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Historias debidas VIII: Susy Shock (capítulo completo) - Canal Encuentro

May 02, 2020
His children like to define themselves as a trans artist. In that brief definition, their place in the world is and their artistic and political work is deployed with the tools of Latin American poetry and song. He was born in Buenos Aires in 1968. His artistic search began in the theater. community and was inspired by the parakultural nights in the 80s when he first saw batato barea l that others are normal he wrote in his sweaty collection of poems published in 2011 his body his poetry and his song challenge all hegemonies when he plays escape from Instead of dirty definitions, she talks about a hummingbird cosmos, a trans Pachamama, and an anti-capitalist and anticlerical utopia.
historias debidas viii susy shock cap tulo completo   canal encuentro
With her latest book, Upbringings, she always talks about the beautiful adventure of talking to children so that they grow in the diversity of hugging and letting themselves be hugged because As the prologue of breeding says, it is never easy to get to the hug, first you have to know what it means for no one to hug you and that is what the obstacles know a lot about. Ah, I would like to start sushi with definitions that are yours, to be in your poetry in their shows. I chose just three of the many of the many that there are.
historias debidas viii susy shock cap tulo completo   canal encuentro

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The first one, I don't want to be a man, I don't want to do anything else, I want to be something else, be whatever I want, there you lacked the reflex to accompany me with the little box, we don't have it, no. second maybe I don't understand much because you are old mutual a third you have to open your heart you don't need a lot of science in the face of a lot of science you don't need a lot of science when, as happens in your shows that are deeply political but also deeply loving, a connection where There is no need for lockers to place people.
historias debidas viii susy shock cap tulo completo   canal encuentro
I hope it seems to me that in this case it is very simple as it says there and we make it so difficult that it costs us our lives, it does not cost us horrors, so that is the request, sometimes urgent, sometimes more loving sometimes with more zeal than the rest of the world, seriously put the heart to embrace the differences as a political gesture but as a daily concrete thing it is urgent it is not a thing that we make pizzas and want things wow beds that we also want very things brilliant and we deserve them but I say that gesture of saying open your heart to a friend costs nothing and is enough for so much because the rest is that nothingness from which we come, that violence from which we come so they do serve to copy and multiply welcome welcome and My sorrow is white in black to my cry it is Indian my anger is red my love is magenta and I am alone my skin is white my veins are black my cry is Indian my anger is red and loves more people I am from the south the south I am ah when are you going to Your childhood is very different from that of the majority of trans and transvestite girls because there is an original mark in the majority of the stories and there is a mark because it accompanies you for life that the expulsion from home itself from there was not Your case, not quite the opposite, I had a giant hug from Nelly and the BNE swelled because in them children from the tenement here of 11 where they met, she from Tucumán, the Pampas and that little thing, workers both and said lavorante, textile worker, my daughter was there housewife after going to a school we lived in a school when we moved to the province to ituzaingó she was the ned and the goalkeeper and that hug has made this being that I am this thing that I am ja walk around the world without need of asking for what we want, I say, get off the stage, I don't ask the audience to love me, I don't ask this world to love me, the little boy I have been and everything I have been able to build about myself had self-esteem as complete later I had the futures like everyone else but I had a huge happy giant stage when when I look back when I see that little boy and then it seems to me that this is a political fact to stop and discuss this world that we make with the infants because we stop hugging and stop hugging is not the gesture we tell them on the corner and we see each other we make it is the gesture I say why there are kids in the street why because we demand that my son and daughter respond to what that I want to be and I couldn't be as is the case of transvestite and trans girls or that expresses itself and something that goes beyond the binomial male female expulsion takes you to the corner of prostitution new girls who don't think about us always think about us adults stop on the corner of over 18 as if it had appeared after a rain so someone has to start taking charge of this disaffection that we are expelled from heterosexual homes with afterward the only negotiation we have is our own body As we say, it is clear with that adult world to eat to sleep that night somewhere sheltered, so someone has to start taking charge of this.
