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FREE POOL LESSONS! - 2 MILLION VIEWS!- 8 ball 9 ball tips and tricks!

Apr 09, 2020
Have you ever seen some guy on TV or on YouTube when they are playing ten

ball

, they make the game look so easy to them, it doesn't really take much effort, they just shoot the

ball

and the key ball pretty much goes where they want? they want it to work and even when they play eight ball they just run around the table and for them everything is easy and it doesn't really matter jumping the balls or cutting balls or even kicking them, the game has become easy now, do these guys know something that you don't you know well?
free pool lessons   2 million views   8 ball 9 ball tips and tricks
The truth is that they probably know a lot of things that you don't know and that's what this video is about. So what separates it from all the other videos out there? that this video has one goal in mind and that is to make the game easy for you and I will show you many secrets that will really boost your game. This video is about cueball control and teaches you an easier way to put the dekhti ball anywhere you want, first we will go over the fundamentals of the game and not only the fundamentals of hitting but also the fundamentals of positional play.
free pool lessons   2 million views   8 ball 9 ball tips and tricks

More Interesting Facts About,

free pool lessons 2 million views 8 ball 9 ball tips and tricks...

These are the building blocks of building a powerful game when most players learn the game of

pool

. information that was never given to us and without a deep understanding of the fundamentals of the position you will never reach a high level and shoot. Not only will I show you an easier way to move the cue ball around the table, but we will also show you an easier way to move the cue ball around the table. doing it without turning left or right, when you finish with this section you will have greater control of the cue ball with much less effort, the game will start to be easier for you, then we will get in the middle of the table plate pattern running the balls in order using only half the table and without turning left or right these exercises consist of using the angles to move the cue ball around the table with minimal effort, first start with three balls and go to progress with fly ball patterns, then we will move on to play with full table patterns and at this point your ability to see angles, plan your patterns and control the cue ball will skyrocket.
free pool lessons   2 million views   8 ball 9 ball tips and tricks
Below, we will recreate the outings using the best players in the world, analyze each shot one by one and explain why they chose the pattern they did. I'll show you what English they use and even demonstrate scenarios if they had stepped out of line. Great section to study if you've ever wondered why a top player chose the pattern he did and throughout the video we'll have a lot of interesting shots that you'll love, for example, I'll show you. I'm going to show you a technique for cutting back balls and these are slice shots that you wouldn't even think about cutting.
free pool lessons   2 million views   8 ball 9 ball tips and tricks
I'll show you an easier way to pocket an object ball when it's right next to the cue ball. I'll show you a trick for banking. a ball in a pocket that is blocked by other balls and, believe it or not, the trick is to shoot it easily. I'm going to show you the mistake that almost everyone makes when jumping balls. I'll also show you an easier way to aim. your jumps, this video is packed with great shooting

tips

and

lessons

, all designed to take you to the next level. One of the main reasons people fight and pull is because when they were first learning the game they didn't spend much time working. in their stance or their stroke, instead they went straight into pocketing balls and that became their main focus and it is at this initial stage where bad habits are formed and become a permanent part of the player's game and then the player goes from pocketing balls to the playing position.
When using left and right spin, the problem is that they never learned the fundamentals of position play, how the cue ball moves off the object balls and rails without spin and because of this, they were never able to consistently control the cue ball, this combined with any problem. That may be your hitting fundamentals have limited your game making it very difficult, if not impossible, to reach a higher level and shoot without a deep understanding of how the cue ball moves off of the object balls and rails, the Players cue ball control will always be inconsistent and If you can't control the cue ball without spin, you will never be able to control the cue ball with spin and that's what a lot of this video is about to learn how to run the table in 8 balls, 9 balls without using left and right spin and once you start to develop the feel of controlling the cue ball without spin, when you start using spin again you will have a better idea of ​​exactly how much spin you need, if any. you're going to start. put that cue ball wherever you want as you now have a deeper understanding of the fundamentals of the position and when I travel the country training students for my 14 day episodes I can usually spot their problems within the first rack, they usually have a Couple of issues with knocking that need to be fixed.
It can be fixed, but the main problem is their lack of understanding of positional play, playing at inappropriate angles along with spinning the cue ball too much or problems that almost all of my students share, so the first thing I do is take these players to the fundamentals in the same way. The fundamentals that they probably skipped when they were first learning the game, so I had them do stride drills, pocketing drills and center ball positioning, and for these players to reach a high level and shoot , they have to develop a solid foundation for their game and For many of my students who have struggled for years, the transformation to become a stronger player happens very quickly, sometimes within a few days, these are players who have the ability and the knowledge to play at a much higher level, but they once had several limitations in their game. we removed these limitations, now they can reach a much higher level and shoot, so in this video we will cover the same training that my students do first, we will cover the fundamentals of hitting, then the fundamentals of positions and finally we will continue through the game of complete table patterns using left and right spins, as I explained in the secrets, the stance is created around the shooting line and the shooting line is created using the ghost ball and the cue ball, and when we talk of the ghost ball we mean. to an imaginary ball location that represents where the cue ball should be to pocket with the object ball, for example, let's say I want to pocket the 1 ball on the side, imagine a line that runs through the center of the pocket and opens to through the center of the 1 ball, so to pocket that ball, the cue ball must end up here when it comes into contact with the object ball, so if I can visualize this ghost ball on every shot, then I can imagine a line going through the center of the ghost ball. the center of the cue ball, this is a line that I use to build my stance on every shot, for example, on this shot, if I wanted the nine pack in the corner, I would have to hit the nine here with the cue ball, so this now becomes our ghost ball the shot line goes through the center of this ghost ball through the center of the cue ball on this shot to keep everything okay the object ball here to get it into the corner to that the center of the ghost ball towards the The center of the cue ball is the shooting line.
In another example, the cue ball will hit the object ball here to pocket it on the side, so the center of this ghost ball through the center of the cue ball is our shooting line. Now let's create the posture. around the shooting line in this example the object ball and the cue ball are directly in the corner pocket and when both balls are straight like this there is no need to visualize the ghost ball, now you can simply create the shooting line shot from the center of the object ball to the center of the cue ball, then we visualize this line extending beyond the table and for the purposes of this video, I'm going to place the shooting line on the floor to so you can see how I come in. the shot and we begin by placing our back foot on this shooting line, either at a slight angle or at an angle closer to 90 degrees.
Turning our foot in this way helps provide a little more stability. Then, we enter the shot with the other foot. We will be parallel to a shooting line or slightly turned at our hips, we will move away to create more space for our shot and some players prefer to block their back leg by slightly bending their front leg while other players like to slightly bend both legs. Those who are taller or tend to play at a faster pace prefer to bend both knees slightly, so here are some issues to keep in mind when creating your stance.
Here I see the shooting line and I start to create my stance, but you can see that when I place my back foot on the shooting line it is too far away from our back and the reason why this happened is because I started to create my stance too far away of the table, so if I move a little closer and recreate my posture, everything is more balanced now, another problem. The thing about people is that they look away from the shot here, my right foot is in the right location, but my left foot is facing away from the shine.
I'm actually facing about 90 degrees from the shot, which can cause a bit of instability, so this time instead of my front foot facing away from the shot, I enter the shot with my left foot more parallel to the line of action. shot. In this example, my right foot crosses the shooting line about a foot now when I get into shooting position. My shot is extremely close to my body which can interfere with the hitting motion, so this time I reposition my back foot more in the shooting line and as I get into shooting position you can now see that I have lots of

