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Was The Village The First 15 Minute City? | The Prisoner Puzzle

May 23, 2024
stupid little bikes and all that was a series, do you think it had an appeal, a kind of narrow gauge appeal, mainly to people in the top 20% of IQ level or whatever? Mo, mostly smart people like us. I have here, yes, I meant that, you see, one of the things that is frustrating about making a piece of entertainment is trying to make it attractive to everyone, I think this is fatal. I don't think you can do that. uh, a lot has been done, you know, we have our horror movies and we have our sci-fi stuff mhm uh, the best works are those that say someone says we want to do something this way and we don't do it because they target an audience particular uh, they do it because it's a story that they think is important and it's a statement that they want to make and they do it and then whoever wants to see it is their privilege, I mean the paintings in an art gallery, you know.
was the village the first 15 minute city the prisoner puzzle
You have the option to go and look at this or that or the other, you have the option of not even going in. An analogy that comes from literature is with epic poetry or with an epic and the

prisoner

s seems to have all the qualities that belong to an epic, including the kind of structure that you ended up with, which started with seven parts and ended with 17. There have been some quirky epic works that have done that sort of thing or been in the form of Spencer's Fairy Queen, for example, or Tennyson's Idols of the Kings, which was turned into a novel. not a 12-part epic with all the properties and qualities of an epic and I only have one question based on that perhaps peculiar observation and that it is one of the figures in some of the epics such as the queen of the fairies is a dwarf who accompanies Yuna and the Red Cross night um where did the idea of ​​Angelo Muskat come from oh dear I don't know where it came from? a literary image no, I never, certainly, I never thought of a uh, there are all kinds of interpretations for little Angelo uh, he is a sweet man um and a very, very sweet man, is this kind of this should also be something sinister In him, I mean, there was always a chance that he was number one, so I don't know if anyone realizes that.
was the village the first 15 minute city the prisoner puzzle

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was the village the first 15 minute city the prisoner puzzle...

I don't know, but since he was a good friend and always by number six's side, there should be. There's been an implication that he was perhaps a sinister character and particularly in the last episode, when he comes out, he's the one who goes out with number six and they go into the house, maybe he's above number one somewhere. . You know they have super. stars Superstars and what the next comets will call it, so what maybe it's a comet or something? are in the series that have literary connections, whether they are deliberate or not, yes, deliberately connected or not, it doesn't really matter, it doesn't eliminate the The.
was the village the first 15 minute city the prisoner puzzle
I don't think that's the case, no, it doesn't matter at all. Don't think about that kind of thing. I use the word surreal in this regard. I think one has to tie up all the loose ends. I think there are options open for the viewer to interpret however they want. Mr. McAn, my question is about uh. religion I understand from reading a little about you that you are a very religious man and my question refers to Fallout. I have interpreted that many of the acts have this content. I am thinking specifically of the crucifixion of the two rebels. when their arms are separated the temptation of the number six by the

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president uh the Temptation of Christ to assume the righteous throne Dry Bones with yes all that uh

first

of all, would you agree with my idea that that is intentional ? it's um answering uh no, I never had any religious inspiration for that, I was just trying to make it uh uh dramatically feasible, certainly the Temptation with the guy that put me on the Thrones and all that stuff, you know, uh, that's the time of Lucifer. um, but I never thought about it at the time, but maybe somewhere in the back of my mind it was there and the hip bones connected to the bone uh, I just thought it was a really good song for the situation, you know. , and it was also applicable to the uh the young man uh because, as you know, it's easy for us to get lost in Youth and he was lost and he was trying to put everything right again when I talk about religion, I mean a moral attitude towards life.
was the village the first 15 minute city the prisoner puzzle
I think it's necessary, yeah, okay, so is it fair to say that number six is ​​based on the source of his defense being how he gets up in the morning and faces another day in the

