Myron, Discobolus (Discus Thrower), Roman copy of an ancient Greek bronze
Feb 27, 2020Ancient Greek statues, including those made of
bronze
and marble, are deaf.# However, this does not mean that theancient
Greeks did not want to convey movement. In this case, movement that cannot be seen with the naked eye. What we are looking at now is a statue sculpted by the artist Myron. Since we lost his original sculptures, we still have a statue of thediscus
thrower
here. The original sculpture was made ofbronze
and dates from before the 5th century BC, that is, between 450 and 460. What we have here now is one of the many Roman sculptures, and as you can see, in fact, there are these sculptures one after another in this museum, and they are evidence that they were loved by pomegranates.As you can see, this sculpture appears to be completely injured. Look at his right leg, which supports the weight of his body. His left leg, where the ball of his left foot is bent downward, is pulled back slightly and he is about to throw the puck. This moment requires close attention, as it is the moment when the blood stops and stabilizes before the event begins. Mathematicians and historians alike have debated whether this is the true position a
discus
thrower
would actually take while doing this. It is an interesting process because when you go back to the history of Greek statues, the first thing that comes to mind is theancient
, fixed and stylized model.More Interesting Facts About,
myron discobolus discus thrower roman copy of an ancient greek bronze...
Then we have the tremendous achievement of people like Polycleitus, who in turn developed the concept of the human body and incorporated it, but here we have something very powerful and complex, so just look at the arc that extends over my shoulders and the arms of This sculpture and how each one of them reflects the rotating arc of the hips, was interesting. The main sculptor, Myron, aims to enhance the aesthetic values here in this sculpture, which are balance, harmony, beauty and body proportions. We have here a kind of realism corresponding to naturalism. As there is no real effort on the body, it is certain that even in this intense position it occurs, if we think much later about a statue in a position similar to movement for athletic energy, such as the statue of David LeBrené. .
As you can see, it certainly had its share, as this statue expresses all the physical powers of the face. He grinds his teeth. Really, and his eyebrows point forward. But here this face seems very calm and reminds me of the coherence that the nobility of the Greeks always maintained in battles and in terrible situations with monsters. And here at the moment of the album release. The nobility and tranquility that appear on his face is considered an indication of human nobility. Well, as you can see here we have athletes where there is a naked statue, and this is what the Greeks did.
However, there was a real logic behind this. When we cover the beauty of the human body in sports, which is considered as pride in what a person has. This is actually a way of reminding us of the Greeks' interest in the potential of humanity, that is, the capacity of the human mind and body. Take that extra step to become more heroic, more perfect, more noble than even the best athlete. It is a complete form.
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