The Evolution of Cymatics: The Visible Symphony Documentary

Symmatics is the science of sound made

visible

and is based on the principle from physics that when sound encounters a membrane such as the surface of water or the membranes surrounding our cells, an energy pattern is automatically imprinted on the membrane. The pattern consists of high-pressure regions and low-pressure regions. In this process, periodic vibrations in sound are transformed into periodic waves on the surface of the membrane, creating beautiful, though often in

visible

, geometric patterns that They are analogues or models of sound. Simatic is therefore a natural choice. process that continually occurs within our bodies on the surface of everyday objects and even on astronomical scales this intricate dance paints a fascinating image on the surface of water it is a

symphony

of movement a ballet of oscillations and a testament to the hidden beauty of sound waves The provenance of symatics dates back at least 1,000 years, to African tribes who used the taut skin of drums dotted with small grains for divine future events.

The drum is one of the oldest known musical instruments, hence the effects of sand on a vibrating drum. The head may have been known for millennia. Symmatics is an aspect of nature that has been known for centuries and has a rich and fascinating history whose

evolution

we will explore in this video. Few will be surprised to know that the first person. who left a written record of the simatic phenomenon was none other than Leonardo da Vinci at the end of the 15th century, after observing how the dust modes in his work stirred to create shapes when he made the table vibrate, he wrote I say that when a table It is struck along various lines.

The dust on it is concentrated in various forms of hills and small mountains. The dust that divides into several mountains on the struck table descends from the hypotenuse of these helices, enters beneath their bases and rises again. around the axis of the region below the mountain top Da Vinci's recorded observation is profound because in addition to describing the effect of vibration on matter his thoughts can be translated as a description of life itself dust descends from the hypotenuse of these hilx and rise again in a right triangle the hypotenuse is given by the square root of two which is related to the division of the unit in the generative archetype.

Two examples in nature are cell division after the moment of conception and the division of a plant seed. the generation of many from unity is an intrinsic aspect of life. systems Leonardo's observation of dust under the influence of vibrations was literally a demonstration of the generative archetype that gives life to all life 50 years after Leonardo's observation Galileo Galile discovered a related phenomenon when scraping a plate of iron with an iron chisel brass wrote by scraping a brass plate with an iron chisel to remove some stains. I heard the plate make a fairly loud and clear note once or twice on many strokes as I moved the chisel rapidly over it, looking at the plate I saw a long row of thin lines parallel to each other. and at exactly equal distances, scraping again many times I realized that it was only when a blow made this noise that the Chisel left marks on the plate and when it went away without the strident tone there was not the slightest trace of such lines as I repeated The trick again and again stroking now with greater and again with less speed the sound was of higher pitch and I observed that the marks made during the most strident tone were closer together and those made during the lower tone less, sometimes also according to the stroke itself. became faster at the end than at the beginning, the sound was heard to increase in pitch and the lines were seen to increase in frequency, although always marked with extreme neatness and absolutely parallel during The Cilent Strokes.

Furthermore, I felt the iron tremble in my hand from where a kind of tension ran through me. It is clear from Galileo's observations that he was not aware of Leonardo's experiments with dust on a table and that by scraping a plate of brass with a chisel to create sound was unknowingly fueling Robert Hook and Ernst's research. cadney, who succeeded him Margaret Watts Hughes was a public relations singer who experimented with a device she invented in 1885 and called the idone. Her invention consisted of a wooden resonance chamber with an open end across which a sand-covered rubber membrane was stretched. and other means by singing into a tube that connected to the resonance chamber, she was able to create what she called figure of voice.

She demonstrated the idop telephone at a meeting of the Royal Society held at Burlington House, London. It seems likely that she was inspired by the work. of Michael Faraday was very captivated by the beauty of the forms and in an article now accessible in the Cornell University Library she wrote I have continued singing to shape these peculiar forms and as I left the doors I have seen their parallels in the flowers , ferns and trees. Around me again and again as I watch the little mounds in the formation of floral figures gather and then shoot out their petals just as a flower bursts from the swollen bud.

I have come to hope that these humble experiments may provide some suggestions. Regarding nature's production of her own beautiful forms, she was able to make impressions of the voice figures by applying a coated glass plate over the wet forms, although it is not known what shape the coating took. Margaret Watts Hughes's research paper The Idone Voicefigures 1904 remains a testament to her innovative approach to visualizing sound. Now let's travel back in time once again to the late 18th century to the work of Ernst Cadney, a German Cadney musician and scientist who was born in 1756 the same year as Mozart and died in 1829.