historias debidas viii susy shock cap tulo completo   canal encuentro
Hug me when they ask me the question, well, when sushi appeared as if we were having a day of birth of one's own birth and I say that my story is also not like the rest because there is really we appear at a wake at a party here, there is no waiting to make the founding fact of that which has been denied, everything I appear against my family to give him the due slap that it deserves and then we are always building ourselves against each other against dad and mom who don't want us, the police that persecute you, the state that ignores you and then what happens if we can build ourselves, no if we can make that constant evolution if we can go finding beautiful finds and I'm not even talking about trans people and I'm talking about people who are calm, that is also the right of all children to find themselves, that is the cultural change that must be fought, as the complete one says, we want the living room after the wounds of nava so I remember I have many things the change begins the change begins in the children at school and that educates I don't want to jump pink I want to go out from behind to carry around it's been going on for a long time you have a record that is a record of speaking to someone For others, not speaking to the ghetto also means political discussions.
He was always an artist until he was halfway through or 14 years old because my name is, he works later. I think I was an artist before he told me what genre we had between the ages of 14 in that world and I gave everything I say ideologically among the self-managed independent theater who believed that exploding a year was changing the world itself vidalita vidalita vidalita of this time of little boys and girls who can choose, sir, ah, tell me about that tattoo, the one where you have a good life and little shame, what is it? a phrase called my first album my first and only album so far good life and little shame that a phrase that my grandmother rosa la tucumana told me I have said the stage the album I tell that anecdote that when I was a teenager Grandma Rojo told me The rose has given a few sentences and when I told the clina that you are, how do you manage to be so pretty and now my son, good life and little shame, told me with his little tone like that, the ancestral thunders of a face sounding from the singing of the birds but millennial diaz I remembered and that grandmother is also the grandmother from Tucumán who opens a door to a musical universe that is the one that you have been traveling through in that of northern music, the family from Tucumán, the family, my parents are from Pampeano and are very fond of listening to folklore and tango obviously and that formed me in an obvious taste for folklore and for example that dancing before starting the theater long before folklore passed to me by which by folklore and it is at the heart of your musical proposal in particular it completes the life much more the folklore the tango yes there are a couple of many nothing more but because there is something that the 0 that happens when when that type of music resonates that does not happen to me with another vidalita vidalita a drama boy expensive those who make wars captain limousine finalist blow beautiful life with live work and bosses I worry that they will shout badly a macho that the bishop and husbands generation of the 80s share and we were formed in those wonderful years I return to demonstrate that of the first one who came to speak what was not spoken with those who have left and all of them when you have to think about how your political consciousness was formed and to think about 14 years old right there I started theater in a type of theater in theater as I told you independent something like very dreamy like very political in that return of democracy where topics that had not been talked about were talked about and there was that flowering that sentence of eating your mouth nothing freedom and then the doubts against the pardon also saw the 90s 90 yes very powerful and I this from the art in fact in a moment, first, all the struggle that had to do with independent theater and the need to have a law, a national theater institute, a national theater law, studies very involved there and there we meet each other, we see each other, from there we met some activists too and later I realized that I was in the art in the theater fighting other things but we were on the same page and there we found ourselves you don't talk about what it's like to appropriate the grievance of the insult to give it another sense another meaning is almost the history of our continent because for if cake work obstructs the diminutive that there are many it still hurts that many do not agree that is why we tell you that we bank all the self-perception I wait for me let me say it obstructs me let me say that that I feel like I got what was my own and he took it from the enemy and left him defenseless.
