“MUJERES, ORGÍAS” Y OTROS SECRETOS, REVELA Cecilia, HIJA DE CARLOS FUENTES

Today you announce it moment to have Cecilia Fuentes with me thank you very much many thanks to you what a father quite green as times that is to extend you see it illegal it distracted me wings to fly around well here here visiting thank you and you bring him a book that is generating go down hatoyama noise woman on paper I hope it's your mother's book your mother moves rita macedo her memories unintentionally for my dad's too and at once mine all together this book when she started writing rita when rita terms ended the problems on television, he went out with my brother there, he went home and since he couldn't stop writing, he got hard and well, well, there is no machine, he did it by hand, in '93, that is, since '93, he has been cooking the silo and I When he came back from work on television he gave me his little pages and I played it on the computer luckily because otherwise it wouldn't exist there I saved it and he got very depressed later because of his fights with Louis because he remembered the relationship with my dad and I didn't finish it Jose to write work memoirs for Carlos Fuentes to the head brought him to do your brother is upset by my brother and when he got to my dad's part he got very depressed and could never continue again and you decided to make him second you completed first he didn't want to know Nothing is needed with the book five years and then I took it out, choose, we're going to put it in shape and that's when I started to add bits of world history because I insist people, the kids, above all, were so lost two and you tell them good day x I know when Marilyn Monroe died when the Second World War began when it ended when I don't know what it was when Agustín Lara's song so-and-so came out things to place people in their time and add people's information and with that I ended the first part then came the challenge of the second part because my mom never did it so I don't know what order things were in right away but I had 300 pages of letters from my parents from my dad to my mom that told all the things that my mom didn't.

I came to write and I asked Silvia for permission to use it. Silvia Lemos told me that both she and her publisher had the obligation to take care of my father's image and that I couldn't use anything because it turns out that the will, well, everything is hers and that's it. in Carlos Fuentes' letters, habits more if he wrote you a little message and we'll see you at 8 it's from Silvia all Cecilia so I left very sadly the whole drawer for another five years right and then he took heart again and if I do it then yes Because Silvia told me there, if she converts it, it makes me very sad not to be able to say if she uses everything but you can't, even though it hurts, I can't, so convert it to your mother's voice, put it to her saying what the cards say, I said, well, I I have done this, there is your mother and she is still alive no no no my mother died like half the book in the same 93 on December 6, 93 halfway through the homework she leaves me half and I knew how much she was interested in this It came out one day and then it took me a while to put together the first thing for one reason or another.

The fact is that I ended up putting together the letters but using my mother's voice and putting together five or six letters as if they were one. She didn't meet Dalí this day. and then he went to dinner with lo and mal and from there it went to him with the rockets with the new girlfriend of the moment who was jean seberg so I did have to put together several things to be able to make a short story not one by letter and then I put together the second part and as far as the letters end I included my mother's voice and from then on it is no longer a voice because I am not going to take responsibility for what she did without it being verifiable, this is not a book that any publisher would have taken when I wanted to get it out, everyone made fun of me because they said it affects her more, not even her children remember her, right, and if she is a woman who already went unnoticed after she disappeared or not from the cinema and the theater and everything, then it was a little difficult. sell my mother and galicia but the thing is that my mother's story doesn't matter at the end of the day it does matter the people she was with because all those around her who appear in this book are people who everyone knows and they are a lot of anecdotes about them then but not today and most of them we don't want mediation because we don't want problems with the grandmother.

