Die Verwandlung | Analyse | Prosa IV

Hans Fuh's sensor is a good friend and with this I warmly welcome you to the interpretation of The Metamorphosis. If you now analyze Kafka's Metamorphosis, you will discover that there is no clear separation between man and animal, man and animal, Gregor Samsa and Beetle. It is as radical as you always imagined, so in order to compare the two or determine the differences, you have to take stock of Gregor Samsa, that is, at the beginning of the book, and an inventory of the scarab, that is. , at the end of the book If you look at Gregor Samsa at the beginning of the book, you will discover that he was a merchandise trader and therefore had to travel a lot because of his job, which means that he doesn't necessarily have much time to network with women, whether at greeting tables or sincere respect, it is completely different because the beetle is alone in his room and the fateful painting of a lady with sanitary pads is hanging there.

This image and also sticks to her than her mother. She wants to hang out, so her erotic impulses are free and she has imagination, but Gregor Samsa is very reserved and very moderate in his impulses. For example, his sister plays. It's just looking at her and not necessarily bothering her, but the buyer immediately agrees to go for it since an opportunity finally sees his sister playing is a radical difference between Gregor Samsa and the beetle that Gregor Samsa had to go to work, he got up early and He doesn't come home until late at night, but he spends all his time in his room and always looks through a window, thinks about the world and fantasizes about me, but that also means that he doesn't necessarily have real contact with the world. outside world and is isolated in his room, unlike Gregor Samsa, who travels the world, although on Saturdays it is not always easy for him to remain a member of the family, due to his position as the main source of income. and the main breadwinner of the family, he has a certain position in the family and can certainly be described as a human being and can certainly be described as a family man, although contact between the beetle and the family is difficult. .

However, over time it has become increasingly difficult because the beetle starts to smell bad and the whole house is contaminated. Nobody wants to enter this room anymore. Not even his sister, who at first helped him, fed him and took care of him, dares. Therefore, the beetle's room is increasingly isolated and increasingly separated from his family. Gregor Saturday has also lost more and more strength during the process and his position has weakened considerably. This can be clearly seen in two examples. At the beginning, for example, he still has the key to his room, which means he decides when he wants to have contact with the others outside and when he doesn't, but that changes when the father takes the key. key and now he can lock the buyer whenever he wants and, consequently, the beetle is at his mercy and the beetle always hides under the sofa, that is, under the sofa when his father tells him that he is wrong, that I always hide under the sofa. so that no one attacks him and so that he can hide.

Thus you can see in History a very clear submission of Gregor Saturday to the Kärcher, but why does Gregor Samsa become a beetle, a main breadwinner, a victim of families, people, a stranger, why only if If you want to answer this question, do you have to see what situation Gregor Samsa was in before the story? He wasn't really loved by his father and he didn't really have his favorite boss, so he tries more and more to rebel against them, but he is too weak to take active measures against them, which means attacking them, which means he goes after them. passive resistance becomes a beetle because there is nothing more useless than a beetle in the house, especially one that big and that can't do anything and can't even get out of bed on its own, although it must be said that even if Franz Kafka's or rather Gregor Saturday's idea was no matter how good it was, but in retrospect the words weren't meant to be, the guy dies and no one cares, everyone hates him and doesn't want anything to do with it anymore With him, the tenants move in because they see him and his family.

It won't necessarily have either And when the sun rises at the end of the piece, it symbolizes the new beginning and the absolute neutrality of Gregorio Sábado or the beetle Our main role is our protagonist of this play is not really in the middle. Nobody really wants to have anything to do with him. He is neither a hero nor an antihero, he is useless and usually remains so. Saturday only expresses his bad situation with his transformation. However, if you now ask To know what all this has to do with Franz Kafka, then you have to look at the vocal association between Saturday and Also pay attention to Kafka, the story takes place at 36 Niklas Street in Prague, exactly where they lived the Kafkas.

Especially if you read Kafka's letter to his father, you will also notice that the problems Kafka writes about are also the problems of the Sabbath. Kafka's transformation is generally seen as autobiographical only when Kafka attempts to express himself to his family and lament his suffering to the world. I hope I was able to help you understand the transformation and I also hope you liked this video if that's the case. Then like this video or watch other videos on the channel until then, left to say hello.