version in English shear or cutter? over the comb because that way even if this flattens out right here, I'm still creating an external or wet shape based on what my comb does, so I hope that helps now, this is what I want to be very sensitive to you guys on the topic of illness because the reality is part of the reason we are all here together is because we know that many of you areout of work so we wanted to make some sales this weekend that helped us support us feel what is beneficial for you.

So our friends at Pivot Point are discussing and promoting this weekend 15% off mannequin heads 20% sapa spins so to get that disc with a calm pivot point or a buy calm pivot point you have to log in and enter Michelle's s ve e affiliate code you will discover that bending force here in a second and it's there so to identify the calm like I said make sure you log in you have to create an account to be able to get this discount but it's SVT , we thought it would be good. Selling for you because we know you have and can practice right now, so for those of you who have some finances available to get some mannequin heads to practice on, hopefully that will be beneficial for you, we are also doing a promotion on our website . or 40% off, almost everything on the site is the lowest we can offer their tool prices and it's pretty much the same, yes, if you have the ability to buy tools right now, we wanted you to It was as affordable a sport as possible, but we also wanted it to benefit our community, so we will take 10% from the hospitals and donate it to the Professional Beauty Association, whose code is relief fund 19, so if you buy something, no, but you will also make a 10% donation to your friends from the pro pro Beauty Association to the cogut 19 Relief Fund and if you are someone who needs those funds, you can go to the pro beauty and calm apps, which feel better, or they'll go for that bottom, okay, so that eventually we can be here again, we have to dig a little, so sometimes I take the Commission, the transparent chest suit under the hair, I get the angle and then I start working.

Here's the thing as you go on and on, but anyone wants to be careful, it doesn't stop because the other thing we'll see a lot of times with Shirokawa is these types of guys will put in their comb butt cut and then they'll put in the butt cut. column, place the comb stop. cut if you're going through that process, the challenge along the face is that you're creating three difficult shelves. I'm still here creating little racks that you don't have to train yourself to get back out of, so we want to try to develop that. I would use a gentle fluid to move them if I go into their neck starting from the bottom start here watch this year start to move move that shear as fast as you can open it and close it keep that comb moving nice and slow and don't let of moving until you've completely removed your hair, so again my great mentor with men's haircuts for Keith, here he was saying click, click before, so you kind of speed up your shear, you become very good at moving, keep moving, keep moving. keep moving and then it said click, click later, so what I was saying is to keep going for two or three cuts even after all of this year's hair falls out, which would ensure that you don't create a little extra shelf. up here you're with me but I'm looking at the comments please I'll take care of Michelle okay we have a question here we use this technique on curly hair absolutely yes Julie so to be just you you just need a texture that Sometimes it can be a little challenging with this it's actually like full Timothy curls where they are spirals because what you will find sometimes if the curls are so small and tight, even with short hair, they can end up in your self so it can be It's a little challenging at times but for the most part it even looks like the curly hair as you can see is really there but the curl doesn't really start to take over and Zoeva Katanga comes out of the hair so that works too very good for those who love this one.

I think this is Kara Tara. I'm glad you asked because, personally, this is one of my favorite things. This is our reversible bookbinding shear and you'll see a nice close-up. Yeah, okay, you'll see that the teeth are very, very. very close together, that makes this one of my favorite scissors, always calm because it will surely come with a mixing shear, we have to go over it, maybe one pass, maybe a second pass and we will do this at the end just to adjust. too, but the best thing is that when you take off my Kim Sheared included you need socks stuck in your hair, so this is actually one of my favorite techniques and I mentioned it here and I'm going to use it.

Often to detail the sides before we get into the transition area, we feel like it's cool to have the butt almost completely done, so I'm not going to move forward until I feel like this looks really cool because that's the other thing you see . Very often in men's haircuts people get lost in their haircuts and it's mainly because they are jumping and jumping so we encourage you to bury the first one before anything else yeah so let's help feed the details. comb if you win the boneset artist series and a half of this little dippy, this is fun because you can just take such detailed little places and go back to Cara's question.