If they yell at me, work, I say straight, I use a tablet, so there's no pain, and I think that has to do with that first story. I don't know how it's going to hurt. what I am there is a pride in being and but it also begins to be a very very strong political commitment because from there I feel good so presenting yourself as a trans artist is difficult because in princes from where I like the world to read me and from where I like the dialogues to begin with that world, if it is not already there, we have nothing to talk about, it is not the time to be losing dialogues or hugs, but I talk about the hug, but I am not losing it because it is not deserved, so it is better to set the rules first. and half from here if you want to leave there are almost not so many other places and others are the normal thing that are the resonances that the art has of an era that refers to for those who do not know me poor mortal equidistant from everything me ID 20 million 598 thousand 061 me first son of the mother who later was an old student of this school of tortures amazon of my desire bitch in heat of my red dream I claim my right to be a monster and for others to be normal is flag flag but normal is the way that it also becomes the flag of the kids, like in these photos, above all, above all, I continue to be very moved by what happens with the kids, with the bites, they take me a lot in Liberia, the girls take us all over the country, they are the ones who self-management to my role those who receive the most in their homes and behind that I think because it also comes from that previous photo of the street of that time, a very local empowerment has been built, we see a very gigantic story that we obviously started our activism in our own community, which was even before the dictatorship and very powerful after the return to democracy, but from the debate on equal marriage to here, what we have experienced is an empowerment of the local because we always have to make a exile you did not like in Salta and you had to come to Buenos Aires for the journey or go to another city to another country and the feeling that there is a nothing youth that stayed and wants to be a place this artist works in his street cas walk its streets and That has improved enormously, Mrs.
Pass, it is a cultural change, although it still remains by our side today, save the report, for example, not the items, it is like mockery, insult, street harassment, they are part of daily life to the point that we live with them. them in a way that is almost naturalized by many trans people and that is why I say, finally, she is already seasoned, I say when you receive that on the street, God knows me, he doesn't know who I am, he didn't personalize it, but yes, I do stand in front of that because in front of The terrible Corelli look that that other has in front of the trans, in any case, not in front of everything different, even beyond the trans that it produces, is so it seems to me that we have to think there urgently and we do politics thinking about the future.
I think that everything thinks about the future and I say today the hug is not here today photos of those photos presences and absences great presences who are there smiling johanna marlene diana and I are in one at the presentation I think it was for awards something like that and marlene wáyar diana Sacayan and in the tip they went to see kings if you think about the legacies in a broad sense not only for trans activism and transvestites and I have not gotten far diana Sacayán lohana berkins a world this better world that seems to be distracted but that it is installed that it shows In those who come it will be noticeable in those who come because there are also others and others who have many more weapons to embrace those who come with less ignorance with more examples I'm not saying we have been in tenth all the time we look at the 80 but For me, my childhood, my adolescence was looking at a heterosexual world that did not read me, so me singing, dancing, that folklore that did not name me where my body was not, we had to do the insolent exercise, even start writing and today perhaps generations can google and you go out and put the word trans and so much new information comes out athletes thoughts not trans philosophies new aesthetic examples from where to look at yourself and from where to stand and move forward that is huge and above all a South American issue lohana and above all they are from here they have built from here and that also challenges other hegemonies, i.e.
Diana Sacayán's transvestite cidh yo in October 2015 and the early death of Lohanaberkins.At barely 50 years old, on February 5, 2016, they left gaps and legacies of struggle. They are voices present even in absence in all spaces of trans and transvestite activism. In my word, Mrs. President, you are going to see that and if you want to accuse me, let me be accused of my bad or good actions in government, not because of my condition as a transvestite, I say those of us who are running the margins, those of us who are no longer interested in anything, those of us who Let's say we are beginning to understand what we are, all of us and in all places and in all spaces.