The same year that Beethoven laid the foundation for That discipline of physics that came to be called Acoustics, the science of sound, when Kadney sprinkled sand on metal plates and touched them with a bow, he discovered something extraordinary: the sand danced, moved, and settled in intricate patterns. Now known as clad figures, these patterns were the visual representation of sound waves passing through the plates. Cadney demonstrated once and for all that sound really affects physical matter and that it has the quality of creating geometric patterns. invisible made visible his The pioneering book Ungan Uber deor desanges, discoveries in the theory of sound, was published in 1787 and is still considered an important milestone in the launch of the science of acoustics.

Cadney demonstrated this seemingly magical phenomenon throughout Europe and even had an audience with Napoleon until the mid-20th century and we meet Hans Jenny, a Swiss physician and natural scientist. Jenny was so inspired by Cloudy's work that he coined the term simatics from the Greek word kima meaning wave. He delved into this field using various materials and frequencies to create a myriad of complexes. beautiful patterns, it was Jenny who really brought the art of symatics to the forefront, showing us the inherent beauty of the science of sound. Jenny invented the Tonoscope, a device similar to Margaret Wats Hugh's idop telephone, but which included an electromechanical transususe to excite the membrane.

He was also the first to suggest that such a device could one day help deaf people acquire speech. In her research with the Tonoscope, Jenny observed that when the vowels of the ancient languages, Hebrew and Sanskrit, were pronounced, the sand took the form of the written symbols for these vowels, while our modern languages, on the other hand, did not. they generated the same result, how is this possible? Did the ancient Hebrews and Indians know? Is there something to the concept of sacred language? What are they sometimes called? What qualities do these sacred languages ​​have? often among whom the Tibetans, Egyptians and Chinese possess the power to influence and transform physical reality to create things through their inherent power or to take a concrete example through the recitation or chanting of texts sacred to heal a person who is gone.

Detuned Jenny also excited steel plates using psoc crystal elements driven by an electronic oscillator. Devices that were not available to Margaret Watts Hughes and other acoustic pioneers of the past. The pieto crystal transducers were able to excite the plates over a wide range of frequencies, including high audible. frequencies that result in the formation of complex shapes of sand patterns Hans Jenny was convinced that biological

evolution

was the result of vibrations and that their nature determined the final result. He speculated that each cell had its own frequency and that several cells with the same frequency created a new frequency that was in harmony with the original one, which in turn possibly formed an organ that also created a new frequency in harmony with the previous two.

Jenny said that The key to understanding how we can heal the body with the help of tones lies in our understanding of how different frequencies influence genes, cells and various structures in the body. He also suggested that through the study of the human ear and larynx we could reach a deeper understanding of the ultimate cause of vibrations. Mary D Waller a The 20th Century Scientist took the baton from Cadney and Jenny and ran with it. She was instrumental in advancing Cladney's work with scientific rigor, exploring and expanding the concepts of resonance and frequency. She became fascinated with Kad's work and recreated all the shapes she discovered.

Taking her work to a higher level, her book Clanney Figures, a study in symmetry, was published in January 1961 and included details of her novel method of exciting plates using solid carbon dioxide chips that she accidentally discovered. Waller highlighted the importance of medium resonance in pattern formation. of frequency alone improves our understanding of the interaction between resonant modes and frequencies, so from Gladney's sand plates to the term coined by Jenny and Waller's rigorous exploration a new field of study emerged that merges the realms of science and art of the seen and the unseen of the heard and the visualized these pioneers laid the foundation for what we now know as simatics a fascinating blend of science, sound and art, but the story does not end there Robert Borman He is a filmmaker, author, researcher, photographer, inventor and musician.

In 2005 he became interested in the similarities between crop circles and symatics based on the work of English researcher Freddy Silva through his book The Secrets of the Fields. Borman subsequently visited many crop circles. crops in the Netherlands and created a water-based device with which to create simatic images that closely resembled the crop circles he had witnessed in 2020, created a

documentary

available on YouTube titled simatic tartaria that focuses on The lost empire of tartary in which it shows surprising correspondences between simatic patterns and gothic and islamic architectural features. He also sees correspondences between symatic geometry and the natural world. for example, The Petal Arrangements of Flowers, he has published four books in Dutch titled Water Clank Beelden Water Sound Images, the first of which is now available in English and contains many beautiful simatic images.

Thomas J. Mitchell and Stuart Mitchell were Scottish musicians who died within a few years. Within months of each other, both men left legacies for Humanity in their respective Arts to nourish hearts and Minds for generations to come, history will remember them not only as the father and son team who decoded the Rosland Cubes, but also as men who understood the spiritual essence of the universe The Rosland Chapel near Edinburgh, famous for its lavish carvings and its association with the Knights Templar, contained a mystery in the form of four sections of arches containing simatic designs carved into the faces of 215 rectilinear cubes.

