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BACKDOOR: PARODIAN a AMLO en #mañanera; el ÉXITO detrás del 'TENIENTE HARINA'

Apr 04, 2024
Mexico Mexico until it got to me You are comfortable very close together very well you how is your life How are you Hello hello how are you with the penis the penis is doing it but pieces Hey but well realities no well What a pleasure you are comfortable yes welcome everyone eh thank you How do you say how things are going because here we have been recording for a very short time but luckily we hadn't started Hey what a horror Mexico loses Argentina also loses Nothing happens a goal in the last World Cup or in this one a single no has scored Yes the last goal was scored by Chicharito Hernández against South Korea in the second game I am absolutely sure Exactly José Ramón Fernández I am very happy to have them here let's see I'm going to present them one by one no applause Manuel Calderero jumps Why They call you the donkey the donkey or the or the donkey the donkey Why the donkey because I put up with a lot of what size shoes you wear Who were you inspired to do the interview with Vicente like a mix a mix between who between Marta dancing Okay between you, but I do let my guests talk Oh, I don't remember your name, Paty, hey, journalists, but about shows that just invite a person and talk about their life, Patricia.
backdoor parodian a amlo en ma anera el xito detr s del teniente harina
How fun you are, how successful you have been, how happy you are, very cool, who? We lack flour, he is already very famous, he is very hardworking, very hardworking with his series. Yes, 40 years ago, Señora, there was an event to watch the World Cup. I mean, you are going to come and bring the bottle. Hey, they are very cool, I don't really understand how they come up with making one like that. a collective what happened is known very well Well, this project was born in Brazil, in reality they are called ported funds and they are some writers and actors who worked in balloon but they didn't like what they were doing so much and they wanted to do their own project and they started working In other words, make your collective and start uploading your videos to YouTube and they become very famous, they have tremendous success.
backdoor parodian a amlo en ma anera el xito detr s del teniente harina

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backdoor parodian a amlo en ma anera el xito detr s del teniente harina...

And then part of the brand, the purchase, what a purchase, but I mean, how many are there, like a thousand, like what's good in Brazil, what's good? in Brazil So as part of the project of iba con ya and Porta dos fundos they decide to do it in Spanish for all of Latin America okay And then they decide to do it in Mexico they begin a series of auditions Yes of course they lasted years and we said no because we will no longer stay for sure any One of these days we turn on the TV now and then again they talked to us to come back from the beginning because I already saw you in a pandemic yes I don't know why that casting stage stopped then we made a pilot some of us who made the pilot yes We stayed, others didn't And then they opened again for new members to enter and then finally in 2019 it seems to me that we started already as we already left a little earlier and sorry for the interruption the collective in Brazil is digital native no I mean or how or was it for television for YouTube for Exactly for digital for traditional media that is also very interesting in this case yes And then it is not easy it starts here we started first in comedy central and on YouTube but then like Prime video becomes interested And then we recorded a season for Prime video and yes, I mean, the flour sketch is the one that already sends small viralizations like the penis one, good like the one from Champions who had like little pieces that became very famous, the champion one is a gem but flour was flour, I was there I didn't really know them, we didn't even know what the vibes were, two of them from the reform, no, they hadn't talked about reform before, before flour and then flour, it was very curious to see how the project began to grow in such an organic way. because the first videos came out and we thought well and the and the promo and the posters and our faces in the city that is where and I guess I had and this plan of let's go and see how it is generated and now with flour when to You hire them because in the end Well, they are all hired actors, not in the case of Mexico, it is not a collective, not all of them came out of the traditional media very disappointed, not in this case, in Mexico, they are hired And then when they hire them, they tell them it is a project for digital for TV for or how for the beginning it was for digital OK And yes there was, as the light says, a coin in the air Because as an actor, how fashionable is this thing about youtubers and all these people who, well, use their cell phones to make videos and they go viral Well, personally, for me, yes.
backdoor parodian a amlo en ma anera el xito detr s del teniente harina
I said, how come I don't want people to associate me with the fact that I'm a YouTube actress? In other words, she's not an actress who trained and studied, but she got together with her friends. and they did This, yes, of course, of course, much more homely, yes And then one questions many things, like what am I going to do and if they are going to take me seriously for other things and so on. Apart from the fact that it is a comedy that has quite delicate themes No and And that's how it came about, personally, if you question why Lento didn't get into it, but there were many actors, many people who cast.
backdoor parodian a amlo en ma anera el xito detr s del teniente harina
I mean, they wanted to be in this project and some who didn't and some who didn't even want to cast because they said, like, digital. I don't know, not because you are very married to TV, theater, cinema and the rest, it was still there, strange, but the richness of this project, I feel that one of the greatest successes is that they are very diverse actors. of many types of of of of of that is, for example, improvisers being dogs, comedy actors, no. I mean, there is like a bit of everything, actors, more theater, method actors, but it is much more about doing pure dragon and we all have a personality, let's say no.
What happened is that in Brazil it was just a collective, they were friends, they had been working together for a long time and suddenly they had the idea of ​​doing this exact thing and it had a very pleasant effect on Brazilian production because, well, Brazil is a microcosm, not where they have their own products because of a language issue so it was a success and then this thing happened that Poncho said that he came here and here it was the same but in all of Latin America yes the Spanish speaking people I think it was a very very successful, also because of the type of humor, no, and because of the manufacturing, you are not like a conventional sketch humor if it does not have another manufacturing, another quality, another quality of image direction, etc.