For me, what gives meaning to this fight. Lohana Berkins was one of the great promoters of the gender identity law passed in 2012 when Founded this work cooperative, Nadia Echazú Lohan has taken another step in the construction of citizenship. My name is Brisa. I am 32 years old and I come to the province of Sal. I looked for work everywhere and they didn't give it to me. I believe that discrimination still continues. No one, no one, is dedicated to the institution itself because they like it, but because of a necessity, there are days when you actually go out and you don't make a buck and you have to go back home, have some tea and sleep this morning, grab one and start the right to work at the health to housing to education continue to be rights to be achieved for the trans and transvestite collective according to official statistics trans women and transvestites die on average at the age of 32 as a result of violence and social and economic exclusion the poetry of their children returns those exclusions our revenge will be to reach old women she writes sushi in leaves her most recent collection of poems we were talking before about those years that were fundamental in the configuration of your political consciousness but they were great leaders and also had an enormous capacity to come and sing and some of being able to understand the importance of art added to that because they guide you and one went and sang or wrote, see if you get anything out of this like a feeling of enormous appreciation of the artistic fact that continues to resonate with me before their and she shouted in anywhere, even when he was bored with what was happening on stage, Lohan asks me for beautiful Benito, we want water, sounds, shows celebrating, they are going to do this dance for you while I sing it, sisters dance, old women and Chinita is his if he travels to present upbringings, his latest book, a set of stories designed for children where the protagonists are a transvestite aunt and her nephew Uriel, an aunt who approaches the teacher and tells her, don't be afraid, call me a transvestite, you are ashamed of being called a woman, stories that invite you to think about other family models and a childhood free of prejudice knowing that the aunt who had written was coming because they had read the book to read books to them and they were like the super as well as nervous and happy because that happened you have to read the book to me the end is not a trans person who comes to talk about the diversity of demons and map they get dirt they did how they receive everyone who hides so who is there who works with them if you don't know I was re but the day they didn't come so they came out of one hug that's it and and then there was obviously as a question not because I deceive and there is also the question there is the answer if we continue playing but first there was the hug and if before we talked about trans childhood not now the point is how we prepare a speech for a childhood that grows in the celebration of diversity and this has to do with parenting, I'm going to ask you to read to me, there is a segment called the little incognito tweet game and something else that leaves us stranded on the question.
I stay there exactly without repeating and without saying different things that the people who They don't know us, they think when they see a transvestite, they think that it's a man disguised as a woman, and I'm sure he charges, I'm sure he does it for free, poor thing, no one loves her, she can't love anyone, I'm just a drug, I sell drugs, I'm dangerous, I'm in danger, time. How do you combat that ignorance, dear and dear upbringings, how do you combat your children? In principle, they were involved in all the games, how they are involved in all the games, involved in all the situations that if they don't know how, they run away, and if they don't want to run away and they want to continue playing, they ask.
What is the game like and we tell you tonight is called the ual it was almost the chile we have outside that I don't have the rattle cane and the breeze dances with it tonight I'm not afraid note grandma the book is beautiful if I don't say there is To say that Crianzas, which is the name of the book, was previously a radio program, it has been not one of the many wonderful initiatives of the La Vaca cooperative. Well, the book has a prologue by Claudia Acuña and Marlene Wáyar and this search is not how we create a speech for the little ones and the little ones how to think about configuring a speech to create not in diversity this was what you were thinking or was it born from the proposal that Claudia makes to you in a little bit because in reality I was thinking about the infants because you You're a tough aunt, I'm an aside, my upbringings follow me a lot, I'm a danger to this world, you know, I'm not going to give back to the best companies, so this and the aunt's idea made me place her in areas where we're not expected because This is a working aunt who takes care of her nephew, so she has to do what any adult who lovingly takes care of a child does, which is take care of go buy him sneakers when they break go check prices fight prices go pick him up from school So suddenly there are other mothers who do not expect the aunt to be a hindrance when looking for a teacher, that is to say, an institution, it is not that it is not prepared for our bodies, there is a neighbor, the activities that usually happen in the neighborhoods and being there as protagonists That's a bit of the enormous quest that the book has, not being there to talk in any case about the world, I think we're not talking about trans childhoods, there's no talk of spaces of hope in the book, and I also say In the images that we just saw, the corporality is that excesses are found or if you look at what phase it is, how easy it is when we take all the weight off, not how easy it is that it was not contained and the truth is that both these upbringings and me and the adults That we are there, we are missing so many other vital things but the hug does not stop being a lot of the world that inhabits to give its deserved to this eye stands out says that it is music I believe that half of it because that is a way because there is a world that sings a tourist lets out the black thing if the sales are everything I have everything with this you have to buy the LGBT community is evident and I have also experienced situations of discrimination that have taken things away from me or that I simply don't know it's like they told me to stay away from The places where there were a lot of people or I don't know, they also told me things about the way I dressed because before I had short hair and they told me that I looked like a boy.
