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The Story Behind The Recording of Paul McCartney's 'Ram Album.

Apr 29, 2024
Ram is the second solo

album

by Paul McCartney. Their first

album

, McCartney, was largely made up of home

recording

s and experimental ideas and was very much a tentative step into the post-Beatles world and, deliberately the antithesis of polished Beatles production, critics really weren't kind to it. . Because of this, for his second album he wanted a more professional approach using proper studios and recruiting great musicians to play instead of the doway. He recorded McCartney with the title Ram, which stands for rammen, which means to advance strongly. He was now finding his feet during a very difficult divorce from the Beatles.
the story behind the recording of paul mccartney s ram album
Many of Ram's songs were written on Paul and Linda's farm in Scotland. This remote hideaway was a perfect retreat from the intensity of the Beatles' split and allowed Paul the peace he needed to clear his head and begin writing. Music in a more carefree way, songs like Ramon Heart of the Country and Monkberry Moon Delight are good examples of this with some of the songs written with Linder as they sang together initially without thinking too much about forming a band, but Paul really liked the idea. He asked Linda to join him and she accepted, but not without some nervousness, since she had no experience in music at the time, they needed a drummer and a guitarist, they decided to head to New York to see who was available. , among others, drummer Denny.
the story behind the recording of paul mccartney s ram album

More Interesting Facts About,

the story behind the recording of paul mccartney s ram album...

He contacted Cwell, but did not give any information about who the concert was for. The only instructions were what time and where to show up. The place was a not-so-healthy warehouse base with a taller drum set ready for their potential new band member to show off their When Denny arrived, he actually thought it might be a trap and was about to get mugged, so he Seeing Paul and Linda was quite surprised. Denny had worked with many big names over the years as a session drummer, but not as a Beatle. so he was eager to impress and he was also surprised that there were no other instruments present and that he would be judged playing alone without flinching.
the story behind the recording of paul mccartney s ram album
He said to Paul, well, I guess if you can't move on with yourself, then you can't do it. with someone else, then he believes that this quick and witty response endeared him to Paul immediately and his skill on the drums simply sealed the deal just days before he left work in a surprising coincidence, so his friend called him to ask if I was interested in purchasing Ringo's drum kit. kit from the Sha Stadium concert that was up for auction locally his first reaction was that there was no way he could afford such a prized item, but his friend wanted the snare for himself and the rest of the kit would be for sale if he had the bidding victory after successfully winning the auction he called the next day to say the bastrom and two Toms were his for $300 if he wanted them of course he bought them and of course he showed up on the first day of the shoot of ram with this kit Paul recognized Ringo's old kit but not before giving it a good double take of pure surprise, although they employed a similar method in their search for a guitarist by setting up commitments from fake session musicians like a jingle session in an attic on 45th Street, this is where he recruited David Spinosa, although it wasn't long before he had to leave the session and was eventually replaced by humor.
the story behind the recording of paul mccartney s ram album
Kraken Heugh was actually invited to the original audition, but at the time he was in Florida working for Artha Franklin's

