Joe Sullivan Big Band with Lorne Lofsky

We've had several really great guests. I'll try. I'm trying to think of something besides saying it makes me feel great because it's actually pretty simple that way. He makes me feel really cool and happy because he's such a great musician and he really understands my music when he invited Lauren. It's kind of a dimension change added to this for the better. I think it's a fantastic and perfect way that writing isn't fair. It's some of the most interesting music I've ever heard. I've actually ever listened to Joseph, I just can't say enough about him, he was a very talented writer, but it's a privilege for me to play in the

band

trying to work through these charts and make sure I hit all the notes correctly.

He is a little older than me, not much. I used to go listen to him play when I first started playing jazz. That aspect is also important. I think we all have people we admire a little bit. one, when we started, I lived in Ottawa and he used to come visit him very often and play weed, we know the guys from Toronto, Kirk MacDonald, Warren, Don Thompson, a lot of guys there that are the ones we've adored. From afar, we are influenced in some way and I'm sure Joe feels that Learn is a perfect great soloist and an amazing accompanist for this

band

.

He is a perfect voice to add to this band that is full of really good musicians. I'm not going to talk about his technique anymore because I don't know much about it, I know he doesn't cut his nails and I can hear the things he does with his right hand, so he's got you. I know a very personal sound, I think you know Lauren plays and it fits well with my writing. Anything she can, she can handle any situation that's traumatic, for one thing, which is great. He comes from the Toronto school of guitarists. Sure, but he also has his own sound, his own way of phrasing, I think, and of articulating especially, he's a very musical performer, he doesn't sound like he said, negotiating that chord change sounds like he's making music. . mana is Aisha Julia, saxophone, negative case, work, Sarah. jameelah sessions - vehicle Kazumi the self PD Alessandro to Joanne being a music man imagine being a CMC Jaguar Anita soap opera music this vodka that what music the Jewett and I can experience a giclee music happily the memphis in the helpless community of Italy in the group the cinematography of the Jews o'clock the guitar sister managed to play a peduncle Thomas Simon Lucia and also Naga te kotahi excellent substernal Satoshi Sanada avec la music dos citavi jamjam beaucoup his music is influenced by Jimmy Joe from 300 Russell with the two guys have studied And that kind of sound is very prominent in their writings, to be honest, the first time I heard their compositions I was stunned, I was breathless at first because I hadn't heard anyone write like that and it really took me by surprise . and I was intrigued that this guy from Ontario wrote music like that, when I finally got the chance to play in the big band, the music really intrigued me and actually made me learn a lot more about how to play jazz music.

I really had to learn how to do it. expand my kind of view of things, you know, open up my world a little bit, get the square to expand. I love playing in this band because I can listen to all the young and old musicians and they like it, I'm very challenging. by the music we are all we are all really challenged by this music it is supposed to be a badass arm and something guy Sasori super complete mastery can mess up teleportal my Talmud dipped another the material a developer da da da dun dun sulukim tells an artist of McLaren particular disabilities of its value magnitude hahaha oh don't tell the controller form for a deal activity produces celesta astrovan dirty plaster saya calls that the juicy Shh - Raja the more perfect I stay and they give the state evolved our sewer mine either my father on the beach Arkansas the big bank is a poem comments to the answers they don't care that's good Hawaii and he can support the maternal son we all have to remember and keep in perspective that jazz has become extremely diverse like any genre, it It's going to split into a multitude of different tendencies, I just think Lauren is a traditional musician who is very comfortable with harmony and contemporary approaches, but he's still a traditional jazz musician and I consider myself to be in the same vein, you know , I like many different styles. types of music and I listen to a lot of different types of music, but essentially I come from the jazz tradition and I try to move forward within that.

I think a lot of jazz musicians feel that way and try to write from within the tradition. To enter and continue to grow without abandoning these kinds of traditional roots of what we consider a common vocabulary, you have to wear different hats, as there are different facets to your musical personality. You would have to be able to be a solid accompanist and You have to listen very carefully to what the solo is showing and at the same time add fuel to the fire and literally from one moment to the next, and there is no one gameplay that is best for you , it's simply like having a conversation with someone you don't know.

I don't know what's going to come out of someone's mouth and when they do you react accordingly, whatever your reaction is, you're not even sure of their reactions, so having a conversation is exactly like playing jazz, you want it to be as open as possible. . ended as much as possible and you certainly don't want it to be premeditated or formulaic, that's much more than that which denigrates the essence of the music, it's supposed to be music in real time at the moment when