VFX Artists React to Bad & Great CGi 5

comments below. If you worked on this film, please leave us an email. W: I feel like this is not that difficult C: They are just masks. They are just tracked masks. N: How are you tracking? If a boy has orange skin and I shoot a yellow light at you... C: You dye it. N: Okay. I'll show you a historical VFX shot C: showyo the one. N: This is not computer graphics. The question is: Are these special effects or visual effects? W: Wow! Okay, I receive the wig but there is no cut. There is no transition in the face of him evolving and transforming.

N: How do you think they did it? C: I know the answer W: Obviously there is some kind of optical effect here. C: Yes, she is painted, right? N: Yes C: It's a revealing transition... So how would you hide the paint? N: So I'll give you a hint? This is an effect that is only possible in black and white. W: Is there any type of lens filter that can't see a certain shade of makeup? N: Mm-hmm W: That's what's happening... How would you do... Well, how would you do that? How would you change the optical filter?

N: Actually, it's quite simple. It's just a red and blue filter, like when you have 3D glasses and the red side doesn't let you see the red lines and the blue side doesn't let you see the blue lines. So you have a red filter in front of the camera and it is filtering out any red on it. So you have all these red marks on his face, but you can't see any of it because the red filter is removing it all. transfer it to a blue filter and suddenly all those red spots become bright and you can see all the luminance difference Well, let's go to black and white.

Now, let's just show the blue channel because the colors are made up of red, green, and blue. channels So we show just the blue channel, this one should look relatively dark and this one should look relatively bright. Now, if we turn it around and go to just the red channel, this should look pretty dark and it should look bright when you specifically go to certain color channels. You get different luminance values ​​and that's basically what they're doing with her face. W: The best thing about old movies like this is that they're still doing these crazy visual effects, for all intents and purposes, but they don't have the same kind of tools that we have today and they have to be really creative with how they go about achieving these results. visuals.

Oh, oh my god. Is it finally happening? Are we finally reviewing the worst that... N: Can't we do this? We can't do this here W: Do you think we'll cover this scene? Get out of here! N: We're going to go back, we're going to find one of the worst effects shots of all time... W: I don't think we should review this shot N: You know what I think we should do? I think we should try to fix this shot. If you want to see us make that video, subscribe. W: And that's it! Thank you so much for relaxing on the couch with us while we learned some new things about visual effects.

C: That was

great

guys! I'm just doing my best Wren impression right now. Thanks for watching - - If you liked this video, please subscribe to the channel. If you have a video, movie, or clip you'd like us to

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to, hit subscribe. Leave a comment. We read them all. It's wonderful N: Wow. Friend, am I surrounded by two wrens?