free

space and, as they get closer.
In shooting position, the upper part of my running arm should be in the shooting line. Here you can see that my upper arm is not quite in the line of fire, so I'm going to reposition myself and this time when I crouch down, I try to make sure my arm is in the line of fire so now you can see how important it is to visualize the shooting line. Your stance will always be built around this line for every shot. The better you do it, the more accurate you will be. When pocketing balls, much of the aiming process is done before the player even steps up to the table.
In this example, the player is not aware of the shooting line when he builds the stance, so he now has to turn his body to place the cue. on the line which can cause your stance to become unstable now this time when you approach the table you see the shooting line and build your stance around the line now when you lean the cue naturally falls to its place now as the player starts shooting. position, your forearm should be relaxed and hanging naturally below your elbow, as shown here, once the forearm begins to move away from this line, whether inward or outward, it becomes more difficult to keep the club in a trajectory straight It is important that when developing the posture, you let your body do what it naturally wants to do this applies not only to the forearm but also to the grip here you can see that my grip is also relaxed the heel rests on the fingers and the thumb is located next to the grip holding the cue in place you never want to put your thumb on top of the cue always and to the side to keep the tail in place here the grip turns in and here the grip turns out if you just hang your hand you naturally blow your forearm without the stick Q you will see that your hand would naturally hang correctly so now try to maintain the same relaxed position while holding the stick Q the thumb should point down during the stroking motion if you finish your stroke and your thumb is pointing up your body that means you rotated your wrist try to keep your thumb in the same position throughout the movement the goal of the grip is to eliminate any unnecessary tension you really just want to feel the weight of the club while you hold it and The biggest mistake most golfers make players is holding the Q too tightly.
Grip pressure should come from the front of your gripping hand. The back fingers apply very little or no pressure to the cue and some players remove one or two back fingers. Completely off the

