ALEGRIA- Life Behind the Scenes at Cirque du Soleil's Most Popular Show

jean guy appointed him director of allegri in 2010, but people know the rereadings mainly in the theater with shakespeare of the great classics, so it is a novelty for us, at first we were disappointed in this way, but what we find interesting through joy is that the purpose of why it was created and is still relevant today we talk a lot about this a set of resilience is a kingdom that was in danger and lost its king who crossed the central character who still exists whispered to me who tries to regain the power of which those of the fool of the old king are secure kingdom which without saying bark and will miss him is in his way of doing for a long time the kind of state of relief and provoked or pushed in the back by a wind of change that it brings on the street in the bronx so that is something that we will be a lot of today this will be the other change that we found a lot around the world for us it made a lot of sense that what the program said since we are going to do it new but be consistent, we cannot remake it in the way that exactly elements like in the east would not be like going contrary to what the sample itself says, also, in the progress, I always said that I do not make museum pieces, so what combos to get back on the path then get back on the path of the idea is to reinvent the vinalinas something else today we still associate resilience with a humanity so we wanted their characters the clown is with us we see the hair let's suppose that it doesn't allow us to purify our makeup we are accepting that we are still able to identify the artists we reviewed some of the costume games that people talk to me a lot about the singer it is custom what the singer enters is the law of the

show

through what we said come on I understand that comes from what It is a cry that people shout in moments of great joyful anguish.

It is still worth it. We will overcome these difficult moments. It is a sieve of help in the person who is going to sing this and who must, in order to make this impulse, we must feel that vehicle, Alain. It was not yet easy, difficult holy cricq of resilience that consists of something that will still illuminate from Rothau both in terms of the scenographic lighting of the men who speak and the costumes of the angels who have something a little dirtier coincidentally that initially carries the suffering that they had on earth but the more it is worth the more it eliminates the cleaner and the more they have created a wind of renewal it is the very DNA of the

show

it is the way to approach it and then connect with 2019 that is changing in progress no, they do not know the first destination that comes is the idea of ​​a crown that we start from this beautiful large structure that also forms two realms of abandoned non-waste, so we only work on very, very strong, very metallic elements, when we integrate nature through everything to make it age, We start the show with a large curtain depicting the kingdom's ancient emblem, which will disappear to reveal a brighter back. of mirrors there is an evolution that compares details we understand that it is a world that evolves leaving transformation this show is a rereading of an aggregate that was created at the age of 25 we try to humanize it grills there are still portions tomorrow because the masks were in the old birds of the time that today they are called aristocrats we only kept as parts of faces that exaggerate the expression but that is much closer to the expression of each article unlike the aristocrats there are the branches and that is all that the wind of renewal brings is more people of the street that is a carrier of transformation Mr.

White, I have worked a lot at the highest level of cars, I think the strongest character was that the triads were learned in the first year in

life

and then that is in the Bello movement which is where my heart beats my name is not big and I am a designer the beginning of our forests from the bars to the aluminum factory near what hello my name is jean phi goncalves I am the arranger and musical director of the new show

alegria

I am very excited to announce that today you can finally download the first extract of the music that will be this allegri has reinvented the extract it is called vas y vas dry it is available from now on good listening to everyone vas y vas dry is a very beautiful song with a text very beautiful is a mother who through her son is going to make her

life

to discover for himself the madness of man there is a combination between the music and the theme that were moving and that again we start from all the works of René Dupéré that made for the first version of Alegria that dates back 25 years, so that's the goal is to update a little bit all this is like a little bit if I strip the piece and then Arabia. otherwise, basically the song is a kind of waltz with an accordion and since musically we are no longer in this universe, we had to remove the accordion and then I wanted there to still be this intensity there, so there are very high violins, the former activist for What people can expect surprises but at the same time and I think they will also recognize themselves in the bear who knew Alegría so the bus and a little to upset them without losing them will be accompanied by the show with two films that do a very beautiful stunt. number when we are in certain poetry with this version of news and we began to test the finish line in a project finally that we were going to redo everything visual the fences that we went to delve into these limitations what is the focus the images of first intention and say that now as a story could be put back sister 2019 each number we analyze it well because fiscal security the club is important is to bring out its personality then its great talent I can believe that a costume is important that they be Drawn in this sense, this is something who follow us very closely on the grills.

I think it brings a lot of credibility to the character that we meet in five stunt levels that will really have a lot of little nods to new things that people expect. we can have I see my work a bit like a design job I take a game when the person who in this case undresses a song I can arabi otherwise the essence of the song is the melody the text the chords all that and there our path will continue being like this the soul of the grids in 20 clubs there is really something very strong there is this show hours emotionally so I think it was really a precursor of justin sun that there is an essence that we must preserve something that we must preserve this magic while bringing a new breath before us show 2010 m he joy never knows and dough