recording

engineer, Dixon Van Winkle, Hugh remembers. everyone wanted Hu in his sessions. He wasn't the best reader in town, but the parts he came up with were fantastic. I've listened to a lot of great guitarists over the years and I'd say Hugh was in the top five on the record. Launched at Columbia Studio B on October 12, 1970, the studio featured a large live room and a custom console with lots of pooltech equalizers and Yuri 1176 compressors. It was recorded on an Ampex mm16 track recorder.
The band was very crowded in the room without any real people. Concerned about bleeding between the amps and instruments, they were able to record all the basic tracks in Colombia before taking a break for Christmas and after Paul and Linda returned from Scotland in the new year, they reconvened and reassembled studios also in New York, this study focused. around the ne 8068 console and this is where many of the overdubs were done, including Paul and Linda's lead vocals and harmonies, Uncle Albert Admiral Hy's orchestral parts, and the backseat of my car were recorded at anr Studios and Paul can also be seen singing. on the Electra voice re20 dynamic microphone during the tracking stage.
I think many of these vocals would have been a guide and replaced with overdubs using the nyman 87 and Norman m49. Paul was on his six-string guitar, usually his Gibson Firebird or epone Casino. for electric and his Martin D28 for acoustic, but never the bass, since since the days of Sergeant Peppa, Paul preferred to add his base at the last minute, a practice that is definitely quite strange and must have been very strange to the other musicians , recalls Denny Sell. Listening to it for the first time when he received the finished record, when he got R to play on the base, it was his Rick and the back of his 401s and he seems to be using Fender amps, probably the basement that his old Beatles drums were recorded with .
U 47 for overheads and the AKG d19 on the box which is very Beatles, also the Kick Drum and Tom mics may have been the Electro Voice re20 according to those in the know, assistant engineer Tim Gelan remembers the sessions. Paul was a great producer, thorough and professional, but loose. sometimes there were very comfortable sessions that followed the rhythm, we would start working around 9:00 or 10 in the morning, then after rehearsing for several hours we would record a version of the song and then we would have a lunch break, after After lunch we would listen to what we had and then record another couple of takes if necessary, after this they headed to Sunset Sound recorded in Los Angeles to do more overdubbing and mixing.
Mixing duties were performed by Eric Wanberg or Eric the Norwegian, as he was credited, although Dan was the mixer. engineer, he played a key role in some of the production aspects during the overdubbing stage. A good example of this is when he recorded Paul's vocals for the track Three Legs along with his headphones. He also gave Paul two speakers to listen to the track and get a greater feel for the song, of course this created a leak of the backing track on the vocals, but instead of fighting it he used it as an effect, added some delay and threw it into the mix.
Denny iwell had some fun. Memories of recording, he just plays a song and we do a part that goes with it and as soon as it sounded good we started recording. Paul was also open to experimenting with new sounds for many people. He played drums in a phone book and in In the Heart of the Country, he made a drum kit out of a plastic trash can and a piece of sheet metal. I was stealing my ideas from Ringo and the McCarty album, he says, but what a great place to steal by just making up nice little sounds and doing things off the wall, the creative door was always wide open, which was so nice. .
He also took note of Paul's unusual approach to his primary instrument. He used to tune the base of it. Out of tone. He used to tune the string a little. flat, which gives him that distinctive sound that he always had, he plays on Mo, but it gives him another quality that no other bassist on the planet could get. He had his own way of doing things. Had a quick research on this Ching Story base by extracting the bass from Monkberry Moon Delight and Uncle Albert using AI Separation on Laal's website taking a piece that features an alternate fifth played on Thea's strings looking at the melody it actually seems that the notes are a little sharp, maybe your action was high and Fred graphic, so the open string was tuned a little flat for that reason, but it's really hard to tell where the entire pitch of the track has changed slightly with transfers or even deliberately, so the gems are still out in the one in which the album was released.
May 17, 1971 on Apple Records and, disappointingly for Paul, due to unfavorable critical reception. Rolling Stone called Ram incredibly inconsequential and monumentally irrelevant in name. Alan Smith also called it an excursion into almost unrelieved tedium and the worst thing Paul McCartney has ever done. This hurt him, but fortunately the record-buying public disagreed and the album reached number one in the UK and number two in the US, with the cover showing a photo of two Beatles fucking each other. Many people, including John himself, quickly realized that there were some messages in there, the opening song, too many people, it was definitely about John, it was a very thinly veiled commentary on how many people like him were becoming a bit preachy. and they were effectively telling everyone else how to live their lives without ordering theirs first.
He later encouraged Lenon to write How Do You Sleep? McCartney never managed to write very well and the public eventually spat on Peter when they became friends again. It was believed that Three Legs were also referring to the other Beatles, but Paul denied this today. Ram is arrested. As an indie rock pop classic, songs like Heart the Country and Uncle Albert Almiral Hy are up there with some of McCartney's best solo work, in my opinion, and as an album it works especially well as a collective and sounds great on its own. beginning to end.

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