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THE MAKING OF TERMINATOR 2 - Starring Arnold Schwarzenegger and Linda Hamilton

Jun 02, 2021
In 1984, movie audiences were introduced to a new breed of villain that ended seven years later, writer-director James Cameron reteamed with stars Arnold Schwarzenegger and Linda Hamilton for the highly anticipated sequel Terminator 2, Judgment Day. The line everyone always asked me to say is you know say I'll be back say their lines go now I'm a cybernetic organism Cyberdyne systems model 101 I'll be back those words took on new meaning in the fall of 1990 when the cast and crew reunited in the Mojave desert to continue the story of Sarah Connor and her fight against the machines of the future.
the making of terminator 2   starring arnold schwarzenegger and linda hamilton
The important element that she has changed in her life since we last saw her is that she had her son John Connor, who is now 10 years old. years the new movie

terminator

is no longer aimed at her the kid right now is the target ok for cameron

terminator

2 just a matter of time action it was inevitable that a terminator sequel was going to get and wanted to be in charge I wanted to make sure he didn't stray from the concept of what Cameron's vision of a killer cyborg from the future should be touched audiences all over the world represented by Terminator something to people a kind of dark side of the human psyche people want to have that fantasy of being able to do exactly what they wanted to do when they wanted to do it i need you to zip up your boots and your motorcycle forgot to say please i think it took all of us a while to realize that terminator had caught on in the culture and it reflected on me in so many ways, he was always a very powerful force in trying to make the sequel, I told Jim Cameron. and I said, you know we should have an ongoing story because we're dealing with such an interesting topic here.
the making of terminator 2   starring arnold schwarzenegger and linda hamilton

More Interesting Facts About,

the making of terminator 2 starring arnold schwarzenegger and linda hamilton...

I knew my gut was telling me that based on that, the strength of the first movie, that there would be another one, it's just you, you're never ready if Several of the original Terminator team returned for the sequel, including cinematographer Adam Greenberg and Terminator effects creator Stan Winston. The sequel needs to be true to the first movie, but it still needs to be more than the first movie. first and we have to give them something new and fresh and I think that's what we've done in Terminator 2 how can Arnold star in the sequel? a terminator is built in a factory and there is one after another and they all look like armand i guess its just because its cute this terminator however its not just another pretty face there is more sophistication in how it will look and happen bigger things on the screen for six months.
the making of terminator 2   starring arnold schwarzenegger and linda hamilton
Terminator 2 combined the efforts of over a thousand filmmakers shooting day and night throughout the state of California to capture the script's many action sequences; the production changed the course of a river to film at high speed. chases in the sprawling flood control channels of Los Angeles the tight quarters of the NASA film crew often paralleled the action of the scenes being filmed a defunct steel mill was resurrected by the film bankers recreating the ironically the intense heat and light from the molten steel actual temperatures in the mill averaged 42 degrees