She reconciled us if we read on the day and I don't think it would help. I would have bothered if this child took the book, the first version, to Silvia. I said I want to get this, then I brought him the letters that I have all this to do and he told me the book is quite good as it is you don't need the letters now he says he's never read it but well I don't know anymore and at a meal when they gave a prize about my dad or something with the president of Zedillo, we were all there and I kept asking the equestrian in China Mendoza told me to give me the granny with another person and to give me the güerita until finally Luz Fernández de Alba approached me I worked at the Council for Culture and the Arts with Víctor Flores Olea, then he came and told me like this in my ear, look for Déborah Holtz in Trilce, she likes to make this type of books and it's going to be very nice for you, part of the problem It was that I wanted photos, many photos that no one understood because it is already such an old story that if you don't illustrate it, reading the words without seeing the images is not the same, it is a fundamental story of the 20th century Mexicans, the truth is that it is very What is interesting is a story that passes through the eyes of Rita Macedo of your new self, but as you say, it is not only the characters that surrounded her, but it is the same old story, as you said very well in Carlos Fuentes, that you are known, but that the rest not until reading this book and not characters like Barbáchano and Oribe their relationships with Luis Deyá does not define if the relationship with the children with Julissa knows no longer said if all that is part of our cultural heritage and if not like a snake a curtain would have fallen I I I since you will tell us some of the elements by which they are going to learn to read the book and stop starting with the first one Rita More he was older than Carlos Fuentes without three years that is said little but but even greater in knowledge of life in the experience that the entities were a race than a character because rather that it was coming out of the arms the paternal market I divide it into two parts when they ask me how you talk about the teacher sources like this I tell them they have to understand that it is the same one thing is that you knew the one who was studying at harvard how much one and I tell you, kindergarten is the beginning and the end is the same nothing but change happened here until he grew up and became that come to us and meet the naughty boy and evil and woman I already had that the reason is when he met graves like 25 young man a baby had not written in the most transparent region of the air he had not written the death of Artemio Cruz where were you he had already written web well many articles he had written the stories masked but he had a very cool little book that wrote pure things and horror, it's a mystery because it's the biggest number and it already had the most transparent region' in the manuscript because when he meets my mom he dedicates it to her, it didn't have a name, he's going to read it On one of their first dates he gave it to him, I said, read it, let's see how he'll see what you think, and he ran away.

My mom told him everything and told him it was wonderful, and then the next time he showed it to him, there was already the dedication for him. She stepped back where they met in a theater and I went back to my mom when she meets my dad and my mom already went and came from all the things they do really when they get together she has a bach around 30 27 18 35 believe hands and 35 when she meets him but she was already married twice by then and falcioni is not married to with luis de llano palmer and with pablo palomino those are her teachers and she had had julissa the organist and luis and luis and with this boy and that in At some point they gave the writer's good-looking name but I had no idea about him when he started getting into theater and he loves the production and the direction is crazy.

There they were in Requiem for a Nun and Octavio Paz who was MCA's boyfriend at that time. Chernyshev moment I think she is leaving now now she died but then she became more castrated that she is Migueli's mother the other Strauss sorry then they have close friends and the imac was with Octavio Paz- and they went to the theater to see her come out after the function and they went to congratulate her or Enrique extra director Don Enrique sorry sorry my cool went away they went to visit my dad came in and my mom saw him cayenne morada because he brings esportiva with Octavio to accompany them and they were very close to the tenant with maca maca with my mom and

carlos

with octavio then they took him to come with us woman who said this boy saw that boy and said well he fainted he melted he died of love for life literally your father

carlos

Fuentes had not had a significant relationship before snoop and He already had his girlfriends and you had my grandmother's dreams, right?