And I think that has made the people of soon say Ah well it's very easy to do it seems not Exactly that's what's attractive also no because it's also a bit of what sticks in digital Yes, when I saw the lieutenant for example I didn't understand anything of what was happening he said how this It happened and then I said No, this couldn't have happened but I think it's a bit that's not because but it's very well done, very very well done. Thank you. My question is who, or who writes this because suddenly he tells me, no, it's not that they write this in Brazil.
Ah okay Talk to me Well at the beginning it was easier, now this has evolved and has become a slightly more complicated bureaucracy because the project at the beginning was like the one in Brazil, that is, the owner of the Circus or one of the owners of Brazil had come. and he didn't sit with us, we wrote the entire first season, there were a lot of them, but he was there with us and then it was like that. Well, what can you think of about Mexico and then there are a few, there are a few that are originals that we wrote here in Mexico. but we wrote them with him so in front of us we told him what you think of Moctezuma's revenge and one of the first season's revenge and we wrote this one there together with him and then well it happens straight away of course now it has become a company that has different levels that They have a

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manager specifically, the owner who says Wow, that's not enough, we spoke suddenly, or of course they are still paying attention to this, but obviously they can't take charge of everything, not because they have their comedy projects, not just digital. but now they have an HBO newscast, special movies, they have a lot of things like the flour that went to make their series.
Yes, but that is what they already do, for example, for several years they have made a Christmas special for Netflix, like four Christmas specials and then the series. of flour For example, if it was a series that they wrote for Mexico because the flour sketch does not exist there, it does not exist there because in Brazil the flour was not the same, well, two boys from there the concept is from there, it does happen everywhere there. but I think that, in other words, the flour sketch is like a perfect formula that is impossible to repeat. I think it has to do a little with what you said about there being a lot of people who thought it was real, it is filmed as if it were real, of course, but it is also very well tropicalized because it is made with pure Mexican phrases that entered directly so that now popular culture, that is, many people already say Oh, dad, from Celaya, the other day I heard we prefer ham and the man said ham the boliches the talc in the shoes Once I said, This is not such a thing, it has already become piñatas, costumes for the little children full of flour.
Yes, look, it is full of cocaine, your teacher is going to love it. 18 years old, mom, leave it alone. Who else says that an event like this happens every ten years in YouTube, that is, something flour reached fifty-something million views How many years has it been How many years ago How many years 2021 This is the real thing I directed it like it happened to me in your hair seriously yes I did it unsheathed Yes yes Well then well now it has It has become more bureaucratic but it is written there, you tropicalize it, a team of scriptwriters And then they tell us We have this video from 2007 that still says that women are useless they want to adapt it There are some very old videos There are some very old videos There are some very old videos old people, there is no way anymore, we have to curate what we can still more or less grab, that is, they.
How long have they been there, well, about ten years, I think ten years among the actors, that is, with the scriptwriters, that this text is not that this is not for now Of course the actors have also taken us into account a lot and the sketches are always read And it's no this is very sexist this is misogynistic we don't like these because because in other places they give you your text and this is what you are going to say, I am paying you to say this, but here there is that possibility of dialogue and there has been a lot of openness also in the sense that there are more women in the casting here in Mexico, it did not begin to open like that yesterday they were more men were the friends, of course, they were pure men, more openness, they also changed the roles in the original sketches, they were The Boss and two male employees, now they put the boss and two jobs, when gender does not necessarily intervene in the comedy, these actors become 19 19 es The one who sings beautiful chili for me is very cool because I had to see it, that is, to see the sketches from the outside.
Of course they were commenting and I loved them and I already knew many of them before with Memo and Vero for example, I already knew me for many years then when I saw the one about flour and everything was about enjoying your friend's success and that there is such a good comedy that is so sharp with different nuances as I mentioned, light is something that I enjoyed because obviously as actors who is one of the initiators, you donkey and I but Jerry Then he made Los Chamos and he often came back, the opposite of what was happening in Brazil, which was a group that generated this, this generated a group and then now the truth is that we no longer see each other, just for calls and to record, we see each other. to watch economic football we knew each other from doing a program before that was called my news cut Omar and I had done impro a long time before news was in image where you guys were scaring me all my life about the monkeys not because let's say I saw them every week How often did they record once a week and each time it scared me, so the contact began, they looked for us through the image and the people told me about the scam, that's how they are looking for you from Adela's program.
Yes, of course, but I told them why they keep scaring me. It's just that they were very cool, it's three hours of makeup, they couldn't say many things or do many things at first, yes because no one had seen us, of course, they realized, they said, what are they saying, buy their pin like this and look, you already made yours here, everything. You can say that my news section is going to have a boy without a mask. Tell him the truth, they're already in it, now at 15 years old, imagine that we had to record in the Fox store for a month and a half locked up in the second season, we all They did the test, they were all negative, they all go inside, in reality, they put us in and Fox closed the door, you didn't let him speak, no, never And that's a difficult thing, it's not a matter, wait, who was locked up there, we were locked up apart, strengthening ties, we went to record the entire season. second season is a character, a lady is fun, not because they didn't leave me without fear that Mrs.
