Chase and Melia React to Live Clip (2022 IU Concert 'The Golden Hour : 오렌지 태양 아래')

Hey guys, welcome back to our channel, today's video is another sponsored video, so a big thank you to Sam for sponsoring today's video. We're

react

ing to IU again, our girl IU, um, this is a more recent performance, which is super exciting, we just did it. our killer voice so if you missed it check it out but this

clip

is from

2022

it was her

concert

she released this and this is her song called my C so we're super excited for a recent

live

performance by IU, so let's see. Tell you anything else you can um yeah okay yeah if you're new to our channel we're Chase Emilia and we're singing teachers and we're also singers so we're professional singers and we love the voice and we've studied the voice for years , so what we'd like to do is take apart what these professional singers are doing so we can break it down for you and use it for our own techniques and our own singing in the future, so if that's something you think you'd like go ahead and hit that subscribe Bell definitely let's start it's not what it is let's start foreign here today change again song come on God is foreign I feel like the way she surfs is the high part of her sign up we talked about this last time we

react

ed to her she has such a forward nasal resonance that is so necessary, but also really bright in that place of his voice, like it really sounds.

I think brilliant is the best word I can come up with. I find right now one thing that I think I struggle with as a listener in general is that I get very obsessed and the idea of ​​efficiency and people say that all the time on the channel. That you know, it's probably hard for me. I enjoy things because I'm too busy thinking about optimal use of voice and all that kind of stuff, but I think one of the reasons her breathing doesn't bother me much is because she's not pushing. I know it's that she's just letting it out and it's that you know, I definitely don't think it's the most efficient, but I don't know, I think it's going to be less harmful than a lot of people who have that equal breathing. because she's not going, yeah, where is she, it's, not only are you doing that whisper, but you're also pushing it, she makes it a lot easier for your voice to do that over and over and over again and I think that makes There's a big difference in how we said we've said this for years on the channel, how you use your voice matters, yes, and while sound, of course, should be your goal sometimes, how you use it matters, so if you goal is to breathe. thing and that's what you want to do, that's cool, just make sure you're like IU, don't push it while you're doing it and that's one of the things that really surprises me because I've seen some comments like wow.

I'm surprised Chase didn't say, you know, he hasn't destroyed the breathing thing, yeah, and um, he would if he felt like he needed to, but I was literally thinking about it myself, I said why hadn't he done it and why? I think that's where the difference is for me. I think you also bring up a good point when she fully engages, it's a very efficient sound that I think gives us an idea that she is more than capable and choosing to do it. She sings, you know, in a certain way for certain effects, um, and I like it.

I agree with you that in my opinion the beginning of this song isn't even as enjoyable to listen to as it was until she started playing that higher part. from her record that I think she really

live

s on and then it clicks again for her too with the

concert

s, we never know the circumstances, this could be in the middle of the show, you know, you've sung an

hour

, 45 minutes, 30 minutes, whatever. I know there are a lot of real-life aspects of singing that impact our instrument because our instrument is our voice, so our instrument is our body, I mean, and I think those are things that we always take into consideration when we're speaking. about live performances, but I mean, with all the singing we've seen her do, I think it's 100% intentional, yeah, you know, I think it's a style and a technique that she's honed and made part of her sound. and how he performs as an artist, so you don't know, even if it's in the middle of the show, I definitely think that this, you and I are not you and I'm not very interested in singing in whispers, yeah, I think that's probably a preference and so and so you know, we can't wait for her to move on to the next part, yes, but I definitely think it's an intentional choice, let's move on, it's so true tonight Christian foreign mother she hangs over her hangs out in um it's just awesome, the place where she hangs out there and goes there multiple times throughout the song in that Melody and I feel like she has that really direct resonance that makes it very exciting.

It's not the same as singing well as if you're not singing because you're not actually using your chest voice in that space, you're just having this really incredible forward nasal resonance that I think is a product of good vocals, a product of good air support and resonance. yeah, it just serves that, I think uniquely, um, not uniquely, I think just a really efficient sound, yeah, it's kind of like that clear, penetrating quality that I don't know. I look for it in different areas, like at the beginning of the second verse. Here I thought she could use some of that, especially when she comes in a little stronger.