She wanted him to marry Celia Chaves or Poniatowska. He evaluated like this and then he impressed me more. She gave him the dogs. She told him to relate to you and Octavio spoke to him. Not with you and From then on, how many years were they 15? Now there are accounts she worked on that is very interesting and it's like, well, she decides to give him a life and that scenes me well, yes, that is to say, she gives him a house, they give him a car, he gives him a desk, he gives him machines or a car, he never stops. handle the catania but there is something endearing about that part, since today she had come and gone from so many places that and with a very great hunger for intelligence, then fed up with cinema, television and all the mistreatment they gave her, she arrives and knows this man who saw him as the most beautiful thing in the world the next day he saw him he said I don't know what his short dress is, his cheeks are round he didn't like it that much anymore but his head is like that so this is what I want in this world of thought and boom he took him and I support you and pay you I do everything for you you write it took about two years to cheat on him and when he found out he went to live together first they lived more or less we saw each other very often in the case of my grandparents who there were ambassadors there in an apartment there in Polanco I came to her twice a week and then three and then four and she was the one who said come live with me and the other son grabbed his chair and his books which is the only thing that was his and he left then we moved here and they took him wherever they took him and they had good food he was very happy that is San Ángel's house not that one was until after a week an apartment by a river nazas o'neal or one Of these the planets Carlos with Julissa what does he do with Retale's children, it's a pity that I don't know if I gave them that letter, that those letters that I can't publish but that I'm giving them so that even if they can take a photo if they want, my dad makes it Thank you very much to Julissa and all of Louis and he will never always get along like kittens but he adopted Julissa and there are letters where you can write the caifans and I wrote you this other one that Arabel Arbenz ended up writing so they got along and Dad signed it in quotes not the very excellence funny to bring the false daughter no they didn't get along well accounts here that carlos fontes was more unfaithful than what has been said so far about moaning I remembered and talking about something yes about his dalliances about law this is the eighth we are talking to a woman in on paper the recently published memoirs of Rita Macedo in collaboration with her daughter Cecilia Fuentes, don't go, we're coming back, I don't know why I'm afraid you won't let me, I'm with Cecilia Fuentes, I'm very happy that she's with us in the studio, if we're talking about a woman on paper, this autobiography. biography of rita macedo to two let's say four hands partly she wrote to him partly you wrote to him and I stayed before the famous court in this that you mark as a feature of that relationship they agreed to have an open relationship and it worked for some time Everything was going very well until my dad started to go too far because the conditions that my dad always told him, my mom, who he had been with and in the letters show that is precisely why they don't want him to get to a gringuita in the ship and I think that protection from taking antibiotics this is the letter from the world I feel I had to tell her everything is to have her forewarned and she accepted everything and when I kept quiet about it at home I hid her girlfriends' clothes I made them leave half framed his house and then the parties that were there, well they had the parties that were true with everyone, the day of my baptism they all ended up almost together in the forest of Chapultepec, then Papas was raising his international category and began to hook up for foreign venues and then he no longer It was not one but it was a permanent one and another here I brought until the mayor calls, you know that I am going to Mexico I want my career back with permission these are the 70s to the mayor that is if there is like a strong broad liberation in the different areas where they begin to separate because of 68, which is when I think my dad got heavier with all the 68 that I, being uneducated that I am, don't know much but I do know that it never gets soaked, I was terrified of coming to Mexico and he told me with permission, I'm leaving and it was in 68 that we returned here and he stayed together for another two years, that is, and it is a condition of influence because you were there and he had more, he said we are leaving, we are leaving back that the girl in this fixed school table make friends can't go on anymore changing country every nine months I was happy with life I really miss it but she said there is no there if your relationship with Carlos Fuentes how was it from then on at the beginning very well I don't know At what point did he start to distance himself, he looked at each other, he spoke every Christmas, he spent it with him because, as I put it in the book, Mom never celebrated a birthday, Christmas, nothing, that didn't exist, every day was the same.Every day they told me a gift or a celebration, so every Christmas, birthday, I was with my dad or my grandmother, plus the holidays, and twice a year I went wherever I was and I had a lot of fun and we saw each other for a whole year.

I went to live. with him to princeton in 81 horrible fights with the main he gave me two options I send you to a psychiatric hospital locked up or you go with your dad well obviously a and b and psychiatric places if I prefer there and I had a great time and apart from that I realized That I wasn't as crazy as my mom thought I was, true, and then the relationship fell apart, but I never knew what I did. What happened was that an estrangement began and our only way of being close was that I went to her manuscripts, or rather she said.