village

? I think it's a very good comment and I think I think it's probably true, yes, I mean the moral force, which says that I have a spirit of my own, a mind of my own, a soul of my own and it's not all mine because it's linked to a force majeure beyond me. I don't think he got up every morning and analyzed it to that extent, but I think that strength is within him and I think anyone who was capable of fighting in that individual way would say that there is a clear lack in the rest of his body. the villagers are soulless beings, uh, most of them have been brainwashed, brainwashed, brainwashed by watching too many commercials.
I think that's what happened to them, yes. I used to think that television commercials were spiritually healthy because they made us skeptical and that was probably a very good thing to learn early on, well, they don't make enough people skeptical because if they made enough people skeptical, the people who would They became skeptical they wouldn't buy all the garbage that they are advertising and then go out of business. There's a second one you do with Leo McCar where he says, I'll kill you. You say I will die and he says you are dead. Is that a figure of speech? or there was something happening, something underlying happening there now you're talking about once upon a time, well that was very interesting because you said what my favorite episode was before at Warner and that was probably it, uh, that. was one that was written in the 36 hour period and, uh, Leo McCurn, who's a good friend of mine, excellent actor, I think came in on short notice to do it and it was mostly a two-handed brainwashing thing that he was trying to do. wash. me and in the end the number six turns the tables and the dialogue was very peculiar because all it mainly consisted of was 666 and five pages of that at a time and uh Leo um one day at lunchtime I went up to his dressing room and I went to the to see the reeds and uh, I knew I was tired.
I went up to the dressing room to tell him how good I thought he had been in the rushes and he was curled up in the fetus position on his couch there and he says go away, go away, he says I don't want to see you again, I said what are you talking about? She, I just ordered two doctors, she said, and they will come as soon as, she says, go, and she had ordered two doctors and they came that afternoon and she didn't work for three days. He went, he broke, which was very interesting, it was tremendous pressure, you see, so I had to use a double butt from one guy. for many takes and finally Leo came back and we completed it and he was also in the final episode, so he forgave me for everything, but he broke, it's interesting, I thought as much about how he broke as much as he broke in that second episode.
The last episode is exactly the same. I wondered how much intensity there was in that. You know, I know acting is always an enormously intense experience, but in that two-handed showdown where there was so much dynamics and pressure, it obviously was. It was actually 8 days of filming and for most of those eight days we were face to face from 8:00 in the morning until 6:30 at night with an hour for lunch, so it was quite intense, I was a psychiatrist . time on the couch, you know, you were a different person when you came out the other end of that series, tired, that's beyond that, no, no, it wasn't purely psychoanalysis, you didn't, no, I never, I never left anywhere of that.
I play a kind of takeover. I think what's happening is nonsense. I think you should be able to go in and learn your lines. Some are more tiring than others. Some are more emotionally draining than others. I mean, you can't play. Hamlet without being exhausted or King Leo without being exhausted, but to say that you live the day playing Le or playing Hamlet before you go out the next night and go on stage, I think it's ridiculous, what's with the idea that some actors, some people in other creative endeavors have that we all have a finite bank of energy and that every time one burns something there is a little less left for the next time or for the other end of the road.
I think it's the opposite, uh. when you look at people like Arthur Rubenstein p uh people of tremendous talents and they are young men mhm they are young men you know 75 they are young 80 they are young their vitality actually increases uh their energy increases it just happens, I mean the mental energy, the strength, the adrenaline increases, it just happens that the machinery of the body, uh, the parts, the spare parts are wearing out a little, but the energy, I think I mean ARA Rubenstein, is a phenomenon, for example, I think. increases and I know a lot of older people who are young, so the creative impulse is a muscle, the more we flex it the stronger it gets, I think so, yes, it just wears out, that's right Mr.
McAn , when, when you started the