pool

cue, the grip pressure should remain the same throughout the entire stroke motion and remember that not everyone will have perfect fundamentals, but the closer you get to proper fundamentals, the faster you will improve if you are one of those players. whose forearm is twisted or their arm is not aligned correctly can still reach a high level, they will just need to spend more time at the table than someone whose fundamentals do not have these problems below.
We will focus on the actual hitting motion and some problems that players may encounter now when the player is down on the shot and places this tip on the cue ball, you need to relax your grip hand and slide it under the elbow, here is thetip. on the cue ball, but my grip hand is too far back on the cue, which can restrict my backswing. In this example, my grip is too far forward. By keeping the gripping hand relaxed, we can let it slide naturally under my elbow. The backstroke should be straight with a nice, easy temple and whether you are hitting an easy, medium or hard shot, your backstroke should always have the same slow rhythm.
Here my backstroke is too fast, which usually results in an abbreviated backstroke which some top players will have. a noticeable note at the end of the backswing before beginning the forward movement this pause at the end of the backswing takes practice to perfect the timing you want the pause to become second nature before playing in a competition you never want to have to Think about the mechanics of the stroke when playing tournaments or leagues and the most common type of pause is the natural pause and this pause occurs naturally when a back stroke ends slowly and then the forward stroke begins similar to someone throwing a ball. softball or a horseshoe, his backward motion slows down and he transitions to The forward motion should occur naturally without having to think about it and when the player begins the forward motion, the grip pressure should remain constant, the speed of the hit forward should gradually increase to avoid tightening the grip and the cue should accelerate on the forward stroke reaching optimal speed on impact with the cue ball and although the cue will slightly slow down upon contact with the cue ball, it will still You need to keep the club moving forward through the cue ball, staying as level as possible through the impact area and here's why it's important to have good follow through.
A problem that many players have is that they lock their grip at impact and here is an example of what I mean: I will put a ball on the spot and shoot it into the corner pocket while the tip hits the cue ball instead of that the club passes through the cue ball and stops it gradually. stops immediately upon impact with the cue ball, so in order for the club's momentum to stop immediately after impact with the cue ball, the grip hand must begin to tighten just before contact with the cue ball and here you can see my grip. tightening the hand on the forward swing in anticipation of stopping the tip at impact this change in grip pressure just before hitting the cue ball can cause the club to go off the line of shot causing a head miss in some players who had This problem sometimes begins to stop the shot.
The momentum of the cue just before impact with the cue ball and being able to follow it correctly will eliminate this hesitation in your shot. You will also notice that some players have a significant Oh drop, while others have very little elbow movement during their punch and ideally you want to have as few moving parts as possible when performing the punch, the more moving parts there are, the more things can go wrong. . All parts must be synchronized with each other when performing the hit. Players who have a significant elbow drop usually develop this stroke when they were first learning the game, so dropping the elbow has become part of their muscle memory, and even players who have a compact stroke can leave dropping the elbow a little on certain shots, such as springy shots or on certain power shots that have a significant elbow drop on the shots.
However, many hours of practice are required to perfect the timing, some players trying to manufacture an elbow drop on shots will sometimes drop the elbow slightly before impact with the cue ball, resulting in a missed shot if you wish to employ an elbow drop in your game. Be prepared to spend more time at the table perfecting your timing and when you show that you'll have to be careful if you have minimal elbow drop and don't put the tip close enough to the cue ball when you aim here, we can see that the tip the cue It is not very close to the cue ball the problem with this is that when we make the stroke or the optimal speed is reached right here then this speed must be maintained until the tip can reach the cue ball but if the tip is too far from the cue ball, the club may be decelerating when it reaches the cue ball.
Practice trying to get the tip quite close to the cue ball, usually less than a chalk cube away, also placing the tip closer to the cue ball. cue ball, you will have a much better chance of hitting the cue ball where you are aiming and when you aim your eyes will go back and forth from the target ball to the cue ball and when everything looks like it is lined up you can go ahead and take the shot Now some people look at the cue ball at the end, their focus is on making sure they hit the cue ball where they're aiming, but most players look at the object ball at the end and feel more comfortable being able to do that. to watch the shot as they hit and other players will look at the cue ball during the backswing, then their eyes will shift to the object ball as the forwards hit begins, this usually results in a more noticeable pause, as if the backswing Transitioning to the forward shot will find the way that feels comfortable for you, if you don't feel comfortable looking at the cue ball at the end, focus on the object ball, there is no wrong way to do it, you just have to find the way that works for you. comfortable, so if we put it all together here are the steps and we start by placing our back foot on this shooting line, either at a slight angle or at an angle closer to 90 degrees, then we enter the shot with the other foot, the foot will be parallel to a shooting line or slightly turned.
Also create your bridge before you get down to the table. The fewer things you have to do once you're at the table, the better. Then we lean forward on the table and move our hips back to make room for our stroking arm. Place our bridge on the table, it becomes the third part of our tripod along with both legs. When done correctly, we should have room for the striking motion. We apply light pressure to the cue while performing the backward stroke, the key stick should advance forward. The cue ball slowly stopped on or near the table fell and here is an excellent drill to help you fine-tune your stroke in the stance, place a ball on the spot and imagine the shooting line from the center of the ball to the center. from the pocket opening, now let's create our stance using this line, create your bridge while standing, then slowly lean into the shot keeping your head on the line when you're down on the table, your forearm and grip hands They must be hanging. naturally below the elbow on the backswing, pull the cue all the way back and focus on a smooth transition between the backswing and the forwardsswing, allow the cue to accelerate slowly reaching the proper speed at impact, hold Keep your head still until the ball reaches the pocket to avoid any unnecessary movement, although moving your head has no effect on the shot after hitting the cue ball.
If it becomes a habit, your body will begin to tense in anticipation of head movement before hitting the cue ball and on some shots your head movement may begin during the first part of the forward stroke, which will affect the spot. where the tip hits the cue ball, so it's a good idea to exaggerate how long you hold your head while practicing and when you do straw drills, since you don't have to worry about pocketing a ball or playing position, all Your focus may be on your stroke and your stance. Now you can monitor your mechanics to detect any problems, such as if your forearm is turned in or out, if your wrist is turned, if your back is too fast.