Son, if he is, he will never want to read my books because I pay him because he transcribes them and that's how he reads them in passing. You didn't want to read them. I was now reading the masked stories that I loved and now at school and I'm traumatized because of course it was all the children. They came what it was about because we didn't understand anything so son well I didn't either then I spoke to dad and I asked him hey they made us read now I have to make a report I have no idea what to put what you have thought and believe that is no because it is difficult and after that I did read unborn cristóbal I read several others I'm half lost in that but well from the buried mirror to the end I went through everything I love it so I finished reading it all that was the main relationship we sent each other little notes there it goes to your copy me I sent the corrections I sent him corrections of his corrections After you Carlos Fontes had two children and since you got along with Konko at first they were too funny and little then they became very complicated and I preferred to move away take this distance and with Silvia or like like in the relationship like You see from your perspective that relationship and what happens to your life when Silvia Lemos comes into Carlos's life, it was already very confusing for me because I have always tried to be like the other daughter and she is very pretty. but I feel that sometimes if she puts her foot on me because they fall on me then as it is I hope the relationship is good and I hope that we always find a middle ground where we can and exchange our feelings are survivors I do tell her well I made my friend and she follows me throwing payano I don't want to speak badly of her this book involved reviewing and revising your childhood mother to serve your father but there is one very generous thing you didn't write an arbitrary book the consensus do it you talk to the rest of the family internally the conversations with Silvia He has proposed these letters that already mentioned that Silvia told you, you can tell what they say but you can't publish them as is and with Silvia it was the most difficult thing because she didn't want to was to devour the one that managed to find a middle ground where they allowed my dad's drawings to appear. not my mom's because almost all the others are erotic so if she said nothing more only yours come out then a little round ball with us and I'm everywhere and bits of letters sent to me that was already a tremendous achievement but we owe it to devour silvia thank you for letting me use those chunks pity about the others that Carlos Fuertes described his daughter has could put in more they are also hers also about they are also you testament anything you have written is from silvia let's read everything everything is from full so if I agree he agreed to that and then he allowed the letters to be used but as long as it was dedicated to me that my mother was not mentioned in any of those letters you say well the one with my brothers well Julissa's problem never had a problem she already has the The problem is that she says I like the way my mom talks about her but that's how my mom saw her.

Your Julissa Lole comes back every day and finishes it and reads it again. She says she's reconciling with Mom like that because they understand more and more. You helped her. reconcile with her and for this it is therapy that understands more and more what her mother did and what she did and how much she owes him that she could never thank her because she thought that my mother was attacking her with a knife, not my brother Luis, who is colder he didn't want almost anything that is there to come out and it was more difficult first was wait until my dad dies it's don luis de llano palmer so that he never reads this ok we wait the man died then he didn't want it It turned out that my mother was a prost and that's true and I say if she didn't care what do you care about me thank you for that you had a house in Cuernavaca house in Acapulco and many cars so continue it didn't matter ticket so that it doesn't leave then I didn't want to finish the law or bad about my mom's mother because he grew up with her don't talk bad about mom julia because she treated me very well but she made mistakes for me my mom was put in an orphanage for 13 14 years I didn't I want there is a photo that goes in the book that is very impressive, your beautiful grandmother Julia and her sister, not so aggressive, pretty, dressed as a nun, that's what the family was like.

Let's see as a family inheritance, the children really know what they haven't told what they were. eight brothers of them, three of them were women, I think, and yes, it was a family, a lot of people from Puebla, it was good for me, but well, yes, people, sorry, microphone, and suddenly the little girl Julia comes out, that this is a trap of madness, she wants to write even soap operas, she does everything and the black sheep of the family and then she gets pregnant with a man she didn't even want and she gets a girl who says I'm done with this, name her whatever you want and let's go, it's the day of conception, so they put shells on her and he left her in a boarding school and she left He never paid attention to her again, he never went to a Sunday every month with a cousin to say hello, we're leaving, I'm going with your cousin to Chapultepec or to the fair and Mom was behind bars, she got out of there when Doña Julia was told to go do a casting and mom went out to do that casting she told him if you get married when I did it no longer you don't go back to the boarding school just in case stay with 1718 and don luís 222 his arranged marriage well yes but as long as he doesn't go back to the boarding school it was very Badly for me, that left her devastated and traumatized forever.