Thomas studied the cubes for many years and together with Stuart discovered that the patterns related to musical notes had to be read in a specific order. Thomas postulated that the chapel's builders had access to cadney-style arch and plate technology and deliberately encoded the melody in the cubes that his son Stewart orchestrated the music thus revealed. and he called it Roslin motet. It was played on traditional medieval musical instruments in the chapel in September 2006. Mitchell's book Rosland Chapel, The Music of the Cubes, was also published in 2006. Regarding why William Stclair, the chapel's builder, decided to inlay a musical score in such a codified manner, Thomas states in his book The Music of the Cubes, it was a time of great danger for anyone who opposed the medieval church with heretical ideas.

Prior to this, the Knights Templar had been persecuted and disbanded by the political forces surrounding the church that William Stclair planned. enshrine the truths that had been discovered inJerusalem by the Templars on the chapel cloth within its sacred geometry and carvings there for those with eyes to see and an open mind to consider whether it was the Knights Templar who brought the knowledge of the vibrating plates with their symatic patterns to Scotland such We may never know, but the act of touching a coated plate and seeing beautiful shapes emerge from its shapeless sand or salt surface has a magical quality even today, whereas in the 15th century it would probably have been perceived. as magic or witchcraft, but it seems that William Stclair realized that when Chen's music was frozen in stone, his secret would be hidden in plain sight, as it turned out that it was a secret for half a millennium, apart from Thomas the musician, He was also an avid Philosopher and read a lot about quantum physics.

In 2012, he wrote down the esoteric idea that everything in the universe is in contact with everything else instantaneously. Beyond Time and Space is difficult to understand due to the mistaken belief that we are simply creatures of the physical Universe, which makes us mistakenly use the physical body as our measuring stick when in reality we are non-physical creators in our own spiritual Universe. Stuart Mitchell was a talented musician and composer and his most important work, Seven Wonders Sweet for Orchestra, is a series of seven pieces on the theme of the Seven Wonders of the Ancient World. Stuart was passionately interested in the link between sympathic DNA and music, and his DNA Variations, The Marine Album contains 11 pieces of music that transcribe the mitochondrial DNA of sea creatures into music as if his father Stuart were a deeply spiritual man, not in a religious sense, but embraced a spirituality that transcended man-made religions and focused instead on love and reverence. for nature and the universe John Stewart Reed is an English acoustic engineer and scientist who carried out symatic research on the Great Pyramid of Egypt in 1997, a design designed to study the resonant behavior of the granite sarcophagus and the acoustics of the chamber of the king.

Reed published his research. finds at Egypt Sonics documenting this study, including hieroglyphic patterns that emerged in the sand on a membrane stretched over the open top of the sarcophagus. His work on the Great Pyramid inspired him to develop the simos scope, an instrument that makes sound visible by imprinting sound vibrations. On water, the SOSC is an instrument that can be applied to many branches of science, since vibration underpins all physical processes. Reed's primary mission is to educate and inspire in the emerging science of symatics, the study of visible sound. He speaks at length to the public about the findings of his research. throughout the United States, United Kingdom, and Europe, including regular presentations at the Water Conference, which focuses on the physics, chemistry, and biology of water.

Scientific research is helping to raise symatics in the scientific field. Dr. Lewis Kaufman, professor of mathematics, said about the Simos scope instrument that it can be considered as a quantum computer and upon witnessing a Simos scope experiment for the first time in London, he commented that it is the most beautiful physics experiment ever have witnessed, so why should we care about symatics? Because it's more relevant than you think. This fascinating science. draws a parallel to the way we, as humans, interact with various stimuli in our world by making the invisible visible. Symmatics allows us to deepen our understanding of sound and vibration and their profound effects on our environment.

It's like unlocking a secret, hidden and sacred language. one that has been humming and humming around us all along, so it's not just about making sound visible, but understanding the invisible, divine vibrations that shape our world. Simos' outreach-based research has contributed significantly to the body of knowledge about how dolphins see. sound in collaboration with Jack Cawit of Speak Dolphin. and published in the Journal of marine Biology, another study focused on differentiating between sounds emitted by healthy cells and cancer cells was a collaboration with Professor Suul G of Rutter University published in the water Journal and published a study on the effects of music in human blood. for the experiment. website a collaboration with Professor G of Rutter University, G of greenmedinfo.com and Emily Abbey of roadm music. is the precursor to an article on this research topic.

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