Martita wasn't going to be because I don't know that I proposed it to the production and they didn't dare, but what happened is that Vicente didn't It's really funny or something like that, but I would have gone in. Of course they would have had a perfect time. Because I wanted to go tour the gardens. They have their own. They have their own. This spectacular Senate production a couple of times. Who votes to legalize abortion. What do they do? our deputies, but imagine how much fun we had, they had a lot of fun. You don't know, I mean, every time we get together, we don't even get excited, even in the readings, too, and you learn a lot because like the society and the culture in which you have grown up, sometimes Even my colleagues my colleagues make me understand things that I say that they say this is not so good and I say but why Then they explain it and I say Oh yes it's true I mean you start to re-educate yourself Almost almost but you pass it byYou had fun, some of you knew each other, well, you, us, at the beginning, as is true, everyone had this thing about comedians already or because they have done everything, but I had done something, but a novel like that, but at school.
The truth was almost always like what the most creative was in comedy like they gave me drama and I did it but it was comedy and I threw myself into everything like that it's just how you look at it I don't know but it went down well but you know what when I because at the beginning we did an improvisation workshop Ah, ten days when I have to do this, these personalities don't. I mean, I said, tell me how it was. What happened, well, we had to be doing exercises, improvise, improvise continuously and I was almost always like me, right now it happened because I followed him but I saw them and I said, It's the first time that I felt like after graduating and so on, like too much insecurity from the point of saying, Son, maybe they're not going to choose me, or because you saw them as very good, very good, and they made me laugh, and then I It was like the Bravo audience, of course.
I got very nervous and even more so when this preamble to this is a callback and it's a callback and then you're with improvisers who have been doing it for years and you say, Oh, asshole, yeah, go ahead, no, to one of the ones. who originally did it in Brazil met me Because I went to Brazil on a trip And I gave them a course, he gave an improvisation course to him and several others And then he came looking for that workshop for this cast because he thought, or let's say it was As part of what they did, they started doing impro and they started doing food and so on.
And from there the idea was born. They said it would be great if the Mexican cast had that background of improvisation and that from there we could and then well, nothing. It is a course where from the things that each one brings from their imagination, from their comic encore, from their fun, etc., how to take it out, polish it and do what, what, let it shine and then, well, the truth is that it was a very rich cast. in that sense Because everyone had, as I say, a lot of talent, including no there but it was difficult because for example a ten day workshop was already improvised the basis is from accepting the proposals you build things So for example I say to donkey Oh doctor Notice that my tooth hurts.
Then he accepts that you also eat a lot of muégano. And from there we built and what we did was these small improvised story situations with a comedic tone but from that and what each of the cast brought And the truth is that it was a cast, it was a very rich cast, so the improvisations were hilarious, a very fun process, very fun. Hey, how difficult it is, because it's the debate that has been going on lately, it's not doing comedy today where there are themes that they no longer proceed that they cannot not be treated in a light way let's say no Not necessarily with humor but in a light way how difficult it is and how much care you have to be Or which one I don't remember who I asked the other day Where is the line How You know the line, no, I don't think you ever know, it's not, it's rather I think comedy also has to do with sensitivity, no, and in the case of black humor, what we do most of all is I've always said that it's like a gourmet dish, no, no.
Not everyone knows how to prepare it and not everyone likes it Okay so I feel that to make a good black humor joke Yes there must be a certain sensitivity to know at what time when Yes when no when it is soon when no and I have ever seen a comedian who said that if you can make a minority or someone vulnerable laugh at themselves without feeling offended. That is comedy when you can make that sector laugh and not feel attacked, that is the key, it is a genius the people who manage to do it, there are a lot of people in the first world, especially not we are going to go step by step, but in the first world there are people who do very fine comedy and I also have a theory that if something doesn't make you laugh and you get offended That comedy is not for you, it is not written for you, so you cannot be offended by something that is not written for you, no, however, I feel that this is a key point in comedy.
I do feel that there are many ways to be a comedy without need to fall into the crude in the vulgar in the read but in the rude I think you can talk about the same thing in a way but nothing more than that requires a little more coconut a little more I think I think there it is What to do has to do a little bit, as Luz says, with sensitivity and with being a little bit aware of what is happening, not And of the struggles and of the voices that are trying to emerge and that in some way you sympathize with them and it is also true that sometimes it is not that difficult.
Only because we are used to repeating jokes, we are educated to laugh at some things and suddenly transgressing that implies that all the pieces on the board move and that is threatening and then we don't want to let to laugh at the same jokes that put us all in the social place we had, no, the woman is crazy, this Moreno is lazy, you know when you move those pieces and suddenly I don't know, it doesn't mean that they don't say, it's that they don't anymore. nothing can be said, there are not many things that can be said.
Only we are no longer going to say the same things and it is difficult in the same way, getting deep into ethics, no. In other words, there is a question that has to do with me as a person who does comedy, as a comedian, I have an ethical limit that allows me to make fun of certain things that are going to transgress or that are going to offend or that are going to minimize a sector. So I don't do it and it is also true what you are saying has a lot to do with time. In other words, today's current situation is very different from ten years ago, three years ago before the pandemic we had a different sense of humor and now we already have And I think that has to do with the fact that there is an ethic, no, and there is a kind of like a denominator no And that makes us suddenly think we don't like this topic or we don't like this way of approaching it and I also think that the fact that a collective work where everyone has a voice they say this has generated a very rich thing that totally enriches mentioning as two key words for me in that process that it is an empathy that I think was a little bit what Poncho addressed: becoming aware of how the other feels about what you are saying and the other opens up the error. eventually and this ethic that does not allow us to say certain things because it is going to be a little ahead a little behind tomorrow's And then understand that that does not make me or define me as a person nor define me as a comedian and I do not have to agree I agree with myself from yesterday, I think that this is also a process that we have to address and a little bit of what I was talking about about the conversations that occur in the readings.