I thought you could use some of that, so yeah, let me come back here so it's still a little bit and you can say I think the whole band, everyone's on like the little one, the next Notch up, you know we're not. , we're not big yet, but it's the second verse, you already sang the chorus once, you don't want to do it exactly the same way you did the first verse, um, just go up a little bit and it's still a little good, no, and I think what do you know, yeah, uh, but it's that Clarity that we love about the top parts, yeah, when she goes up there, especially for the chorus, which I think she.

You know, you can go lower, how do you do it? This is something I have struggled with for years. I honestly hate using this word. Relaxing isn't the right word, but it's a bit of that. It's quite the opposite. of time is lazy, it's not relaxed, it's lazy, so I always go back to talking, you know, when I talk, I'm not pushing, I'm not holding, I'm not doing anything, so I try to go over the lyrics and just relax into it and I don't have to place it on my nose somewhere on my head. I just talk and give air to all the things we talk about.

Aaron Val and then I let him go, yeah, you know, without getting in the way. and manipulate your voice to do all these all these things um, I think we'll give you that efficiency and that clarity when the moment might call for something that's not so whispery and yeah, totally fine, foreigner, how do you do it? How does someone do it? do it I think we talked about this last time I felt like for me it was like removing the air um but I think we discovered the last time we talked about this that you actually have to use a lot of air what do you do? you think I'm Wackadoo, a crazy person, but I literally think if you think about it, this is, I feel like I'm crazy, I could do it, uh, if you think about it, then it'll just happen, yeah right, it didn't start until I thought about begin.

No, I don't, I don't change anything, I don't do anything, I don't do anything, I just think, oh, so, you know, I can feel a little bit like resisting, but no. in a way, this is my no and I'm really pinching myself, it's for me, it's about a word that we use all the time as intention, it's about intention, so if you and this is one of the things that I really love. her thing is that it seems like everything she does is evident that the way she expresses something, the way she feels something, the way she sings the first verse versus the second verse versus the first chorus versus the second chorus is all different, yeah and and intentional decisions have been made and uh and I love that because that's just to me that's real Artistry and that's how these performances become so exciting and interesting to watch and to see how many people are in that stadium, it's unreal, so it's things like that where it's um, I think if you try especially because our voices are part of our bodies, it will happen because your body knows how to use your voice better than you do.

I think that's a good point too. I think also because a lot of singing is mental like it's a mental game. We talk about it all the time, being tall or short. Do not think about that. Don't think it's high. I don't think it's low. I just think I can. Not one of those things and magical no, it is not and it really is. I mean, it's extremely powerful when you do it, so I would agree with you. If you're someone who needs the technique, I think it's worth looking into, but. I think sometimes we can get stuck with technique and even physics and anatomy.

I think sometimes it's important to understand, especially when we get to places where we're struggling. I think it's important I understand why things are happening, but I think ultimately what we're doing is very mental, it's all mental and we have to use metaphors and thoughts and all that to understand it, yeah, yeah, and the stadium. she's completely full and it's driving me crazy it's weird crazy okay let's look at that because you can even see on her body that she's completely tight like completely tight hello what's your arm? I think she thinks about that, our body is nothing more than her. the jaw looks like where it's always supposed to be you know what I mean a lot of people say oh and I think she's stable um I think of it like when you know it's like what I said before about the difference between uh, the opposite of time is not relaxed, it's loose and you can still be powerful and engaged and your muscles are ready to go, but loose, you know, that's how people play professional sports, all that kind of stuff, let's go back, there's a shot here of her jaw and she looks pretty comfortable and open, not huge, yeah, her neck doesn't have a lot of stuff on her shoulders, they're not up here, but you can tell it all, you know, the lower part of the body, where the real support comes from for the air kicks in, it's gone, so I don't know, I think I'm a big fan of how she's doing this, let's see it, so I think right at the end she starts to feel it a bit. a little bit, but she doesn't hit that note either, yeah, she just duh, yeah, it's pretty nice, well, because part of me also wants to try it because it's pretty loud there, but I feel like what she's really putting up with is the squeaking at the finale, I sure feel like she's really getting ready.