Do your thumbs rotate forward on the stroke and do you follow it in a straight line? The first step to improving your pulling game is understanding your game and not just how you play it, but the actual mechanics of your swing and when some of my students first start doing the swing drill, their follow through is too short or off. of the line on one side or the other when you do this drill, you want to continue to keep the club above the shooting line, its tip will land on the felt or slightly above it and for some of my students it takes a few hundred shots Before your shot begins to follow correctly both the back and forward motion must remain on the shooting line, it may be a good idea to stand up every four or five balls and recreate your stance now if you are one of the players which tends to stiffen on impact with the cue ball, you will need a few shots before you can move on naturally, a good idea is to mark a spot on the course about six inches beyond the shooting line point now, when you throw the ball, try to force the tip to stop at this mark or stop just above it at first, you may have to manually force the tip up to this mark, but after a few hundred hits, your tip should start to land on this mark automatically.
Your focus should be on consistent grip pressure throughout the swing and avoid tightening your grip and impact. Once the stroke can be sustained, it starts to feel more natural. You can try a variation. In this exercise, you throw balls on the table and simply shoot them one by one. This allows you to practice your stance with various types of shots and, if you are new to the game of pool, you may want to only shoot one ball until you learn your fundamentals. The problem that many players new to the game have is that they start trying to pocket balls right away and their attention wanders away from the right Minho, so they can start to develop bad habits.
Remember to become a strong player. You have to learn. the game in steps, first the fundamentals, then putting the ball and then the position game, here is the first life or death shot, these are shots to try when you have no other options, okay, we are playing an eight ball game and we're shooting the eight but we don't have a good offensive shot, see if you can find a way to pocket a ball and win the game and here's a clue: we're going to pocket the eight ball without touching any of the stripes, okay. It's a shot that is quite difficult but at least gives you a chance to win the game, so I'm going to call the pocket in the lower left corner.
I'm going to shoot a bow and hold my cue ball where it is for the eight ball. You can carom and the best thing about this shot is that even if you miss the shot, you can still block the pocket for your opponent. Here is another version of this shot. In this version, the pawn cubes are further from the corner, so in this situation. I have to pull the cue ball back and off the side rails so the eight ball can carom. In this last example, the even cubes are quite far from the corner pocket, see if you can find another way to pocket the eight ball. in one of the two corner pockets, okay, so in this case I need to follow the cue ball and wait a while so that the eight ball can carom off the cue ball and go to the pocket in the lower right corner.
In this situation, I am no longer upright. I go into the eight ball, but if I can get the help into the nine ball, it may hit the corner pocket. This shot comes up from time to time, so it's a good shot to know in case you have to play an eight ball. and I'm on the eight but I stayed in the jaws of the pocket so I can't see the eight ball. In this situation I would aim towards the tip of the pocket with the center high and this will send the cue ball towards the other corner pocket, this is a shot worth practicing because this situation arises from time to time and at least gives you the opportunity to hit the ball and sometimes pocket it and it even works across the table although this is much more difficult in this situation I am playing a game of nine ball and I am on ball two the problem is that when I hit ball two , the cue ball will collide with the seven ball, leaving me hard on the three ball, which is at the other end of the table, but since my cue ball will hit the seven ball immediately after hitting the two, I can use the seven ball to carom the cue ball toward the side rail and toward the other end of the table.
I was throwing both balls low forehand, so when the cue ball hits the side rail, the spin to the right will help bring the cue ball back to this end rail. Here is another example of playing position without the ball. I am playing eight ball and on my last ball the problem is that the date ball is next to the top end rail so positioning on it will be difficult but next to ball one is ball thirteen and since the cue ball will run to the thirteenth ball after pocketing the one, I can use it to my advantage if I can hit a ball with the low forehand, the spin and draw will returnthe cue ball to the shape of an eight ball after hitting the thirteen and if you were ever confused about what will be used later in this video I'm going to show you an easy way to determine if you need to use left or back spin. the right.
The final example. I'm playing eight ball and I'm on one ball, but I have to carry the cue ball all the time. I walk back to this final rail to position myself on the eight and when I pocket the single ball it looks like I would be running towards the nine ball which means I can use a nine ball as a rail so when I pocket the single ball I use a stroke of power to get the cue ball off the side rail to shape the eight ball here's another life or death shot. I left myself here at the eight ball and it doesn't seem like I have a pocket for it.
If you can figure out which pocket I put the eight ball in on this shot, it actually shows up from time to time and is a great shot to know when there are no other options. If we look at the one ball, it's in a pretty good spot. along the side rail for me to Karen the eight, often if I could hit the eight ball to the rail right next to the single ball it should carom into the corner pocket and here's the shot again on Slow motion and we can see the eight ball hit the railing just before hitting the single ball and that sends it into the corner pocket.
Here is another situation where I am going to shoot the eight over the rail and from an object ball to try to get it into the side pocket to In this case, the trajectory of the eight ball would go in this direction from the four ball towards the side pocket and with a little practice you should start to develop a feel for this shot. It's all about recognizing where you need to hit the rail to get the correct carom with the object ball. Next, we'll go over several stances and bridges you'll need to learn. In this example, the player is throwing two balls and has three options: he can hit a stretch shot, a jumper shot, or a bridge shot.
The side shot and how you shoot this shot depends on what you plan to do with the cue ball. If you simply need to stop the cue ball or simply roll forward a few inches, then using a bridge will work well if you need to apply a good shot. towards the cue ball, you may want to try a side shot and here's how to do it: first press both legs against a table and lean over by lifting your back leg. This shot requires some flexibility and balance. One mistake that players make is to overshoot the shot. quickly when your stance is not as comfortable if you are stretching or balancing on one leg, that is one more reason to take more time on your shot, in this stretched shot you are going to face the table and as you lean your back leg stretches while the other leg is lifted off the ground and the same type of stance can be performed out of bounds here the cue ball is in the middle of the table which requires a very long reach so if I press both legs against the table and bend over while keeping my right foot on the ground.
I can reach the shot. In this example, not only do we have to reach up, but we also have to shoot over a ball and when many players try to shoot a chance like this, it creates an unstable situation. position and end up shooting too fast a better way to sit on the end rail keeping your back foot on the floor you can now get closer to the cue ball creating a more stable bridge then the object ball is close to the corner pocket and the cue ball is close to the rail, in this scenario we cannot line up properly for a shot, but if we sit on the table keeping our back foot on the ground, this allows us to get closer to the cue ball in this example.
I'm on the eight ball but I can't reach it from the other end, so I create my stance on the side of the table and when I lean forward on the table, my left leg is pushed up. Now I move my grip hand under my chest until the club is in the shooting line. This is the pose that requires a little practice to get comfortable. In this example, we have to shoot over a ball and sometimes you will see players doing this type of stance where they balance themselves. With one foot, a more stable way to perform this shot would be to sit on the table and keep your back foot on the ground.