So what about six months ago it seemed funny to me, but it's good to say it and be open to receiving that And sometimes it also happens that we do something and we try to turn it around and give it another meaning and people take it in a different way and it's also like us saying Hijole We try to do it differently but there is someone who was offended who always There are always people who are offended, however,

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I think it tries to take care of many things and it is a comedy that the last thing it wants is to offend, they do not address delicate topics, we like to play along the lines, we do not want to offend, but if we like social, very clearly no. social more than anything and we try to.
We are always going to laugh at The Victimizer and not at the victim. In other words, let's try to take the comedy towards that asshole there by doing less to others because there is a lot of comedy in that. And I think that as a society we It's good to make this complaint, this comedy talking about a guy, let's make fun of this idiot a little bit and see a little bit about what a bad flour yarina. Of course, but we can laugh if it can be a brutal comedy and there we are not doing less to anyone who is already in a place, I don't know.
I feel that there are ways, this one is Lieutenant Florina. It is a very cool example because in the series I think it is possible to go deeper into the characters and just when we make fun of this idiot we have to understand two things that sometimes we are also that idiot, of course an idiot. He can also be a great person or he can be a great cousin or he can be a great friend, so when we all make fun of each other with empathy and in a loving way, which is a word that I really like, and then my colleagues make fun of us, but in life, when we do it empathetic and loving way Well, that also rewrites history because you also give that idiot the opportunity to question whether you want to continue with that part or if you can take over it and be all those things that are wonderful.
Likewise, and to me personally, That's what the cancel culture pisses me off, or this is what I wanted to tell you, no, who can have that right, not to cancel someone else, you know, it doesn't exist. It's as if Twitter were a Roman circus and people were hungry for Franco Escamilla. The other day, cut off his head. I mean, no. Yes, like that. I think that a middle point is going to be reached. In other words, a middle point has to be reached. We didn't always live like we were mocking or making fun of someone else's abilities or preferences. someone else's sexual relations and right now, maybe that group doesn't feel offended.
But then this guy comes out all the time because I don't know whether to defend the group or attack another person. You understand, I don't know how much, but every Revolution has to be first. extreme no I mean it has to come with everything hitting and breaking so that then there is a return to normality with the conscience Mexicans because we have a sense of humor and we know how to laugh at our misfortunes yes no but also I think that the Mexican that is We have a sense, we do not yet know if there were fatalities or not, what size, what dimension is the tragedy, when there are already jokes and there are already things, we do not have a great sense of humor, yes, I think we have a fairly vertical sense of humor. to do with this vertical relationship that we have as a society that we have to go as equalizing and as a medium no.
In other words, yes we have a sense of humor, half this half oppressor half the fat one the Dark-skinned one the crazy one the gay the sucker also the culture no we don't have a culture that worships death for example. So that relaxes us a lot about death, for example. There are other cultures that have a resistance to that and we make a whole day of celebrating two days of celebration and you you eat it in sweet but in bread but in chocolate to death to death Hey The good thing is that I was not going to drink tequila and I agree before coming I got the flu vaccine I am taking tequila perfect clean everything clean everything now Not always in a sketch does everyone appear and not all of them rarely but how do they think who this sketch is for who decides all that Who directs the directors no and they are the ones But you when you go when well you are adapting you are already thinking the directors are the ones who What do they choose?
Well, who and also the times of each one because there are some who are suddenly recording other projects and then well, that's one thing too, father has always been like our house, let's say, they ask us, my house, Televisa, my house in my house. It's going to end and there's always like this opening eh For example no no but my house I mean I lived in Televisa all I needed was my bed there Lolita and Adela What happened my neighbors were López Dóriga and lorettes those were my neighbors lately the last few years yes the net yes Shut up Don't laugh so hard in our house you sign for eight months of soap opera and you scrub and maybe we will call you once a week yes you join the other company Because I know of people who went to promoting Sobritas and Pinocchio in the other company But people who had never done television and who once did the promotion of children's work and wanted to do something on Televisa and I told them No sir, you can't happen, it's another incredible thing that It's our turn to live.
I mean, I remember that recently my dad told me when you studied acting, I never would have imagined that you would have a moment like this. I mean, because before, you were on Televisa in Azteca. Or you were from the very group that did it. cinema that there were 15 people right now is impressive. I mean there is a quantity of content, I mean you can make a series for Disney and then one for Amazon then one for Netflix and then the ones that come out next week exactly and eventually but it's honest we have injuries from childhood of acceptance makes you cry tequila said it arriving if you want to cry that I have been alone for 4 years I feel so connected to a hole but alone but let's see there is a lot of ego there is a lot of vanity among actors there are 15 to the Little Monster There is always there always, but my experience with this group specifically is that before that there is a good vibe and there is a humility towards the work and everyone knows what they have to do, everyone does it No, that is, the actors already go with the texts worked when they are the readings and we read them And if there is something to say then we say it and etcetera But we assume the role as well as the writers and the directors and etcetera and and the people who are in charge of the production which is also a super complex job so I think that this has generated and that is why there is such a good vibe because we just have this thing that but there is no one else here, that is, everyone goes to work because some of the cast are missing. whoever arrives takes care of themselves, no, but yes, but I'm going to tell you one thing, although there are always those who do, for example, when it comes to makeup, you're going through the one that is.