I love using the blender shear to work lammle here we're going to detail a hairline because it keeps things super super soft so even up here, the little tip of the ear as you work around the sideburn, here it reaches the tip of the ear, right where the skin starts to peel off, the ear starts to foam at home, that's it. What you want to bring is that little corner so you don't look at me because I need a haircut to get back, but that's where we want you to go, it's just to write up to that point and then stop the air, take the gear, throw it forward if you I'll show that I'm okay, fold it forward and then work from back to front to connect with that point where you stopped it right in front of you here, which will keep you away from the target behind the clients, which is one of my biggest points personal.

It bothers me because I hate the seams on the top of my here because I don't feel short enough on my sides to expose that skin, so a lot of times they look to do that is they grab the trimmer and take it, you can go on top. my sparseness is not right here along the front hairline, this is a small detail that not many people do, that is super, super important because natural head shapes start to happen probably at home later than which is really called. He expedited the summons. Starts. curve slightly forward there, so here what ends up happening is leaving this kind of weight corner right where the edge table starts to transition, so if you take the detail phone and direct the hair too much towards the face, remove that little corner.

What you see there what it does is it creates a really nice transition into the basement, it doesn't build up into one big chunk, you know, the front corner deck, let me bring it up, it doesn't actually go straight, there we go, so from new, take everything. that hair directed too forward you say that the bone around your clients who have short hair will look for that little detail, okay. I think we're close enough now. If I wanted to, I could always go back here up to my neck and use the details. the column even gets a little tighter, that's the big benefit of having multiple different colors, sometimes what we see even with a longer haircut is that people will have their favorite column here and they just use the same tools to in each of the processes, so the challenge with that is you know it's like a plumber is in my house and you only have one key like what are you doing?

I probably wouldn't trust that plumber too much, okay? We've got Michael Ryan. Asking when we transition from gear to hair is a big question. Typically, you will see a change in hair texture. Errol Disney's new penny, so you can see pretty much up to there, is a lot of hair on his head. I don't know the technical terms for those stone tubes out there, it's a lot of that kind of softer hair, the hooves up here, over here, you'll see that there's actually a change in texture and color, so that's the point. transition from hood to beard. hair in the air above, so that's where I usually try to create that transition good ear, good question Sean, I don't have anything close by, how are we doing so far?

You all are having a great time, amazing, now let's go. To begin the transition to area two, as I mentioned, this is a crucial part for short haircuts because Bulacan, because we got lost, is the example quite often, but with the shape of my head, the sides are quite straight towards up and down, they are pretty. flat, but what happens here in my transition, my head is like this, so this transition really makes or breaks my haircut because with the slide you can fade it, you can cut it pretty, you can even do whatever you want, sweet my sides. but if you take the weight off my corners and there's not a bit of fullness there either, I start to see myself as an intellectual, that's very generous.

I'm starting to look like a faux 90s hawk, people aren't coming to Mindy's Phone, so that transition is really important now, if I have a super wide, blocky shape, we didn't want to trim it down a little bit more and it's about create once inside the hedge, so it is not a one size fits all. You'd have to tailor each individual guest talking about the Chicago abs show one year I was talking to you I wish I remembered there's this person because I talk about her all the time she has, she's the only songbird of men.

I would not do it. Let's say it's for men, oh she called huge, this was like four or five years ago when I met her and they had that consultation thing which I thought was incredibly cool, she said when men sit in the chair, we have it. They had a challenge and her staff asked her questions like what do you want to do today? Which we agree is a very effective query question, what do you want to do today?, because especially if they haven't had an experience and they like it. aslam it's actually okay to give them a great consultation.