At no time did I want to hide, I always felt free because well my decision and I think that I enjoy my sexuality. I don't have the right to judge me because I am not telling them anything about what they do with their lives and what we are talking about caught attention was the issue of the Indian because people from the other part of the city are used to it. to discriminate for just living on this side that society is supposedly different from them and well that doesn't bother many people on this side it would be good for people to realize that there are more of us than not the truth, the city does it together, no only one part of society and not the other, it would be good that we are not rejected, it is that we can all be a the feet are clear from this last testimony.
In addition, other violence appears that affects us all because in reality, the first thing I was talking about is of the geography of stigmatization that exists in so many cities that July 9 marks the town of Avilés, a being on the other side of the road and the real your workshop triggers a reflection on that violence that is also why it is the The book's excuse is also to say that I don't have to talk about myself, so let's talk, so I also say there on July 9, clearly that look that those on the road over there are the ones who steal, those who hustle, so I say all this stigmatization greatly affects us and is Well, we meet these kids with these girls and then it is necessary that we also be there, that our bodies are there because they have to talk about this not only about criminalization and that it is true that they kill us and we keep saying that, they kill us for work but he also says that it is joyful to be because if there is not a frightening speech which is the one that ends up paralyzing and the one that ends up winning in the end we must say that it is joyful to be what we are this photo the most beautiful in the world talks about the most beautiful of the world is built your daughter is there how paternities are built motherhoods how we are building together still how we are a construction enormous colleagues with similar sensitivity and recontra but well today we were talking about rethinking motherhoods paternities and rethinking families well a practical job you had in your own existence and you will also know that she is not my daughter, she is the daughter of a loving and family construction in which I have not been able to be alone because you cannot be alone in the one that is also the other mother with whom I We have been there and that it is still hyper present and that we are a construction from which we choose each other, even mutating, some of us being a couple, we choose each other because there is a commitment that does not end, the other are scientific explanations that correspond to the rest of the world, not when there is you have to hug you have to give and you have to give the bottle there and you have to also support the wishes of that little person who later you have to take enormous enormous responsibility you didn't write a lullaby to one you have one we are about to record the new album called little bird who is a chamamé he mentioned why the plot is vain and he is Paraguayan so there is something that is guarded and very powerful and then there are languages ​​that I cannot learn I would love to but in Guaraní but it is so difficult for me that Andrés and apart a cultural resistance Guaraní was so powerful and then he wrote something called little bird that they turned it into a little chalet it's very simple and we are doing it with the band Marito shout fly to you your laugh girl play little bird fly and come and that gesture that is born always speaks to us But don't leave me, go fly, I know what you want, but come back, that's what we want with our children, the marked ones, while the people center the big background of the flag and before we should practice that, it's better because it's a song and the word always comes out softly and it's good that people are talking and breaking up and there's already music, think that if from other music one of the photos is in all your shows it's this one because this photo appears in each one like one species is another manifesto I would say that that photo is another of the manifestos because and it comes back it comes back like that question I was talking about leaves leaves the need to keep asking to keep insisting and seeking justice responsible for feeling that that canvas was filled from this photo that I don't know how much It has been until now one more time to know the leader of trans activism Lohan the bike that is in Spain to Yeste Rosarina and this we are there in the congress it will not have been because of the gender entity law maybe because of something else but this feeling that this void draws my attention a lot the white and that it continues to fill put your name nothing put the one that is missing how to kill just one of us without killing us all and the scoundrel newspaper and social networks scoundrels, which is to say, all scoundrels are unaware of these deaths as they were previously unaware of these lives, and the activists of good reason emphasize with a like only when the one who falls is on their side, not that abolitionist era, perhaps not that that one was said. sex worker and the one who comes out walking happily through the door of the courts in the death of all that is ignited in this clumsy delay is