making

it difficult for the actors to break a sweat and in Northern California a team of expert pyrotechnicians staged one of the biggest shootouts in movie history . four story office building we'll be so wrong it's those reversing lights waiting for your signal me and jim donald working together it's just like the first photo he's one of the most professional people i've ever worked with he has incredible focus he takes physical direction like no actor I've ever worked with and it's really a pleasure to work with them before method acting is even though then in 1984 he paid a lot of attention to acting he pays a lot more attention to acting now the way he directs actors how much time do you spend with rehearsals how much time do you spend with perfection and with movements and churches so i would say in that area you are much smarter and much more sophisticated i mean you want to do basically everything because you have such a clear vision of what you want watch and watch him end up running with the smoke machine and creating smoke in front of the camera and then you put on blood and make yourself try to put on your makeup, it's because That's why people always say that Jim Cameron's film has a certain aspect because it's a total representation of what he wants to see long before the cameras roll.
the making of terminator 2   starring arnold schwarzenegger and linda hamilton
Cameron and the team are hard at work on the design. sequences and test ideas in a unique mix of film and science I do a lot of visual research I do a lot of technical research the more fantastical the subject, the more realistic the situation must be Using extremely detailed models, Cameron designs sequences with the aid of a video camera thumb-sized blocking the miniature scene. Production designer Joe Nemec can modify a location or set to meet the specific needs of the scene during pre-production as well. A former Israeli commando. provided the cast with military combat and weapons training, as the SERA character has become an expert marksman.
Linda had to master a variety of weapons and assault rifles. It was really like going into the army and learning the mindset and facing myself in a way that was even more significant in terms of playing Sarah, she's charted a path so focused on duty that she's lost all contact with her son. You can't risk it even for me. Do you understand that you are too important? a great warrior but for what you know then what she has nothing to make her worth while you know and also my life we ​​don't even realize the shot and why what meat there was a nuclear war sarah has lived with the certain knowledge of the destruction of the world on a certain date for so long and it haunts her dreams and nightmares every night and has driven her to the point of insanity In reality, as would anyone who actually had to confront that knowledge, we experienced the end of time. world through Sarah's eyes, a process that required the strictest sense of realism, but even more powerful and haunting are Sara's visions of people when we had to create ashes. bodies that were going to be swept away in a nuclear holocaust was very disturbing and it was the only moment where he felt a little uncomfortable because it was not pleasant to look at while filming it, but it is the important aspect of the movie Judgment Day the day they told Sara that the war would begin to clear the way for humanity's successor the future war machines for Terminator 2 Cameron mobilized an army of ws stuntmen and special effects creators to create the final battle between humanity and the machines this battle took place on many levels in Terminator 2 when the crew executed one successful vehicle stunt after another The scene required the Terminator to climb out of a speeding van onto a heavy tanker Arnold's stunt double Peter Kent after a successful spin, the truck rolled onto its side and was pulled by a tractor team.
Peter wrote the sliding tanker as a surfboard to protect young John Connor. protect you who sent you you did this is profound playing the role of young john connor his newcomer eddie furlong is almost in a way the classic the classic story i mean he was literally ripped off the streets of pasadena and whipped into the vortex of creation a movie and Jim said Eddie was going to tell you on Friday but don't tell anyone but we're going to cast you in this movie and I wanted to hug Jim but he's a boy so he didn't hug him less than a month old cast prior to production eddie began an intense preparation period in addition to his regular education he received physical training acting lessons and motorcycle classes the funny thing is i'm sure it's nothing like what i expected and it's a complete turn on left in his life, but on the other hand, kids have this remarkable ability to deal with things, no matter what life throws at them, they still don't know what the world is supposed to be like. or, so they just think it's okay, you know.
You Can Be If You Want To Be One of the many tasks Stan Winston and team undertook was to improve the original Terminator makeup design. Originally, there were a number of sets designed or considered as Arnold sets in makeup for this particular production that an actor should know. in a situation like this there is physical stress with this process luckily Arnold Schwarzenegger is a he is a professional three more hours of this I don't know how much longer he can bake this he attacks it like a professional he doesn't complain ok but I need my foot massages my oatmeal when austrian christmas music i need it all go ahead and do it this prefab piece here will stick to

arnold

. space with Arnold's help holding it no no no Sophie it's fine now it's the glue we use makes these arms pop and swell on days when the makeup doesn't come off one hundred percent I just sneak in front of the camera and rub a little of Vaseline on the lens during production, makeup artist Jeff Don and Steve Laporte and hairstylist peter toth ball would transform Arnold into the meat-covered Terminator some 35 times, totaling six consecutive days in a makeup chair for Arnold, not too much because if you put too much blood on it it's not like that you can't see the work that's been done you can't see the metal and the meat that's gone looks like one big bloody mess like you slapped a hamburger that's a good example Jeff the burger people accept this possibility and that there can be a mix between a human component and a machine component and I think it's just one aspect of our lives right now that we're It's so surrounded by machines all the time and the fact that we can accept that to me is the most amazing thing of all I'm good looking no camera can take all this good looks so what they're doing in every movie is that they don appliances and terrible makeup in the kind of tone that goes down a bit. kinda so i agree with the rest of the actors in the movie was my breath so bad two and a half three hours and he's finished the next stage for makeup it's stage five six seven and it's basically the same as