They may have had that question asked many times before and only have a standard answer. They don't even know what their options are, so she made a rule with her staff that the first thing her staff was supposed to do when a guest sat in their chair was to start by simply making recommendations about what they saw. It sounds like it's pretty daring. I'll need someone to sit in your chair. You start having a kind of conversation. and instead of even saying, tell me about your hair, what you like, what you don't, she wanted them to start with charcoal, so this is what I see about your hair, you have this texture, I can see these kinds of observations given. are and then say this is what she would really suggest doing with her Hinton's, could this be something you would be interested in?

She said the response was very positive because becoming a professional, I'm actually looking at the shape of the head, looking at the balance of texture and all of those things have the ability to see things that our clients don't see and think about having. that kind of conversation with your client, they actually take on that role of being in the profession here, so I'm going to give what I think might be The most beneficial thing is to just make an idea, but I thought it was cool, so the transition it's right at that point where the top of the head now starts to curve and shift and go down, so the next part is consumed right here, that green area like me.

I said I already did this on the right side so let's start and all of that even changes to a rotating shear because if you just saw Jessie with Paris and the last or last second of her, if you have theory, he's the better. It rates very funny, but if you looked at it, it has this little find where she sticks her thumb out and puts it on the other side. New cuts like this with a rotary shear. We don't have that problem. Actually, you can see ourselves because we. We are all working vertically through this transition, we are going to take vertical sections, we are going to keep the fingering bone very, very vertical, even slightly back, we will also keep that plane, go back to my guide here, vertical section as we begin.

To take that very global section, the angle of your finger is slightly diagonal and maintain that length. I think it's my thumb stuck like that. I end up in this kind of position that is not good for your body, so what we can do is We can use that shear, but with the shear at work, now we get to a position that is much more economically beneficial because my shoulders are down. and my elbows down makes it a lot more comfortable so we get multiple questions about the tools you're using and including Stan oh cool but they quote right the support is the pivot point pivot point Sorry I came from Maryland the bracket are the toughest brackets these things are bulletproof I have traveled all over the country with this and that affiliate code SP with that affiliate although if you get 20% offthe stands and actually 15% off mannequin heads, that's great.

I mean, this particular shear that I'm using is our Signature Series six-inch swivel steering, which is also on sale this weekend before they get a percentage off like I said. I want to be very cautious about talking too much about sales with you because, look, we know that many of you are out of work right now, maybe several people within your group. The family is out of work, so we're absolutely sensitive to the fact that right now it's probably not worth it for people to really want to spend a lot of money. We have payment plans.

If that helps you in any way, we made that 40 percent discount. so we can make sure that we can offer you tools if you are looking for them and the most important price level, we can do it plus 10% of all sales and we will take care of the PVA that disaster does not happen. I'm sorry. the toe made 19 relief funds, they may vary the disaster of it, we think Kovach kept the relief because there are many of us that we help. The kala-azar Artist Series handle is definitely my personal favorite, probably because I helped design it, so check out my finger. and go see how I'm creating that diagonal and it's creating a nice angle with the shape of the head, degree of steal, wait in the corner, then I'll preserve that density with each epi section cut, you just want to put it back in place, like this I can't pack anything the dispute worked my guide now sometimes when a customer happens here because the shape of the hitch curves it up and around but sometimes it ends up happening I'll take my section yeah this is Burton no shows you exactly, so there's no light, I get a little closer here for you, there we go, so, look closely, here's my length.

Below and behind is my guy, so actually the guy back does not perfectly match the objective of connecting the cement like at the bottom, it is because the lack is a little higher, these are the things that sometimes we do not do. I don't have a ton of stuff all over the place without super complicated sections and the same processes, sort of rotating sections, and honestly, guys, you know I used to like that kind of stuff, but I realized that's not the way I do it. Most of us are there, so I've simplified my approach a lot now, yes, I'm saying hello to so many little disconnects here, but those things are very, very easy to refine later, so I'm not too worried about that, I used to be very worried about that. type of things he used. to get in shape, but actually that's the kind of thing that's going to happen as we work through the HEPA most of the time I came out of the program it's a 45 on the signature loss counter up there seven minutes, Let's go out, okay?