magnified in the midst of so much online militancy while in the street we all fall, they all stressed until when will we have to shout it sing it shout it sing it ah because one is an artist and then one sings when one shouts or the other way around but that makes it different the transvestites kill people in the face not on the weekend the streets in the faces of the people we are in the vigil journey for him the murder of Our companions, I have more, we have hope even though they continue to kill us, they continue to write to us, prostitution wins my heart, here you have a job if love does not exist because what remains is the hatred of love, it costs a lot to build, it took two years and more. that upon leaving he could recover his secondary studies that we have put first in the trans high school bump in the autonomous city of Buenos Aires which was to continue it in Tucumán and they no longer kill us as soon as they murdered this girl no and As Mexican fruits say, we do not have a homeland, we do not have a flag, we do not have shields, we do not have a neighborhood, nations, states, parents, brothers, we have nothing, we belong to everyone, we are objects of violence from everyone and in that we all point out everyone as possible murderers if we want to go against of paranoia they have to hide in a corner we want to go out into the street despite everything not to lodge them in resentments build from love the hug is the manifestation of this love because if we say it only in words and this does not translate into acts is very cynical it is empty it is vain superficial it is more than what they leave Harden with the banality of evil we want this to begin to be built that is true and that gives us certainty that there is a floor to walk along next to the pyramid in Plaza de Mayo at the place of the rounds of the mothers quetetrigger that dialogue do not enter the mothers' round today's round of the obstacles first that we are also the result of a body that claims human rights we are the generation of never again maletti in my same age we are in general contemporaries and still coming from different sides and then there concluding in times like there is something that continues to embrace us which is that white handkerchief long before primitively before many things the mothers were with the grandmothers the mothers were the grandmothers with the obstacles and the obstacles we are also There is this thing about the crazy women marching the wrong way in the emblematic places before the clear pyramid of May orders and apart from that this is here that is why it is here this because it could have been here like the gender entity law because there is a march from a country there a body in place the return of democracy here there is a fight against all impunities even the achievements whatever the body is and it is amazing in another part of the continent I who am traveling every time he reaffirms it more and says and you realize No, here there is no trial for the soldiers and it shows, it shows that Juana Ayelén Gómez was a young transvestite from Tucuman who had reported to the police of her province after an abusive detention and a rape in her name, this vigil was called that invites us to put the body in an embrace that recognizes the other in the most fundamental part of their humanity, we do not have time to compose ourselves, another appears and another appeared and the fact of not being on the emotional agenda of the country is another of the issues that concern us greatly, I say that It is horrible to enter into comparisons but it is not the same treatment of the death of a trans comrade as that of a woman who is not mobilized, even the social movements are not mobilized, so that is also like more pain in addition to seeing Marlene to me I love to see the younger ones who have already grown up with the horizon of the gender identity law, Almas Fernández, for example, one of the references of the many celis who was at this vigil and I would like the spoons and the only thing I want I am named in the note as a transvestite militant alma fernández a transvestite militant I am alma fernández a transvestite militant gender transvestite is a child who is 6 years old 5 years old so as participants or parents of this group it is not the time to start building the tools for that child believes that in a more egalitarian society with real rights not to inclusion such as education or health, we as political citizens of this group have the responsibility of educating people about what a transvestite is like, what a transvestite body is like or Why now, because in the media like then, mutilated and abandoned transvestite bodies appear?
No, and why does no one speak out? His daughters then I remember the words of La Gana I remember when we went to the interview and I said Lohan to the advanced society and that was what he told me I don't know if the society goes alone for three hours that we think no and they these voices like those of soul They are the expression of an activism. Furthermore, with what pride he tells us that I am a militant, so not a militant, with what pride he did not say it, even I was recently in the pothole of Tucumán and that it is said that they are cousins ​​of the pothole of many ellis from here and in fact now I am prolonging a book that is going to come out of poetry and stories from trans people from there as a result of the work they have done this whole year.