arnold

had before just more chrome more appliances she'll have her eye covered so we can't see through it and she'll probably take another hour and a half to put it on she's going to love it as one would imagine sarah has trouble accepting the terminator as an ally she doesn't know what's going on to come back she knows it's a possibility so she's ready no affection you know i've kept it real clean do you know what you're doing?
I have detailed files under the human anatomy I bet it makes you a more efficient killer right right terminator in this movie adopt certain human characteristics you have to listen to the way people talk if someone approaches you with an attitude you say hasta la vista baby Hasta la vista baby that character develops slowly but it's a very fact to hang out with a human being Jesus you're going to kill that guy of course I'm a Terminator listen to me very carefully it's ok you're not a Terminator anymore ok and all of that registers and I start to deal with all these kinds of emotions that the Terminators sent to kill young John, it's unlike any killing machine. ever imagined i call him a mimetic polyalloy a meet he is made of a substance that can imitate anything playing the t1000 is robert patrick jim was looking for someone who was kind of a mix between the protector char character that was michael biehn in the first one and Arnold Schwarzenegger who was the Terminator and I think he was looking for someone who could look like they could just be a human and yet could be a Terminator who could handle the intensity to be a Terminator well he wanted to find someone that was a good contrast to Arnold if the 800 series is some kind of human hands our tank then the 1000 series had to be a Porsche an advanced Terminator prototype that was scarier than the previous model the What I like about Robert is that he he looks like a cat in a way that it's almost like it's all about senses with him, you know you feel like he's very much in touch with the world and analyzing it and observing it.
Hello, my character wants to completely eliminate John Connor, that's his mission, a young, relentless and tenacious machine, and he won't stop, even though his missions are the exact opposite. Both terminators come from the same creator. The invisible supercomputer called Skynet comes from it. technology, so we have to have something like programming, are you John Connor's legal guardian? You're right, officer, what has he done now? So we're both killing machines, we were just different guys, there was a guy here this morning looking for him, yeah, big. guy on a bike so i have something to do with this the new terminator really with these new capabilities is much more threatening i am basically death you know they are running from death both terminators are programmed to complete their missions at full speed cost and without a doubt, but Sarah has decided to face her fate and takes matters into her own hands.
I need to know how it is builtSkynet. Who is responsible. The most direct principal responsible is Miles Bennett Dyson. She decides that the only way to stop the future that she knows is what's going to happen is to kill the man who builds the chip that starts the war in a very real way. She becomes the Terminator from the second movie, at least on a sort of psychological level for the cast. and the Terminator 2 team has been more than a reunion it's been very intense Tobruk and a lot of night shooting and a lot of long hours and so on and I'm very honored and happy to be able to do the second one in 1984 Cameron turned Arnold into one of the most memorable villains on the screen seven years later the process is being reversed Terminator is to become a protector, ultimately the film is about the value of human life, no matter how insignificant it may seem to others or even to yourself, your individual existence may have great value in the future, you have a job to do to protect your child and you do it.
One of the most amazing aspects of Terminator 2 is that it has taken the art and science of special effects to a whole new level. Several Academy Award-winning effects companies worked under a strict veil of secrecy for nearly a year to create the many and varied effects. Terminator 2 Fantasy 2 under the command of Terminator veteran Jean Warren greatly expanded upon the future war sequences of the first film, combining live-action combat sequences with creative effects photography artists on the battlefield. Massive for the war between man and machine, the famous endoskeleton also returns for the sequel. Stan Winston's company joined forces with stop-motion animator Peter Klein now to create an army of these high-tech figures of death.
It's the same endoskeleton, it's basically the same design we've perfected, but it's much more technically advanced than the endoskeleton from the first movie. In fact, it is artistically advanced. They can do more. There's more life to this endoskeleton, but redesigning the original endoskeleton was just the beginning for Stan Winston and the staff. On this particular film, we had to duplicate each animatronic lead actor Lee in the scene where the Terminator must fight its way through a SWAT firing squad. Stan was called in to create a double for Arnold who could withstand a barrage of gunfire. it will actually duplicate living things we can get close but we can't do it exactly we are