This allows you to be a little more stable when you take the shot. In this example, I am throwing a ball, but I cannot reach the cue ball, so in this situation I would put my right knee on the table, allowing me to get closer to the cue ball. Below we will discuss various types of bridges and some problems that many players encounter. The most common types of bridges are the closed bridge and the open bridge. The open bridge is a great bridge for players of all levels, even for players new to the game, it is quite easy to make and provides good support for the cue.
Here I split my fingers to make sure the base of my palm is on the table I press my thumb against the side of my finger creating a groove for the stick to slide over. I can then lower or raise my bridge hand by dragging my fingers towards my palm and when doing this bridge, remember to always keep your thumb pressed firmly against the hand, you never want to move your thumb to the far side of the hand and lifting the bridge only requires It pulls the fingers toward the hand, like this, an important benefit of openness. bridge is that it allows you to see more of the cue ball.
Then with the closed bridge, I'll show you two variations of the closed bridge below. In the first variation, your index fingers and thumb create a loop that is pressed against the side of the bridge. The hand of this type of bridge is very tight, so you will need to make sure the shaft of your cue is very smooth. The benefits of such a tight bridge is that it helps keep the Q in the line of fire. The second variation on the closed bridge. has the thumb pressed against the middle finger with the index finger rotating and touching the top of the thumb.
This bridge in the closed bridge above uses the thumb as a cue for the Q, so when you make these bridges, the Q should be aligned with the thumb. so this would be incorrect now that the Q is correctly aligned with the thumb. Next, we'll look at the tripod bridge. This bridge is sometimes used in place of the standard open or closed bridge. Also used when shooting over balls. The closed tripod bridge is lifted with one finger kept at the back for support and here is the open tripod bridge this time two fingers kept back for support.
A problem many players have is that when they shoot over the ball they cannot keep one finger back for support. and instead they try to balance the bridge by keeping all the fingers together, which makes the bridge very unstable. Now notice how much more stable the bridge is with one or two finger bags for support and here is a problem that players run into when they try to shoot over a ball with a tripod bridge they create their tripod bridge too far from the cue ball this increases the chance of accidentally hitting the cue ball when you do the tripod bridge you need to get the bridge quite close to the cue ball try to aim over the cue first the ball to lower the line and then slowly lower the cue at an angle to perform shooting and when shooting over a ball it is a good idea to place your feet closer together, this allows you to stand a little higher than normal and here is another problem. that players have when shooting over a ball, they will create the acoustic angles before going into the shot and usually end up creating more angles than they need when shooting over a ball, level your cue as you go down . aim down and slowly build your angle, this ensures that you give yourself only the monotheistic angle you need.
Another problem that players have is when the cue ball is close to the rail. I'm going to yell that the cue ball is frozen on the railing many times. Players sometimes make mistakes on shots like this and the reason they tend to make mistakes is because their club is level or at an upward angle and this is one of those situations where you need to angle the cue down, toward the white ball. You need a big angle, you just need to make sure your cue is tilted down, this will ensure a solid hit on the cue ball.
Here is a common rail bridge when the cue ball is on or near the rail, similar to an open bridge, the cue slides over the groove formed between the thumb and index finger one finger is held back and pressed against the table for support, you can then raise this bridge as needed to create an angle another bridge on the rail is the open bridge, the open bridge is preferred to the closed bridge when on the rail as it keeps the stick more level and also allows you see more of the white ball. The most common railing bridges are this type of bridge, you put your thumb in your hand and place the dowel next to your thumb and the top. of your middle finger, then place your index finger around the cue creating a secure bridge.
When many players attempt this bridge, they end up moving their thumb away, which eliminates support from the cue. Keep your thumb locked in place as you create the bridge on the railing. The problem that players have is limiting their back when they have to hit the cue ball firmly. Here, players made their bridge too close to the cue ball, thus limiting their back, so they end up pulling the club back only half an inch or so and then have to try to force the cue to create power, this will usually result in a failed shot, but if the player switches to this type of rail bridge, they can now pull the cue even further back, allowing for a much smoother straw.
In this example, the cue ball is further from the rail and many players attempt a long bridge using the rail support. If the length of your bridge starts to get too long, you may want to think about a tripod bridge or a standard bridge. In this shot the key ball is close to the rail and the player needs to hit the cue ball low, most players tend to create too much angle for shots like this which makes the shot much more difficult than it would otherwise be. necessary to make the shot correctly. Start with a level cue and then slowly lower the tip.
You'll have a much better chance of pocketing the ball, and sometimes you'll run into a shot where it's difficult to create your bridge. Here the cue ball is close to the side pocket, so there is not much room to create a normal bridge and a lot of players will create an unstable bridge and shoot too fast. Sometimes you have to be creative when creating your bridges. Here I placed my palm on the side of the rail and placed my fingers just outside the opening. Now I have a stable bridge that will allow me to hit my shot and many players struggle to create a stable bridge when the cue ball is close to the rail when the cue ball is so close to the rail you need to create a bridge that uses the rail and The table here is the open bridge version and when using the open bridge version, be sure to keep your thumb pointing up to help secure the cue.
Here is the closed bridge version. Our pressure points are these three fingers and a good rule to remember is not to fire any shots until your bridge is rock solid and we are practicing. It is a good idea to place the cue ball around the table and in as many awkward positions as possible. This allows you to feel comfortable with all types of situations, especially since these situations will likely arise in tournaments or. One problem with leagues that makes pocketing balls more difficult for players is the way they aim, for example, if you see a Top level aiming player, he may make one or two big practice shots, but then he makes a series of very short shots, that's how he tunes up. their aim and when they have finished fine-tuning their aim, they will stop the tip of the cue ball and this is the last step in their aiming process.
If the shot is not absolutely aligned, they will continue with their putts or back away. start over and start again When players with money aim, they tend to take big practice shots, maybe three or four before taking a shot, but they never really hone their aim and many of them never stop their point on the ball cue ball and this failure to fine-tune your aim generally leads to inconsistency in pocketing balls and controlling the cue ball. This is especially true when the player has an easy shot like this, where the ball is close to the pocket but his next ball is at the other end of the tables, so this shower choruses a very precise hit on the object ball for send it to the other end of the table for your position and it usually won't take long for weaker players, Aemon, and that usually results in inconsistency in the control of your cue ball, a strong player notices.
You have to be very precise and now you hit this target ball, so you take your time and go through the entire aiming process ending with the tip of the cue ball to check youraim, if everything looks good, it will go ahead and shoot the shot you need to develop a rhythm in your aim and go through the same aiming process on each shot, regardless of how easy or difficult the shot is, be able to fine-tune your aim and stop the tip of the cue ball. to help you later when you start to place the cue ball in very specific areas for its position, for example, on this shot I need to place the cue ball here to shape it, but as you can see, depending on where the object ball hits, the ball White can travel in many different directions, so it's important to take your time and make sure everything is lined up before shooting.
