The FASTEST Way To Learn MODES

Hello everyone, we may be out with everything about music today, we are going to talk about the sound of the

modes

, how to get the sound of the

modes

, that is, what notes do you play in your improvisation or in your writing so that it really sounds like the current mode. Yesterday I did this improvisation on Instagram about an ace us 2/4 and a major chord, but I actually played the Lydian mode, which is the fourth mode of the E major scale, so I'm using all the notes of a major, but I'm playing it on this chord at its 2 so here is the scale which is the characteristic note the sharp four here is the lake to get the characteristic sound of a mode you have to find where the semitones are in the mode and then also define whether It's a major or minor mode, so let's take the key of F, since those are all white notes, so here, I'll put them on the base and find my two different semitones, we have B to C, which is the four sustained. to the five and then from the seventh to the root those are the two places where there are semitones in the scale, so those are the things that will give that high-pitched sound in addition to the note a that defines it as a major chord sound, so if I play this extension of F, try it to have MCA that will define it as F major and then if I just put that four sharp in there, that gives me that Lydian sound, the next way I would like to talk about. about wind mode.

I'm doing this out of order because I want you to think of them as their own individual sounds in the key of D; It would be an ad minor type mode and it is characterized by the flat six which would be the B flat note, so if I look at where the semitones are in the scale that we have between the fifth and the flatted sixth, you have it between the second and the flat third and it will give you sounds like this, here is the sound of da next The mode we are going to talk about is the Dorian mode.

Now Dorian is a minor mode, so in this case a Dorian is the second mode of G major and it is characterized by the natural six on the right because there is a half step between the six and the flat seven. and then between the second and the third flat, then a Dorian we have the 1 2 flat 3 4 5 6 flat 7 and back to 1 a Dorian sound would be something like this here is an example of a durian on the guitar next I want to talk over the mixolydian decided by a mixolydian, so E mixolydian is a major type mode, which means it goes through the major chords or the five chords.

The degrees of the scale are one, two, three, four, five, six flats, seven, back to one, the semitones are between three and four and six and seven three and four six and seven so they give you voices like that Here is an example of me doing a solo in my Mixolydian. The next one I want to talk about is the Phrygian mode. Phrygian is the third mode of the major scale and one of the characteristic notes is that flat, so the two points where you have steps are between the root and the flat second and then between the fifth and the flat six, which gives you sounds well, the beautiful sound.

Here is an example of a Phrygian line below. I have the Ionian mode now, like I said, I'm not doing it in any particular order, but the Ionian mode is used over major chords, so if we're in the key of D, you play it over the D major chord if I take the scale. we have one, two, three, four, five, six, seven and a half steps, they are between three and four and seven and eight, okay, that will give you, boy, since here is an example of D Ionian, the last mode What we have is Locrian.

Locrian is a seventh mode. of the major scale and is usually played over half diminished chords it has two mini 7th chords they can be played over a diminished triad but normally you will play the diminished scale the whole half diminished scale over that so in this case we would have to say C Locrian even notes C D flat E flat F G flat a flat B flat C o 1 flat 2 flat 3 4 flat 5 flat 6 flat 7 this one has the semitones between 1 and 2 and between 4 and 5 so you get these beautiful sounds here is an example of solo over C Locrian, okay, let's review the modes of the major scale in order.

I own Ian, who has the semitones between three and four, seven and eight, Dorian, who has the semitones between two, three, six and seven, Phrygian, who has the semitones between one and two five and six Lydian who has semitones between four and five and seven and eight Mixolydian which has semitones between 3 and 4 and 6 and 7 AO Liam which has semitones between two and three and five and six and Locrian, which has the halftones between one and two and four and five, That's all for now, subscribe here to my everything music YouTube channel, if you're a new subscriber, remember to ring the bell on the viata book that has There are many examples like this on my website at wwlp.com.

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