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animatronic duplications of living things very nice it's just a movie you don't get paid so i do it for you ok relax for sara's nightmare The team Winston designed and created several duplicates of Linda Hamilton, all of which were destroyed in the creation of the haunting nuclear sequence.
Destroying Los Angeles was a task given to Advance Productions under the direction of Bob Skotak. Huge miniature cityscapes were built in tremendous detail for the sole purpose of their destruction, but the truly revolutionary effects involve the creation of the t1000, the deadliest machine ever built. It just blew my mind. to really see it and you say wow you've been transformed you're liquid mercury man you're liquid chrome I don't think I'm over it and I totally believed it Creating the t1000 required the combined efforts of the company of Stan Winston and Industrial Light and Magic under the direction of Dennis Muren at the beginning of this show, Jim already had the board done and you need to start on the storyboard.
Since you have to know what you're doing at the beginning, you can't even do a show like this, you know if it's technically feasible to do it now and Jim hoped it was and I thought it was so we all agreed that it could do it was a constant, you know, a little juggling act and then I would start figuring out what was going to be done optically, what was going to be done has an effect in real life and then what things from us would it take for ILM to help them figured out things optically and vice versa, and it worked as perfectly as possible when the t1000x's abilities went beyond what was possible with animatronic makeup and prosthetics.
ILM was tasked with creating the effects optically, literally redefining the state. The Latest in Computer Animation CGI is a way of creating new effects, especially when we've been doing traditional effects for 80 years and you're starting to see, I think, a lot of the limits of traditional. In a way, it's very difficult. use the same tools and do different things all the time. Dennis and I sat down and figured out the process and decided to focus on Robert Patrick's form because Robert is the t1000 which is just what we decided we are going to study his body we are going to observe his movements we are going to find a way to capture his quality the way he that he walks the way he runs the way he carries himself the way his body changes shape and that was for us was going to be the key that drove our visual approach for the entire 1,000 team in creating the models the studio from Robert Patrick we have Robert and he was up here and we painted a grid on him and shot a bunch of footage of him and we could see the grid move when their muscles moved, their bodies moved the same way they were at the beginning of the program and that gives you an extremely powerful guide to creating a real robert patrick walk a real robert patrick run which is in fact the t1000 well the t1000 runs so it's abs absolutely critical to our entire process.
We are always trying to duplicate human beings. I know it's the little eye and hand gestures and stuff like a real human being that's the kind of thing that's the extra step we wanted to take we were meant to do that or not at all we knew other people had gone so far that We wanted to go further, I kind of went into this a little bit into the abyss with the tentacle of water that was the faces of Ed Harris and Mary Elizabeth Mastrantonio and it turned out to be a very compelling image that people remembered indelibly from that movie, so that made me cheered up a bit. to go one step further, or many steps further, as in the abyss ILM employed a revolutionary laser scanning process to capture Robert Patrick's movements and form in one of the most powerful yet.
The most fun ways or one of the most exciting ways to use it is to get people's facial expressions on the computer. I'm sitting in a chair, you know, like this and I'm. I don't move this way. I have to hold my ground. Control this emotion and block this expression. You know we can reconstruct the actors' faces. It is a very free process. You can go with what's happening and digitize those expressions. as you wish and we can immediately work with them animate model create humans they were very realistic very strong human faces salt i mean we work on these things and every day you know we still haven't lost the spirit of wonder when we see what's coming is new and that it's what's necessary is that we can't have a sequel and have more of the same there are some wonderful new surprises in Terminator 2 bringing the t1000 to life has been a group effort I knew I was in good hands like with ILM and Stan Winston I knew that i was working with b is the best and i would like to thank them, the crew and my cast members as the sci-fi movie of the decade seven years later stars Arnold Schwarzenegger and Linda Hamilton and visionary director James Cameron they have created one of the biggest movies ever the conclusion of the Terminator saga for the cast and crew Terminator 2 was nothing less than fate until v ista baby you

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