Ok, now I'm going to show you a technique that should really help you when it comes to combo shots. In this example, we're playing 9 ball, we have a combination on the nine and if you ever watch the best players, every time they hit a combination shot, they line it up like this and this is what they do: They pretend to be the first object ball. is the cue ball, so when they aim this shot, they choose a target along the side rail that they will aim the first ball at, so when we shoot the combination, we pretend that the nine ball isn't even there during our entire approach. is to shoot the four ball towards our aiming point on the rail.
If we can do that, we should pocket the nine ball and even if you're on this side of the combination, you can still shoot the four ball to this point on the rail and pocket the nine and here are three examples of combination shots using this technique in the first shot I'm going to shoot the five to the eight and I'll do it in the side pocket so that with the five ball out the cue ball I can shoot the five towards this place on the rail and pocket the eight ball on the side now this place on the rail becomes my goal.
Now I forget about the eight ball, my whole focus is to shoot the five towards this spot on the rail, then we shoot the four and six combination. and once again I'm going to line up the shot and now I know that if all four balls are headed towards this spot on the rail I can pocket the six ball, so now we're going to pretend that the six ball isn't even there and we're just aiming four balls towards this target and in our third example we line up the shot the same way pretending the seven ball is the cue ball so our spot on the rail is right here and that becomes my main focus in trying to aim this seven ball toward this goal. place on the rail Next we will discuss a common mistake that many players make when playing combinations and that is playing on the wrong side of the combination line and I will show you what I mean in this example.
I'm playing nine bow and I left here on the three ball before I shot the three, however, I'm going to line up my combination, so that if I close the striker towards this spot on the rail, I'll be able to put the Bible in the pocket, for which now becomes my combination line. Now when I shoot the three ball I end up just before the line so when I hit the combination we can see that the cue ball is heading towards the side rail while the poor ball is heading towards the rail of the inn leaving me without a shot since when I look on the merge line we can know which direction the four nets will go towards the inside lane, so if we want our keyboard to go the same way, we need to be on the other side of the merge line now that I cast the merge if your ball is headed in the right direction leaving me a good shot on ball four here is another example of simply being on the wrong side of a combination.
I'm playing 9 ball and then I'll play the 2:3 combination, but I have to do it. be really aware of where the two balls will travel after hitting the three ball, so if I were to enclose the two in the three, we can see that the two balls are heading in this direction, which means that if I ended up below the line combined of two and three. the cue ball will travel in this direction, which means I will be left with a difficult shot with ball two. Now, if I can get the cue ball to go in the same direction as a two ball, I can play the two in the top right corner pocket of the hand, which means I need to be above the combined line. two and three now when I shoot the combination both balls go in the same direction which gives me a shot at both balls and in our final example we will send the one ball. and playing the two three combination, see if you can figure out which side of this combination I need to be on on this first shot.
I end up not reaching the two three combo line and we can see that the cue ball will move away from the two balls, but if we are above the combo line, both the cue ball and the tube will head in the same direction, like this that before playing a position in a combination, try to predict the direction the first ball will travel in order to skillfully hit the object ball when the cue ball is close to the object ball and the player has to draw the cue ball back, some Players tend to jump when performing this type of shot to prevent the cue ball from hitting their cue when it comes back, so they usually end up missing the shot.
A trick to avoid this is to stay down, but simply move your bridge hand out of the way, this ensures that you complete your bench press and stay down, and when you hear people talk about being on the right or wrong side. of the line, they are talking about a playing position on the pocket line side that will allow the cue ball to move naturally to your next ball, for example, on this shot I am playing with the eight ball and I ended up here with the ball five. If I'm going to shoot to the side, we can now see the pocket line, so this would be the good side of the line since all I had to do is pack the five on my cue ball and naturally it would heads towards my next ball.
I ended up here on the five ball, now I'm on the wrong side of the pocket line, as when I pocket the five ball, the cue ball naturally moves away from my next ball, so when you play position on a ball, always Visualize the pocket line running through your next ball and then decide which side of that line will work best to move the cue ball to the next ball. In this example I see the five ball pocket line and I know I need to finish here for the eight ball, so if I play position for this side of the line, all I have to do is pocket the five ball and the cue ball It naturally heads to my position area.
In this situation I'm playing eight ball and I have to play the eight ball in this pocket, so it's important that I end up on the right side of the ten ball pocket line if I shoot too fast and end up here. Now I'm on the wrong side of the line and it's going to be difficult to position myself for the eight ball this time. I am more careful about placing the cue ball on the right side of the pocket line, now it is just a matter of pocketing the ten ball, my cue ball heading to my position area and understanding which side of the pocket lines You must be there to move the cue.
The ball around the table is one of the key components to building a strong tee-off game. Now, before we get into the fundamentals of the position, it's important that you understand what happens to the cue ball after you hit it, so I'm going to set up some shots by hitting them with the center and then with the left and right English. I'm also going to use different cue angles on this first shot. I am shooting the cue ball without spin and with a fairly level cue and since I am not using spin the cue ball should travel directly along the line.
Now I'm going to raise my cue and shoot under center without turning and we see that the cue ball stays in the shooting line, so let's say you're playing an 8-ball game and you have a difficult shot on your last ball, always and when you shoot Center Center down center high your cue ball will remain in the shooting line regardless of the level of your acoustics. It's important to remember this as we move forward to show how to use the effect. moves the cue ball out of the shooting line. Now I'll show you the difference when shooting with spin.