Right here, where the recession is, we're going to overdress, like the back, so we can preserve that right, when in doubt, preserve the length, because if you're not sure what you're going to do on the front, give yourself that long wearing too much. Back as we go to the top, now we're going to make sure that we get this finish, but yeah, as we go to the top, we're just going to go through the crown, it's going to take five sections of shapes we've raised that section to the head shadow now we're just going to follow the shape of the head and then we'll shift gears again.

This is our six and a quarter inch aerodynamic series here and so on for tip cutting because it's not tied to it without being a beast and then a pretty deep cut. cut this off because I want it to keep a deeper texture on top. Tom should text you yes and I can go on for 45 minutes, so we spent a little bit of time on some food to continue spinning it in my head with these. five sections, the other direction back at this point was. I'm not trying to build towards the face through the thermal area here, so now we're in that top section, that area in the red area of ​​the file we've already completed the right side.

You're just using responsive lucky on the inside, you know, stop, you're not going to work that much length at the top, well actually, maybe you will after all this, you'll have some returning clients, they look like Jesus, but you can block some of that extra excess length, ah, to make it easier for you to increase the elevation is 90 degrees to the surface of the head, if you're right, you can train, you know, that points to the head, this has been working on vertical sections like We get to the front, we're going to introduce a little bit of direction back and just to preserve that because if we want to keep the hair up more, that little bit of extra length can be beneficial for us if we want to wear it more forward. like if you're using it, we can always pull that air forward, but if we don't have the link, it's not necessary, so we feel like it's a great idea as a person of that length first and then readjust it if you need it that section of glass here that it's the top now from here now it's time to design and finish for the most part.

I like to try to work with your drawing if possible, mainly just because we want to maintain our style and relationship with whether to do it at home, so if you are not really the type of person who will blow dry and style your hair at home, if you do it in the salon or you will put it in front, plus your expectations of how your hair should look, plus we are not going to be able to help your hair look as often since we cut it, we just massage it leaving the hair, maybe we hit it a bit with a hair dryer just to give it some shape. like that, but we really want to work with natural texture and natural movement as much as possible now, if they have a lot of highlighted texture, they bring us a photo of someone who has perfectly straight hair, that's a completely different story, so one of The final steps I would suggest in a haircut like this is to add some texture and separation to the top of the head.

We will do it with the slide. Pitney shares this is great and I can actually give little bits of hey I think. on my second haircut, the money here is my texturing and detailing segment, but I'll be able to give this away, which would be amazing. You will receive a couple of questions. Learn how to handle the concession. Yeah, okay, cool, let's talk about recession. I am totally satisfied. I'm going to go over, but it's okay because we have some space between Jess Keys and I in the next segment, so okay, okay, so let's definitely talk about the recession, who does it.

I have one hidden on YouTube, so a couple of things about your receding hair please, there are things. what we can do to help: Once there's a recession, but it's very obvious that you're trying to cover it, then it looks like a comb, so again we want some that tie in there first because that's the length, especially if it's just used. forward can fill that little corner, so that's what my character does, a little bit of length there, but what ends up happening is if we leave all that length and weight there, it becomes this flap, so here's a really big care that once between Those two, if they're going to wear their hair up, we want to leave a little bit of length for it to be there so it's not all up because, honestly, guys, if you have a really big recession and all your hair position. the top is straight, it makes it incredibly obvious, so if I had clients that wanted to have the front pop up but still have that recession, they would typically try to have more of this type of style option where the front of the back and here it is actually It kind of comes more forward, it's just that front that's showing up, so you have the ability to have these little pieces fall there and just camouflage themselves, but if the hairs are going to be worn forward, we go in that direction, like this that if I'm The only thing I know going forward is to really create a perimeter and detail the river, so for him, let's say we'll leave a link here, you know, take that sliding cutter and just bite, but learn from it, leave that link to go to another session now, is there a point where you've probably already gone too far?