So they unanimously asked me, we want to be him but yours and It was very hard to get close to that too and in the middle it was all the hundreds of talents, I say that paradox not of looking at what we are wanting to be in and looking at what this world does to you because later when you put yourself there and we diagnose that this state is done everything is done bad unequal horrible with enormous inequalities we tell the truth that we had nothing to do in these millennia we have given him antennas of hegemony presidents through we have nothing and I don't know if we even have the desire for that capable power that not from others from another world but we have given them time and the truth is that they did everything wrong so when we appear detoxify from everything that we were talking about all the time detoxify and being able to get up from all those wounds beautiful new things emerge, the other thing emerges those butterflies of the caravan is one of the you can see them see them all the time in how they think about the world but how they manage it not the world without so much paternalism of such an organization of such a party because we are also tired of that of each place having his process to obtain the various incomes whether diverse the great success of diversity and leave us and he will begin to think about us with all the insolence that they deserve it is clear organs their bodies question each other this emotion is all good that is the place where you stand In your anti-capitalist, anti-patriarchal shows there is an urgent need to invite me to think about another world outside of capitalism.
I don't know what's happening. It seems like there is a ceiling and no one is encouraged to do that, not even those who have the word revolution every two seconds are thinking about it. anything other than managing the anguish within this capitalism and I am saying that at least don't invite me anymore, please don't invite me and to think that I am left dreaming of a hostel in Paraná I committed to building the library and I am telling you where I'll bring you and if there is one who writes I already have the diamond one. The poetry of the micro.
The work gives me anguish as I told you before and it also puts me on another horizon. They have enslaved cultures for the binary. They have fought dictatorships for the binary. They have invented stars. and athletes for the binary go to mass every Sunday for the binary because the earth is not round and the men have not presented themselves. The desire is a planet so far away that it barely shines and millions die every decade without even having dreamed of it and instead For us, that is our only compass, our most generous water, and we are always so thirsty, so the only certainty is failure.
That is our meeting point. From there, new discoveries will explode because we have an entire cemetery in our heads, shouting at the water already in its furious state. disenchantment we have lost everything without having started and that is the best of odysseys because we have nothing more to lose or seriously do they think that we are worried that they will not let us enter their bathrooms if we think about that closing ritual that we can have in stories of lives that is a dialogue with which one was and I normally look like the photo of me with my mother with bangs so I can't believe I can't say that I don't tell you that about her children and I say that it was like that until who moved with them the photos these times you are here I am still this Dani absolutely this year he protects me I protect at this age and all the time this is what keeps me going apart when you are losing your old woman my old man is older This Dani remains, who is the one who also supports them, but today he names you if they name you because that is your path.
This is what you think I could imagine if there were a possible position conversation and a possible conversation that since then I always thought about because I I think that in the end that's what it's about, that this world doesn't let us think. I was thinking about another agenda, even as a spatial medium. I'm not saying because that's what makes it possible for you to be hugged because you're thinking about space, you're not thinking about the fact that you don't have anything to eat. that you don't have it in them that they don't love you that you judge yourself you're thinking they're playing no and that that's the treasure that we are that's the treasure that they damage and that's the treasure that we have to find again and that's the treasure that makes me sing You see something and that is the treasure that has no gender.
You finally understand me and that is what I try to say. It is never true. That question follows me in May when I have a fever because the sick system of I have a fever is a recurring one. I was above that body mind of these 6 816 of the body that body has mounted so much and will continue to mount but I think I will continue looking up there so there it is that it raises and Danny that is there tell you that I am regulating it to that which I do not care I'm failing, thanks to your children, thanks to that place.
In fact, I also have many experiences to tell. It's not the point to give it press, but it has to do with what happens every time I go to school, because there are people who drop out, there are people who argue that There are people who do not let their children go to school that day. There are also many of them. We are not in a state, in the state of humanity, quite advanced in many points, but very backward, deeply rooted in those prejudices. those fears but what seems to me is that it is time to say that their lives are not innocent, that they are fear that contributes to violence

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