I will hit the cue ball with left spin keeping my cue as level as possible and as you can see as soon as I hit the cue ball it moves away from the shooting line hitting the cue ball on the left side to push the ball white to the right of the line. This is known as deviation. Now I'm going to raise my cue, which causes the cue ball to actually come out of the shooting line now with the same cue elevation I'm going to hit the cue ball on the right side and this will cause the beer pad to come out of the line. shot to the left, let's say our opponent leaves us hard with the eight ball if we hit the cue ball without turning, the cue ball will stay in the shot lead and it doesn't matter if the cue is elevated or level, the cue ball will always stay in the path that starts towards me, but If we use the same line of aim and hit to continue using the spin to the left, we now know that the cue ball will deviate from this line to the right causing an error, so since I am using the left I'll have to adjust my line of aim. so that my cue ball ends up here if I move my ami line here when the cue ball branches to the right, it has to make contact with the correct part of the object ball so that when you shoot with the center, the low center or the high center, your cue ball will always travel in a straight path, even at a long distance or with a high cue, your cue ball will still travel in a straight line, but once you start using spin, the cue ball will go out of the way. aiming line for example here I am and I turn left which makes the cue ball move to the right and here I am using a right turn which makes the cue ball move to the left so let's say that I need to get this ball on the side where the keyboard needs to contact the object ball here, so now this becomes our shooting mind and if we were to shoot this shot with the center, we can shoot straight down this line and pocket the ball, but if we use the spin with the right hand, this will cause the beer keyboard. to the left of the shooting line and this is going to cause a disaster, so if we are going to use the right hand spin, we must adjust the shooting line, since the cue ball will be here on the left, we must move our shooting line to the right now when the cue ball appears on the left it will hit the object ball in the right place and later in the video I will explain more about how the spin changes the trajectory of the cue ball and I will also show you some drills . that you can do, which will really sharpen your aim when it comes to using the spin, but first I'm going to show you something else that happens when using the spin, as I mentioned, when you use the spin, for example, the left spin, it causes The key.
Buying beer to the right and turning to the right makes the cue ball go to the left, as long as the cue is level, no matter what speed you hit the cue ball, the cue ball will not return to the line of aim. but now I'm going to use a raised cue and I'm not going to hit the cue ball too firmly and we can see the aiming line of the cue ball very naughty, but unlike before, the cue ball actually curves towards the line and as I increase the elevation of my cue the cue ball curves even more and in fact this time crosses the line of aim, let's say in the eight ball plan and this is the shot I have in the eight.
I know the cue ball needs a straight eight ball here to get it into the corner. If I were to shoot the low center senator or the high center, I can shoot straight down the same line and pocket the ball, but now if I shoot this with a right hand spin and shoot down the same line with a cue level, the cue ball will deflect. off the line of aim and miss the shot, but if I do it easier and the cue is elevated, then the cue ball will go off the line of aim and start curving towards it as shown here and with more acoustic lift we can see that the key the ball curves even more causing it to cross the line, so when shooting there are several variables that you must take into account, the first is the distance between the cue ball and the object ball, the second is the speed with which you hit the cue ball, the third is the lift of your acoustic, the fourth is the amount of spin you use and the fifth is the type of shaft you are using and that is why Amy's systems, as a rule They generally don't work when using spin, there are too many variables involved for a naming system.
To be effective and when you are pocketing balls using spin these are shads that you need to develop a feel for, later in this video I will show you some great drills that will really sharpen your ball pocketing when it comes to using spin and there is an idea misconception that strong players use aiming systems to pocket balls, as we have just learned that there are too many variables involved in shooting a ball with spin for an aiming system to be effective and many times, when working withStudents, you spend too much time trying. to get the immune system going and waste valuable practice time and, as demonstrated in Ball Pocketing Secrets for Strong Players, it's automatic, for example, here I'm going to hit these balls in order without using my cue to line up the shot.
I keep my club inside my hand at the bridge, but I can still pocket the ball and play in position and this is called automatic play. It comes from hitting the shot enough times to know exactly where you need to hit the ball not only to pocket it but also to play. position for the next shot and anyone can achieve automatic aim through practice and ball placement exercises and the truth is that players who have played pool long enough already have the ability to use automatic aim for many shots . Remember your brain is like a computer if you have taken a shot enough times your brain knows exactly where to hit the object ball to get to the pocket and usually the reason these players miss is because they think too much about the ball. shot or are unsure of the position for their next ball once these players understand. the fundamentals of position play and have more confidence that the cue ball will go where they wanted, they will begin to pocket balls at a higher percentage and later I will show you some ball pocketing drills that we will help you achieve. closer to autoplay and you should be careful when trying to copy a high-level player's shot.
Many high-level players have a stroke that has evolved over time and is not the same stroke they started with, for example, you will see many strong players drive the cue ball. when they use left or right spin and this is what I call a controlled spin when an amateur drives the cue ball it is usually due to a flaw in their hitting motion when a strong player drives the cue ball it is a controlled spin It is part of their hitting motion and this happens because they are hitting a different part of the cue ball than where they were aiming, for example here I may be right above the center of the cue ball but when I hit the cue ball I am actually hitting the ball white with low right and I'm not telling myself to hit low right, I'm just telling myself where I should end up for a position where these players have hit enough balls that they no longer have to Tell themselves where to hit the cue ball.
Getting a position is something that happens automatically and if you want to emulate the stroke of a top player, try to choose a top player who has a more orthodox type of stroke when working with students, even students who make a living playing , a common problem that some of What share is not being able to find the center of the cue ball when I tell them to place their tip in the center of the cue ball. It is to the right or left of center. Here my student thinks that his tip is in the center of the cue. ball from above we can see that its tip is actually left center which means that when you shoot center you are actually applying a little spin to the cue ball and just adding a small amount of spin is enough to launch the shot and , as seen here by By the time the cue ball reaches the object ball, it has deviated slightly from the line causing a miss.
This is why many players miss long straight shots without realizing it, they are hitting the cue ball off center with a spin to the left or right and this will alter the trajectory of their cue ball more than they have. the most important building blocks. Becoming a strong player is being able to find the center on the cue ball, so in the next section we will look at some drills that will really help you be consistent. While hitting the center of the cue ball in this drill, place the purchased object ball one diamond away from the center pocket and then place the 9-ball about a quarter diamond away from the object ball on the same pocket line. .
The objective of this drill is to shoot the center of the nine ball so that the nine ball stops when it hits the object ball and as explained in the secrets, when we hit the key ball using the center with a firm hit, the cue ball It will slide before starting to roll. If the cue ball hits a target ball when sliding, the cue ball loses all its energy and stops. The reason we use the nine ball is to see if we miss hitting the center of the cue ball, for example if I accidentally hit the cue ball with the right center or left center we can see the nine ball spinning after to make contact with the object ball.
We also want the number nine to be on top of the ball when the nine ball stops. The number nine should continue to be at the top of this area. There may be a little movement, which is normal, but any large movement of the number nine means that the cue ball was hit incorrectly and continue shooting until you can consistently hit the nine ball in the center. Another great drill to help you find the center is to place the cue ball directly in front of the second diamond on the side rail shoot the board the second diamond that hits the center is hit correctly the cue ball should return to its point area if it has any spin on the cue ball, you will leave the rail at an angle once you are consistent in this step to the full table version place the cue ball in its place and name it as the second diamond on the inside rail the keyboard should return to its point area keep practicing these drills until you can consistently hit the center of the cue ball with no spin, I'm playing nine balls, my opponent has me safe in one.