Seriously, seriously, even with new people we have a very good time cool Yes and we always want to add to the sketch it's a thing to turn out wellOnly if you shine, that is, you have to do a shared collective thing. Oh, I wish they understood that in the selection, right. That they do comedy too, but it's involuntary comedy. They're not patient because they're doing heart. It's just what says light, the more, for example, when we're locked up. at the hacienda Imagine how cool it was every now and then that you have to pass the text, it's going to come out like this and you have to do the washing in the hotel's hand and then it was I remember that I was the first to say, give me a pink panther like that.
Why did you ask for a pink panther after 2 weeks if you got the first two sketches I don't know in the morning you said oh I'm going to record my sketches it's my turn to do the last one later you were going to tan of course we've always wanted to return to that work dynamic I mean I'm I'm sure it's the best thing that's happened to us, he put on a horrible mask, the world's favorite, that is, we wanted to be fat because we were always laughing. Who could we do? So we have a vibe that we even look like children.
Okay, what I perceive is that he feels in the project. Not yours. I mean, there are new people but they are cool. Also with us father because I mean it is their project and they feel it is theirs and then you do everything so that the project is the star. I think that for the production it is we are a real pain in the ass. head because you have to yes because because there are 15 agendas because we are going to record Tuesday Wednesday and Thursday who can Yes but until 12 I'm late I'm going to leave at 15 No I'm not going to be able to, that is, and and distribute equally as much as possible possible the sketches and every time there is reading this I don't like this I don't like it either, I mean it's a I'm sure it's a relax But it's also true that we all know and the production and the channel that that's where the gold is and in that we feel committed to what we are saying and that we do not repeat what they tell us but rather say we want to make a comedy that remains a clear career priority No because if you say No well it is that I have my series my work then and Back door is nothing more than we always try to be, that is, to do a sketch two whatever but to be and the reality is that I say I dare to say to say I don't know if everyone thinks the same but backgroun has been a watershed in the career of I mean, everything has been for me, it has brought me many good things, there is one thing.
Of course, they relate me a lot with comedy, not as an actress but as much as a comedian, but sometimes in projects, yeah, of course, not as an actress, no, and The bottom line is that I really respect the work of a stand-up, but of a comedian, of an actor, yes, because sometimes they see you doing something, saying something, and you should do it, stand up on a stage and say how you speak and express yourself and My son, that is something else but yes. Suddenly it happens that you realize that a producer or director is looking for you because they gave you your job then.
And many times as an actor you are there, they look for you because they come here because you are at a party. and you see that the director so and so is there And you say Oh Chale all my life they have told me go then introduce yourself Hello So you are like in this thing of go no don't go no you're going to look super there desperate I don't know what And then that person arrives with you and he says, I don't love what you do, look. I mean, yes, for me, it has been a watershed.
All of next year's films have a guy from Baghdad. We've already started. There are two that have just been released. One is Manuel, the other is Tovar. with Dani with Vero this one they put everything green Yes yes we went there they discussed that a comedian is also an actor and milk a good actor should be able to do comedy because I think that a good comedian could not maybe do other things completely No in fact Look finish After Héctor Bonilla dies, he is a reference for everyone, but he also has some very nice words of farewell that are circulating around there that are very nice that an actor says is a good actor to the extent that he does everything every time. musical comedy and every comedy and to do tragedy and to do such the truth is like a chef a good chef I don't know or maybe they specialize in making desserts But you have to know how to do the other thing to be a good chef so I think that has It also has to do with the artistic work of the actors.
A good actor, a good actress, I think must address many genres, have many possibilities in their work and acting possibilities and show them and to that extent they will have work and will be able to communicate what they want to communicate. what is necessary to communicate through the film, the play, the series, etc. and there is no fear that they will be punished as I said only in the comedy as a result of this. Yes, of course there is fear but I think that the project is very noble that it also requires, as it were, an acting tone that is very realistic In other words, we act in a hyperreality, that is, in the background there is no one that we do what is funny and we, the truth is that we are acting and based on the fact that we act with verisimilitude, laughter happens. because Yes, it's just not the tone of comedy without

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acting from any of the television comedy where there is a sketch that clearly has a tone of making it funny.
We are not situations that are nice. Because it is a situation comedy, then I think people pigeonhole the directors. the producers, that is, because suddenly they don't cast me for a drama project because I would like to do it because they say how come you are very good at comedy. So as a producer, I take the risk of getting you into drama. Son, and for me it's like, Sorry, but The producers of backdoor took a risk Because if you see Bagdor's poster from the beginning where they don't even have the funniest memo, none of them were not famous actors, well, they weren't these actors that you say.