The cinema was her place, which was magnificent. I liked the theater more. Let's see, it tells a little about her life in those years. The cinema remembers, she goes, she remembered the castle of purity that It was his return to Mexico when my dad had left Rosenda because it was his first star that he took to the studios so he was the one who gave me a job with something or something and suddenly I heard someone's voice saying you are Rosenda No, I'm Conchita, no, you're Rosenda and she knows Julio Bracho and now we'll change your name from now on to Rita, I don't like it because she calls you Rita and she already signed the contract for Rita, she made the movie and that's how it stayed, so she liked it. the film Nazarín a lot because Buñuel, since he saw Los Olvidados in a private showing with Oribe Alva, went crazy with that director and said I have to work with him until he succeeded in a crime rehearsal and then Nazarín said they didn't want to give him the role because She was very pretty so she dressed up, she painted her teeth black for her hair, she put it on and she came crawling to his house and well he said, don't fool me, I'll give you the role, that's fine and I think they are the films that you really like, but when he discovered producing theater, yes, the location was New York, buy the plays, produce them, teach Julissa, produce the first musicals of that tradition in Mexico, they are from your mother, rather they are from Don Luis de Llano, the musicals, the musicals, were brought from there like Vaseline and that was what he brought them with Julissa but all the comedies and when it was half past one, poor dad, yes it is a comedy but a bad seed where María Rojo and Angélica María premiered nothing, because it was a drama about a murderous girl on fire, she was always looking for themes that were very advanced for her time where I have some tremendous problems and it threw a lot of people away so I say this book is for everyone it awakened memories all over the world you say your mother was very sad when she reached certain chapters in your brothers asking you to censor Silvia now the question The main thing is a disgrace that for me the whole book is a comedy if she said I'll get naked here I am with all the air and I'm going to say everything and let's go and she laughed I already read the chapters for all the names I invented them I read what I He has written the anecdotes we laughed together we composed him I looked for lessons on the internet you are wrong with this date and this I remember that he was already born it did not happen here it happened here ok two together and we are putting together he was voted from the laughter of all his pranks so yes for her it was funny and I laugh at her atrocities I want the people who read it to laugh with her do not take him in the middle of the book your mother took her life we ​​know what happened that has to do with The book has to do with diseases, we never knew about it.

Louis invented cancer because it was what was good for him if he had it, only she knew it. She got very depressed with my dad's part, very much like remembering something that he didn't want to remember and in two months She started to disappear, she left but was skinny, little, she had biopsies and did things and everyone told her you have nothing, then you were close to their lives. I lived with her whenever I was in Mexico, I lived with her - when she kicked me out of the house. I was living with her then the night before while I was going through her memories she just came and grabbed me from behind and said let me go now I said no no not yet because I said it too often then the next morning I am working at Televisa timing times and suddenly the vice appointed and she sends me with a gun saying that she is going to kill herself run to the house she would have run it is true it is me in the dense cloud the whole house not the cloud I had stories I ran to the house try to convince her I was writing A farewell letter, I suppose, I told him, don't do anything right now, please, let's practice, let me finish my cut and I'll come back to eat with you.