Yes, there are other options once he gets to that point, but he wants to talk about the pink, but say that he wants to give them something like what's in front. that too, the first thing is to create some food now that we've seen some of the barbers with braces, there's a really cool haircut worker, I mean they almost give Benny a look, the dumbest guy that comes, just kind of a laser line on that front edge there though. most of us who aren't super, spelled and tough looking, and it's really cool probably doesn't work as well for us, so we feel like if we use it forward most of the time, we're looking for more. of a textured edge, then we start detailing the densities to them because a lot of times what's going to happen is you're going to have very thick, voluminous hair on that front and again we can use that slide cut, just channel cuts.

Really, if I'm not looking to create big statements of your texture then I'll keep the transparency pretty parallel to the hair, if I really want to create separation then I'll take the most diagonal part through the hair, that's something we'll actually talk about in detail tomorrow. about the accessories in class, so you won't miss it, even here, where there is a recession, many times we were afraid to trim that, but if we don't, it won't match the texture density of the rest of the haircut, so it's like extensions, very often we see that the extensions look very thick and heavy because it's like we just put all this time, including the extensions in the hair, we don't cut them, we are afraid to use them, but you just have to give a step back and look at the texture and the intensity that gives me balance excuse me sir, you have a lot of hair in your beard, it's a specimen we won't get into the beard today, it's actually quite difficult.

To get a client with a strong widow's peak, it is usually cut from the front center of the hair, it is usually cut from the century, so send me an onion and you are not one hundred percent sure. I guess you mean you're really drinking. Those people are actually cutting it with the razor, so I'll just respond from that point. I'm not too sure, but Berry is definitely a burger bar and hairdressers who will synthetically add hair to me. Personally, I don't do it. I love it because in a week that already creates a shadow. He and, honestly, they are in a couple.

He is especially with dark hair and light skin. You see that shadow that occurs if there was a strong widow's peak. My suggestion would be to look at something where the hairs go long and you can remove some of the density from the widow's peak without having to cut them. I think that makes you a little bit more usable a little bit more than some longevity so they didn't feel like they had to come. Going back to the salon every other day for a touch up, but that could really mean just depending on the clientele you see, because there aren't any guys who are too happy to go to the hairdresser every week with that, only Brett lines up.

Don't have. I don't have the time or energy to do it so I want my hair lines to look more natural so she's kind of cool so just do a quick review and then we'll wrap this up. The first thing we highly recommend is to get into the habit of actually working with these. three areas can be most short haircuts in regrowth, breaking down this white area, one that is more the vertical surface up to what we call a vertical transition, some of you might call that private area number two is that area of transition again, it is something that is super super.

It's essential to make sure we give them the right shape, it's just about creating balance, so look at your design, excuse me, look at the desired silhouette in the hair overall, look at the overall silhouette you want to have and then look at the underlying part. The shape of the head below that will tell you, do you mean in those corners you build bunkers where you just keep it straighter up and down and of course you transition with area number three, which is the top of the head from there? All about sexual parenting in detail, so I hope you have a couple of things that can benefit you.

I think we have a big winner for our Home Set the Extreme Artist Series Package, each group hug movie package for Redken and the VIP. membership to Chicago cosmetologist which means you will get all three days of the V ABS show next year for three and the winner of this one is Sheree Fugate from Virginia, yes congratulations Sheree is super excited for you once again thank you so much for being part. about this this weekend this really is a project for you it's about Sam yeah like condom as a community just supporting you through educational inspiration please know we're here for them we're trying to have fun today we're trying to keep things the same them, keep thinking here from time to time and we know that some of you are at home and going through a difficult time, we want you to know thatWe are here so that they have space to love them, we want them to be safe. be happy, healthy and successful, so use this dear time advantage to learn how to become more successful messages that we will see in the next segment for our budding decimal attackers, he is not in the broadcast, yes, in the breakfast.