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, you started it in a decade when uh, I think a lot of people were used to secret agents, it was the decade of the ipest file and so on and uh, you saw very clearly the next decade coming, I think you saw, uh. Watergate, the enemy within, as opposed to the enemy without um, I don't know if you can answer this, but if you were to do the series again today and you were to look back to the '80s and you were thinking in terms of what you're going to see as the real enemy, not the storybook enemy, but the enemy that is really going to bother us.
If you looked back at the '80s now, what would you look at? I think progress is the biggest enemy. on Earth apart from oneself and that goes with oneself they are a pair of two hands with oneself and with progress uh I think we are going to take good care of this planet soon they are making bigger bombs and better planes faster and everything A day, I hate to say it, there has never been a weapon created on the face of the Earth that hasn't been used and that thing will be used unless we don't know how we're going to stop it now.
It's too late I think, do you think maybe there will be a strong popular backlash against the progress of quotes in the future? No, because we're run by the Pentagon, we're run by Madison Avenue, we're run by television, uh, and as we accept those things and don't rebel, uh, we'll have to go along with a current toward the eventual Avalanche. Mr. Mucan, uh, we tend to see U, the threat, The Village as something external, much like Madison Avenue. media how much do you think it is? How responsible are we to accept this? What do we get involved in?
You know, we buy things, we are at their mercy, we are at the mercy of advertisers, and of course there are certain things that we need, but many of the things that are purchased are not necessary. Do you consider The Village a third-party provider? thing or something that we carry with us all the time was meant to be both the external and the symbol but it is within all of us. I think you don't believe in the surreal aspect? We all live in a small town. We live in your village, it may be different from other people's village, but we all know who the idiot is in mine, who is number one, just like me, that's right, he's number one, the side evil of man's nature. uh the biggest enemy we have, I mean number one was portrayed as an evil ruling force in this village, so who is this number one?
We only see the number twos, the sidekicks, now this dominant evil force is more powerful within us and we have to constantly fight it, I think, um, and that's why I made number one an image of number six, its other half, his alter ego, did you know when you

first

described the series in your mind the concept that the number one was going to become? be you number six, no I didn't, that's an interesting question, when did you find out, when I was already very close to the last episode and I hadn't written it yet and I had to sit down this terrible day and write the last episode Can I have one please?
Mhm and I knew it wasn't going to be something out of James Bond and in the back of my mind there was a parallel with character six and number one and the rest uh and then I didn't know exactly until I was a third of the way through the script, the last script, go ahead, how about you, how about your colleagues, the other writers were surprised, yes, they were upset, they decided it was unleashed, no, they used to? come every once in a while and say uh uh who's number one, see? I mean, uh, and I told them it's a secret that I finally wrote it and it actually was and they didn't know until I gave them the script, but they were disappointed. for that resolution they liked it they said they always knew it was going to be himself once you told them few of them really did it but no one really did it no why the double mask why the monkey first Dear or was there a reason, You know, because we're all supposed to come from these things, you know, and it's the same as the fatherhood of the penny, the bicycle symbol, the progress, you know, I don't think we've made much progress, but the monkey thing .
They are all supposed to, according to various theories out there these days, come from the original ape, so I just use it as a symbol,you know, mhm, the best steel thing and then the other best steel face behind it, laughing and mocking and chattering like a monkey, Mr. McAn, during the last episode of Fallout, we see the prisoner, he smiles , laughs and dances for the first time and yet later on, the last scene is exactly the same as the first scene where he leaves with his familiar Stern face, my question is, does he have a prisoner between the first and The last episode that really changed? uh no I think it's essentially the same um I think he felt a little bit excited by the fact that he came out of this mythical place and he felt like doing a little jump and a dance uh and singing a little bit and he felt very happy to go home with his little friend uh the butler you know and uh we never, we never cut to him when that door opened, we just saw the door open and he came in with him but uh, so you never knew if his euphoria was lost when he saw that door, sinister or not, that was left in a bank. uh Unfinished Symphony in the final episode, does the prisoner really consider becoming the leader of the village? um he doesn't, uh, he just wants to get out and he uses a technique that he hasn't used before, which is violence, which is sad, but he does it and that's how he gets out and then of course in the final episode he comes back. to his little apartment and he has his little Valle with him and the door opens by itself, he goes in cars there and that, then, you know it's going to start all over again because we're still prisoners and that leads to my last I wonder what I would do probably the former prisoner with his new freedom.
He doesn't have it, what's the point when that door opens on its own. There is no one behind her. Exactly the same way all the doors in the Village open. I know someone is waiting there to start all over again. He has no freedom. Freedom is a myth. There is no final conclusion. And I was very fortunate to be able to do something as bold as that without a final conclusion. Because People want the word "End" put there. The last two words of that thing should have been the beginning. I guess it's kind of a banal question, but if you could leave a sentence or a paragraph in the heads of everyone who watched.
The Prisoner series, the whole series is one thing for them to carry with them for a while when it's over, what would it be like to see you that enigmatic? Until the end, he's watching you, it means a lot, in fact, he's watching you, yeah, well. I guess after all the analysis and interpretation and all that, the nice thing about this in the real world is that you can make all those decisions for yourself about who makes the rules in your village and what you should do about it. Your guest was Patrick mcon. Thank you for allowing us to join.
See you.

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