We talked, then he said yes, yes, I'll wait for you and I grabbed the letter that was there, I rolled it into a ball and threw it in the trash. It's in the letter where I explained why she was leaving. We never found her again. Unfortunately, I threw her away. I went to Televisa. When I got to Televisa, five minutes later, the calls started and I turned around to see everyone and said, "I didn't dare." I'm going to be stuck there taking care of her, I tell everyone, she left as she wanted, the day she wanted, she always wanted suicide, she never thought about dying any other way, if you read the entire book, you'll understand that it seems very exciting for her, it was like that with cal tragedy drama let's go with the suit and so and so is going to commit suicide and the other guy is going to kill himself so the fact that he left like that for me is not a trauma I get angry because I don't expect to eat because he betrays me that's my tradition I don't wait for eating suicide for me is seeing yourself as you want I don't have any problem with that then you hurt me and then the ex left I loved her a lot and we lived like that but stuck together stuck together like dirt when my dad left he told me you are him now my husband My daughter, my son, my whole Chinese being, and that's how he kept me close all his life, just like that, and for those who don't know, here comes my dad, calling, I take them with me everywhere, my wide false pebbles, it's not my dad's fingernail and a little bone. of mother they are together we talk about this relic this is a serious relic of pure dna let's go to court we are in the octave we are talking with Cecilia Fuentes about women on paper this two-voice memoir by Rita Macedo completed by her daughter Cecilia this is how we are Back in the eighth this in with Cecilia Fuentes talking about this autobiography biography of her mother Rita Macedo some photographs that are a gem of each one deserves an interview with herself to see I have one here that I don't know what orders it was the excess of the universal says the little girl Cecilia Fuentes minutes before boarding the 10th of that 8th of Cali KLM real Dutch aviation bound for Holland where the little girl Chiquitina had an impact they spent time with her grandfather Don Rafael Fuentes current ambassador of Mexico in Holland the parents of Carlos Fuentes your grandparents, yes, I grew up with them, but with my dad, they put me with a stewardess for nine months and they said goodbye like a suitcase like a suitcase, there is a piece of my dad's letter announcing that the chubby girl arrived safely 2 and she arrived alone and in Those 9 few are about 15 hours, not 16, it's not necessary to Holland and they sent me to my grandparents and every time they went somewhere as a suitcase they sent me back to my grandparents.

My grandmother was my mother. I really have all my memories of childhood events with my grandmother, not with my normal mother, I start to remember after I was 12-13 years old, so she hasn't come back, they were in Holland, Yolanda went, they sent them to Portugal, well, there goes the suitcase, Portugal, they sent them to Rome, there I went. for Roman and that's how I always had the worst time, the bad thing is that I liked it so much that I'm still the same. Tell me where the packed suitcase is. Now I see that 33 is there for your parents.

It's not a suitcase. Let's see, now, show me the relic. Here, yes, it is the one. relic is a little bottle with a label like victoria saves from urine sorry it's logical but that's what this little bottle looks like that's how the dust is getting in no that's a chunk of my dad's clotted blood pure DNA this is my dad's fingernail that was torn off no He had to go to have it removed at a hospital and he gave it to me like that because we were the monster logos so he told him you are the only person who is going to be happy with this and of course when my mother died they cremated her and my brother Luis Does it occur to him to put him with his mother, he puts my mother with his mother and how can you come up with what they hated, put them together and check crypto.

Yes, then I went with two friends to the crypt, we opened it and that night they shouldn't have been on the bridge. from a small chapel so we went in I grabbed Laurna theWe opened it in a sock and an empty coffee spoon on my mom I said we're not going to be here and I took it like Santa Claus in a sock run run run run then I have my mom's ashes a part in my house so I grabbed a little bone so that Well, Tenzin was bad, that's his little bag, that's a bone, Beto, who knows where he'll see then that now that they fuck together forever, he's made them patriotic and he's brought them back together and they accompany me to all the interviews, to all of them. not every day just here but it has only come out once they gave me a look of horror I said I care they like it and I think they are very happy to be gossiping and I feel that my mother is happy and I feel that my father is also happy For your mother, Carlos Fuentes says, he was the love of his life.

Now the other thing is missing. Who was Rita Macedo for Carlos Fuentes? From your perspective, from the voice of the one that I lived in, it was a very beautiful relationship with a woman who understood him, who supported him, who supported him. I did everything I wanted and then I found out that the hidden non-fiction wants it to exist that I told Silvia and it was very bad with Rita I did horrible things to her or Silvia tells me so it's good so much so it turns out that he didn't love her but well that's it She lasted fifteen years, right, so who was she for my dad?

Nothing, there's no place where I mentioned her, he never revived her again, he deleted her, he deleted us, it's like that, get out of here, from here on, Silvio is my dad and his life, and he got to where he wanted to get to. My mother didn't want that, she didn't want that popularity or that great importance. She didn't want to live with the process. She didn't want to live with him. She wanted to live with a thinking intellectual and in bohemia and with friends who wrote and so on, but take him to the place where he He wanted to be important, that he wasn't interested in her and having been famous and he didn't care, but my dad suddenly, who started to meet the entire intellectual world of Europe, decided that he wanted to get to the top and Silvia said, I'll take you to this network and Child, I will accompany you because in the case your mother says it is she who took him.