I don't think that grade is technically that high for her. Do you feel like I don't feel like it's about support? It's about being that big. Know? she's not super buoyant and she's really going crazy, yeah she's totally turned on in that, but I think it's that squealing thing she's doing at the end that's setting herself up for um, which is, again, like you know, artistically I don't do things like that. That's not a choice I make when singing. I've noticed she does it sometimes. I feel like I don't think it's appropriate for the genres we sing.

I think that's a good point, yes, yes. good point, no, I don't know if it's just a choice, but I also think this is just a good example, like when you talk about a direct tone, a very, very direct tone, right, and she likes it once she starts to grab a little. you hear the waiver correctly like I feel sure you heard that too, you hear a little bit of a waiver and I think that's the inconsistency and like yeah, I'm sorry, just no, no, absolutely, I think you're getting on me. helping to try to explain that when we listen to a really healthy vibrato, the signs are a super consistent wave, it's the same thing, it's this, since you know the same speed all the time, the same kind of width all the time, um. and it's not uh yeah uh right where it's a little shaky sometimes it kind of stops, you know it's not, I'll stop and go on and she had a very nice direct tone and then, you know, one time she just came in a little bit later. , Yeah.

He started to waver a little bit and that might have been the reason he made it, but I also think that's like, I think this is obviously a big Pinnacle, pinnacle, pinnacle, pinnacle, pinnacle moment in the song, um, You know, it's a long, extended stop. the note she likes ends with uh, she's wearing a crown dress, you know, i get it. Orchestra, there are a lot of performances going on, so I'm not trying to diminish anything that's going on. I think we're just talking about what's happening. we feel like we're technically listening, yeah, right now and we, yeah, we've been there, you know, um no, no, we haven't been there, uh, on the stage of 10 million people, but I mean hit that note high and or like being You know, in most of this program, the eyes are on you and on your yes, you are trying to show all the preparation and practice.You, what you have done up to this point to show what that you are trying to show, but at the same time, sometimes you are trying to overcome it, you are trying to hold on to that place, yes, and that is why there is no Flawless, like a perfect performance, but we like to know why we like to diagnose this kind of thing because we might be there again, you might be there at some point, you know, noWe are trying to give voices to IU, we are trying to give you a voice. lessons and we're trying to process these things like, okay, how would I handle that or what am I hearing here so you know it's a practice in itself, absolutely diagnosing this kind of thing, it's not trying to tear it down so much. as practice, um, these scenarios for ourselves, yeah, that's a great point, let's keep watching thanks, foreigner, crazy, I don't know, maybe the scenario moved to where it came from, interesting, foreigner, thanks.

I feel like the scale of that performance is something to recognize is gigantic, very big, very cool, yeah I don't know, I think there's a lot to learn when we see IU, I think she's a great example of so many things, um, I think what I take away most when I watch her is when I see her perform, it's like a nasal resonance, especially in the higher registers. I feel like she just sings there with ease in a way that's unique to her, yeah, yeah. I really appreciate how intentional she is when she chooses. singing, you know, things in different ways, dynamically, it makes me want to really investigate that in my own singing, where, how am I making this different and interesting, you know, than the verse that I just sang, you know, and things like. that can get lost a lot, especially I usually play guitar while singing, so it's very easy for me to get lost in myself, like I'm doing two things at once and that robs you of a lot of that art. and creativity, so it makes me want to make sure I'm intentional with every sentence.

It's a beautiful thing to sing. I think it's also a great way to prepare songs, no matter what you're doing, obviously. Most of us aren't on the scale of selling out Arenas, but I think we can all approach our performances the same way. You know, this is all an art, a craft, a skill, things that we are working on to improve, so I hope. That when they see us analyze these singers, they learn something that obviously we are always learning and it is just a great moment to see the professionals do what they do best, so if you are new and this was your first video, welcome, we hope you like it. you have enjoyed.

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