Oh, look, it's a comedy, look. It wasn't just made. a punishment, they believed in us, they gave us that opportunity And this was the result and I think that sometimes it is difficult for producers and directors to take the risk of grabbing people who do not relate them to a genre, you know, and if you see people who do it, you don't. And it's also in one that the great actors make me eat. It also happened to me that last year, let's say, I rejected several comedy things because I no longer wanted to continue doing the police, which is how it happens to me very often, but I had the opportunity in Theater, for example, that also happens to Poncho and Vero, no, we can, we do other genres in theater and then the people who see us say Oh, it's not her that it's not him that's the debate Oh, tell him Okay now We'll see you in this side and I think that also in one do like this this this pause say OK now I'm going to search no it's not always easy but I do believe that the responsibility is shared both by the directors and producers and by oneself say I want to train myself in something else I want to learn to do other things but and My question now goes in this center the questions posed to see if we can expand a little on the topic suddenly if we see comedians not this one or what Defines a comedian that is, Who is a comedian? a question that is often not this: Who are our Mexican comedians, for example, because I don't see apolopolo doing drama in reverse, what happens when acting, what happens is that in very very schematic terms, the actor is the one who acts, there may be good actors or bad ones. comedian actors is the one who does comedy because whether there are good comedians or bad ones.
I think that this is within comedy, which is a very vast and very broad language, there is comedy, there are comedians who do monologues and they would not be interested in it, they would not have why to do it. sketches or acting in any other way do not dramatize, there are actors who do comedy and suddenly maybe we don't do it while being there, maybe it's not that we can't, maybe it's not our interest, no. Or there being dogs who can be fantastic and maybe they don't like them. interested in doing theater or acting, I think that comedians are those who do comedy and within that we can classify: There are good comedians, bad comedians, average comedians, etc.
Or there are other different types, there are other genres, it is a specialty, let's say the matter. I think that the Well, I understand the comedian. As the one who generates comedy, we act comedy but many of us. For example, we do not write, we do not generate our own content, not this one. I think that the comedian is that, that is, the one who writes series, the one who generates acted or non-acted comedy when I had to do it. a novel with Carlos Espejel or Adrián Uribe Then it's like another joke slips in. No, no, but if it's another, another good guy, he's proven to be quite incredible, too.
No, I believe it because there's a border that's a bit imaginary and that people established by seeing someone many times in a certain type of work, that is, me a little bit sticking to what Omar said, an actor is the one who acts and I believe that if a comedian is a master of his craft, he has the ability to create these imaginary worlds. comedy-oriented takes the step And that is, and does it with openness with honesty, it is going to be able to connect a convincing performance and it is going to be powerful and it is going to be able to convey no.
I mean, I think it has to be more conscious from there to here, that is. from comedy to drama than from drama, food is easier than comedy, he knows how to score goals Well, maybe later playing defense, it's true that he has become an impressive actor and he no longer only does comedy, he is a and he started doing funny sketches we were talking of Bonilla but for example Héctor Suárez Héctor Suárez was a torah all the actors who do but do not do comedy could do it as there are some who are dedicated to comedy and who can move through other genres with great comfort I think it is easier Yes, totally a comedy-drama, which is easy, but it is much more difficult to make someone laugh, of course, special sensitivity that is accompanied by this histrionics and the power to really be on stage and in a situation than when you take it to drama.
Well, that part is already done. You already know how to be in fiction but you have this superpower of Oh and I have a sensitivity to know how to say it and at what speed to say it so that the joke is certainly clear to consume comedy I think that's key no Because many people ask me Hey I want to start do with it, what can I do, watch comedy, watch comedy from all countries, watch as half a Mexican start reading written material from before, feed your brain, go to impro classes, it seems to me that it is one of the best therapies for and one of the best workshops. to make good workshops for life from Daniel also Daniel García but you continue so much then you give the workshops where it is.
Look the truth is that I give Chapultepec exactly but the truth is that this is a tool for actors and especially for actors They are going to make you eat, but they are very cool for everyone because they teach you to accept mistakes and have fun with them and not to box you in. I don't have to be perfect and it's a philosophy even for companies like that, there are a lot of these politicians because they ask that they write the scripts for them and then they are given a course. How you have written scripts for politicians, improvisation is a training that basically the muscle that makes you suck Ah right now, finish the girl if you want her tequila so you're going to stay mopping in the end I am very interested in speeches for politicians Generally a politician has someone who writes his speeches you then the no no to see the contents not the forms the forms How to make it so that it is not so stuffy in terms of not being so no and Then That has a little to do with how you approach a speech A question a question etcetera and this and for that there is training So yes there is we give courses for actors and for people like that And for politicians and for people who executives who Don't say who it comes from and for example You think that these children are very stuck in the grid But you think that if there is a change in Mexico in the way politicians communicate, of course a politician is ultimately a salesman Yes, then a salesman who He does not know his Target because he can hardly sell and the target, which in this case is the consumer of the discourse, changes and changes.