In the case of Silvia, our state is that if she wanted to take him, she put him on the carpet so that he could be him and get to where he wanted to go without interruptions and praising him. and taking care of what weighs so much in your daily life, bear the last name Fuente, that is to say that they look at you and say like this, here comes the daughter of Carlos Fuentes instead of saying that Cecilia is coming, well, it doesn't bother me because no one knows that she is Carlos's daughter. Fuentes, the interviewer on the phone told me if you talk a lot about Carlos Fuentes, did you even know him, then it's difficult to act.

It's a bastard. No, after the whole story, it doesn't turn out that no one knows me because every time Carlos's children have been named, Carlos is always in the He's expensive in size and they rarely mention me so I'm not anyone's daughter but I'm telling you when he left I felt a horrible pain because I was finally getting a little closer with pain I if for some reason we're not here Seeing more, he stayed longer in Mexico, we were more served on the weekends and I felt happy every time he gave me an acceptance. I felt happy but I never wanted to open my mouth about anything because it was very difficult to say, I'm never going to get to him. not even on his heels so it's better for me to stay silent, I don't want to have my own say in anything and when he dies my little heart breaks, especially when I read the letters because I hadn't read them with the tube, but I had them saved because they didn't want to read them myself.

The drawer section is rough and I meet Carlos Fuentes who loved me very much and if I fought for my mother he insisted that she went to Europe with the reason that I learned French to study in the theater hence I had already achieved a work in Spain make the port develop now my mom I'm never going to answer your letters she said girls you can't make her stay there you're smart nice bring a girl she was already in kindergarten here in Mexico right then my mom the one who never came back to answer, he hid my father's letters from me because I have letters that aib and that says chubby, you haven't received my letters, your mother is hiding them from you, ok, I explain, then I would have liked to have read the letters before and had reconciled with the father and my friends. rage towards him when he was alive because it turns out that he had been angry about what was not true so now I say sorry, dad, I have no other choice.

This book reconciles me with the yes and I feel that even though he wanted his son to be taken care of image I think he is happy that they see him how it was that if you believe in the image because in fact sometimes this story of the bronze heroes our country we are going to get the image is that it is not known that there was another woman with whom He married another daughter to whom he promised the sky and the stars and then he forgot that he had many women while he had my mother who did their everywhere he said meetings and well being one I put everyone in everyone and everyone rolling around and kissing those in Chapultepec coughs are a semi no but they don't want that to be known Carlos is the clean, neat and perfect gentleman and it shouldn't be anything else so that vision of course I don't tell you it serves the opposite of hallux and human showing them to people As it is, nothing's wrong, nothing's going to happen to you, I swear he's going to be better, and then I knew him better, I had that, I know what he was and what he was like, and I loved the chaos of life they had.

I was very happy that he had it. many girlfriends, I want to answer the phone to dad, you to princess so-and-so, because they were all princesses, my mother was the princess of cosmopolis, nothing more, and the entire region called cosmos. John Paul was his name, which they always drew as two non-myths in pajamas doing dirty things and The rest were the others, I party, and they are sources that now I know that the girl who drew was drawing, he clarified that he was a very good artist, having been a cartoonist more than a writer, things that have some great things and could be an entire book of his drawings with all the people who met they are there in caricatures somewhere sylianne doesn't want to take them out either a museum of Carlos Fuentes isn't it and I would love it is an exhibition with all the letters and drawings I would love that if I can do this say that I'm afraid guys that surprise us of the text is today a woman who owns a destiny who has 34 husbands who has a free sexual life who has the audacity of not returning to Europe who is a woman of the 21st century but she is not a woman if you veto it that is to say yes rita more is very ahead for her time title rest know how as you look at that woman I had never realized that my mother and my mother so so so then I had never advanced her and now happy because her way of being advanced with me It was, we are not going to go to school, it takes 500 pesos for you to go wherever you are going, let me know where you are, learn my signature and anything you sign at school is not a branch, the grades, the permission, could I get to sleep or not sleep, go out at 12 at night if nothing else while I'll let you know then well yes that's already free but for me it was normal poor my little friends because their parents came for them we'll see each other one less at the yazira of slapping my little friends everyone but I don't know It had been advanced since it was obviously I realize now that it was very advanced in this entire book that forces us to see it in its context in its dimension as you close them we are concluding how they knew the truth and you talked about Carlos Fuentes what the prayer would be like with her she almost answers In the face of the creation of woman to woman, I think it is the first time that she has no way to complain to me because we had some fights, but they were ugly, to the point of locking us in the closet and throwing half the house on us.