I don't have a very good kick on a ball and if I miss the one and give them the ball in their hand, they only need to pocket the one and two ball and play the three-nine combination to win the game, so in this situation I'm going to pocket the nine ball but at the same time I'm going to try to tie a ball now my opponent will have a lot more work. what to do to win the game in this next life or death shot, see if you can figure out how to pocket the eight ball our opponent left us here surrounded by solids and it seems like a pretty serious situation, well in this layout, since the cue ball It's close to the side rail, it's not that hard to jump over the obstructing balls, try to figure out what angle you'll need to get to the eight ball, will you hit this shot a little above center and when will the cue ball arrive?
It is close to the rail with a little practice it is not that difficult to jump over the balls the Shattuck cables a small resection with an angled cue shoot a little over the center and try not to overshoot if you do it over the cue ball Shown here is the table heading downwards, which is another interesting shot in this example. I'm at the nine ball and the eight ball is at the other end of the table. If I cut the nine ball on the cue ball, it will run towards the solids. Leaving me hard on the eight ball, but since the nine ball is close to the cushion, I just need to angle my cue and hit over center.
I focus on a short backstroke and accelerate through the cue ball and shots like this I try not to hit the ball too much. shot and remember that this type of shot requires a little practice to understand. It's definitely a type of shot you had to practice before trying it in a game. It doesn't require a lot of power, just a good short swing. acceleration through the cue ball now we are going to discuss high and low action and it is about hitting the cue ball easier but getting more action from it for example in this example we are playing an eight ball game we need to play a position for the eight ball in this area, the problem is that the cue ball is only one ball away from our last ball now, as both balls are extremely close to each other when most players try to pocket the ball on the side and follow the cue ball, your key ball is not going anywhere or only traveling a few centimeters and this is the reason why this shot is so difficult for most players as we duck into the shot From our perspective, it seems like we are hitting too high.
Center, but if we get closer to the side of the cue ball now we can see the problem when you are a man over the sinner, the only part of the tip that makes contact with the key ball is the bottom of the tip, so although From the players point of view it looks like the tip is way above the center, the tip is actually hitting the cue ball near the center, so they are not getting much progress now if I make them aim much higher in the white ball that we now see. that the tip will make contact with the cue ball very high up and this will generate a lot of action, so watch what happens when I hit the cue ball so high immediately, you can see that the cue ball has extra energy and now travels to the position area , so when you strive to keep all this high with a good stroke, you are creating more revolutions in the cue ball and this will give it additional energy.
This extra energy makes it easier to move the cue ball around the center. In the table, for example, here I am only hitting the cue ball a little above the center, we can see that the cue ball is driving an impact afterwards, but now I am hitting the cue ball much higher creating high action and you can see that the key ball has a lot. of energy and you can even use high action on shots where the cue ball only needs to travel a few centimeters, he shouts. I need high action in almost every game, for example, I will use high action when I throw this ball to play.
Position on both balls and once you get used to using the high action, your speed and accuracy will improve dramatically. Now I'll use the high action to shoot the three ball and come off the rail for the four ball and later in the video. We'll talk about high action positional play along with how to roll the cue ball into position, which I'm doing with these shots, and as we get into positional play you'll start to learn how angles move the cue ball around. the table and Once you start playing at the right angle, it takes a lot less effort to get the cue ball where you want it, for example on these shots I'm only shooting hard enough to pocket the ball and my cue ball It rolls into position for my next shot.
On the seven ball I will use the high action to force the cue ball towards the side rail and towards the inside rail to shape it on the eight and here is a drill that will really help you get comfortable using the high action, placing an object. ball near the corner pocket, then place the cue ball about half a diamond away from the object ball on the same pocket line. Now you not only have to pocket the ball but you also have to follow it to the pocket with the cue ball and you must be able to hit this shot with a nice soft stroke using a high action, it also requires a very precise stroke otherwise , the cue ball will not follow the object ball into the pocket so keep practicing until you feel comfortable using a high action once you achieve consistency at this distance gradually start moving your cue ball back also practice placing the cue ball about one ball away from the object ball and still try to follow it to the pocket.
Remember to hit this shot correctly, it's a stroke, not a power, and there are many shots that come up that you can only make with a lot of action, for example, let's say you want to slowly roll the three ball into the corner so you can set up for the ball. eight, but the table you're playing on is very level, so your cue ball may go out of line if you shoot too easily. In this case, you can try shooting with a high action and a firm hit. The high action kills the cue ball once it hits the rail in the shadow.
I'm on the ten ball. but playing position with the eight ball will be difficult as I need to shoot it in the same pocket as the ten ball, but by using a high action I can shoot the ten and have the cue ball return to where it is now to position itself above me. In this 8 ball game I am on my last ball but I am on the wrong side of the pocket line but by simply using high action I can force the cue ball to this area to shape it into the 8th and watch the balls reaction white. after hitting the rail another benefit of the high action is that it allows the pad to move through obstacle balls to position itself, for example on this shot I'm on 14 and I need to finish here for 8, but once that I hit the 40 ball, the cue ball will run to the 7 if the cue ball has a high action, it will go through the 7 ball for my position on the 8 and here is another example of how to go through a hazard ball with high action.
I need to finish here for the 8 ball after pocketing the 14, so I'll need high action on the cue ball to get through the 2 ball and get my position on the 8 ball.Now we are going to discuss the low action and many players have trouble when it comes to drawing the cue ball in the latest installment of Pulls' Biggest Secrets, we recreate 8 balls from the best players in the world, we break down each shot shot by shot to so you can better understand why they chose stripes or solids. Then we go over several offensive and defensive strategies that strong players use when playing 8-ball.
Next, we look at the mistakes almost everyone makes when jumping balls and I'll show you an easier way to target your jumps. We will also discuss how to do them. massive shots, which is essential to becoming a strong player. I will also show you mistakes that almost everyone makes with a break in the balls. Next, we will see 9 ball starts from the best players in the world. Analyze each shot by shot so you can get a better idea of ​​why they chose the pattern they did. This is an in-depth analysis of how top players move the cue ball around the table.
This video covers not only the fundamentals of hitting but also the fundamentals of position play to reach a high level. This is the information you need to know and when you are done with this video you will be moving the cue ball around the table easier than ever before. . To review 8-ball and 9-ball safeties, as well as the top 35 safeties played by the best players in the world, this 5-hour video is packed and designed to take you to the next level faster than you ever thought possible. available now on DVD or downloads at WWE exit billiard puts your mind at ease

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