And then of course the politicians, like all executives, of course, the medium, the target, the public that receives the information, then it changes. Of course, suddenly I want to be nice, well, that doesn't work, don't be dramatic, these Northern Boys were very smart, they also do it very badly, which is better than not, it doesn't seem fantastic to me, inadvertently it's voluntary, catching the moments and the moments in voluntary. Peña Nieto was also a community manager who was looking for a good communicator or a good yes communicator López Obrador Well, look, I think he is very clear, come up with a slogan in the morning, suddenly, I'll tell you an anecdote, we were once at the cinema with when there is an anecdote at the cinema and an advert for an action movie starts and suddenly a child who is even 4 or 5 years old shouts hugs not bullets Wow Oh that is to say it permeates in a way the slogan he uses is his own I find it incredible when soon for that you want the brains of the population to be clear and there is no doubt Well, the man is more propaganda It is part or advertising just like how you take your Bullet points from a conversation The guy has them very clear, he has his slogans and it hasn't come out of there for a long time but it doesn't come out in answering no this one Look I'm going to tell you to see this Margarita What's your name Industry extends and there we have all the colleagues who do that to have more time Here you see the mornings for example I think it's clear to make a video of the pauses of Andrés Manuel sololasbreaks Tamayo who knows How many there are 1,000,000 of 2000 to the beauty of the painting one of you went to the march on the 13th to neither of us we are not dealers we do not bring exactly the first one yes the first the first that I remember a lot was when in front to the United States Embassy because it was because they invaded that was my first march and my dad was stuck in traffic and saw me he didn't like getting to work they were finished I say to many this that yes teachers that if missing that 43 Well there are several There are several marches during different for example women No I have not heard also but but the women of the community are required a big one a Carnival What happens is that this march is not more than a carnival it is like the there are several forms to delete it because just being in heels walking down the street is political.
I mean, it already has a lot of politics and it is something transgressive, exactly, there are groups of people who killed their children, no. I mean, I don't know about people and just as it is a celebration of diversity of people and a celebration of pride in being at the same time is this thing here we are see look at all these people who are walking is real they exist and they are part of society and they deserve we deserve everything we have to make them visible Hey we got lost from some joke here that I'm like huayno bordering on me, with that group it must be all red by now and things that they have that they have never paid attention to us that they bring out the Blue because that would be who we tell in each season it was like a Of course it could last longer than the silence Hey but what And then you have to cut yes we try to concentrate but again with this person Oh no no but I couldn't And apart from how they improvise Imagine that they improvise and I'm doing it assuming concentrating I was concentrating And then they were not doing the scene and I was like that and then she told me something that came out of her sleeve because I moved a candle and she was obviously a Seer And then it was like she was with her eyes closed and I do just like that I move the candle and she makes me like that but with some eyes and I start to laugh but I laugh and I stay like that and Daniel García and Daniel García is crying for the loss of my mother Excuse me and I mean but I already I couldn't stop And then they kept recording a sketch that wasn't the script, obviously it was a sketch that they improvised and I couldn't stop playing Rey, so then they let me run to see you, we're going to have to clean the entire locker room, of course, it wasn't. recording and the sand was poured and they had it Go take a bath we were talking about politics there are times when the truth is not so clear the audience's question of how flour was made and if it was recorded and how many times it was recorded And now what They are cutting their lies like two discussion groups, all the sketches are thrown at them in a row, sequence, there are no cuts, there is no cut, and it looks great, yes.
Hey, notice that I have a situation here for you, it's for you, since you like to improvise, Oh, don't wait for me there, teachers. I always give them the Mexican League, you bastard in the afternoon, don't make it up, it's 9 pm today No wonder I'm also very sleepy 8:30 One day in the CDMX subway Okay, they have to improvise that situation for me, but we're late, okay? fashionable toy the toy is really pretty but let me pass please come down in the next one the teacher came but they happen but trip with the backdoor we have thought It's good that he didn't come what a sucker Now the clear how the balls fall to them little boys and girls everything Let them take it, it's going to be free they gave you Oh, they gave me two less Oh, I'm not boring, they gave him five Because he's a man, we're going to end up fighting, breaking up the relationship here in the saga Oh God, you're holding on Oh, I'm very cool, my followers love me a lot Godínez receiving the bonus, I think they made a mistake, one week too long, leave me the one you take away with pleasure, you have behaved very well, this bonus is already on the payroll, Mariana.
What is that, that word from those who are here, are the 500 pesos that this not because she works here but she is a lucky girl, don't be fooled. Then I owed you 250 of the flan and five of the necklaces is the bonus, my Kings in the f1, those who are watching what dawns, could go to the f1, the truth is, what's up, sorry velodrome And you say Amlo's morning let's see Poncho What happened welcome any questions Good morning this is how it goes like this say hello good morning Good morning Cheer up reporter Excuse me Mr.
President today they are also going to give tamale cake with Chipilín let's see the people's polls people like it the chipilín you would also have to say something like and now this YouTube video let's watch teacher then take out a piece of paper show us a fight between neighbors your dog is the little one not this one what is this your little dog no my dog ​​is not the little one my dog ​​is more Bigger than the little one, what is your dog? I saw it on the cameras. Your dog. This is your dog.