You are no longer speaking in a figurative sense, it is not really, it was raining furniture and arriving at a residence or a little paw the little head itself goes with a lamp a table and we rolled around and it bit me I bit it I locked it in the closet they closed it I was running the streets no more we got along like that when you were 12 to 18 and Julissa picks them up and we eat spaghetti, they fight, then suddenly my mother grabs the spaghetti, no, Julissa, big packages, fights to see me in my head, the rest of us continue eating, then I go to grab some scissors and they chase each other around the table like that. and that was our daily life so all that life reconciles me now because now she has no way to complain to me I end up saying everything here what she wanted she reconciled me with her that there is your book mom finally finally I am very happy I am the first Once I was happy, I always lived depressed in my natural state and suddenly I discovered that I am very happy because I feel that I have already accomplished giving her the voice that she wanted, it is already given and forever I forgive her for what she did, I hope that she Forgive me for what I did, there is my dad too, just as he is and I am already very happy because that book is not to make money, it is for them and their families to say, this is a very generous book, this is not a book where You take a bite, you take revenge for surviving them, you stab them with the scissors, it's a very loving book, it's because if I liked everything like that, I wouldn't change my family for anyone, for nothing, with all the good and all the bad, I think that It was unique, it's a unique experience.

Maybe everyone in the final is similar or that's the type they have to be to survive in a family with so many crazy people. I repeat it again. It's like crazy Adams doesn't scare you if you see them. merlina eating a tarantula or uncle lucas biting a little, right, it seems normal to you, that's how I see my family, so I know whoever reads the book has to read it as if they were in crazy adams, here all these things that people do are normal, then They achieve it, normal, it's normal, so for me there is not everything.

I liked it, so I appreciate and love very much every bad thing that happened and I enjoyed it a lot. I still am and when I have read the book I laugh alone and Julissa while I now I now right I say but it's funny new funny well for me yes funny I wanted to take up working with Buñuel maybe he just explained why if I dragged a Buñuel film with the film I don't doubt that this is going to be a series you don't know how much I thank you for this effort loving for this material that you give us from what is the life of your family but it is also the life of all our families this is the history of Mexico on the front are seven decades of Mexico seen this way not as and it is time to throw it on the ground the heroes who think human people are very funny and pretty you don't need books and about octavio paz you don't want to do it being bases on that ship there it was possible to hide the real character aside things can use a single photo control over him no he left nothing fixed so no one can use a photo of pity because there is a very cool photo that is sea and me and him and my dad and another person who are like singing like a choir were very friends but also very friends and it ended very bad that friendship yes but I don't know why seconds for televisa reasons for me if we leave but we stay with your book woman in paper I find it any bookstore is preserved in gandhi it is big in big I went because I go the scoldings of up to a thousand books they are going to put it in front of me in Gandia there was a tambache like that on Saturday I think it will be assembled this week or at the end of this week I hope so I promise you that I am going to give it a lot and for Christmas even though your mother didn't like it Christmas, no, thank you very much, Cecilia Fuentes, don't miss it, woman on paper, unfinished memoirs by Rita Macedo, it was just a taste that I gave you in this delicious interview with Sensitives, there is much more beyond that, a photo that is an extraordinary reflection, it is a good pen, I don't know. miss break cut coming back let's talk about the Mayan train I'm not what a scare on May 3