Let's see what your fart is with my wife. Hey, what happened my love? I can't get my car out. I can't get my car out. My dog's letters. They are bigger for that reason but also your dog can't get here either because yes car if its gate is closed to you Again my love My love don't get in there no problem Please please don't get in there the problem is he wants to get the car out and he's the landlord is closed It's always the same, you people from the province, right, bring me a drowned cake Canal door Cancel the cancellation door of Guadalajara of Guadalajara but well, yes, he has gone to Tequila Jalisco we have to go out we have to go out of tequila but look why are you crying Mexicans in a world cup How many do we have to put into Arabia Look, I put my tequila in, the Mexicans celebrate Even if they lose that flag, gentleman, nothing touches, the greedy envious person wants to grab 30 lashes, that's how my cousin won The dumb one, the competition is not great among all of them because there is YouTube Facebook, some on Facebook are different, more or less, more than 1,200, there is their Instagram, their Facebook, there are two seasons on Amazon Prime, not two seasons, and another called Tops, they have not received the royalties, they are called that they are attached to YouTube. and also this flour that Where do they come from on Amazon there is a compilation of sketches that you can leave while you are mopping that is very good and I have not seen that sand series that there are only a few chapters at all and I liked it a lot it also touches on delicate topics of that of the police here in Mexico and if there is a transition of how the police enter and how it is done the next day after the video of Ah okay What did you do to my office at school, imagine It is very beautiful, the truth is very beautiful It has different types of humor, different levels, very well written, both seasons we already have all our social networks and we hope that soon they will give us some sign that we can record the second season because the third reality did very well but in the meantime you continue recording sketches and making cuttings feeding the Facebook page all in and they do it very very well very well they are doing other things you are in theater I am in theater right now in the class with Leo de Lozano at the Manolo fábregas Thursday Friday and Saturday I say no Friday Saturday and Sunday Friday Saturday and Sunday internal with José Eduardo and Alejandro Hernández, every Thursday in December at 9:30 at night, an improvisation show called Club donde hay un demon, which is Pablo, what's up?
Well, a friend who is out there, who is the host, invites four improvisers and one is going to save himself thanks to the public's favor López Obrador I am doing a play called ghost stories in the Lebanese theater Fridays Saturdays and Sundays spectacular Milanese Milanese they renewed it like the 80s I am about to release two films that have not been given a date and well we continue recording bagdor next year We also have a project pending and well don't miss the sketches because we recently recorded some And surely They are going to come out soon.
Very good, My Father-in-Law Hates Me is a movie that premieres on December 22 at Cinépolis so you don't miss it with my Tati Cantoral who plays my mother and as you can imagine she is crazy how bad I love you this too It comes another season well Apparently I'm falling laughing and what else who knows anything else Ah maybe I'm going to do a musical that's not yet good it is a fact but I can't say but we can't say a musical is going to be fine cool it is impossible to know what we sing an ideal world of pure but this world will find no one who says no Or where to go those who love each other such a dazzling new ideal world where they had already risen with Clarity that is coming because I still do not sign but in theory I sign between These three days, so check it out.
I'll release a movie called Wicked on December 29th, a week after Jerry's, so make it a weekly habit. It's very important that you go on the first weekends, read the movies, then make a lot of pretty people come out. and it is Curie Alex Fernández who is incredible Anabel Ferreira comes out very nice comedy of course she is a great woman she is incredible she is incredible and funny and the film is very very cool December 29 in her favorite cinema evil all of December is going to be released for what we see and I still don't know when but the movie I made with Diego Boneta called Midnight was released, it's a movie in Spanish English, let's see what's up No, because it's my first movie in English, they only speak Spanish, there's still no date but Well, it was already announced that it will be released.
I think it will be released next year and I am also going to do a musical that cannot be said either. But they told us. So I don't know their things but next year. Oh great, I'm talking about Diego Boneta and now to say goodbye and what we said was how difficult it is to move, not perhaps from comedy to drama or vice versa. Suddenly when you are actors and there is a character as strong as the one Diego Boneta played as Luis Miguel that is more real than real no this how how you saw him suddenly it is not easy to hang no to the character this how you saw Diego in a role that is not that of Luis Miguel gorgeous not only gorgeous he sings already very very cute very talented I think he lent a lot to Luis Miguel no a lot of him but I feel that in the film at least the experience that I had is It's like a character that did manage to let go in me in my experience he managed to let go this character in the film is closer to him I feel that with Luis Miguel I did have like the teeth and certain things that he had to do that he did very well and here I feel that this character is closer to what Diego Boneta is like Okay no And besides, he is a great guy, he is a guy.
Very attentive, very kind and very him. He also produces the film together with Michelle Franco and what they call three friends, your producer, then I was very attentive and in the scenes I suddenly asked myself, Hey, how can I do it here? I have to do a comedy but the truth is I don't. It's scary, that is, yes, yes, very open, no to me telling him Well, do it here, no, but very, very sorry. What I perceived was that he was able to let go. It's important to see how the public perceives it. Hey, one of them, too.
The examples were the one that Julio César Chávez did, Armando Hernández, who did an excellent job. Excellent, he got involved, he prepared, I saw his process and I say, I admire him a lot as a person, as an actor, but he continues to detach himself from this, it is still a comedy, he continues to do everything. and that's very nice in an actor not that they open doors for him and that he can continue doing different genres and it's also cool that it was with Diego who didn't just stay there and already done more things of course that's probably going to happen is going to happen with all of you and many good things are going to come because you are really very talented.
I haven't laughed so much in a long time watching comedy. The truth is that this involuntary comedy does make me laugh a lot every morning, but this one. No, really, because then suddenly I don't. It's easy to make people laugh, no, and there are people who are harder to make laugh, but they do it with a lot of talent, a lot of talent, congratulations to the entire team, to the actors, to the writers, to the adapters, producers, directors, to everyone, congratulations, the Planet's net, follow us, thank you to you

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